2020 Financial Statements for Bertelsmann SE & Co. Kgaa
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Sheila Simmenes.Pdf (1.637Mb)
Distant Music An autoethnographic study of global songwriting in the digital age. SHEILA SIMMENES SUPERVISOR Michael Rauhut University of Agder, 2020 Faculty of Fine Arts Department of Popular music 2 Abstract This thesis aims to explore the path to music creation and shed a light on how we may maneuver songwriting and music production in the digital age. As a songwriter in 2020, my work varies from being in the same physical room using digital communication with collaborators from different cultures and sometimes even without ever meeting face to face with the person I'm making music with. In this thesis I explore some of the opportunities and challenges of this process and shine a light on tendencies and trends in the field. As an autoethnographic research project, this thesis offers an insight into the songwriting process and continuous development of techniques by myself as a songwriter in the digital age, working both commercially and artistically with international partners across the world. The thesis will aim to supplement knowledge on current working methods in songwriting and will hopefully shine a light on how one may improve as a songwriter and topliner in the international market. We will explore the tools and possibilities available to us, while also reflecting upon what challenges and complications one may encounter as a songwriter in the digital age. 3 4 Acknowledgements I wish to express my gratitude to my supervisor Michael Rauhut for his insight, expertise and continued support during this work; associate professor Per Elias Drabløs for his kind advice and feedback; and to my artistic supervisor Bjørn Ole Rasch for his enthusiasm and knowledge in the field of world music and international collaborations. -
A Changing of the Guards Or a Change of Systems?
BTI 2020 A Changing of the Guards or A Change of Systems? Regional Report Sub-Saharan Africa Nic Cheeseman BTI 2020 | A Changing of the Guards or A Change of Systems? Regional Report Sub-Saharan Africa By Nic Cheeseman Overview of transition processes in Angola, Benin, Botswana, Burkina Faso, Burundi, Cameroon, Central African Republic, Chad, Democratic Republic of the Congo, Republic of the Congo, Côte d'Ivoire, Djibouti, Equatorial Guinea, Eritrea, Eswatini, Ethiopia, Gabon, The Gambia, Ghana, Guinea, Guinea-Bissau, Kenya, Lesotho, Liberia, Madagascar, Malawi, Mali, Mauritania, Mauritius, Mozambique, Namibia, Niger, Nigeria, Rwanda, Senegal, Sierra Leone, Somalia, South Africa, South Sudan, Tanzania, Togo, Uganda, Zambia and Zimbabwe This regional report was produced in October 2019. It analyzes the results of the Bertelsmann Transformation Index (BTI) 2020 in the review period from 1 February 2017 to 31 January 2019. Author Nic Cheeseman Professor of Democracy and International Development University of Birmingham Responsible Robert Schwarz Senior Project Manager Program Shaping Sustainable Economies Bertelsmann Stiftung Phone 05241 81-81402 [email protected] www.bti-project.org | www.bertelsmann-stiftung.de/en Please quote as follows: Nic Cheeseman, A Changing of the Guards or A Change of Systems? — BTI Regional Report Sub-Saharan Africa, Gütersloh: Bertelsmann Stiftung 2020. https://dx.doi.org/10.11586/2020048 This work is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0). Cover: © Freepick.com / https://www.freepik.com/free-vector/close-up-of-magnifying-glass-on- map_2518218.htm A Changing of the Guards or A Change of Systems? — BTI 2020 Report Sub-Saharan Africa | Page 3 Contents Executive Summary ....................................................................................... -
Programme 5 Overview 6 Schedule First Word 12 Greeting Andreas
Index Programme Expo 5 Overview 44 Umbrella Stands A – Z 6 Schedule 47 Exhibitor Presentation/Expo Map 84 Exhibitors A – Z First Word 12 Greeting Andreas Mailath-Pokorny, Conference Executive City Councillor for Cultural Affairs 90 Conference Sessions and Science, City of Vienna 100 Mentoring 13 Greeting Rainer Kahleyss and Werner 102 Network Meetings and Presentations Dabringhaus, CLASS Association of Classical 104 Biographies A – Z Independents in Germany 14 Greeting Mario Rossori, Heinrich Schläfer, Film Screenings Frank Stahmer, Classical Partners Vienna 1 11 Film Screenings 15 Greeting Jennifer Dautermann, Director Classical:NEXT Showcases 115 Opening and Closing Network 116 Live Showcases A – Z 18 Advisory Board 130 Video Showcases A – Z 20 The Jury 136 off C:N Showcases A – Z 22 Partners 26 Photographer Delegates 27 Advertisers A – Z 142 Companies A – Z 177 Individuals A – Z Classical:NEXT A – Z 30 From ”Badges" to ”Who is Coming“ Credits 190 Imprint Destination Vienna 191 Team 37 Getting Around 37 Places to Eat 39 Shopping: Food, Music and Instruments Front Flap Inside Plant Layout MAK 41 Things to See Back Flap Inside Directions to Venues 42 Service NEW YEAR. NEW STORIES. PROGRAMME NEW CLASSICAL MUSIC. First Word Network C:N A – Z Destination Vienna Expo FROM Conference £4.95 A Film Screenings MONTH Showcases Delegates Credits The all-new Classical Music: Register online » Comprehensive website with news, features, reviews and opinion for FREE access » Daily e-mail bulletin with news from national and international press to classical -
Equitable Thro Equitable Through the Ages Ugh the Ages
Equitable through the ages 1932 Babe Ruth endorses Equitable in a print advertisement, a big step in the field of sports marketing. 1896 1969 2000 Ray Wilner Sundelson becomes Equitable has a long history of Alliance Capital acquires 2001 the first woman agency investing in infrastructure across Sanford C. Bernstein, manager in the United States. the country. This includes the forming AllianceBernstein. AXA Equitable pledges over $10 million construction of the Gateway for 9/11 disaster relief as a founding Center in Pittsburgh, which donor of the Families of Freedom was recognized as a visionary Scholarship Fund. commitment that helped restore 1927 downtown Pittsburgh as a central 1870 hub in the region. Equitable Managers co-found the 1992 Equitable’s home office American College of Life Underwriters building in New York City. and establish the Chartered Life 1976 AXA makes initial Underwriter (CLU) designation. investment in The 2010 Equitable introduces variable Equitable following life insurance and markets its demutualization. AXA Equitable launches the first variable annuity product. first-ever buffered annuity, Structured Capital Strategies®. 1859 2020 Henry B. Hyde founds 1985 2003 We are Equitable. The Equitable Life Assurance The Equitable acquires Our Foundation launches Society of the United States. Alliance Capital. Equitable ExcellenceSM, which has awarded nearly $30 million to more than 6,500 students and 1,800 schools since inception. 2004 1940s AXA Equitable acquires the Equitable supports the war MONY Group. 2018 effort, waiving the prohibition 1912 of payments of death benefits Equitable Holdings is listed on Equitable’s home office building at for policyholders in battle, the New York Stock Exchange. -
Penguin Group (Usa) Inc. Terms of Sale to Schools, Libraries, and Institutions
PENGUIN GROUP (USA) INC. TERMS OF SALE TO SCHOOLS, LIBRARIES, AND INSTITUTIONS DISCOUNT SCHEDULE FOR HARDCOVER AND TRADE PAPERBACK, JUVENILE & ADULT, AUDIO CASSETTES, CDs AND CD-ROM PRODUCTS, AND AUTHOR VIDEOS 1. Penguin Group (USA) imprints: Ace, Alpha, Applause Theatre Books, Avery Books, Berkley, Bibli O’Phile, Calloway, Celebra, Chamberlain Bros., Consumer Guides, DAW, Dial Books for Young Readers, Dutton, Europa Editions, Gotham Books, Grosset & Dunlap, Holloway House, Home, HPBooks, Hudson Street Press, Kensington, Library of America, Media Masters, Meridian, Minedition, NAL, Obsidian Mysteries, Onyx, The Overlook Press, Penguin Audio, The Penguin Press, Philomel, Portfolio, Prentice Hall Art, Price, Puffin, G. P. Putnam’s Sons, Putnam Berkley Audio, Razorbill, Pelican Shakespeare, Penguin, Penguin Classics, Penguin Global, Perigee, Plume, Portfolio, Prentice Hall Press, Prime Crime, Reader’s Digest, Riverhead, Roc, Sentinel, Sleuth, Speak, Studio, Jeremy P. Tarcher, Viking, Frederick Warne. Please contact our orders department to learn how imprints may be combined to meet discount order minimums:. 1–9 assorted books 20% discount/free freight 10 or more assorted books 30% discount/free freight MASS MARKET BOOKS These imprints may be combined to meet minimums: Ace, Berkley, Consumer Guide, DAW, Jove, Onyx, Roc, Signet, and Signet Classic. 1–9 assorted books list price/free freight 10 or more assorted books 20% discount/free freight DK AND ROUGH GUIDES (books and CDs, not maps) may be combined to meet minimums. 1–19 assorted books 20% discount/free freight 20+ assorted books 40% discount/free freight QUOTATIONS: We regret we cannot guarantee pricing or stock availability for any length of time. Please ask for our latest order forms to determine status and current price of books. -
Annual Report 2019 Key Figures
ANNUAL REPORT 2019 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PERFORMANCE 1 January 2019 to 31 December 2019 +31.15 % MDAX +16.41 % SXMP –5.82 % RTL GROUP INDEX = 100 –10.55 % RTL Group share price development PROSIEBENSAT1 for January to December 2019 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media (SXMP) and ProSiebenSat1 Fremantle’s America’s Got Talent: The Champions is a prime-time hit on NBC. 2 RTL Group Annual Report 2019 Key figures REVENUE 2015 – 2019 (€ million) EBITA 2015 – 2019 (€ million) 19 6,651 19 1,139 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 15 6,029 15 1,167 PROFIT FOR THE YEAR 2015 – 2019 (€ million) EQUITY 2015 – 2019 (€ million) 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 15 863 15 3,409 MARKET CAPITALISATION* 2015 – 2019 (€ billion) TOTAL DIVIDEND / DIVIDEND YIELD PER SHARE 2015 – 2019 (€)(%) 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 15 11.9 15 4.00***** 4.9 *As of 31 December * On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak. No dividend will now be proposed to the Annual Meeting of Shareholders on 30 June 2020. -
Television Advertising Insights
Lockdown Highlight Tous en cuisine, M6 (France) Foreword We are delighted to present you this 27th edition of trends and to the forecasts for the years to come. TV Key Facts. All this information and more can be found on our This edition collates insights and statistics from dedi cated TV Key Facts platform www.tvkeyfacts.com. experts throughout the global Total Video industry. Use the link below to start your journey into the In this unprecedented year, we have experienced media advertising landscape. more than ever how creative, unitive, and resilient Enjoy! / TV can be. We are particularly thankful to all participants and major industry players who agreed to share their vision of media and advertising’s future especially Editors-in-chief & Communications. during these chaotic times. Carine Jean-Jean Alongside this magazine, you get exclusive access to Coraline Sainte-Beuve our database that covers 26 countries worldwide. This country-by-country analysis comprises insights for both television and digital, which details both domestic and international channels on numerous platforms. Over the course of the magazine, we hope to inform you about the pandemic’s impact on the market, where the market is heading, media’s social and environmental responsibility and all the latest innovations. Allow us to be your guide to this year’s ACCESS OUR EXCLUSIVE DATABASE ON WWW.TVKEYFACTS.COM WITH YOUR PERSONAL ACTIVATION CODE 26 countries covered. Television & Digital insights: consumption, content, adspend. Australia, Austria, Belgium, Brazil, Canada, China, Croatia, Denmark, France, Finland, Germany, Hungary, India, Italy, Ireland, Japan, Luxembourg, The Netherlands, Norway, Poland, Russia, Spain, Sweden, Switzerland, UK and the US. -
Das Ende Der Anarchie Die Allianz Zwischen Bertelsmann Und Der Internet-Tauschbörse Napster Könnte Den Elektronischen Handel Revolutionieren
Wirtschaft MUSIKINDUSTRIE Das Ende der Anarchie Die Allianz zwischen Bertelsmann und der Internet-Tauschbörse Napster könnte den elektronischen Handel revolutionieren. Künftig wollen die Anbieter für Musik – und später auch für Texte, Bilder und Filme – Geld verlangen. Aber werden die Nutzer auch zahlen? n den Bars seiner Heimatstadt Brock- Die Dynamik, mit der sich Napster ver- Dazu wird es wohl nicht kommen. Am ton bekommt Shawn Fanning noch nicht breitet hat, ist beispiellos, die Probleme Dienstag vergangener Woche gab der Ber- Ieinmal ein Budweiser. Mit seinen 19 Jah- sind es allerdings auch: Die großen Musik- telsmann-Konzern in New York überra- ren ist der Studienabbrecher nach den Ge- konzerne fühlen sich durch Fannings Ak- schend eine Allianz mit Napster bekannt. setzen des US-Bundesstaates Massachusetts tivitäten in ihrer Existenz bedroht – und Der Medienriese will sich an dem Tausch- zu jung, um ein Bier bestellen zu dürfen. überzogen ihn mit Urheberrechtsklagen. ring beteiligen und bekommt so auf einen Doch er ist alt genug, um weltweit die Für kurze Zeit musste der Dienst sogar Schlag Zugriff auf Millionen potenzieller Musikindustrie zu erschüttern. eingestellt werden, denn was Napster Kunden. Bertelsmann will den Charakter Vor anderthalb Jahren hat Fanning harmlos „file sharing“ (Daten miteinander von Napster als Tauschbörse bewahren, Napster erfunden, einen Musikbasar, auf teilen) nennt, ist für die meisten Enter- mit dem kleinen, aber feinen Unterschied, dem Internet-Nutzer kostenlos Songs ih- tainment-Konzerne nichts anderes als kri- dass künftig für den Erhalt von Musik ge- rer Lieblingsbands tauschen können. Mit minelles Raubkopieren. zahlt werden soll. seinem Projekt hat der junge Hobby- Dabei hat Napster bisher keinen Weg Das aber kann nur funktionieren, wenn Programmierer eine Entwicklung in Gang gefunden, mit dem eigenen Angebot Geld neben der Bertelsmann-Musiktochter gesetzt, die selbst nach den Maßstäben des zu verdienen. -
Annual Report 2009
Annual Report 2009 Digitization INNOVATION CultureFREEDOM CommitmentChange Bertelsmann Annual Report 2009 CreativityEntertainment High-quality journalism Performance Services Independence ResponsibilityFlexibility BESTSELLERS ENTREPRENEURSHIP InternationalityValues Inspiration Sales expertise Continuity Media PartnershipQUALITY PublishingCitizenship companies Tradition Future Strong roots are essential for a company to prosper and grow. Bertelsmann’s roots go back to 1835, when Carl Bertelsmann, a printer and bookbinder, founded C. Bertelsmann Verlag. Over the past 175 years, what began as a small Protestant Christian publishing house has grown into a leading global media and services group. As media and communication channels, technology and customer needs have changed over the years, Bertelsmann has modifi ed its products, brands and services, without losing its corporate identity. In 2010, Bertelsmann is celebrating its 175-year history of entrepreneurship, creativity, corporate responsibility and partnership, values that shape our identity and equip us well to meet the challenges of the future. This anniver- sary, accordingly, is being celebrated under the heading “175 Years of Bertelsmann – The Legacy for Our Future.” Bertelsmann at a Glance Key Figures (IFRS) in € millions 2009 2008 2007 2006 2005 Business Development Consolidated revenues 15,364 16,249 16,191 19,297 17,890 Operating EBIT 1,424 1,575 1,717 1,867 1,610 Operating EBITDA 2,003 2,138 2,292 2,548 2,274 Return on sales in percent1) 9.3 9.7 10.6 9.7 9.0 Bertelsmann Value -
Apple TV+ Book Noviembre2019 Una Publicación De
revista sobre programación de plataformas 186/noviembre/2019 de televisión de pago en españa ejemplar gratuito Apple TV+ book noviembre2019 una publicación de www.neeo.es Sony Pictures Television Networks Iberia, S.L. Turner Broadcasting System España The Walt Disney Company Iberia Discovery Networks International Canal Cosmopolitan Iberia AMC Networks International | Iberia NBC Universal Global Networks España Viacom International Media Networks Fox Networks Group España neeo no se responsabiliza de los DTS Distribuidora de Televisión Digital posibles cambios que puedan Netflix España realizar los diversos canales en su TV5Monde programación. HBO España Amazon.com, Inc Ejemplar gratuito. cine y series s extra amazon prime video sundancetv canal cocina amc tcm decasa apple tv+ tnt axn xtrm axn white música calle 13 sol música canal hollywood infantil comedy central canal panda cosmo nick jr. dark nickedoleon filmin fox fox life hbo españa documentales movistar estrenos blaze movistar cinedoc&roll cazavisión movistar series crimen + investigación mtv discovery channel netflix historia paramount network national geographic sky odisea starzplay somos book cine series book amazon prime video 4K amazon.com, inc. 2ª Temporada Tom Clancy´s Jack Ryan En la segunda temporada de Tom Clancy’s Jack Ryan, tras rastrear un sospechoso envío de armas ilegales en la selva venezolana, el oficial de la CIA Jack Ryan, interpretado por John Krasinski (Un lugar tranquilo), se dirige a Sudamérica para investigar. Cuando la investigación de Jack amenaza con desenmascarar una conspiración de gran alcance, el presidente de Venezuela lanza un contrataque que golpea a Jack en su propio hogar, conduciéndole a él y a sus operativos a una misión global que los llevará a Estados Unidos, Reino Unido, Rusia y Venezuela para desarmar el perverso plan del presidente y llevar estabilidad a un país al borde del caos. -
BMG Rights Management V. Cox Communications
BMG Rights Management (US)LLC et al v. Cox Enterprises, Inc. et al Doc. 703 IN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF VIRGINIA Alexandria Division __________________________________________ ) BMG RIGHTS MANAGEMENT (US) ) LLC, and ROUND HILL MUSIC LP, ) ) Civil No. 1:14-cv-1611 Plaintiffs, ) ) Hon. Liam O’Grady v. ) ) COX COMMUNICATIONS, INC., and ) COXCOM, LLC, ) ) Defendant s. ) __________________________________________) MEMORANDUM OPINION In this copyright action, the putative owners of more than 1,400 musical composition copyrights seek to hold Cox Communications, Inc. and Cox Com, LLC (collectively, “Cox”) contributorily and vicariously liable for alleged copyright infringement taking place over its high-speed internet service. At the close of extensive discovery, the parties cross-moved for summary judgment. Following oral argument, the Court issued an Order (Dkt. No. 675) granting in part and denying in part Plaintiffs’ Motion for Partial Summary Judgment (Dkt. No. 310) and denying Cox’s Motion for Summary Judgment (Dkt. No. 305) for the reasons stated in this memorandum opinion. I. Background Cox provides high-speed internet service to customers nationwide. Plaintiffs BMG Rights Management (US), LLC (“BMG”) and Round Hill Music LP are the putative owners or administrators of approximately 1,400 musical composition copyrights. Plaintiffs allege users of 1 Dockets.Justia.com Cox internet service employ BitTorrent, a type of peer-to-peer (“P2P”) file sharing, to illegally upload and download music files, thereby violating Plaintiffs’ exclusive rights. A. BitTorrent The innovation of P2P file sharing is that it allows “user’s computers [to] communicate directly with each other,” rather than through a central server. -
MONY LIFE INSURANCE COMPANY of AMERICA ASSETS Current Statement Date 4 1 2 3 Net Admitted December 31 Nonadmitted Assets Prior Year Net Assets Assets (Cols
Statement as of March 31, 2019 of the MONY LIFE INSURANCE COMPANY OF AMERICA ASSETS Current Statement Date 4 1 2 3 Net Admitted December 31 Nonadmitted Assets Prior Year Net Assets Assets (Cols. 1 - 2) Admitted Assets 1. Bonds....................................................................................................................................... .............1,102,547,583 ..................................... .............1,102,547,583 .............1,065,453,165 2. Stocks: 2.1 Preferred stocks............................................................................................................. ....................2,250,000 ..................................... ....................2,250,000 ....................4,196,250 2.2 Common stocks.............................................................................................................. ..................58,070,050 ..................................... ..................58,070,050 ..................55,023,301 3. Mortgage loans on real estate: 3.1 First liens........................................................................................................................ ..................17,000,000 ..................................... ..................17,000,000 ..................17,000,000 3.2 Other than first liens....................................................................................................... ..................................... ..................................... ..................................0 ....................................