Index

Programme Expo 5 Overview 44 Umbrella Stands A – Z 6 Schedule 47 Exhibitor Presentation/Expo Map 84 Exhibitors A – Z First Word 12 Greeting Andreas Mailath-Pokorny, Conference Executive City Councillor for Cultural Affairs 90 Conference Sessions and Science, City of 100 Mentoring 13 Greeting Rainer Kahleyss and Werner 102 Network Meetings and Presentations Dabringhaus, CLASS Association of Classical 104 Biographies A – Z Independents in 14 Greeting Mario Rossori, Heinrich Schläfer, Film Screenings Frank Stahmer, Classical Partners Vienna 1 11 Film Screenings 15 Greeting Jennifer Dautermann, Director Classical:NEXT Showcases 115 Opening and Closing Network 116 Live Showcases A – Z 18 Advisory Board 130 Video Showcases A – Z 20 The Jury 136 off C:N Showcases A – Z 22 Partners 26 Photographer Delegates 27 Advertisers A – Z 142 Companies A – Z 177 Individuals A – Z Classical:NEXT A – Z 30 From ”Badges" to ”Who is Coming“ Credits 190 Imprint Destination Vienna 191 Team 37 Getting Around 37 Places to Eat 39 Shopping: Food, Music and Instruments Front Flap Inside Plant Layout MAK 41 Things to See Back Flap Inside Directions to Venues 42 Service NEW YEAR. NEW STORIES. Programme NEW CLASSICAL MUSIC. First Word Network C:N A – Z Destination Vienna Expo

FROM Conference £4.95 A Film Screenings MONTH Showcases Delegates Credits

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2013_160_209.indd 1 03/04/2013 09:40:27 YOUR ONLINE ACCESS to the professional classical & art music community Overview

Wednesday 29 May 15:00 - 18:00 Registration and Badge Pick-Up at MAK, Foyer ground floor 15:00 - 18:00 Expo Set-Up at MAK, Expo Hall relevant 19:30 - 20:15 Admission and Welcome Drink at MAK, Columned Main Hall international 20:15 - 21:30 Opening Concert at MAK, Columned Main Hall find business contacts 21:30 - 23:00 Austrian Reception at MAK, Columned Main Hall Classical:NEXT delegates through Thursday 30 May 09:00 - 18:00 All Day Registration and Badge Pick-Up at MAK, Foyer ground floor 09:00 - 18:00 Expo at MAK, Expo Hall C:N NET - all year contact r viewOve round your artist/business 10:00 - 11:45 Conference Sessions 1 + 2 at MAK, Lecture Hall / 10:00 - 11:45 Network Meetings at MAK, MAK Lounge to classical music

12:15 - 13:15 Video Showcases at MAK, Lecture Hall M me promote professionals and 13:30 - 15:00 Conference Session 3 at MAK, MAK Lounge a companies 14:00 - 17:15 Conference Sessions 4 + 5 + 6 at MAK, Lecture Hall new artists and 16:00 - 17:30 One-to-One Mentoring at MAK, Restaurant ”Österreicher“ (Séparée) free-to-stream 18:00 - 20:00 Film Screening at MAK, Lecture Hall Progr music discover 20:30 - 23:15 Live Showcases at Porgy & Bess

how to make the most of C:N NET: Friday 31 May 09:00 - 18:00 All Day Registration and Badge Pick-Up at MAK, Foyer ground floor 09:00 - 18:00 Expo at MAK, Expo Hall Visit us @ STAND 01 10:00 - 11:45 Conference Session 7 + 8 at MAK, Lecture Hall learn 10:00 - 10:45 Network Meeting at MAK, MAK Lounge 11:00 - 12:00 Presentation at MAK, MAK Lounge 12:15 - 14:00 Video Showcases at MAK, Lecture Hall 12:15 - 15:15 Conference Sessions 9 + 10 at MAK, MAK Lounge 15:00 - 16:45 Conference Sessions 11 + 12 at MAK, Lecture Hall 16:00 - 16:30 Roundtable Mentoring at MAK, Restaurant ”Österreicher“ (Séparée) 18:00 - 20:00 Film Screening at MAK, Lecture Hall 19:00 - 20:20 off C:N Showcases at Musikverein, Metallener Saal 20:30 - 23:15 Live Showcases at Porgy & Bess

Saturday 01 June 10:00 - 10:45 Conference Session 13 at MAK, Lecture Hall www.classicalnext.com/net 12:00 - 13:00 Networking Farewell at MAK, Foyer first floor 13:00 - 14:00 Closing at MAK, Lecture Hall

*Your Classical:NEXT registration includes a free 1-year membership 5 Daytime Schedule Nighttime Schedule including Conference Sessions, Mentoring, Network Meetings & Presentations, including Opening, Live Showcases, off C:N Film Screenings, Video Showcases, Closing MAK Lecture Hall Conference Sessions, MAK Lounge Network Meetings, MAK Restaurant “Österreicher” MAK Columned Main Hall Porgy & Bess Musikverein (Metallener Saal) Video Showcases, Film Screenings, Closing Presentations, Conference Sessions (Séparée) Mentoring Opening Live Showcases off C:N

WED 29 MAY 19:30 – 20:15 Admission, Welcome Drink 20:15 – 21:30 Opening Concert and Keynote y y Benjamin Schmid (), Danubia Saxophon Quartett Wien (Austria), Chorus Sine Nomine (Austria), Ensemble PHACE (Austria) and Keynote: Daniel Hope (UK/Austria) 21:30 – 23:00 Austrian Reception thu 30 MAY

y & THUr sda y & 10:00 – 10:45 Conference Session 1 10:00 – 10:45 Network Meeting 20:30 – 21:00 Live Showcase THUr sda y & Classical in Korea IAMIC – a Catalyst and Facilitator of European and International Projects Vienna Connection An in-depth survey of classical audiences How the Minstrel Project is enhancing musical mobility (Austria) Kim (South Korea) De Greef (Belgium), Moschos (Greece) 21:15 – 21:45 Live Showcase 11:00 – 11:45 Conference Session 2 11:00 – 11:45 Network Meeting Ivan Ilić Developing a Digital Strategy for Classical Social Action Through Music: El Sistema Initiatives around the World (Serbia/US/France) Music Audiences Reaching audiences through Sistema Europe presents recent developments / WED nesda / compelling digital campaigns | Grabel (US) Marcus (UK), Abelin () WED nesda / 22:00 – 22:30 Live Showcase 12:15 – 12:30 Video Showcase The Peärls Before Swïne Experience amme Dreamers’ Circus (/Sweden) (Sweden) amme

13:00 – 13:15 Video Showcase 22:45 – 23:15 Live Showcase Aquarius Chamber Choir (Belgium) Living Room in London Progr Progr 13:30 – 15:00 Conference Session 3 (UK/Austria) 14:00 – 14:45 Conference Session 4 Discovery Room Signposts in the Jungle How important are Digital tools for classical music reviews and awards for the music industry? Sittl (Germany), Klembas (Austria), Franck (Luxembourg), Condy (UK) Watel (France/Greece), Ayala (Canada), Coss (Austria) 15:00 – 15:45 Conference Session 5 Orchestra Now - But How? (And Why?) Challenges of identity and legitimacy for performance institutions Savery (Denmark), Kieser (Canada/US), Mertens (Germany), Scheib (Austria)

16:00 – 17:15 Conference Session 6 16:00 – 17:30 Mentoring Rethinking the Classical Concert One-to-One Mentoring Successful strategies for reinvigorating live Denut (France), Pennartz (Germany), classical music | Idema (The ) Schneeweisz (Austria/The Netherlands)

18:00 – 20:00 Film Screening Kinshasa Symphony, with Claus Wischmann (Germany)

6 7 Daytime Schedule Nighttime Schedule MAK Lecture Hall Conference Sessions, MAK Lounge Network Meetings, MAK Restaurant “Österreicher” MAK Columned Main Hall Porgy & Bess Musikverein (Metallener Saal) Video Showcases, Film Screenings, Closing Presentations, Conference Sessions (Séparée) Mentoring Opening Live Showcases off C:N Fri 31 MAY 19:00 – 20:20 off C:N 10:00 – 10:45 Conference Session 7 10:00 – 10:45 Network Meeting Anna Petrini (Sweden) Arts Management Tools in China PR Agencies Network Meeting Duo Gelland (Sweden) How China is developing its performing arts Adapting to a changing media environment industry | Zanon (Italy/China), Guo (China) Krippendorff (US/Germany) Jörgen Pettersson and Håkan Lidbo (Sweden) 11:00 – 11:45 Conference Session 8 11:00 – 12:00 Presentation y Connecting the Arts, Business and Blu-Ray Pure Audio 20:30 – 21:00 Live Showcase y Consumers (ABC-Matching) The future high-end audio format Les Temps Modernes Really, it’s a bit like dating Combrink (Germany), Shammout (Germany) (France) Walsh (UK/The Netherlands) 21:15 – 21:45 Live Showcase 12:15 – 12:30 Video Showcase 12:15 – 12:45 Conference Session 9 Miako Klein Merlijn Twaalfhoven (The Netherlands) The Arts Centre as the Hub of the Community – Part I (Germany) r da S atu & y r da S atu & y 13:00 – 13:15 Video Showcase Interview on cross-sector activities Ensemble Dialogos (France) and community engagement 22:00 – 22:30 Live Showcase Wiegold (UK), Zeserson (US/UK) Kayageum Trio Plays June-Hee Lim (South Korea) / Fr ida / Fr ida / 13:45-14:00 Video Showcase 13:45 – 15:15 Conference Session 10 22:45 – 23:15 Live Showcase Het Collectief | Chamber Music Quintet The Arts Centre as the Hub Catch-Pop String-Strong (Belgium) of the Community – Part II amme (Serbia/Kosovo/Austria) amme Structured group discussion based 15:00 – 15:45 Conference Session 11 on the World Café model New Sounds, New Models, New York Zeserson (US/UK) Progr Progr How the DIY ‘indie-classical’ movement shaped the culture of a nation | Little (US)

16:00 – 16:45 Conference Session 12 16:00 – 16:30 Mentoring Revenue Streaming Roundtable Mentoring Classical music and the quest for digital and Collett (Australia), streaming sales | Kotowich (US/Germany), Kang (Korea/Brazil/US/UK) Gruber (US/UK), Hope (UK), von Bahr (Sweden) & Tsay (US/UK)

18:00 – 20:00 Film Screening The Culture Files: Wagner & Beethoven with Georg Tschurtschenthaler (Italy/Germany)

SAT 1 Jun 10:00 – 10:45 Conference Session 13 Future Opera Houses and Concert Halls What will the next generation of performance spaces do and be? | Staples (UK)

13:00 – 14:00 Closing 12:00 – 13:00 Updated 23 April 2013, programme subject to change. Nonclassical presents: Networking Farewell Please check www.twitter.com/ClassicalNEXT or the notice-board close to the media counter for the latest updates. Peter Gregson & Gabriel Prokofiev (UK) Foyer Lecture Hall

8 9 © Jean-François Séguin Dynamics ofdiscovery- IAMA MONTRÉAL2013 Maison symphoniquedeMontréal Dé fis etdécouvertes 6- 9 NO Pr ésenté pa r V. Credits Delegates Showcases Film Screenings Conference Expo Destination Vienna C:N A–Z Network First Word Programme Foreword “Tradition is Perpetuated Progress, Progress is the Continuation of Tradition.”

Andreas Mailath-Pokorny, (Carl Friedrich von Weizsäcker) Executive City Councillor for Cultural Affairs and Science, City of Vienna

Dear visitors to Classical:NEXT 2013, Music has been present in all cultures throughout the ages and is in constant flux, in a process of development: from the great tradition of the Renaissance, Vienna truly is a city of music. More renowned composers have lived here than music progressed constantly and developed through various discoveries and in any other city in the world. Classical music is still the beating heart of Vienna’s manifestations into the Baroque, then the Classical, Romantic and late Romantic

GR EETIN G S cultural life: venues such as the Musikverein, Konzerthaus and State Opera exist periods through to the modern era and the present day. GR EETIN G S alongside world-class ensembles like the , Orchestra, Vienna Radio Symphony Orchestra, Klangforum Wien and many more So often, people make the mistake of equating classical music with the old © Peter Rigaud © Peter D / OR D / exciting artists and contemporary composers. Between them, all these ensembles traditions. Yet the point is that we should be preserving the musical progress that OR D / Andreas Mailath-Pokorny and companies are creating the contemporary voice of Vienna and setting new Rainer Kahleyss is our cultural heritage. At the same time, it is also about progress in the sense of trends in music. Editor and distributor obligation; of keeping tradition alive and developing it. www.class-germany.de ST W FI R ST W FI R ST In Vienna, old meets new – you can see it in the city’s architecture and Last year, we launched an international forum for classical music called technology, and of course in the arts and music; but first and foremost, you can Classical:NEXT. The name clearly points to the future, and it is gratifying that quite see it in the changing values and needs of its contemporary pluralistic society. a few future-orientated projects and ideas presented at the first event in Munich So how do we look forward? How can we provide the optimum conditions have meanwhile come to fruition. for the artistic life, for what is ‘classical’ and what is ‘next’? What is important to communities, the public and the city, today and tomorrow? And how can we Now we are preparing for the second Classical:NEXT and looking forward to ensure a diverse and exciting offering of multicultural activities? the continuation and advancement of that first and unique classical music fair: we are full of classical pride and joy to think that this is the beginning of yet We are tackling these crucial questions every day in the Department for Culture another tradition that surely must be progressed into the future. and Arts, and you will also be tackling them in the days ahead at the conference Werner Dabringhaus sessions and concerts of this extraordinary music forum, Classical:NEXT, which we Diplom Tonmeister are very pleased to welcome here in Vienna. Vienna is, I believe, the ideal place to www.class-germany.de hear, see and touch the contrasts between tradition and innovation, and therefore to look into the future of music, to find new ‘classical’ approaches and ‘next’ paths for the classical music genre that reflect its richness and its ability to thrill.

I wish you, the participants in Classical:NEXT, a very successful, fruitful and pleasant time in Vienna. And I do hope as well that you will find some spare minutes to have a break with a fine Viennese mélange and enjoy our city’s cultural richness.

12 13 Bring on the Scandalous Ideas Round Two

Welcome to Classical:NEXT in Vienna Developing, together with you

It is less than a year ago that we first got together with piranha womex for a glass The second edition of Classical:NEXT happens to coincide with the anniversary of a of Viennese wine (‘Gemischter Satz’) and agreed that Vienna was not only the significant musical milestone: on 29 May 1913, Stravinsky’s The Rite of Spring was classical music capital of the world, but also blessed with excellent transport links premiered in Paris. As every music student knows, the avant-garde nature of the between the airport and the Museum for Applied Arts (MAK), the main venue music and choreography nearly caused a riot among the audience at the Théâtre

GR EETIN G S for this year’s Classical:NEXT. Naturally, we were convinced that this city was the des Champs-Élysées. But this work later came to be recognised as one of the GR EETIN G S ideal location for a classical music convention of such international importance as most influential musical creations of the modern era. How fitting for the opening

© Viola Dubovsky Classical:NEXT. Christoph Thun-Hohenstein, director of the MAK, agreed with us, © Michael Mann of Classical:NEXT, as it is exactly in tune with our aims – Classical:NEXT aims to D / OR D / and so we found our home – and we would like to take this opportunity to offer invigorate, refresh and influence. Not only classical music itself, but ultimately OR D / Frank Stahmer, him our heartfelt thanks. Jennifer Dautermann the environments in which it is being performed and appreciated. This is the Heinrich Schläfer, Director Classical:NEXT second edition of our work-in-progress. It’s been a very full year of data gathering, Mario Rossori Vienna’s musical history is not just about Viennese classicism and wonderful www.classicalnext.com travelling, talking and, most importantly, listening to professionals and experts ST W FI R ST W FI R ST harmonies and melodies. It was almost exactly 100 years ago, on 31 March 1913 from right across the classical spectrum. ClassicalPartners Vienna in the Musikverein, that the legendary ‘’ took place in the city. The development phase has now begun. Our vision is to become the definitive www.classicalpartners.at Schönberg conducted Webern, Zemlinsky, himself, Berg – and Mahler still was to place for the classical music world to come together and shape the future of the come. But the audience was so shocked by the new music of these composers genre, complimenting regional and sector-specific meetings. Each sector and that riots broke out, so the rest of the concert was cancelled. This was not the only region has its own issues, of course. But Classical:NEXT offers a look at a bigger occasion that year that modern music caused a scandal throughout the concert picture – our opportunities and content are designed to widen your circle of halls of the world. New music had arrived in the new century, and it has since left contacts, reference and knowledge beyond your immediate surroundings. While a groundbreaking, unmistakable legacy. But what is happening now, 100 years many challenges are specific to particular countries or areas of activity and are later? best discussed by specialists in those areas, many others are common to us all: how to get people to really care about classical music, and, where should we go We are delighted that you, so many hundreds of classical music experts, from here? are coming together in Vienna to set the tone for the coming century. Will this Classical:NEXT, the event, has gone to Vienna. On behalf of the Classical:NEXT conference end in scandal? We hope not, but we definitely expect you to bring a Berlin team and piranha womex, I’d like to express my heartfelt thanks to our few scandalous ideas. Have a successful and enjoyable time at Classical:NEXT and initiating partner, the Association for Classical Independent Labels in Germany in Vienna, the music capital of the world. (CLASS), our local production partner Classical Partners Vienna and the city of Vienna. Finally, and most importantly, thanks to you! We wish you rewarding, inspiring days and nights at Classical:NEXT 2013. Please be pro-active and also ClassicalPartners Vienna is the local organiser of Classical:NEXT 2013 in Vienna help us to spread the word: Classical:NEXT is a group effort. Its future development will depend on the engagement of each individual participant. There is strength in numbers, and together we can work towards a bright musical future. Thank you for joining the Classical:NEXT movement.

14 15 Programme First Word www.musikmarkt.de Network C:N A – Z Destination Vienna Expo Conference Film Screenings Showcases Delegates Credits

The driving force in the industry If anyone knows the music market, it's us. Everything that's relevant in the industry: background information, news, facts and figures. Strongly analytical and straight to the point, always up to date in musikmarkt. Advisory Board

We deeply thank all advisory members for their guidance in shaping Classical:NEXT.

Matthias Brixel (Germany) Christian May (Germany)

a r d Publisher of klassik.com, director of eMusici GmbH Founder of concert agency MELOS KONZERTE in Vienna, member of the Board of Directors at the International a r d www.klassik.com Artists Managers‘ Association – IAMA London, advisor for a number of festivals and orchestras in Europe and South America, jury member for competitions in Switzerland, Italy, Mexico and and of the MIDEM Classical Award ory Bo ory A dvis / Bo ory A dvis /

or k Moritz Eggert (Germany) Michael Nieuwenhuizen (The Netherlands) or k Pianist and composer, Professor at the University of Music and Performing Arts Munich Independent performing arts consultant, strategist on international cultural collaboration,

netw www.moritzeggert.de policy advisor for the ‘Raad voor Cultuur’ (National Arts Council, the Netherlands), initiator and programme manager netw of Dutch Classical Music Meeting

© Mara Eggert © Jeroen Dietz

Guo Shan (China) Joachim Thalmann (Germany) President of the China Symphony Development Foundation since 2004, founder of the League of CSD, chairwoman Musician and journalist, Professor at the University of Music Detmold of the Alliance of Asia-Pacific Region Orchestras since 2008, Chinese contemporary classical pianist

© Zhang Jianshe

18 19 Uffe Savery (Denmark) The Jury Chief executive, Copenhagen Philharmonic, radio moderator, performing artist : www.copenhagenphil. In 1988, Uffe Savery and Morten Friis founded the percussion group the Safri Duo. They have performed with symphony orchestras and as an independent ensemble in prestigious concert halls such as the Sydney Opera House, Royal Albert Hall, We would like to thank all jury members for their hard work and dedication Wigmore Hall, Royal Festival Hall, Concertgebouw, Berlin Philharmonie and Lincoln in selecting the Classical:NEXT 2013 showcase and conference programmes*. Center. Savery has since channeled his talents as a creative cultural entrepreneur © Stine Thomas Larsen into leading a symphony orchestra – he has been chief executive of the Copen­ hagen Phil since 2010. He also moderates his own radio show, Savery Synes Lilian Genn (Austria) (“Savery likes”) on Radio Klassik, and is a member of the VL-10 Danish Management Music education/body awareness training for musicians Society, a network for top Danish executives. Lilian Genn has been involved on both the conception and the performance side / J u ry / / J u ry / of various commissioned music education projects. Her past projects include work Sophie Schricker (Germany) or k or k at the Konzerthaus and Musikverein in Vienna, the Philharmonie Luxembourg and Artistic director, classical correspondent : www.french-music.org the Bregenzer Festspiele. She holds a diploma in music composition and received a Sophie Schricker studied Roman philology in Freiburg, Berlin and Paris. Her bursary under the Körber Foundation’s 1st Master Class on Music Education. Trained professional activities range from editing, translating and lecturing to dramaturgy netw netw © Christina Körte in movement pedagogy, she also is a specialist in body awareness training for and management in the classical music sphere. She is the classical correspondent musicians and a university lecturer at the Konservatorium Wien Privatuniversität. for Bureau Export in Berlin, head of Impuls Neue Musik (a German-French fund for contemporary music) and has worked as artistic director of festivals such as Shared Rainer Kahleyss (Germany) Sounds (2008-10), part of Berlin’s Radialsystem V, and chor@berlin (2011). She is Editor and distributor : www.classicdisc.de, www.class-germany.de also manager of the Vokalakademie Berlin as well as a member of the music jury of Trained in economics, Dr. Rainer Kahleyss studied music ethnology and the Contemporary Arts Alliance (CAA). communication in Berlin, where he earned his doctorate. In 1984, he began working as an editor and in the distribution department of Bote & Bock in Berlin. Peter Wiegold (UK) He has also worked as head of the Bärenreiter company Vereinigte Schallplatten- Composer, conductor and director : www.wiegold.co.uk, www.clubinegales.com Vertriebs GmbH Disco-Center and the Neuwerk music shop. Since 1996, Kahleyss Peter Wiegold is a leading innovator in British music, working across cultures has been running his own production and distribution company Klassik Center and collaborating with musicians from Asia and Africa. His own ensemble Notes in Kassel. He is also a co-founder of the Association of Classical Independents in Inégales combines scores with improvisation and plays regularly at its own club, Germany (CLASS). Club Inégales, in London. As head of music research at Brunel University, Wiegold is in charge of the Institute of Composing, a think tank for new music making, and Beth Morrison (US) the Brunel Institute for Contemporary Middle-Eastern Music. His own compositions Creative producer : www.bethmorrisonprojects.org include He is Armoured Without, commissioned by the BBC Proms, and The End of Committed to empowering composers and artists, creative producer Beth Morrison the Line, an opera first performed at Manchester Piccadilly railway station. In 2008, has premiered more than 24 new musical theatre and operatic works in New York Wiegold was appointed artist-in-association with the Birmingham Contemporary and around the globe. The Wall Street Journal recently wrote that Morrison “may Music Group. He has conducted renowned ensembles such as the Composers be immortalised one day as a 21st-century Diaghilev, known for her ability to Ensemble, the London Sinfonietta and the Symphony Nova Scotia. assemble memorable collaborations among artists”. Morrison has also served as © Michael Nagle administrative director at Boston University’s Tanglewood Institute and as producer for New York City Opera’s VOX Contemporary American Opera Lab. She also held a * Please note that conference sessions marked with “special presentation” as well as three-year founding tenure with the Yale Institute for Music Theatre. Discovery Room, opening, closing and off C:N showcase artists were not selected by the jury

20 21 Partners

Vienna Convention Bureau WOMEX www.vienna.convention.at www.womex.com We proudly present our growing network of Classical:NEXT partners.

Supported by WKO Fachverband Tourismus & Freizeit Venue partners www.wko.at tne r s tne r s a r a r FAMA Film and Music Austria / P / / P / AKM www.filmandmusicaustria.at www.akm.at or k or k WKO Wirtschaftskammer Wien MAK Austrian Museum of Applied Arts / www.wko.at Contemporary Art N etw N etw www.mak.at

LSG Wahrnehmung von Leistungsschutzrechten www.lsg.at In cooperation with Austrian Music Export www.musicexport.at

OESTIG CLASS www.oestig.at www.class-germany.de Musikverein www.musikverein.at Creative Space www.creativespace.at Classical Partners Vienna Stadt Wien www.classicalpartners.at www.wien.gv.at

departure www.departure.at VeranstalterVerband Österreich IMZ International Music+ Media Centre Porgy & Bess Jazz & Music Club www.veranstalterverband.at www.imz.at www.porgy.at

22 23 Further partners

ABO Association of British Orchestras Fono Forum International Arts Manager www.abo.org.uk www.fonoforum.de www.internationalartsmanager.com Ö1 oe1.orf.at

Gramophone Magazine tne r s BBC Music Magazine www.gramophone.co.uk tne r s a r www.classical-music.com a r ISPA International Society for / P / the Performing Arts Rhinegold Publishing P / or k www.ispa.org www.rhinegold.co.uk or k N etw N etw C3 Festival www.C3festival.de IAMA International Artist Managers’ Association VIENNA MUSIC www.iamaworld.com GROUP Musik Heute www.musik-heute.de Vienna Music Group Concerti www.viennamusicgroup.at www.concerti.de Il Giornale della Musica www.giornaledellamusica.it Musikmarkt www.musikmarkt.de

Crescendo www.crescendo.de Musikwoche Universal Music Austria IMPALA www.musikwoche.de www.universalmusic.at www.impalamusic.org

Diapason www.diapasonmag.fr

24 25 Photographer Advertisers A – Z

Documenting Classical:NEXT Thanks to the advertisers in this year’s Classical:NEXT guide

Eric van Nieuwland (The Netherlands) 188 Analekta The following companies booked inserts [email protected] 98 BBC Music Magazine in the Classical:NEXT bag before the guide A – Z – A

aphe r www.thedigitalphotoexperience.nl/muziek/ FRONT FLAP CLASS went to press: Mobile: +31 610 934 495 2 Classical Music Magazine ogr 192 Concerti BBC Music Magazine t Besides music photography, he also does portraits and reportages for various 140 Crescendo CLASS tise r s companies. His pictures have also been used in several (photo) books. Eric has 194 Diapason Concerti © Ron Beenen

/ P h o / been an official Classical:NEXT and WOMEX Photographer for the past four years. LAST GUIDE PAGE Disques VDE-GALLO Crescendo Organisations such as Bureau Podium Kunsten, Music Matters, Piranha, North Sea 46 Entertainment One Distribution Entertainment One Distribution r A dve / or k Round Town and many artists have hired him for his live photography. 88 Fono Forum Fono Forum 82 Gramophone Magazine Il Giornale della Musica or k As Classical:NEXT Photographer he will be up night and day to catch the best 10 IAMA International Artist Managers’ Association International Arts Manager netw moments of Classical:NEXT. His work will be posted daily on his website and BACK COVER Il Giornale della Musica mdw University of Music and Performing Arts

anyone needing photos can contact him directly to discuss terms. Check out his 110 IMZ International Music + Media Centre Musikmarkt netw portfolio for current and past work. 34 International Arts Manager Musikwoche 16 Musikmarkt A selection of the photos will also be made available on the Classical:NEXT Flickr 32 Musikwoche page under a CC-BY creative commons license which lets others distribute these BACK FLAP + 4, 80 piranha womex City map inside the bag photos free of charge, as long as they credit the photographer for the original 92 Schiedmayer Celesta GmbH courtesy of WienTourismus creation. 114 Vienna Music Group 28 Star Alliance www.flickr.com/photos/classicalnext

26 27 Programme First Word Network C:N A – Z Destination Vienna Expo Conference Film Screenings Showcases Delegates Credits

As the official airline network for Classical:NEXT 2014, we’d like to thank you for choosing the Star Alliance network and hope that all goes really well for you here today.

Whilst you concentrate on the day’s events, we hope you’ll consider us the next time you need to attend a conference.

With over 21,900 flights a day to 1,329 airports across 194 countries, our 27 member airlines will extend a wide choice of flights to any future conference you’re planning to attend. And no matter which of those airlines’ frequent flyer programmes you belong to, you can earn and redeem miles across all of them.

So the next time you want to concentrate all your energies on your conference, we hope you’ll decide to leave the travel arrangements to us.

staralliance.com

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In from well-kept category secrets to starsinevery rising andoutstandingproductions, from artists quality showcasesClassical:NEXT offer awide range ofhigh- Live Showcases successful interaction. music community, thisisthelogical choice for standard throughout theinternet andtheprofessional International Englishasthelingua franca. the Being andefficient, haschosen practical Classical:NEXT To keepcommunication allparticipants between Language expo area. Note to that capacity. allofthisissubject Internet will findanumberofpublic inthe terminals There willbe Wi-Fi free ofcharge at thevenue, plusyou Internet area at MAK. can beobtainedat themediacounter intheregistration without express, Permissions contractual permission. Audio recordings andaudio-visual are notallowed Filming andRecording www.classicalnext.com/net found usingadvanced search functions. expo open24/7,allyear round. caneasilybe Everything musicprofessionals.among classicalandart An online student_info_and_registration_form_2013.pdf www.classicalnext.com/2013/forms/ClassicalNEXT_ Wednesday, 29May to Saturday, 1June. to capacity). (subject The ticketisvalid for 4days from reduced price to localstudents, for 80euro plus20% VAT isofferingClassical:NEXT afull-access badge for a Student Tickets ViennaDestination > feature intheguide. your stay, checkourDestination Vienna andService For food andsightseeing during tipsonlocaltransport, Services off C:Nwilltakeplace at Musikverein Vienna. outstanding talent andinnovative projects. 2013,the In of for to exposetheirselection organisations andartists programme, theoffC:N format provides anopportunity showcase selected As anadditionto thejury off C:NShowcases smoke, pleasehead for theclosestoutsidearea. isnotallowed indoorsatSmoking MAK you needto –If Non-Smoking be happy to helpyou. to theregistrationnext counter –themediateam will come to themediacounter intheMAK entrance area, room orwhojustwantquiet interview to say hishould speaker contacts, whoneedarecording ora permission whorequireJournalists or specificinformation, artist Media Counter > Showcases/Live Showcases professional audience. music makersto present theirwork to aninternational, inaminimumamount oftimeandfor performances www.wienerlinien.at For more information regarding visit public transport “Karlsplatz” andfollow thesigns to the “Musikverein”. from “Landstrasse-Wien Mitte”, 2stations getoffafter at Musikverein (Musikvereinsplatz you taketheU4 1).If From there itisa200metre walk to theentrace ofthe MAK building)andgo 2 stops to “Schwarzenbergplatz”. Tram No. 2from station “Stubentor” (infront ofthe you donotwantIf to walk from takethe theMAK, To getto theMusikverein: 300 metre walk. (Subway U3, Tram No. 2).From there itisanapprox. the MAK. The closestsubway station is “Stubentor” On foot thePorgy isjust400metres &Bess away from To getto thePorgy &Bess: regional S-trains) U3) or “Landstrasse-Wien Mitte” (Subway U4,U3,CAT, using eithertrains to “Stubentor” (Tram No. 2,Subway for you afee. canreach Onpublictransport theMAK venues are distance. withinwalking Parking isavailable The MAK issituated inthecentre of Vienna. Allshowcase Transport (www.oeticket.com) ordirectly at thevenues. www.classicalnext.com/festival, viaOE-Ticket events ticketsfor thegeneral publicare available at of charge for thegeneral publicaswell. For allother all events ofthefestival. The filmscreenings are free delegatesClassical:NEXT are granted free access to “Austria Great” Sounds on1June. concert The Yellow Lounge on Tuesday night, 28May andthe public, events ofClassical:NEXT: asare thepartner Friday night, 30and31May are opento thegeneral The filmscreenings andshowcases on Thursday and Tickets fortheClassical:NEXTFestival 31

Classical:NEXT A – Z MW_infoversicherung_160x209_2013_01_schriftpfade.indd 1 20.03.13 12:41 > Back Flap> Back Inside > Front Flap Inside (Subway U4,U3,CAT, regional S-trains) U3) orsubway andtrain station: Landstrasse-Wien Mitte Tram/Subway station: Stubentor (Tram No. 2,Subway Austria 1010 Vienna, Stubenring 5 www.mak.at Applied Arts/Contemporary MAK AustrianMuseumof Showcases andFilm Screenings): (Opening &Closing, Expo, Conference, Video The mainvenue 2013 ofClassical:NEXT willtakeplaceClassical:NEXT inthree venues in Vienna: Venues > Showcases/Video Showcases contentinformation andcontext. about theartistic live footage, recorded orpresented interviews concerts, recent projects ofmusiciansorbiggerensemblesvia present outstandingandcompelling productions, of upto 15minutes inlength. The videoshowcases ensembles orstagedproductions (suchasoperas) Classical:NEXT Video Showcases willpresent large Video Showcases www.twitter.com/classicalnext programme oranything related, check For abouttheClassical:NEXT news late-breaking Updates Flap> Back Inside Vienna/Service Destination > aswell asinthebackflap.of thissection The address for eachvenue canbefound at theend (see above). delegates/who_is_coming, database orat theC:NNET delegates at ourwebsite www.classicalnext.com/ You detailsofall canfindthe Classical:NEXT contact Who isComing Entrance to to allevents capacity issubject Flap> Back Inside Tram station: Schwarzenbergplatz (Tram No. 2) Austria 1010 Vienna, Musikvereinsplatz 1 www.musikverein.at Musikverein Stubentor (Tram No. 2,Subway U3) Tram/Subway station: Austria 1010 Vienna, Riemergasse 11 www.porgy.at Porgy &Bess (Live Showcases andoffC:N): The evening venues 2013 ofClassical:NEXT 33

Classical:NEXT A – Z IAMsubs CN2013 FP 22/3/13 14:28 Page 1

Programme First Word Network C:N A – Z Destination Vienna Expo Conference Film Screenings Showcases

The only business magazine for the The most comprehensive global arts Delegates performing arts worldwide listings available Credits internationalartsmanager.com artsdb.net

Get inside the industry The complete solution for performing arts professionals

Follow us on Twitter @IntArtsManager and Facebook: International Arts Manager GETTING AROUND CityBike Destination Vienna www.citybikewien.at Public transport 24-hour hotline: +43 810 500 500 Vienna’s public transport (the ‘Wiener Linien’) is con­ [email protected] sidered to be one of the fastest and best-connected Top tips for getting around and eating out in the Classical:NEXT host city networks in the world. It consists of the subway lines CityBike is a public bike rental system that allows you (U-Bahn) U1, U2, U3, U4 and U6, tram and bus lines to ride through Vienna by bicycle at your convenience. as well as regional trains (S-Bahn) that will bring you Vienna is very easy to explore by bike, not least quickly and reliably to your destination. All major because of the extensive cycle path system and the Welcome to Vienna But first and foremost, Vienna is about music! stations and platforms have disabled access and safe driving culture.

are equipped with electronic information displays EAT Whether it’s St Stephen’s Cathedral, the old town, The Golden Hall of the Musikverein, the Vienna State that show the waiting time and destination. The Vienna’s eateries offer a whole spectrum of regional O Schönbrunn Palace or the Hofburg Castle complex, Opera, the Konzerthaus and many more leading underground trains run from about 5am at three to and international delights to please the palate. Vienna is famous for its rich cultural heritage. There are musical venues serve as symbols of the exceptional five-minute intervals. Trains run until about midnight The Viennese coffee house is known around the countless places in the Austrian capital where history quality of musical culture in the city. Mozart, Mahler, on weekdays and there is a 24-hour service on Fridays, globe for its cosy atmosphere, or ‘Gemütlichkeit’. can be seen and felt. Haydn, Beethoven, Strauss and Schönberg are just a few Saturdays and public holidays. A map of the Vienna Traditional cafés offer a wide variety of coffees, names from the extraordinary line of composers who Metro can be found in your personal delegate bag. international newspapers and pastries. In October And what’s more, Vienna is a hub for traditional Austrian lived and worked in Vienna, and it is home to world- 2011, the Viennese coffee house culture was listed in N V ienna O N DESTINATI cuisine. The Viennese ‘Kaffeehaus’ is famous all over the famous orchestras such as the Vienna Philharmonic Rates: Single ticket: € 2 (pre-paid); 24-hour Vienna ticket: the Austrian section of the National Agency for the world, and there are still plenty of traditional coffee and Concentus Musicus Wien. Vienna sees itself as the € 6.70; 48-hour Vienna ticket: € 11.70; 72-hour Vienna Intangible Cultural Heritage, part of UNESCO. Most UND / PLACES T PLACES / A RO UND houses to be found here. The city is also known for its global capital of classical music – and with good reason. ticket: € 14.50; Vienna weekly ticket (only valid from coffee houses offer free WiFi. historical wine taverns, or ‘Heuriger’: it is a little known Every day, thousands of music concerts are given in Monday to Monday at 9am): € 15. fact that Vienna is the only metropolis in the world to the city to the delight of some 10,000 classical music maintain its own large-scale wine agriculture. lovers from around the world. Alongside the classical Tickets are valid on all trams, buses and subway trains. PLACES TO EAT tradition of Vienna, a new wave of contemporary music They must be stamped before your journey and are valid is also emerging. With a for journeys that include transfers. Stamping machines Österreicher im MAK thriving electronic and can be found at the entrance to the subway platforms, www.oesterreicherimmak.at contemporary classical and inside buses and trams. Tickets are available at the Stubenring 5 music scene, the city multilingual ticket machines (in subway stations), at 1010 Wien continues to drive all advance sales points, from the online Wiener Linien Phone: +43 171 401 21 creativity and innovation shop and from most tobacco shops (‘Trafik’). Open: Daily, 10:00 – 01:00 forward to create the music of the 21st century. For more information about public transport in Österreicher im MAK is the restaurant of the MAK

Vienna, please visit www.wienerlinien.at. museum (the main venue for Classical:NEXT). G ETTING / VIENNA O N DESTINATI More info on the web at Enjoy modern Viennese and international cuisine www.wien.info/en Taxis surrounded by modern architecture and design in a and in the tourist Phone: classical atmosphere, plus one of the most beautiful brochure in your +43 140 100 | +43 131 300 | +43 160 160 garden dining areas in the centre of Vienna. personal delegate bag. +43 144 444 (C+K Airport Taxi), www.cundk.at offers special Classical:NEXT delegate lunches

© WienTourismus/Manfred Horvath

36 37 Sofie’s Bar Harry’s Time Indochine 21 SHOPPING: FOOD, MUSIC AND www.sofiesbar.at www.harrys-time.at www.indochine.at INSTRUMENTS Biberstrasse 9, 1010 Wien Dr. Karl Lueger Platz 5 Stubenring 18 Open: 1010 Wien 1010 Wien Vienna offers excellent shopping opportunities to suit 17:00 – 04:00 during Classical:NEXT Phone: +43 151 245 56 Phone: +43 151 376 60 all tastes, including designer stores, antique shops, fine Happy Hour 18:00 – 20:00 Open: Open: delicatessen boutiques, excellent music and bookstores after-show area open until 04:00 Monday to Friday 11:00 – 01:00 Monday to Sunday 11:30 - 24:00 and nostalgic special interest shops. The main shopping Saturday 18:00 – 01:00 Saturday 17:30 - 24:00 streets in the inner town are the Kärntnertrasse and Sofie’s Bar offers fantastic cocktails and drinks at Am Graben, both joined in the centre by St Stephen’s reasonable prices in a cosy atmosphere and is Very close to the MAK, Harry’s Time offers sophisticated Within walking distance of the MAK, the Cathedral. Shoppers can also sample Europe’s longest

EAT EAT situated just around the corner from the MAK. cuisine and a fine selection of wines at reasonable Indochine 21 is located on the Ring Boulevard shopping street, the Mariahilfer Strasse, which runs O Open until very late and certainly one of Vienna’s prices. The restaurant offers special evening courses and is a recommended destination for authentic from the museum quarter to the Westbahnhof station best-kept secrets. and house specialities as well as a lunch offer that you Southeast Asian specialities of the highest quality. (along the U3 line). Many Vienna museums supplement special offers for Classical:NEXT delegates, are sure to enjoy. Also offers lunch meals at reasonable prices. their exhibitions with wonderful gift shops, where you sh o ppin g 30 May – 01 June can find all manner of unusual and elaborate items and Plachutta Wollzeile 3 Hacken Magazin wonderful souvenirs. Next to the MAK, you will find the Café Prückl www.plachutta.at www.vinum-wien.at newest shopping centre in Vienna, The Mall, part of the www.prueckel.at Wollzeile 38 Riemergasse 14 Landstrasse/Wien Mitte train station. Along the street Stubenring 24 , 1010 Wien 1010 Wien 1010 Wien heading into the inner city from the MAK, the Wollzeile, Phone: +43 151 261 15 Phone: +43 151 215 77 Phone: +43 151 277 87 you will find many different boutiques, bakeries and Open: Daily, 08:30 - 22:00 Open: Daily, 11:30 - 24:00 Open: other stores. What follows is a small selection of what Monday to Saturday 10:00 – 24:00 Vienna has to offer. Café Prückl is just across the street from the MAK The Plachutta is famous for its ‘Tafelspitz’ Sunday and public holidays 10:00 – 23:00

and has existed since the turn of the century as (boiled beef). People from all over the world VIENNA / O N DESTINATI one of the few traditional Viennese coffee houses love coming to the famous restaurant to Across the street from the Porgy & Bess Club, FOOD

N VIENNA / T VIENNA / PLACES O N DESTINATI on the Ring Boulevard. With its original 1950s style, savour its classic Viennese cuisine. the location of the Classical:NEXT live showcases. the Prückl offers everything that has made The 3 Hacken Magazin combines an in-house Altmann & Kühne Confiserie Viennese coffee world famous. Santo Spirito vinothèque with a restaurant and meeting place www.altmann-kuehne.at www.santospirito.at for lovers of traditional cuisine and fine wines. Graben 30 Café Engländer Kumpfgasse 7 1010 Wien www.cafe-englaender.com 1010 Wien Postgasse 2,1010 Wien Phone: +43 151 299 98 Manner Shop Phone: +43 196 686 65 Open: Daily, 18:00 – 02:00 www.manner.com Open: Daily, 08:00 – 01:00 Stephansplatz 7 Close to the Porgy & Bess Club, the location of the 1010 Wien Café Engländer is a traditional café-restaurant just Classical:NEXT live showcases. Definitely a place for 200 metres away from the MAK. Its light, fresh the early music lover, the Santo Spirito is a unique Meinl am Graben interpretation of classic Viennese and Mediterranean café and restaurant which plays classical music and www.meinlamgraben.at cuisine and its selection of excellent wines and offers cultivated wines and culinary delicacies with a Graben 19 beverages are highly recommended. Mediterranean accent. 1010 Wien

38 39 Demel/K&K Hofzuckerbäcker EMI Store Wien (classical CD store) THINGS TO SEE Café and Confiserie Kärntner Strasse 30 www.demel.at 1010 Wien From magnificent Baroque buildings to classic Art Step into the footsteps of the Habsburgs by visiting the Kohlmarkt 14 Phone: +43 151 236 75 Nouveau, cutting-edge modern architecture and more splendid baroque Schönbrunn (see picture below) and 1010 Wien Open: than 100 museums, there is plenty to discover in Vienna Belvedere palaces; explore the famous Spanish Riding Monday to Friday 09:30 - 18:30 – not least the MAK, a unique museum for applied School and get to know Sisi, the legendary empress. Or Naschmarkt Saturday 09:30 – 18:00 art and the main Classical:NEXT venue. In the historic just take a walk along the magnificent Ring Boulevard, www.naschmarkt.eu city centre, a UNESCO world heritage site, the gothic which you can also explore by taking the yellow Vienna Wienzeile Haus der Musik Interactive Music St Stephen’s Cathedral and enormous Imperial Palace Ring Tram. Movie lovers can retrace the paths of Harry 1060 Wien Museum and Shop (‘Hofburg’) are must-sees. It’s also worth taking a look at Lime on the ‘Third Man Tour’ sewer tour, which starts from the Giant Ferris Wheel at the Prater or the Third U1, U2, U4: Karlsplatz www.hausdermusik.at the Haus der Musik, with its interactive music exhibition; SEE

Seilerstätte 30 the Albertina museum; and the Art Nouveau splendour Man Museum. O Vienna’s largest and best-known permanent 1010 Wien of the Secession. Take a stroll from the Museum of open-air market Phone: +43 151 348 50 Fine Arts to the MuseumsQuartier, stopping off at the More info on the web at www.wien.info/en and in the Open: Daily, 10:00 – 22:00 charming Spittelberg, a Biedermeier quarter in the tourist brochure in your personal delegate bag. seventh district. It’s all within walking distance. MUSIC AND MUSICAL INSTRUMENTS Extraplatte (jazz, world and classical CD store) www.extraplatte.at Gramola (classical CD store) Währinger Straße 46 www.gramola.at 1090 Wien Graben 16 Phone: +43 131 010 84 17 1010 Wien Open: Phone: +43 153 350 34 Monday to Friday 12:00 – 18:00

N VIENNA / VIENNA / SH O PPIN G O N DESTINATI Open: Saturday 10:00 – 13:00 Monday to Wednesday 09:30 - 18:30

Thursday and Friday 09:30 – 19:00 Bösendorfer Stadtsalon (piano showroom) T THIN G S VIENNA / O N DESTINATI Saturday 09:30 – 18:00 http://stadtsalon.boesendorfer.com Bösendorferstrasse 12 Musikhaus Doblinger 1010 Wien www.doblinger.at Phone: +43 150 466 513 10 Dorotheergasse 10 Open: Monday to Friday, 09:00 – 18:00 1010 Wien Phone: +43 151 50 30 Steinway-Haus Wien (piano showroom) Open: www.steinwayaustria.at Monday to Friday 09:30 - 18:30 Opernring 6-8 Saturday 10:00 – 13:00 1010 Wien Phone: +43 151 207 12 Open: Monday to Friday 09:00 – 12:00, 14:00 – 18:00 © WienTourismus/Manfred Horvath

40 41 Programme Service First Word Network Handy information for your stay in Vienna C:N A – Z Destination Vienna Vienna Information six stops and alight at Stubentor (this journey takes Information about the city of Vienna can be found at approximately ten minutes). From other destinations, Expo www.wien.info/en. such as the Musikverein (Karlsplatz) or Meidling station, take the U4 and alight at Landstrasse/Wien Mitte. From Conference / / SE R VICE Airport there it is just a 200 metre walk to the MAK. Landstrasse/ www.viennaairport.com Wien Mitte is also on the regional S-Bahn lines S1, S2, Film Screenings The main airport is Vienna International S3 and S7, which can be used to reach the airport in Airport/Flughafen Wien Schwechat. 35 minutes. For the city centre, alight at Stephansplatz (subway lines U3 or U1). Showcases Transport maps www.wienerlinien.at/en Trams Delegates A map providing a good overview of Vienna’s subway To reach the MAK, take the tram line 2 and alight lines and regional train lines can be downloaded from at Stubentor station. The same line can also be used Credits

N V ienna O N DESTINATI www.wienerlinien.at/media/files/2012/svp_2012_ to reach the Musikverein, the location of the off 87674.pdf. For timetables and route planner, visit C:N showcases. The station is Schwarzenbergplatz, www.wienerlinien.at/en just two stops from MAK.

Trains/City Airport Train Buses www.oebb.at | www.cityairporttrain.com The bus line 1A runs through the historic city centre, If you are travelling to Vienna by train, you will arrive passing practically all the major sights in the old town. either at the Westbahnhof or at Meidling station. All It also stops at MAK, station Stubentor. Classical:NEXT venues are easy to reach from both stations by subway (U-Bahn) or regional train (S-Bahn) Emergencies lines. If you take the City Airport Train (CAT) from the In case of emergency, dial international airport (which takes no more than 16 133 to contact the police, or minutes), alight at Landstrasse/Wien Mitte station, just 122 to call for an ambulance or the fire brigade. 200 metres away from the MAK, the main Classical:NEXT venue. Phone The international dialling code for Austria from abroad is Subway (U-Bahn) and regional trains (S-Bahn) +43. The area code for Vienna is (0)1. To get to the MAK from the Westbahnhof train station, take the subway line U3 (direction Simmering), travel You can find directions to all venues on the back flap.

42 DENMARK Festival Ritrattri Slovenia (ZKP RTV SLO) Umbrella Stands A – Z Fondazione Lirico Sinfonica Branimir Slokar Academy Danish Agency for Culture / Danish Arts Petruzzelli e Teatri di Bari Intek music distribution Council Committee for Music Helios Salah, Zauberarta Music Stand No. 03 – 04 Larssen List of expo stands representing more than one exhibiting company Copenhagen Copenhagen Phil Dacapo Records LATVIA Catalan!Music – ICEC Danacord Records Stand No. 16 AUSTRIA LSG BELGIUM Danish Arts Council Latvian Music Information Centre Dinsic Publicacions Musicals Austria Maria Gstättner Committee for Music Stand No. 08 Mito Concerts

A – Z – A Stand No. 20 - 29 Mark Stephan Buhl Flanders Music Centre Holmboe I Horsens – Latvijas Koncerti, State LLC Musiepoca Produccions Z – A AKM Artists Management Stand No. 39, 40 Classical Music Festival (Latvian Concerts) Neu Música Contemporània Austrian Composer Society mdw University of Music Aquarius Liepāja Symphony Amber Per Poc Puppet Company Austrian Music Council and Performing Arts Ardalus Ensemble Sound Orchestra Tritó S tands S tands Bigathing Melos Konzerte B’Rock FINLAND Capriccio Mica Music Austria Capilla Flamenca Casino Baumgarten MissionCulture Concertgebouw Brugge Music Finland LITHUANIA SWEDEN Chorus Sine Nomine ML Consult Het Collectief Stand No. 05 ClassicalPartners Vienna OESTIG Il Fondamento Lithuanian Music Information Centre Export Music Sweden

/ U mb r ella / Col Legno Produktions- ORF/OE1 Imago Mundi Stand No. 17 Stand No. 06 U mb r ella / und VertriebsGmbH Österreichischer Musikfonds Orquesta Tangedia ITALY Lithuanian National EXP O EXP O Danubia Saxophon Quartett Paladino Media GmbH Philharmonic Society Diverted Music PHACE Wallonie-Bruxelles Musiques Puglia Sounds BOD Group SWITZERLAND Donau-Universität Krems/Zentrum Porgy & Bess - Jazz & Music Club Stand No. 41 Stand No. 49 – 50 für Zeitgenössische Musik Preiser Records ClaraMusica Artist Management Amici dell Musica Fondation Suisa European Federation of Rebeat Digital GmbH Ensemble Ausonia “Arcangelo Speranza” SLOVAKIA Stand No. 32 – 35 National Youth Orchestras Salzburger Festspiele La Boite à Musique Associazione Musicale Euterpe classYcal - new ways Ernst Krenek Forum SONY DADC Austria Les Muffatti / Associazione Musico Music Centre Slovakia in classical music Film And Music Austria Triart Brussels Baroque Orchestra Culturale Aulos Stand No. 51 Disques VDE-GALLO Fritz & Friends International Tritonus Arts Musique en Wallonie Coro Juvenese Cantores / Guild GmbH Trade & PR Agency Universal Music GmbH Musiques Nouvelles Ensemble vocale Modus Novus Lucerne Festival Gramola Vaughan Video KG Outhere SA Daniela Mastrandrea SLOVENIA Migros-Genossenschafts-Bund, Inandout Distribution GmbH Veranstalterverband Österreich Sprl Puremusic Ensemble ‘05 Musiques Suisses INÖK - NÖ Musikedition Medienvertriebs GmbH Ensemble Florilegium Vocis Slovenian Music Information Pro Helvetia, Swiss Arts Council JuJu Wien Tourismus Ensemble La Selva Centre Schweizerische Interpreten- kdg Holding GmbH Wiener Jeunesse Orchester Festival Anima Mea Stand No. 14 genossenschaft SIG Lilian Genn Wiener Symphoniker Festival di Musica The Society of Slovene Schweizerischer Tonkünstler- Living Room in London Zappel Music Contemporanea URTIcanti Composers (DSS) verein STV/ASM Lotus Records Publishing and RTV Schweizer Musikzeitung Suisa

44 45 Exhibitor Presentation

Introducing the main exhibitors at the Classical:NEXT expo

The second edition of Classical:NEXT continues with 56 stands and more than 125 exhibiting companies. This chapter is organised by stand number and introduces you to the main exhibitors. You can contact the exhibitors via the contact details given or simply visit their stand. MAP

Alley to the Restaurant Meeting Area & Garden & Catering

Internet Corner N & EXP O & O N P R ESENTATI OR / EXHIBIT / Entertainment One Distribution US is the largest physical and digital independent music distributor in EXP O North America, holding the highest market share of any independent in the US. The company boasts an unparalleled roster ranging from leading record labels to independent film and television studios covering a wide spectrum of genres in both music and video.

www.eonedistribution.com Entrance Entrance

47

eOneNxtAd.indd 1 3/22/13 9:59 AM NINETY YEARS OF GRAMOPHONE AT GRAMOPHONE ARCHIVE YOUR FINGERTIPS! April 1923 Subscribe to the digital edition and access more than  issues! Gramophone’s irst-ever record reviews published

June 1927 The centenary of Subscribe Beethoven’s death to the is marked by a festival in Vienna digital edition for ­€.€€ July 1934 You can now enjoy: The deaths of Elgar, per year! Holst and Delius ● Gramophone wherever and whenever you want it are discussed by delivered monthly to your door, desktop computer, Sir Compton Mackenzie

Kindle Fire, iPhone and iPad June 1953 An early Bernstein disc ● Every page of every issue of Gramophone since   reveals ‘a vigorous and not commonplace mind’ ● A powerful search tool that allows you to explore  years of reviews and features July 1965 Callas and Gobbi return ● Listen to and buy recordings as you read to the studio with their second Tosca for EMI ● Bookmark and share via social media your favourite March 1977 reviews and features Special 50th-birthday interview with cellist Mstislav Rostropovich

March 1983 The CD arrives, the record companies o er their key recordings and the Schools and universities - Special O er! veteran critics approve IP-authenticated, can be accessed remotely and April 1988 offers usage statistics. A complete package for Karajan at 80. Gramophone speaks £250 per annum. For more details, please visit to the great maestro exacteditions.com/library/gramophone at his Salzburg home

Call us today or visit themagazineshop.com Call now +()   Terms and conditions: O er ends December 31, 2013. Overseas rates are available on +44 (0)1795 592 980. To start a print- or digital-only subscription, please call us on 0844 848 8823 or visit themagazineshop.com to ind out more about our fantastic current o ers. Haymarket Media Group Ltd uses a best-practice layered Privacy Policy to provide you with details about how we would like to use your personal information. To read the full privacy policy, please visit haymarket.com/privacy or call us on 0844 848 2800. Please ask if you have any questions, as submitting your personal information indicates your consent, for the time being, that we and our partners may contact you, via post, phone, email and SMS, about products and services that will be of interest to you. You can opt out at ANY time by emailing datacontroller@ and quote CNEXT O er ends December 31, 2013 haymarket.com or by calling 0844 848 2800. DINSIC Publicacions Musicals, S.L. Gramola Konzert Theater Bern Exhibitors A – Z Stand No. 16 Stand No. 20 - 29 Stand No. 32 - 35 Disques VDE-GALLO Gramophone Magazine La Boite a Musique Stand No. 32 - 35 Stand No. 10 Stand No. 41 All exhibiting companies at the Classical:NEXT expo Ensemble ‘05 Guild GmbH Larssen Stand No. 49, 50 Stand No. 32 - 35 Stand No. 49, 50

Ensemble Ausonia helios salah, zauberarts Latvian Music Information Centre AKM - Autoren, Komponisten & Bielefelder Katalog Klassik and Jazz classYcal - new ways Stand No. 41 Stand No. 49, 50 Stand No. 08 Musikverleger Stand No. 02 in classical music

A – Z – A Stand No. 20 - 29 Stand No. 32 - 35 Ensemble Florilegium Vocis Het Collectief | Chamber Music Les Muffatti - Brussels Baroque Z – A bigathing.very special music Stand No. 49, 50 Quintet Orchestra or s Aliud Records Stand No. 20 - 29 col legno Produktions- Stand No. 39, 40 Stand No. 41 or s Stand No. 19 und VertriebsgmbH Entertainment One Distribution B’Rock Stand No. 20 - 29 Stand No. 13 Holmboe i Horsens - LSG Wahrnehmung von Amici della Musica “Arcangelo Stand No. 39, 40 classical music festival Leistungsschutzrechten GesmbH Speranza” Concertgebouw Brugge Export Music Sweden AB Stand No. 03, 04 Stand No. 20 - 29

/ E xhibit / Stand No. 49, 50 Capilla Flamenca Stand No. 39, 40 Stand No. 06 E xhibit / Stand No. 39, 40 Il Fondamento Lucerne Festival Aquarius Concerto Copenhagen Festival Anima Mea Stand No. 39, 40 Stand No. 32 - 35 EXP O EXP O Stand No. 39, 40 Capriccio Stand No. 03, 04 Stand No. 49, 50 Stand No. 20 - 29 Imago Mundi Mark Stephan Buhl Artists Ardalus Coro Juvenes Cantores - Festival Ritratti Stand No. 39, 40 Management Stand No. 39, 40 Casino Baumgarten Ensamble vocale Modus Novus Stand No. 49, 50 Stand No. 20 - 29 Stand No. 20 - 29 Stand No. 49, 50 IMZ - International Music ArtsNewsDesk Festival URTIcanti + Media Centre Marketing Design Stand No. 30 Catalan!Music - ICEC Dabringhaus und Grimm Stand No. 49, 50 Stand No. 37 Stand No. 47, 48 Stand No. 16 Audiovision GmbH Entertainment Europe GmbH Stand No. 54 Film and Music Austria (FAMA) Inandout Distribution GmbH Mastrandrea, Daniela Stand No. 55, 56 Chorus Sine Nomine Stand No. 20 - 29 Stand No. 20 - 29 Stand No. 49, 50 Stand No. 20 - 29 Dacapo Records Associazione Musico Culturale Aulos Stand No. 03, 04 Flanders Music Centre INÖK - NÖ Musikedition mdw - University of Music and Stand No. 49, 50 ClaraMusica Artist Management Stand No. 39, 40 Stand No. 20 - 29 Performing Arts Stand No. 41 Danish Agency for Culture Stand No. 20 - 29 Austrian Composer Society Stand No. 03, 04 Fondation Suisa JuJu Stand No. 20 - 29 CLASS - Association of Classical Stand No. 32 - 35 Stand No. 20 - 29 mica - music austria Independents in Germany Danish Arts Council Stand No. 20 - 29 Austrian Music Council Stand No. 02, 54 Committee for Music Fondazione Lirico Sinfonica kdg Holding GmbH Stand No. 20 - 29 Stand No. 03, 04 Petruzzelli Stand No. 20 - 29 Michele Carreca & ensemble ClassicalPartners Vienna Stand No. 49, 50 La Selva Bella Musica Edition GmbH Stand No. 20 - 29 Danubia Saxophon Quartett Klassik Center Kassel Stand No. 49, 50 Stand No. 44 Stand No. 20 - 29 Fritz & Friends International Stand No. 53 Trade & PR Agency Stand No. 20 - 29

84 85 Migros-Genossenschafts-Bund, OESTIG - Österr. REBEAT Digital GmbH Vaughan Video KG Musiques Suisses Interpretengesellschaft Stand No. 20 - 29 Stand No. 20 - 29 Stand No. 32 - 35 Stand No. 20 - 29 Rondeau Production GmbH Veranstalterverband Österreich missionCulture Orquesta Tanguedia Stand No. 18 Stand No. 20 - 29 Stand No. 20 - 29 Stand No. 39, 40 Schweizer Musikzeitung Videoland - Medienvertriebs GmbH Mito Concerts SL Österreichischer Musikfonds / Stand No. 32 - 35 Stand No. 20 - 29 Stand No. 16 Austrian Music Fund Stand No. 20 - 29 Schweizerische Vienna Tourist Board / ML consult Interpretengenossenschaft SIG WienTourismus Stand No. 20 - 29 Outhere SA Stand No. 32 - 35 Stand No. 20 - 29

A – Z – A Stand No. 41 Z – A msm-studios GmbH Schweizerischer Tonkünstlerverein Wallonie-Bruxelles Musiques

or s Stand No. 36 paladino media gmbh Stand No. 32 - 35 Stand No. 41 or s Stand No. 20 - 29 Music Centre Slovakia SIGIC - Slovenian Music Wiener Jeunesse Orchester, EFNYO Stand No. 51 Per Poc Puppet Company Information Centre Stand No. 20 - 29 Stand No. 16 Stand No. 14

/ E xhibit / Music Export Lithuania Wiener Symphoniker E xhibit / Stand No. 17 PHACE Sprl Puremusic Stand No. 20 - 29 Stand No. 20 - 29 Stand No. 41 EXP O EXP O Music Finland Zappel Music Stand No. 05 piranha womex AG/Classical:NEXT SUISA Stand No. 20 - 29 Stand No. 01 Stand No. 32 - 35 Musiepoca Produccions SLU Zentrum für Zeitgenössische Musik Stand No. 16 Porgy & Bess Jazz/Music Club T2 Entertainment B.V. Stand No. 20 - 29 Stand No. 20 - 29 Stand No. 42, 43 Musique en Wallonie Stand No. 41 Practice Your Music Triart Stand No. 38 Stand No. 20 - 29 Musiques Nouvelles Stand No. 41 Preiser Records Tritó S.L. Stand No. 20 - 29 Stand No. 16 New Arts International B.V. / Codaex Stand No. 07 Pro Helvetia Universal Music GmbH Stand No. 32 - 35 Stand No. 20 - 29 note 1 music GmbH Stand No. 45 Profil Medien GmbH Stand No. 12 Odradek Records Stand No. 15 Puglia Sounds Stand No. 49, 50

86 87 Programme First Word Network C:N A – Z Destination Vienna Expo Conference Film Screenings Showcases Delegates JETZT AUCH ALS E-PAPER Credits

Ab sofort ist FONO FORUM auch als E-Paper erhältlich. Es kann auf jedem Computer und mit allen Mobilgeräten bequem heruntergeladen und gelesen werden. Mit dem E-Paper steht FONO FORUM in digitaler Form für Android- und Apples iOS-Geräte zur Verfügung. Einfach auf www.fonoforum.de für 7,00 Euro bestellen.

ww w. fono Bestellung im Internet: forum.de www.nitschke-verlag.de Bestellung per Telefon: 0 22 51-650 46 15 Conference Keep upwithchanges,trendsandinnovations Conference 90 > Conference/Network &Presentations Meetings audience.Classical:NEXT delegates wishingto topic introduce to the aparticular potential members. Presentations canbebookedby together, brainstorm, with develop ideasandconnect a platform for theirmeetingsandthechance to get offersClassical:NEXT professional, international networks Network Meetings&Presentations > Conference/Sessions total thereIn conference are thirteen sessionsthisyear. were according selected to thecommunity’s demand. ‘discovery and theshort room’ presentations, which conference sessionsaswell asthespecialpresentations oftheconference selected At theheart are thejury Conference Sessions All formats willbepresented inEnglish. speakers andtopics at conference. theClassical:NEXT ishighlightedClassical:NEXT by thewiderange of The international anddiverse orientation of classical music. today‘sthe art, challengesandthefuture potential of delegates are invited to joininanddiscussthestate of presentations, collective discussionsandakeynote. All The conference panels, sessions, network offers expert connections, approaches, new andtheright know-how. issues, aswell asto orienttowards thefuture withnew developments withnew andcurrent keep up-to-date The conference issetupto helpdelegates section > Programme/Schedule > Programme/Overview > Showcases/Opening &Closing Keynote –Columned Hall Main &Presentations Meetings Network –MAK Lounge Mentoring –Restaurant ”Österreicher” (Séparée) (except sessions3,9and10at MAK Lounge) Conference –Lecture Sessions Hall are at MAK: conferenceAll Classical:NEXT rooms > Conference/Biographies A–Z of thischapter. conference end speakerandmentor at thevery biographyThere ofeachClassical:NEXT isashort Biographies > Conference/Mentoring mentoring). mentoring) orat acollective session(roundtable either at anindividualconsultation (one-to-one from offields awidevariety ofexperts knowledge Ask allyour questionsandbenefitfrom burning the Mentoring O Wednesday 20:15–21:30 The UsefulVirtuoso world to achieve amajorcareer. onnavigatingperspective classicalmusic the modern be employed? DanielHopegives aperformer’s unique develop andhow canthey classicalperformer modern should the whichskills So skills. of well-developed was ahighlyaccomplished musicianwithavariety expression. Indeed, theoriginal definitionofavirtuoso take awiderview, embracing otherforms ofcreative chooseto classical musicworld, someperformers ontheirinstrument,hone isproficiency in today’s today. whichany musicianmust Althoughthefirstskill various challengesfacingthesoloclassicalperformer broadcaster andproducer DanielHopediscussesthe Celebrated violinist, festival director, virtuoso author, Violinist Presented byDanielHope(UK/Austria) What amodernsoloperformershouldknow pening Keynote :Columned MainHall play inshapingthefuture ofclassicalmusic. hallandwhat role goto couldthey theconcert they attempt to explore audiences whothesenew are, why the educational zeal ofbaby-boomer parents. will Kim to ofChristianity, therise can beattributed partly andto that thegrowth ofyounger audiences inthiscountry Koreanthe South classicalmusicindustry. Hewillreveal present ofconsumers in theresults ofanational survey will playerskey thissession,JoohoKim inthemarket. In to predict thefuture ofthe withoutbetter knowledge Korea.of China, JapanandSouth Butitisnotpossible emergingare countries intheneighbouring certainly classicalmusichaveDoes abright future? markets New Chief executive, Lotte Concert Hall Presented byJoohoKim(SouthKorea) An in-depthsurveyofclassicalaudiences Classical inKorea Session 1:Lecture Hall Session Thursday 10:00–10:45 Special Presentation Special 91

CONFERENCE / SESSIONS CONFERENCE / SESSIONS before, theconcert. andafter during have useddiverse methodsto reach mobileaudiences some examplesofdigital campaigns marketing that andcreative directormarketing willlookat services thispresentation,music audiences? In Carnegie Hall’s formats are successful andwhat works bestfor classical and to therapidly expandingmobileaudience? Which itsproducts tobusiness marketing audiences online reach thanever before. How istheclassical music and digital content, classicalmusichasabroader Through mobileapps, mobilewebsites, socialmedia Director ofmarketing &creative Carnegie services, Hall Presented byNaomiGrabel(US) digital campaigns Reaching audiencesthroughcompelling for ClassicalMusicAudiences Developing aDigitalStrategy 2:Lecture Hall Session Thursday 11:00–11:45 92 Session 3:MAK LoungeSession Thursday 13:30–15:00 Discover www.rebeat.com of classicalmusic. businessmodelsforwhen devising digital sales to factors considerinsight into theimportant REBEAT Digital’s offers an Klembas Robert Chief operating officer, REBEAT Digital Presented byRobertKlembas(Austria) in digitalmusic How toprofitfromnewbusinessmodels Digital SalesofClassicalMusic www.believedigital.com the monetisation of YouTube. social mediamonitoring, therewards ofstreaming and 2.0withglobalreal-timedistribution salesreporting, Oliver Digital SittlofBelieve willpresent digital A&Rmanager,Senior Believe Digital Presented byOliverSittl(Germany) streaming andYouTube monetisation Online marketingtools,socialmedia,music Global DigitalDistribution2.0 Digital toolsforclassicalmusic y Room oriented www.vspa.at userinterface. recordings withon-screen sheetmusicandamusician- inter Vienna Symphonic Play Alongs presents itsnew Chief executive, Vienna Symphonic Play Alongs Presented byLudwigCoss(Austria) a newpracticingformat Interactive videoplay-alongs– Vienna SymphonicPlayAlongs www.soundmakers.ca music withfree samplestakenfrom eachwork. Soundstreams commissions catalogue andcreate allows users to explore recordings from the isaweb andiOSplatformSoundMakers that mediamanager,Digital Soundstreams Presented byJorgeAyala (Canada) discovering newmusic A webandiOSplatformfor SoundMakers and play digital music. www.musichi.eu application that helpsusersto organise, rip, tag out ofMusicCHISuite, theconsumer software Philippe Watel willdemonstrate how to getthebest Chief executive, MusiCHISuite Presented byPhilippeWatel (France/Greece) classical musicoutsideofthebox The digitalplayerthatunderstands Classical HiFiSoftware MusiCHI Suite: active practice videos, practice ­active whichcombine audio-visual 93

CONFERENCE / SESSIONS CONFERENCE / SESSIONS Session 4:Lecture Hall Session Thursday 14:00–14:45 and the BBC Music Magazine Awards.and theBBCMusicMagazine awards suchastheInternational Classical MusicAwards musicians. performing They willalsolookat therole of on theircommercial to value andtheirimportance programmes andthrough focusing onlineservices, ofreviews inmagazines, onradiothe importance for reviews.asking The panelinthissessionwillevaluate of emailsfrom record labels, PRofficers andmusicians more challenging thanever. Editors receive hundreds permanently ontherise, identifying thebestreleases is With thenumberofrecordings from allover theworld their archives, resulting innumerous releases. new their own record labels;radio stations are openingup More andmore orchestras andsoloistsare creating Editor, BBC MusicMagazine with OliverCondy(UK) President ofthejury, International Classical MusicAwards Chaired byRemyFranck(Luxembourg) for themusicindustry? How importantarereviewsandawards Signposts intheJungle 94 Special Presentation Special Session 5:Lecture Hall Session Thursday 15:00–15:45 agents and the concert halls in which they perform? halls inwhichthey agents andtheconcert ensembles andsoloists?How abouttheirmanagers, musician today? Could similarnarratives applyto small their truevoice. What doesitmeanto beanorchestral orchestras narratives mustfindnew that represent using education andoutreach projects to tickboxes, toargue betrendy that, orsimply instead ofjusttrying the orchestra asacultural institution. The speakerswill alternative narratives andlookat ways new to define own voice. distinctive This sessionwillexplore to ensembles that are consciously developing their These questions applyto allorchestras, butspecifically What shouldanorchestra embodyandrepresent? the past, findanauthentic voice inthemodern world? How cantheorchestra, anorganisation that isrooted in director,Artistic Symphony ORFRadio Orchestra Vienna Christian Scheib(Austria) Managing editor, Magazine “das Orchester”, Gerald Mertens(Germany) General manager, SanFrancisco Symphony, with JohnKieser(Canada/US) Chief executive, Copenhagen PhilharmonicOrchestra Chaired byUffeSavery(Denmark) for performanceinstitutions Challenges ofidentityandlegitimacy (And Why?) Orchestra Now–ButHow Session 6:Lecture Hall Session Thursday 16:00–17:15 Rethinking theClassicalConcert www.johanidema.net. Present! Live Classical Musicisavailable –Rethinking at presenters andotherclassicalmusicprofessionals. session focuses steps onpractical for performers, exciting, relevant andapproachable. addition,this In demonstrating ways to makelive classicalmusicmore He willintroduce anddiscusssomeexamples, the world have created anurgent needfor innovation. and adeclineinattendance across at classicalconcerts budgetcuts thissession,IdemawillargueIn that arts possible outsideofconventional forums andformats. andrapt audiencesexciting are classicalconcerts also offering moreconcert, than40cases to illustrate that Johan Idemacallsfor the renewal oftheclassicalmusic hisbookPresent!In Live Classical Music, –Rethinking consultant Independent arts Presented byJohanIdema(TheNetherlands) live classicalmusic Successful strategiesforreinvigorating Special Presentation Special what to avoid andwhat to expect. your way through theorganisation oftours inChina, Chinese market, willoffer aninsight into how to find andthe in creating western between bridges artists Zanon, anindependent consultant withexpertise needto embrace Chinese socialmedia?Gianluca artists attractive approach for thelocalaudience. western Do orchestras inChina anddiscusshow to ensure themost will guideusthrough aboutsymphony data andfacts China Symphony DevelopmentFoundation (CDSF), independent perspectives. GuoShan,president ofthe and promising willbeprovided market from two Cases that epitomise ofthisyoung thepeculiarities and managerssometimesdon’t fullycomprehend. it hasitsown rulesandpace that foreign artists China isbecoming alarge However, for market arts. President, China Symphony Development Foundation with GuoShan(China) consultant Independent artistic Chaired byGianlucaZanon(Italy/China) arts industry How Chinaisdevelopingitsperforming Arts ManagementTools inChina Session 7:Lecture Hall Session Friday 10:00–10:45 Special Presentation Special 95

CONFERENCE / SESSIONS CONFERENCE / SESSIONS dependent onsubsidy. can dofor businessesandhow canbecome they less corporates want from thecultural sector, what artists the results ofsometheagency’s research into what and highlighting mutualbenefits. Hewillalsopresent for understandingwhat thebusinessislooking worth, tothe key asuccessful match what you’re isknowing consumer groups. thissession,hewillargue In that cultural organisations withtheneedsofbusinessesand has developed asystem that matches theoffer of Brendingsomething from Consulting this. agency His Walsh can learn believes theclassicalmusicindustry screening andothersophisticated techniques. Brendan increasingly effective through theuseofprofiling, With ofInternet, thedating therise process hasbecome Founder, Brending Consulting (UK/The Netherlands) Presented byBrendanWalsh Really, it’s abitlikedating and Consumers(ABC-Matching) Connecting theArts,Business 8:Lecture Hall Session Friday 11:00–11:45 96 Session 9:MAK LoungeSession Friday 12:15–12:45 planning bedriven by a localcommunity? professional beintegrated? practice Shouldartistic Is theterm ‘classical music’ useful?Can educational and planninggood? Isnon-genre-based in acommunity? architecture new quality influence andsustainthearts the role ofcultural centres inabroad context. Can high approaches its10thbirthday, thissessionwillexamine to play traditional music. As thevenuethe opportunity including Folkworks, aproject that gives localpeople Brown. alsohasanumberoflocalpartnerships, It and presents musicranging from to Bach James Sinfoniaof acommunity. ishometo theNorthern It physically, at theheart educationally andartistically to venue symbolisethepotential to be for anarts building onthebanksofRiver Tyne, hascome The SageGateshead, aniconic Foster Norman Director oflearningandparticipation, The SageGateshead with KatherineZeserson(US/UK) Composer, conductor, headofmusicresearch, University Brunel Interview byPeterWiegold (UK) community engagement Interview oncross-sectoractivitiesand of theCommunity–PartI The ArtsCentreastheHub Session 10:MAK LoungeSession Friday 13:45–15:15 of theCommunity–PartII The ArtsCentreastheHub Presented by Körber-Stiftung encourage widerdebate. perspectives. The results willbeshared on Twitter to deepening andrefining ideasandgenerating fresh thoughts.new Delegates willwork insmallgroups, views, aswell asyour openearsandwillingness to think yourBring bestquestionsandyour moststrongly held moreensembles connect effectively with communities? and relevant inadigital world? How canmusiciansand centres hallsuseful How dowe andconcert makearts choices oforchestras andprogrammers?the artistic session. What role shouldthepublicplay indetermining the 21stcentury, upthemesfrom picking theprevious centres ofclassicalmusic,purpose andorchestras arts in This discussionwillexplore questionsabouttherole and Director oflearningandparticipation, The SageGateshead Presented byKatherineZeserson(US/UK) World Cafémodel Structured groupdiscussionbasedonthe hands to create revolution. agentle butpervasive how ahandful ofmusicianstook matters into theirown the movement’s players, key musicandideas, revealing Angeles Philharmonic to Carnegie Hall. Hewilllookat reached thehighestechelonsofculture, from theLos business models, and expandedaestheticboundaries will demonstrate how thismovement hasredefined David thissession,composer andperformer In T. Little come asthe to beknown ‘indie-classical’ movement. landscape ofthenation. ofwhat has This was thebirth that series would goonto shapetheculturalconcert explosion ofcomposer-led bands, DIYensemblesand music. that ofAmerican year, In history New York saw an milestoneThe inthe year 2004was animportant New MusicCoordinator, ShenandoahConservatory Composer, performer, director ofcomposition/ Presented byDavidT. Little(US) shaped thecultureofanation How theDIY‘indie-classical’movement New Y New Sounds,Models, 11:Lecture Hall Session Friday 15:00–15:45 ork 97

CONFERENCE / SESSIONS BBC Music MagazineisforThen BBC you –an absorbingandfascinating The world’s best-selling classicalmusicmagazine monthly guide tomonthly guide live, andrecorded broadcast classicalmusic. To more, find out and to advertise, contact: [email protected] Are you Mozart? Puccini? passionate Madabout about Session 12:Lecture Hall Session Friday 16:00–16:45 Revenue Streaming explore thesechallengesfrom ofperspectives. avariety and the ‘likes’ ofsocial networking. The panel will challenges intheworld ofmetadata, audio ‘dropouts’ Classicaladjust to distribution? musicfaces new unique promote othersources ofrevenue? content Shouldnew Can streaming andlabelsto survive? income for artists generateCan streaming enough sustainable services labels have acompetitive advantage over themajors? direct relationships independent withtheirlisteners? Do create stillneedlabelsorcan they change. artists Do listeners. This ofthis sessionwillexaminetheeffects and labelstransforming theirrelationship with are having aradical on effect revenue streams for artists of downloading andstreaming, businessmodels new professionals for more thanacentury. With theadvent andclassicalmusicindustry for classicalartists Recorded musichasbeenasource ofincome Chief executive/chairman oftheboard, BISRecords/eclassical.com Robert vonBahr(Sweden) Director oflabelrelations, Spotify, William Hope (UK) Managing director, Ulysses Arts, with JonathanGruber(US/UK) Partner, MusiConsult Chaired byTimothy Kotowich(US/Germany) digital andstreamingsales Classical musicandthequestfor be builtandoperate economically. need to create exciting, flexible, creative places that can technologies,including new multi-form spaces andthe willspeculate onfutureIt venues for live performance design andrefurbished andplanning ofnew buildings. examine current trends, andinthe bothinperformance and opera houseto putthepresent will incontext. It hall backat theevolution oftheconcert by looking start be adapted orrefurbished for thefuture? This talkwill changes have onexistingvenues –how shouldthey theatres andopera houses? willthese What impact halls, influence will theseandotherfactors new concert economic andpoliticalclimate isalsochanging. How technologiesnew inever more imaginative ways. The are innovating inmore ways thanever before, using The ischanging. nature ofperformance Creative artists Principal, Theatre Projects Consultants Presented byDavidStaples(UK) spaces doandbe? What willthenextgenerationofperformance Concert Halls Future OperaHousesand 13:Lecture Hall Session Saturday 10:00–10:45 Special Presentation Special 99

CONFERENCE / SESSIONS One-to-One Mentoring Roundtable Mentoring

Take advantage of a private 15-minute consultation free of charge with any of our Receive personalised advice from specialists on successful international funding special mentors from various fields and occupations. If you haven’t already signed up, and crowdfunding for the DIY artist. Each expert will lead a 30-minute roundtable stop by to see if there are still slots available or to be put on the waiting list. mentoring session with max. 5 participants.

Thursday 16:00 – 17:30 : Restaurant “Österreicher” (Séparée) Friday 16:00 – 16:30 : Restaurant “Österreicher” (Séparée) g or in g This is your chance to ask all your burning questions, get practical advice on related topics and exchange experiences. or in g If you haven’t signed up, stop by to see if there are still slots available or to be put on the waiting list. Eric Denut (France) M ent Director of promotion, Durand Salabert Eschig/Universal Music Publishing Classical M ent www.durand-salabert-eschig.com Morwenna Collett (Australia) www.universalmusicpublishingclassical.com Programme manager, arts funding (music), o- One Australia Council for the Arts Topic: Publishing and Contemporary Repertoire www.australiacouncil.gov.au

Topic: International Funding It can be tough navigating your way through the funding maze. As the music manager of a large national arts funding agency, Collett will work with delegates to improve their ability to successfully apply for funding for arts Stefan Pennartz (Germany) projects. We will discuss a range of funding options, offering tips on how to research and prepare a successful Lawyer, K&E Rechtsanwälte für Kultur und Entertainment funding application as well as advice on the importance of understanding selection processes and building www.movie-meets-music.com positive relationships with funders. ENCE / One - t / O NFE R ENCE ENCE / R o undtable / O NFE R ENCE C Topic: Mediation and Conflict Management C

Soong Moon Kang Chia-Jung Tsay (US/UK) (Korea/Brazil/US/UK) Assistant professor, Management Science Assistant professor, Management Science and Innovation, University College London and Innovation, University College London www.ucl.ac.uk Oswin Schneeweisz (Austria/The Netherlands) www.ucl.ac.uk Media trainer and coach www.interviewentraining.nl Topic: Crowdfunding Crowdfunding is a form of funding that has already been used for projects in classical music by festival Topic: Pitching and Presenting to the Media and Public organisers, presenters and thousands of artists at various stages of their careers. But it’s not just about the money. In this session, we will discuss some of the most effective strategies in today’s economic climate and explore how crowdfunding can help you to harness the power of your fans and enhance your performance career. © poelsma

100 101 Conference / Network Meetings & Presentations networks fromallacrosstheglobewithaplatformfortheirmeetings. Get together, brainstorm,discuss, develop.Classical:NEXTprovidesprofessional Network MeetingsandPresentations countries, musicresidencies, festivals etc. transnational events suchasMusicExchanges between promoters, showcases for musicensemblesandseveral database ofmusicensembles, musicorganisers and nominated price. The project alsoincludes aEuropean archives)performers, candistribute theircontent at any ‘owner’ ofamusicalproduct indigital form (composers, includesaninternetmusicians. platform It where any circulation of works andenhance ofnew themobility 12 cultural the organisations andaimsto support musical works. Minstrel Project isimplemented by andpromote ofartists help to enhance themobility several MICs, how musicinformation centres can an initiative ofacollaborative EUproject realised by Information Centres willdemonstrate (IAMIC) through thissession,theInternational AssociationIn ofMusic Director ofIEMA (GMIC) andproject leader with KostasMoschos(Greece) Executive manager, IAMIC An-Heleen DeGreef(Belgium) Co-ordinated by musical mobility How theMinstrelProjectisenhancing European andInternationalProjects IAMIC –aCatalystandFacilitatorof 102 MAK Lounge Thursday 10:00–10:45 initiate projects. new with existinglocalSistema Europe initiatives andhow to world. how Delegates willalsolearn to getinvolved methodology anditsvarious adaptations around the leadership team will introduce El Sistema, itsvalues, its Turkey). thissession,membersoftheSistema Europe In Portugal, Scotland, Sweden, Slovakia, Switzerland and Finland,the UK, France, Germany, Ireland, Italy, Norway, (Armenia, Austria, theCzech Bosnia, Republic, Denmark, member organisations in18European countries The organisation currently hasmore dozen thantwo musiceducation systemrevolutionary El Sistema. promote work inEurope inspired by Venezuela’s Sistema Europe was formed inFebruary 2012to Team member, Sistema Europe with EtienneAbelin(Switzerland) Chairman, Sistema Europe Marshall Marcus(UK) Co-ordinated by Sistema Europepresentsrecentdevelopments El SistemaInitiativesaroundtheWorld Social ActionthroughMusic: MAK Lounge Thursday 11:00–11:45 MAK Lounge Friday 10:00–10:45 specialists andagenciesbasedoutsideofGermany. links andfinance. This meetingisalsoopen to PR covered willincludecopyright concerns, international andinnovativeclient-oriented aspossible. Topics but alsoexchanging ideasonhow to beasflexible, their work and success, notonlycomparing experiences will gettogether to discusstheissuesthat are vitalto environment? PRagencies thissession,majorGerman In PR agents andhow adaptto media can they thisnew the scene thanever before. Where doesthisleave the there are more accomplished on andinteresting artists influential methodof communication. At thesametime, and digital mediaisfastbecoming ourmostimportant andmagazinesareNewspapers closingdown and PRconsultant,Senior Classica Artefakt Philip Krippendorff(US/Germany) Co-ordinated by Adapting toachangingmediaenvironment PR AgenciesNetworkMeeting one format onthesamedisc. on aBlu-ray disc;itiseven possibleto have more than the disc. Several different audio formats canbestored any canbeusedtoand thenumberkeys track select on likeplay,functions pause, stop, fast-forward andrewind, The soundcanbe manipulated thoughremote control is specified for high-resolution surround soundaudio. equipmentany –thestandard extra Blu-ray videoplayer pure audiocanbeplayed through atelevision without why Blu-ray istheaudioformat ofthefuture. Blu-ray Combrink Shammoutwilldemonstrate andBashar Ralf thispresentation,customers? Entertainment’s In arvato format to sound experience for create our theperfect player. why So are audio we notusingthishigh-end won’tIt belongbefore mosthouseholds have aBlu-ray engineer,Sound Entertainment arvato with BasharShammout(Germany) Sales manager, audio, Entertainment arvato Ralf Combrink(Germany) Presented by The futurehigh-endaudioformat Blu-Ray PureAudio MAK Lounge Friday 11:00–12:00 103

Conference / Network Meetings & Presentations CONFERENCE / BIOGRAPHIES A – Z Including keynote,conferencespeakersandmentors Biographies A–Z 104 Speaker >Conference/Session 4 and atenor with theBristol-based Exultate Singers. tomarket more than62percent. Heisalsoanorganist increase itsshare oftheUKclassicalmusicmagazine eight years aseditor, Condy hasseenthemagazine world’s best-selling classicalmusicmagazine. his During Oliver Condy istheeditor ofBBCMusicMagazine,the Oliver Condy (UK) Mentor >Conference/Roundtable Mentoring schedule. performance She isalsoakeenflautistandmaintains anactive which distribute $5.5mannuallyto Australian musicians. Collett oversees awiderange offundingprogrammes Australia inSydney, Council for theArts Morwenna As programme managerfor musicfundingat the CollettMorwenna (Australia) Speaker >Conference/Session 3 mediaprogrammethe new University. at Ryerson mediatization spaces. ofurban Heisagraduate of inspired technologies by geo-location andthe webcurrently ontheSoundmakers platform, working Jorge Ayala isa Toronto-based technologist. Heis art Jorge Ayala (Canada) Speaker >Conference/Session 12 for Universal Music, Universal Studios and Warner Bros. HehaspreviouslyGrammophon and21CMedia. worked Centre,the Barbican Phil Deutsche Media, Berlin withaclient baseincludingiTunes,jazz andthearts specialisinginclassicalmusic,a digital consultancy Jonathan Gruberismanaging director ofUlyssesArts, Jonathan Gruber (US/UK) Chair >Conference/Session 4 International Classical MusicAwards (ICMA). Classical Awards, ofthe andisnow president ofthejury member oftheCannes Classical Awards andMIDEM of JeunessesMusicalesLuxembourg. Hewas ajury producer andcultural editor, andasgeneral secretary magazine. Hehas alsoworked asabroadcast Remy Franck isthefounder andeditor inchiefof Remy Franck (Luxembourg) Mentor >Conference/One-to-One Mentoring 2009/10 season. Classical inParis, apositionhehasheldsince the Eschig/Universal MusicPublishingat Durand Salabert Philharmonique inParis. Heisnow headofpromotion inFrankfurt andLa Chambreof EnsembleModern haspreviously Denut workedEric asgeneral manager Eric Denut(France) Speaker >Conference/Session 12 trends.top ofindustry maintain goodrelationships andthat Spotifystays on andlabels labels, that ensuring Spotifyusers, artists manage relationships record Spotifyandkey between Australia Zealand andNew at Spotify. Heandhisteam William Hopeisdirector oflabelrelations for Europe, William Hope(UK) Keynote Speaker >Conference/Keynote awards. Heplays the1742 ‘ex-Lipiński’ del Gesù. Guarneri SchallplattenpreisDeutsche andfiveKlassik Echo Grammy nominations, aClassical BRITAward, the to causes. humanitarian Hehasreceived numerous musical versatility andcreativity and for hisdedication violinistDanielHopeisrenownedBritish for his Daniel Hope(UK/Austria) Speaker >Conference/Session 7 and Europe. both ofwhichhave toured extensively inChina, Asia United Orchestra andStraits Philharmonic Orchestra, founder leading orchestras, oftwo theAsia-Pacific Symphony Development Foundation. Sheisalsothe PacificRegion Orchestras andpresident ofthe China oftheAlliance ofAsia- Guo Shanischairwoman Guo Shan(China) Chair >Conference/Session 2 of Drama. Center.Kimmel Sheisagraduate ofthe Yale School andcommunicationsmarketing at Philadelphia’s at theSydney Opera for Houseandvice-president previously director anddevelopment ofmarketing creative at Carnegie Hallsince 2009.Shewas services Naomi Grabel has beendirector and ofmarketing Naomi Grabel (US) Chair >Conference/Session 1 hall. 2015, itwillincludea2,000-seat concert multinational food andretail corporation. Openingin March 2012. by Lotte,The project isbeingsupported the executive Korean South ofanew musichallproject in Philharmonic Orchestra,the Seoul was appointed chief aformer presidentJooho Kim, andchiefexecutive of Korea) (South Jooho Kim Speaker >Conference/Session 5 with theunions. manages touring, retail andtheorchestra’s relationship the orchestra’s addition,he in-housemediadivision.In capital projects. Healsooversees thework ofSFSMedia, presentations,management ofconcerts, facilitiesand isresponsible(SFS), JohnKieser for the planning and As general manageroftheSanFrancisco Symphony (Canada/US)John Kieser Mentor >Conference/Roundtable Mentoring corporations. consultant to venture several start-ups, capitalistsand Valley asco-founder ofaninternet company andasa career, heworked for more thanadecadeinSilicon in thecreative industries. Before pursuing anacademic management specialisinginsocialmediaandbusiness isanassistant professor Kang Moon Soong in (Korea/Brazil/US/UK) MoonKang Soong Chair >Conference/Session 6 passionate promoter andinitiator ofcultural innovation. consultant, haspublishedseveral booksandisa arts institutions. Hehasextensive experience asasenior New York andhasworked at University several cultural administration from arts management andperforming Johan IdemahasaMaster’s degree ininnovation Netherlands) Johan Idema(The 105

CONFERENCE / BIOGRAPHIES A – Z CONFERENCE / BIOGRAPHIES A – Z 106 Speaker >Conference/Session 5 management andwrites ablogonthissubject. Orchester. Hehasalsopublishedabookonorchestra managing editor oftheinternational magazinedas Orchestervereinigung (German Orchestras Union)and isheadoftheDeutsche Mertens Gerald (Germany) Gerald Mertens Chair >Conference/Session 11 ofShenandoahConservatory. faculty onthe andserves ensembleNewspeak contemporary director ofeight-pieceis alsothefounding artistic executive director ofNew York’s MATA Festival. He Princeton before University as goingonto serve T. and Littlestudiedat ofMichigan theUniversity composer,American andscholarDavid performer David T.Little (US) Chair >Conference/Session 12 from INSEAD. degree College from ofMusicandanMBA theBerklee independent labels. ofMusic HeholdsaBachelor and Germany andmanaging director positionsat background includesroles at Warner MusicinItaly His network. the international musicconsultancy Timothy at MusiConsult, Kotowich isapartner Timothy Kotowich (US/Germany) Speaker >Conference/Session 3 development. for content licensing andinternational business company’s dailybusiness, heisalsoresponsible digital As musicdistribution. well asoverseeing the Digital, aleadingEuropean company for worldwide ischiefoperating officer Klembas atREBEATRobert (Austria) Klembas Robert Speaker >Conference/Session 5 lecturer,university author, editor andradio journalist. Orchestra. Hehasalsoworked asafestival director, Miniatures andGreatest for Hits Contemporary orchestrallarge-scale projects suchasOrchestra Symphony Orchestra Vienna, where hehasproduced director oftheORFRadio isartistic Christian Scheib (Austria)Christian Scheib Chair >Conference/Session 5 current role. degree incultural leadershipbefore uphis taking and electronica project. Hethenstudiedfor aMaster’s percussion group whichlater evolved into adance founding Duo, member oftheSafri asuccessful classical Philharmonic Orchestra. Hebeganhiscareer asa ischiefexecutiveUffe Savery of the Copenhagen SaveryUffe (Denmark) &Speaker >Showcases/LiveArtist Showcases A-Z &Speaker >Showcases/OpeningArtist & Closing hallinLille. Siècle concert from Le Poisson inNew Rouge York to theNouveau He hashosted Nonclassicalevents worldwide, at venues founder oftheNonclassical record labelandclubnight. ProkofievGabriel isa composer, producer, DJ and ProkofievGabriel (UK) Mentor >Conference/One-to-One Mentoring inMunich. Applied Sciences professor ofbusinesslaw at of theFOMUniversity law.specialising inintellectual property Heisalsoa Rechtsanwälte K&E firm fürKulturundEntertainment, Prof. Dr. at Munichlaw Stefan Pennartz isapartner Stefan Pennartz (Germany) Mentor >Conference/Roundtable Mentoring University, where asfaculty. shehaspreviously served andthePeabodySchool ofJohnsHopkins Institute field inmusic. Shealsoholdsdegrees from theJuilliard PhD inorganisational behaviour, PhD withasecondary pianist. She graduated witha from University Harvard Chia-Jung Tsay isasocialpsychologist andclassical Chia-Jung Tsay (US/UK) Chair >Conference/Session 13 Royal Opera HouseMuscat inOman. projects including theEsplanadeinSingapore and the Hehasworked for on thePerforming Arts. Society Theatre Consultants andamemberoftheInternational of Theatre Projects, of aformer oftheSociety chairman in more than50countries. Heisthecurrent chairman David Staples isatheatre consultant whohasworked David Staples(UK) Speaker >Conference/Session 3 ofMunichand University Tsinghua inBeijing. University and KochUniversal. HeholdsanMBAfrom the Technical before becoming anA&Rexecutive Edel at BMG/RCA, his career astour managerfor large international acts formusic critic the SüddeutscheZeitung. Hebegan Oliver Sittlisaclassicallytrained andwas guitarist a Oliver Sittl(Germany) Mentor >Conference/One-to-One Mentoring provides media,pitching andpresentation training. to themselves market and definetheirmission.Healso consultant to international festivals. Hehelpsmusicians since 1987asamusicjournalist, coach and working studiedmusicologyOswin Schneeweisz andhasbeen Oswin Schneeweisz (Austria/The Netherlands) 107 Chair >Conference/Session 9 withwriter partnership Will Self. Kafka’s Wound music madein , aCDbasedonklezmer music. ofnew all kinds Wiegold hasrecently released Club Inégales, where awiderange ofguestsperform runsaclubinLondon, ensembleNotes Inégales His Armoured Without , premiered at theBBCProms in2007. Composer Peter Wiegold’s recent works include Heis Peter Wiegold (UK) Speaker >Conference/Session 3 specialises inclassicalmusicandjazz. organise, rip, tagandplay digital music. The application the consumer application software that helpsusersto before becoming chiefexecutive ofMusiCHISuite, worked inIT Wall Street for more than10years degree instatistics from New York University. He Philippe Watel hasaBAineconomics andaMaster’s Philippe Watel (France/Greece) Chair >Conference/Session 8 consultant. the cello, languagesandbusinessbefore becoming a Amsterdam andworks across Europe. Walsh studied intheUKandraised inBelgium, henowBorn lives in Brending through Consulting. hisagency services now offers marketing, management andproduction Brendan Walsh consultant isamusicianturned who Brendan Walsh (UK/The Netherlands) Speaker >Conference/Session 12 ofeClassical.com.Music andchairman Sweden, amemberofthe Royal Swedish Academy of company. Heisalsoaboard memberoftheIFPIin von founded Bahr BIS,theclassicalrecordRobert level, 12 years ofstudyat andconservatory university After dabblinginjavelin throwing, elite and bridge von Bahr(Sweden)Robert 107

CONFERENCE / BIOGRAPHIES A – Z CONFERENCE / BIOGRAPHIES A – Z Moderator >Conference/Session 10 Speaker >Conference/Session 9 withcolleagues inEuropeworking andBrazil. a musiceducation andleadershiptrainer currently programmes. Shehasaninternational reputation as and implementation oftheorganisation’s learning and isresponsible for thestrategic design, direction since 2002 director andparticipation oflearning ZesersonKatherine hasbeen The SageGateshead’s ZesersonKatherine (US/UK) Chair >Conference/Session 7 andgroups inmainlandChina andsouthAsia.artists consultant organisers for promoting concert foreign than 30citiesinChina. Heiscurrently anindependent forresponsible more worldwide for artists selecting programming director for aleadingChinese promoter, From 2007to 2011,GianlucaZanon worked as Zanon(Italy/China) Gianluca 108 Credits Delegates Showcases Film Screenigs Conference Expo Destination Vienna C:N A–Z Network First Word Programme IMZ Inserat 160x209Neuer1.indd 1 C © Cirque Eloize MusIC +ME IntE E ntrE rnatI onal d I a Worldwide World MusICFIlsontour Varying destinations and ConFErEnCEat WoMEX IMZ WorldMusICFIlMsCrEEnGs Prague, everyOctober at IMZ WorKsHoPandFIlMCrEEnIG concerts aswellclassicalandcontemporarydancefilms screenings ofoperas,classical,worldmusicandjazz Worldwide oPEn aIrMusICFIlFEstIV www.avantpremiere.at and danceprogrammestotheindustry Presentation ofapproximately400brand-newmusic a www.imz.at contemporary dance films jazz andworldmusic concerts,opera,balletand More than30.000 programme-entriesofclassical, IMZ FIlMdatabasE www.dancescreen.com non-commercial distributionandscreenings atvariousfestivals Worldwide danCE sCrEEnontour www.dancescreen.com International festivalandcompetitionfordancefilms Varying destinations, biannual IMZ danCEsCrEEn www.worldmusicfilms.com non-commercial distributionandscreeningsatvariousfestivals Every year V ItFGoldEnPrau ant PrEMIÈEsCEEnIGandYMPosa www.facebook.com/IMZMedia www.imz.at

als 02.04.12 13:54

© Edition Salzgeber medienboar by Supported Duration (film):95’ Orchestra: Orchestre Symphonique Kimbanguiste Conductor: Armand Diangienda Producers: Stefan Pannen, HolgerPreusse Directors: Claus Wischmann, Baer Martin Recorded: Kinshasa,Democratic ofCongo, Republic 2009/10 Berlin-B ra ndenbur g GmbH d > Expo/Exhibitors www.imz.at CentreIMZ International Music+Media in Vienna cooperationIn with film on-site andanswer theaudience’s questions. Claus Wischmann, oneofthedirectors, willpresent the andthepower thepeopleofKinshasa ofmusic.DRC, endeavour: a symphony orchestra. The filmisaboutthe one ofthemostcomplex systems ofjoint human world’s mostchaoticcitiesdoingtheirbestto maintain Symphony isastudyofpeopleinonethe Kinshasa them going. focus onthemusic andhopesfor abetter future keep putsches, two andawar. variouscrises survived But the15years ofitsexistence,In themusicianshave orchestra ofCongo intheDemocratic Republic (DRC). are theleastofworries facingtheonly symphony Götterfunken’, apower cutstrikes. Butproblems likethis Beethoven’sfinale of Ninth Symphony, ‘Freude schöner Just as200orchestral musiciansare aboutto play the MAK Lecture Hall Thursday 18:00–20:00 www.kinshasa-symphony.com Kinshasa Symphony

111

Film Screenings Film Screenings

© Falco Seliger Produced by medienboar by Supported Beethoven film(workshop report) Duration: Wagner film52’ and MEDIAProgramme Production fundedby Mitteldeutsche Filmförderung, NRWFilmstiftung Development fundedby Medienboard Berlin-Brandenburg Videos, graphic novels Filmproduktion andapps:Gebrüder Beetz Producer: (Gebrüder Christian Filmproduktion) Beetz Beetz Directors: Pleger, Ralf Hedwig Schmutte Bonn,Beethoven filmshotin Vienna, 2012 Lucerne, Zurich, Paris, 2012 Recorded: WagnerBayreuth, filmshotin Dresden, Munich, Leipzig, 112 Berli n-B ra ndenbur g GmbH d MAK Lecture Hall Friday 18:00–20:00 www.gebrueder-beetz.de Wagner &Beethoven The CultureFiles: > Expo/Exhibitors www.imz.at CentreIMZ International Music+Media in Vienna cooperationIn with and graphic novels on-site. Filmproduktion) willpresent thefilmsinclusive apps Georg Tschurtschenthaler (producer, Beetz Gebrüder games etc to offer animmersive userexperience. with additionalmaterials suchasmusic, photos, mini- ofthegraphic novelscombine thelinearstoryline andtabletcomputerThe appsfor smartphones the different series fromTV otherculture documentaries. scenes make stagedacting animations andhigh-quality complex musicalgeniuses. picture ofthesetwo Comic presenting creates ofhistorical facts amultifaceted, printed graphic novels andapps. This way modern of various different media:videos(90and52minutes), you Richard Wagner andLudwig van Beethoven across audience. As anintroduction to theseries, we bring Culture Files explores European culture for ayoung series series, crime thecultural documentary The TV ofamodern ontheaestheticsandstorytelling Based Credits Delegates Showcases Film Screenings Conference Expo Destination Vienna C:N A–Z Network First Word Programme Opening and Closing

Tradition and innovation – two halves which together make the whole

The opening and closing events are the bookends of and running right through to examples such as Haydn’s Classical:NEXT, highlighting key themes and drawing use of a drinking song for the London Symphony,

attention to the main talking points. Beethoven referring to a folk song in his Sixth O SIN G As the second edition of Classical:NEXT is taking place Symphony, Bartók and Stravinsky’s folk inspirations and

in Vienna, it is only natural for the opening evening to Steve Reich’s Radio Rewrite, based on Radiohead tracks. CL & celebrate our host city in typical Viennese style: with Prokofiev will speak about his approach to classical good music and good wine, in an elegant yet hospitable music and to engaging new audiences, and will then atmosphere. The evening will include several interludes offer a taste of the Nonclassical approach.

of chamber music performances ranging from early to O PENIN G contemporary, performed by outstanding musicians All opening and closing artists will perform at MAK: and composers who were ‘made in Austria’. The opening event will also serve as a pleasant warm-up for the Opening next few days of intensive networking. The neo-gothic Wednesday WCASES / / WCASES and classicist architecture of the MAK’s Säulenhalle 19:30 admission and welcome drink

(Columned Main Hall) offers an extraordinary backdrop, 20:15 concert SH O providing an interesting contrast to our stage for contemporary musical culture. The Säulenhalle is a Closing fitting physical manifestation of what Classical:NEXT Saturday aims to do: preserve the past while looking to the future. 12:00 networking farewell 13:00 concert The closing event will focus on a theme running through our conference and showcase programme: > Showcases/Live Showcases A – Z the exploration of possible ways forward for classical music. With his compositions, Nonclassical club nights and record label releases, Gabriel Prokofiev, grandson Presented by of Sergei, is showing us the way down one potential path. While his club-compatible approach might seem at first glance to be simply a current trend, he is actually continuing the ancient tradition of mixing the popular with the ‘serious’. It is a tradition as old as classical music itself, beginning in the Renaissance with the Catholic mass music based on the popular tune L’homme armé

115 SHOWCASES / LIVE SHOWCASES Short liveconcertsofferaviewintothecurrentemergingscene Live Showcases 116 A – Z descriptions onthefollowingA –Zdescriptions pages. details,including theirlabelsandcontact intheshort You canfindoutmore about thelive showcase artists, experience.the audience withapositive concert andassurance,classical repertoire withquality providing showcases have onethingincommon: deliver they the approaches andthematerial may differ, butallthe2013 on theuseofunusualandrarely heard instruments. The focus oncombining musicwithdigital technology, or element ofsometheacts, whileothers important masterpieces.of well-known Improvisation isan compositions –aswell arrangements aspioneering compositional adventures –includingtheartists’ own music; from traditional to experimental. There willbe to establishedbignames;from to early contemporary from artists, well-kept secretsquality stars and rising The includesawiderange ofhigh jury’s selection approaches. their outstandingquality, unusual ideasandoften new proposals by anindependent jury. They were chosenfor have from beenselected ahighlycompetitive fieldof of 30minutes. The live showcase ensemblesandartists withamaximumduration insight into orartist, theact the Porgy &Bess. Eachlive showcase willdeliver act on performances Thursday 30andFriday 31May at livethemselves to delegates ofshort inaseries This year’s willpresent showcase Classical:NEXT artists > Network/The Jury For detailson the Jury Flap> Back Inside For directions to allvenues > Delegates/Companies A–Z For details contact fullartist > Programme/Schedule > Programme/Overview Saturday 13:00–14:00 MAK Lecture Hall Closing Friday 19:00–20:20 Musikverein Saal) (Metallener off C:NShowcases Thursday andFriday 20:30–23:15 Porgy andBess Live Showcases Selection) (Official Wednesday 20:15–21:30 MAK Columned Hall Main Opening The 2013showcase Classical:NEXT venues are:

© Benjamin Schmid Biber Extension Biber Extension Benjamin Schmid Passacaglia inGminorfor Solo Heinrich IgnazFranzBiber O pening donated Kahn Foundation by theDonald ona1731Stradivari performs Schmid Sponsor: Benjamin Violin Schmid, violin Benjamin composition ofhisown inspired by Biber. Biber’s Passacaglia inGminorfor soloviolin,plusa Ignaz Heinrich Franz willperform Schmid this concert, received various awards inGermany and abroad. In Switzerland. Hehasrecorded about40CDs, whichhave inSalzburg andgivesMozarteum masterclasses inBern, in jazzimprovisation. Heisaprofessor ofviolinat the Lutosławski skill andSchönberg –witharemarkable Gulda,Korngold, Muthspiel, Szymanowski, Hartmann, of classical repertoire –includingtheviolinconcertos combines anunusuallybroadSchmid range of Orchestra.Philharmonic andConcertgebouw Philharmonic, Philharmonia Orchestra, St Petersburg stages withrenowned orchestras suchasthe Vienna onmany oftheworld’shas since performed major International Violin Competition inLondon, andhe grew upinSalzburg. 1992hewon theCarl In Flesch Violinist was in born Schmid Benjamin Vienna and MAK Columned MainHall Wednesday 20:15 Label: unsigned Contact: HarrisonParrot (SabineFrank) GmbH www.benjaminschmid.com Benjamin Schmid (Austria) 117

SHOWCASES / LIVE SHOWCASES A – Z SHOWCASES / LIVE SHOWCASES A – Z (Serbia/Kosovo/Austria) Sponsors: col legno, Thomastik Infeld Kaçinari, cello,Rina voice Jelena Popržan, viola,voice andjewsharp original compositions. aswell asseveral includes works by andBartók Bach Drechsler Quartet. Their programme at Classical:NEXT Terrafolk, jazzpianist Wolfgang andtheUlrich Seligo including Israeli violinistHagaiShaham,Slovenian band have collaborated withawiderange ofotherartists, incorporatingoften vocal andtheatrical elements. They compose andarrange muchofthemusicthemselves, folk musicandeven popsongs.traditional Balkan They from to Bach everything and humourto perform musicianshipwithinnovative stagingcombine top-class ever since. style Popržanperformance andKaçinari audienceshave withtheirunique beenentertaining in Fever oftheBalkan Vienna Festival aspart and in2009 at theprestigiousfirst concert PorgyBess & where are they stillbasedtoday. their They performed Kaçinari. The pairmetwhilestudyinginGraz, Austria, violistJelenaPopržanSerbian andKosovan cellist Rina Catch-Pop String-Strong isadynamicduoconsisting of Porgy &Bess Friday 22:45 Label: col legno Contact: Music(Christina Diverted Sanoll) www.catchpopstringstrong.com Catch-Pop String-Strong 118

9/8 Rina Kaçinari Gyere idebabe Jelena Popržan Karussell Rina Kaçinari : Pirate Jenny OperaThe Threepenny arr. JelenaPopržan Kurt Weill Courante arr. JelenaPopržan Johann SebastianBach Blues &Oranges Jelena Popržan Phil’s Tune arr. Catch-PopString-Strong Chris Stout

© Maria Frodl

© Moritz Wustinger Viva lamusica! Ivan Eröd La blancheneige Francis Poulenc Elegie arr. GunnarEriksson Eric Satie Chor derPuppen Anestis Logothetis O pening Sponsor: Österreichischer (Austrian Chorverband Choir Association) Nishimwe,Marie-Christiane solosoprano Chorus SineNomine, acapella Johannes Hiemetsberger, director Rachmaninov,Bach, Bernstein, Weill andGubaidulina. repertoire that includesworks by Cavalieri, Monteverdi, Sarband. Chorus SineNomine hasawide-ranging orchester Wien, L’Orfeo Barockorchester andEnsemble Salzburg, the Vienna Symphony, Radio-Symphonie also collaborated withorchestras suchasCamerata Gidon Kremer and Trevor Pinnock. The ensemblehas HKGruber, Haselböck, Martin Jordi Savall, Järvi, Kristjan withconductorsincluding others, andhasperformed Lockenhaus andGrafenegg Festival, amongmany in Linz,Kammermusikfest Vienna, Brucknerhaus andMusikverein at theKonzerthaus guest performances as Wolfgang SausengandJ. Peter hasgiven Koene. It regularly commissions works from composers such ral unconventional projects and acappellaconcert choir competitions, issuedseveral CDs, launchedseve ensembles. The choirhaswon prizes at many eminent Sine Nominestillranks asoneofAustria’s leadingvocal Founded in1991by JohannesHiemetsberger, Chorus MAK Columned MainHall Wednesday 20:15 Label: Gramola, Chandos, Preiser Records Contact: Chorus Sine Nomine www.chorussinenomine.at (Austria) Chorus SineNomine (Johannes Hiemetsberger) ­ 119 ­

SHOWCASES / LIVE SHOWCASES A – Z SHOWCASES / LIVE SHOWCASES A – Z Sponsors: Austrian Composer Society, mica –musicaustria Peter Girstmair, baritone Barbara Schickbichler, tenor saxophone Alfred Reiter, alto saxophone Harald Müller, soprano saxophone Music Austria. in association withtheAustrian and Composer Society premiere ofaspecialopeningfanfare commissioned theworld willperform 2013,thequartet Classical:NEXT numerous CDswiththeAustrian labelPro Cultura. For teaching to soundengineering. The group hasreleased diverse work inprofessionsThey also undertake from OrchestraMozarteum Salzburg andCamerata Salzburg. Orchestra, Symphony Bavarian Radio Orchestra, Philharmonic,Opera, Berlin Vienna Symphony Radio Vienna Philharmonic, Orchestra ofthe Vienna State with internationally renowned orchestras suchasthe The four membersofthegroup allplay regularly from theClassical, andBaroque Romantic periods. saxophonethe earliest musicto transcriptions ofworks and the Viennese witharepertoire style, ranging from balance the between toFrench findtheperfect school in Based Vienna, aims theDanubia Saxophon Quartett MAK Columned MainHall Wednesday 20:15 Label: Pro Cultura/Mayr Music Contact: Danubia Saxophon Quartett Wien www.danubiamusic.com Quartett Wien Danubia Saxophon 120 (Austria) (Harald Müller) Classical:NEXT 2013OpeningFanfare,Classical:NEXT World Premiere O pening

© Reinhard Wieser

© Oliver Topf “KorollArien” for Flute andString Trio Norbert Sterk O pening Roland Schueler,Roland cello Zalech,Rafal viola Thomas Wally,violin Sylvie Lacroix, flute Ultraschall Berlin. Festival, Transart Bozen, Festspiele theBerliner and Wien Klangspuren Schwaz Modern, Tirol, theSalzburg most renowned hallsandfestivals, concert including hasappeared at It someoftheworld’sperformances. backgrounds forguests from ofartistic joint avariety members,active regularly invites musiciansand installations. The ensemble, whichcurrently has10 electronics,performance, andsoundvideo music, contemporary between blur theboundaries the group launchedPhace ofprojects that X,aseries premiered more than200compositions. 2010, In and muchmore. hasalsocommissioned and It electronics,performance, video, installations DJs, art projects comprising dance, theatre,multidisciplinary from musictheatreeverything productions to chamber music, thegroup hasbeeninvolved with music ensembles. As well asplaying contemporary Austria’s mostinnovative andversatile contemporary Founded inthemid-1990s, EnsemblePhace isoneof MAK Columned MainHall Wednesday 20:15 Label: Neos Contact: Phace (Reinhard Fuchs) www.phace.at Contemporary Music Ensemble PHACE| (Austria) 121

SHOWCASES / LIVE SHOWCASES A – Z SHOWCASES / LIVE SHOWCASES A – Z Sponsor: Bureau Export Gaëtan Robillard, visualartist Ivan Ilić, piano installation from French Robillard. Gaëtan visualartist andaccompanied by a video from memory performed Feldman. composerAmerican Morton The works willbe a28-minute programme willperform ofworksIlić by the international music press. thisshowcase In event, of Debussy’s 24Preludes won anumberofawards from Washington, Bristol, Glasgow andCardiff.His debut CD recent engagements includerecital debutsinBoston, AcademyDublin andtheAmerican inRome. Other Wigmore HallinLondon, Hallin theNational Concert York,New venues, concert includingCarnegie Hall in has played at many oftheworld’s mostprestigious he won thePremier Prix He inpianoperformance. to France to studyat theParis Conservatoire, where ofCalifornia, beforethe University Berkeley moving side’. degrees earned Ilić inmusicandmathematics at ‘adventurous pianist’ who hismusiconthebrainy‘likes Paris. by Yorker Hehasbeendescribed theNew asan pianistwholives isaSerbian-American in Ilić Ivan Porgy &Bess Thursday 21:15 Label: Paraty Contact: Ivan Ilić www.ivancdg.com Ivan IlićplaysFeldman Ivan Ilić 122 (Serbia/US/France) Palais deMari Morton Feldman

© Ker-Xavier (2013 premiere) Arirang Sanjoforkayageum,violinandpiano June-Hee Lim The WetSleeves(kayageumsolo) June-Hee Lim Dancing Sanjoforkayageum,violinandpiano June-Hee Lim publishing company) KMS (Korea MusicService, ofArts), University Sponsors: K’Arts (Korea National Ji-Young Lee, kayageum :Suyoen Kim,violin:William Youn, piano Sony Classical label. Lim’sSanjo isthetitletrack ofJune-Hee albumonthe traditional Korean musicwithclassicalformats. Dancing instrument. willcombine of thespirit The performance ofeach characteristics which emphasisethedistinct islater developed infivein firstpart variations, therhythmic themeintroducedwork is insixsections: that isdeveloped by inturn eachinstrument. part The a structured rhythmic basewithanimprovised solo music basedonthePansori combines opera tradition. It Korean instrument. ofKorean Sanjoisatraditional type atraditionalconsisting ofviolin,pianoandkayageum, here by theKayageum performed Trio, anensemble composition prizes. Lim’s work DancingSanjowillbe over theworld andshehaswon several international at festivals all in theUS.Herwork hasbeenperformed the city’s Yonsei andlater University University at Indiana composers. inSeoul,contemporary shestudiedat Born Korea’s LimisoneofSouth June-Hee mostsuccessful Porgy &Bess Friday 22:00 Label: Sony Classical Contact: Park’s Park) (Moon-Seon MusicService www.juneheelim.com Plays June-HeeLim Kayageum Trio (by Sony MusicEntertainment Korea Inc.) (SouthKorea) 123

SHOWCASES / LIVE SHOWCASES A – Z SHOWCASES / LIVE SHOWCASES A – Z Philippe Moenne-Loccoz, electronics Thomas Cornut, doublebass:Orane Murail, viola: Nouri,:CharlesBastien Vadrot, horn:Wen Chen, keyboards : Emmanuelle Maggesi,piano:Florian Nauche;cello : Lavignolle,Michel flute :Claire Bernard, violin: Fabrice Pierre, conductor :Jean-Louis Bergerard, clarinet : manipulated to create ofdifferent avariety effects. sounds oftheocean andrain, whichare interpreted and intriguing visualandaural elements, includingthe The work later goesonto incorporate several other soundandlight.of almostimperceptible sparkling single boltoflighting, beginning withasingleminute This 28-minute work explores ontheramifications ofa developed by Tristan Bailly-Basin. Murail andHervé a joint creation withmusicalandvisualcomponents event, Les Temps willpresent Modernes LiberFulguralis, anddonothaveequality adirector. thisshowcase In Bergerard, themusicianswork together of inthespirit sounds. Althoughithasaco-ordinator, Jean-Louis in musicthat combines instrumental andelectronic Crumb andDonatoni. Theses days, thegroup specialises by composers suchasSchönberg, Berio, Messiaen, ofworks anamefor itselfwithperformances making was foundedModernes inLyon in1993,initially chambermusicensembleLesContemporary Temps Porgy &Bess Friday 20:30 Label: Polysonnance/Aeon Music Contact: Les Temps Modernes(Stéphane Marvy) www.ensemble-lestempsmodernes.com L’oeil écoute Les Temps Modernes 124 (France) Spedidam, Région Rhône-Alpes, CNSMDdeLyon, Rhône-Alpes, Spedidam, Région Fevis Sponsors: Ville deLyon, Sacem, Bureau Export, Liber Fulguralis Hervé Bailly-Basin(video) Tristan Murail(music)and

© Atelier Chose

© Nobbie Clark Another Song Tom Norris Sandpaper Indian Christoph PepeAuer the Between Rising Trains Manu Delago ála Rondo Turk arr. LivingRoominLondon Wolfgang AmadeusMozart Lilla Kontrast Christoph PepeAuer Gregor Riddell, cello (broadcasted) Manu Delago, hang(broadcasted) Tom Norris, violin,guitarandvoice Ellie Fagg, violin Christoph Pepe Auer, bassclarinet, saxophone andiTanpura an arrangement ofMozart’s àla Rondo Turk. works by Delago, Auer andviolinist Tom aswell Norris as the Edinburgh Fringe Festival. This programme includes Klangspuren Festival inAustria, theHendonFestival and major venues andfestivals across Europe, includingthe at several hasperformed Hopayian andDavid It Ibbett. Raymond Yiu, Cevanne-Horrocks Mermikides, Milton works fromnew composers including Peter Wiegold, compose for thequintet andithasalsocommissioned the London Symphony Orchestra. Allthemembers Pepe and Auer Quartet andmembersoftheSolstice here, joinedby accomplished Christoph jazzclarinettist Shankar. andAnoushka of Björk Heisingoodcompany hascollaborated Delago composer Manu withthelike leaving the insidehollow. Hangplayer, drummerand from half-shells ofsteel two gluedtogether at therim, andhang,clarinet apercussion instrument made music quintet consisting , oftwo cello, bass inLondonLiving Room contemporary isapioneering Porgy &Bess Thursday 22:45 Label: Session Work Records Contact: inLondon LivingRoom www.livingroominlondon.com (UK/Austria) Living RoominLondon (Christoph Pepe Auer) 125

SHOWCASES / LIVE SHOWCASES A – Z SHOWCASES / LIVE SHOWCASES A – Z Tobias electronics Hartmann, Miako Klein,recorders recorder andtape. aswellSoleil asoneofherown works for contrabass Austro for alto recorder, JohannisCiconia’s Le au Ray thisprogramme In Quartet. shewillplay Giorgio Tedde’s consort The Royal Wind Music andtheEspigaString She isaformer recorder memberoftheRenaissance with performs Trio Generation. New andQuartet Kaze andregularly withEnsembleModern, as aguestartist JasperStadhouders.guitarist Shehas alsoappeared player Brad Henkel, cellist Audrey Chen and withmany prominentperformed musiciansincluding several dance andmovement-based projects andhas composer/improviser, shehascreated musicfor composers whohave written works for her. As a collaboratesand chambermusicianoften with andgenres. asasoloist styles between She performs to challengeconvention by pushingtheboundaries contemporary, andimprovised early music, andaims and improviser Shespecialisesin basedinBerlin. isarecorder Klein Miako player, violinist, performer Porgy &Bess Friday 21:15 Label: unsigned Contact: Miako Klein www.miakoklein.com Miako Klein 126 (Germany) Reconnection Miako Klein Le auSoleil Ray arr. MiakoKleinandTobias Hartmann Johannis Ciconia Austro Girgio Tedde Splendens O Virgo arr. MiakoKleinandTobias Hartmann Anonymus KAGE Roderik deMan

© Roger Richter

© Kevin Leighton 3. Lent Sonate for Violin andCello, Op. 73 Maurice Ravel + Live Remixes : Float Dance Driver : Jerk : OuttaPulsor Cello Multitracks Gabriel Prokofiev Closing + SpecialGuest Gabriel Prokofiev, DJ/electronics Peter Gregson, cello of Ravel’s Duofor violinandcello. thethirdwill thenjoinGregson movement to perform variations ontheoriginal composition. Aspecialguest will joinGregson for live remixing, creating musical new Followingcello parts). original suite, Prokofiev Gabriel loudspeakers plusGregson (whorecorded allofthe by a piece isperformed cello ensemble’‘virtual ofeight renovated hallinLille. Nouvelle Siècleconcert The London through to theopeningnight ofthenewly range ofvenues, from and basement clubsinBerlin by Prokofievperformed wide andGregson ina very Nonclassical labellastyear, Cello Multitracks hasbeen of theNonclassicalapproach. Since itsrelease onthe and cellist Peter Gregson willoffer delegates ataste past five years. from performance Prokofiev This short since 2004,withamonthly clubnight inLondon for the been hostingalternative classicalevents contemporary the Nonclassicalrecord labelandclubnight. Hehas Composer Prokofiev andDJ Gabriel isthe founder of MAK Lecture Hall Saturday 13:00 Label: Nonclassical Recordings Contact: Nonclassical (Gabriel Prokofiev) www.nonclassical.co.uk Cello Multitracks+remixes Gabriel Prokofiev Peter Gregson& Nonclassical presents: (UK) 127

SHOWCASES / LIVE SHOWCASES A – Z SHOWCASES / LIVE SHOWCASES A – Z Sponsor: Swedish Council Arts Mats cello Olofsson, Landström,Mårten piano George Kentros, violin Sara Hammarström, flutes Caprice label. Before Swïne Experience hasreleased CDsonthe two young 18and35. peopleagedbetween The Peärls years, thisclubhasbeenapopularmeetingplace for hometown calledSekt. For ofStockholm thepast11 inits art music, film,electronica andperformance ensemble hasalsofounded asuccessful clubfor new to musicto bringing new younger audiences. The at several rock festivals inSweden, and iscommitted musicfestivals new inScandinavia and the important at allof interaction hasperformed withtheaudience. It for itsrelaxed includes which often style, performance than 120works from 21countries. The group isknown minutes –andhassofarbeenresponsible for more of ‘pithy pearls’ pieces lastingaround five –short piano, specialisesincommissioning itsown repertoire four-piece ensemble, consisting offlute, violin, cello and successful ensemblesdedicated to music. new The 1995 andhasgrown into oneofScandinavia’s most The Peärls Before Swïne Experience was founded in Porgy &Bess Thursday 22:00 Label: unsigned Contact: The Peärls Before Swïne Experience www.swinepearl.com Swïne Experience The PeärlsBefore 128 (Sweden) (George Kentros) Odboy andErordog,Odboy Episode2 Marcus Fjellström Cranks Needles andCactus Annie Gosfield I, II,III Pocket Size Klas Torstensson

© Björn Abelin

© Dieter Nagl Perpetuum Mobile, Op. 257 Johann Strauss 2. Scherzo Night’sA Midsummer Dream, Op. 61 Felix MendelssohnBartholdy Impromptu No. 2inEflat major Franz Schubert Slavonic Dances No. 2andNo. 8,Op. 46 Antonin Dvorak Pieces for theaudience to choosefrom: inBlue Rhapsody arr. Wolfgang Kornberger George Gershwin Wolfgang Kornberger, bassclarinet Salmhofer,Hubert bassethorn Fankhauser,Rupert clarinet Helmut Hödl, clarinet the second halfofthisshowcase concert. audience willbeaskedto choose the programme for Philharmonic andZurich Symphony Orchestra. The has collaborated withensemblessuchas theStuttgart MusicFestivalRheingau andSalzburger Festspiele, and festivals includingtheSchleswig-Holstein MusicFestival, works.new The at group majormusic hasperformed composition andimprovisation to create compelling composers,also works withcontemporary blending repertoire. takeonclassicsofthequartet It a new enablingittomirrors provide that quartet, ofastring contemporary. The ensemble’s unusualcomposition composed andimprovised, jazzandclassical, ethnicand different between the boundaries ‘types’ ofmusic: edge ofchambermusicever aimsto since. blur It Porgy in &Bess Vienna andhasbeenat thecutting clarinet. The group in1995 gaveat the itsfirst concert consisting , oftwo andabass abassethorn The Vienna Clarinet Collection isafour-piece ensemble Porgy &Bess Thursday 20:30 Label: Extraplatte, Cracked Anegg Records, Gramola Contact: Vienna Clarinet Connection www.viennaclarinetconnection.com (Austria) Vienna ClarinetConnection (Sven Koblischek) 129

SHOWCASES / LIVE SHOWCASES A – Z Aquarius Chamber Choir Video Showcases (Belgium) Aquarius Ahead of its Time © Marc Van Kerckhove Van © Marc

Artists and projects present themselves on screen www.gc-aquarius.be Contact: Aquarius (Marc Michael De Smet) Label: unsigned

Classical:NEXT’s video showcases offer artists and There are two chamber music ensembles on show: Het Thursday 13:00 ensembles the opportunity to present their work to Collectief, a contemporary music quintet from Brussels, MAK Lecture Hall

delegates on screen. The videos complement the live and Dreamers‘ Circus, a Scandinavian trio that aims Z – A wcases showcases, giving musicians and ensembles the chance to explore the boundaries between classical and folk Aquarius Ahead of its Time Aquarius is a 24-strong chamber choir dedicated to present recent projects using live footage, interviews music. There is also a video from Belgian contemporary Director: Johan Kennivé to contemporary music. The group was founded in or documentaries. chamber choir Aquarius, which presents an introduction Year of Release: 2013 1995 by Marc Michael De Smet, a fervent advocate wcases to its wide repertoire and pioneering approach to of Flemish music, who remains at the helm today. It These showcases are a particularly good opportunity modern music. Arvo Pärt was originally known as the Goeyvaerts Consort, but for larger ensembles or producers to present their work. o V ide o S h o / Magnificat has since expanded and changed its name in 2007. The format is also designed to enable artists, ensembles All Classical:NEXT video showcases will be screened Aquarius’ vision is to embrace all forms of contemporary or productions to present themselves at a time when at MAK Lecture Hall. Henryk Mikolaj Górecki music in a global context: classical and popular, sacred travelling or scheduling issues make a live appearance Amen for chorus, Op. 35 and secular, progressive and conservative. As well as S h o V ide o / wcases impossible. They can also be used to present work in dozens of Belgian choral pieces, its repertoire includes progress. By combining the audio-visual element with Video Showcases

S h o Giovanni Pierluigi da Palestrina many important works by international contemporary the onsite presence of one or several representatives, Thursday 12:15 – 13:15, MAK Lecture Hall Missa Papae Marcelli composers. The choir has performed at festivals all over wcases the video showcases allow ensembles that would not Friday 12:15 – 14:00, MAK Lecture Hall : Agnus Dei the world, including the Festival van Vlaanderen and the otherwise be able to perform to make a professional Festival de Liège, and has toured to Estonia and Spain. It S h o impression. For full artist contact details Samuel Barber has also has made a number of CDs, including two discs > Delegates/Companies A – Z Agnus Dei dedicated to the works of Belgian composer Lucien The video showcases offer music distributors such > Programme/Overview Posman. In this new showcase video, the choir can as concert promoters, labels and journalists a unique > Programme/Schedule Hildegard von Bingen be seen performing works by Pärt, Gorecki, Palestrina, opportunity to experience many performances in O quam Mirabilis Barber, Hildegard von Bingen, Liszt and Kurt Schwaen. a short amount of time. The format allows complex projects to be grasped quickly, and gives delegates the Franz Liszt Marc Michael De Smet, conductor option of finding out more afterwards. Via crusis Aquarius Chamber Choir

Productions on show this year include composer Kurt Schwaen Merlijn Twaalfhoven’s Symphony for All, an orchestral Ein Zicklein performance involving children from refugee camps in Jordan, and a tale of medieval folklore from early music Garrett List collective Ensemble Dialogos. État de Siège

130 131 SHOWCASES / Video Showcases A – Z Orchestra Project Dreamers’ CircusSymphony (Denmark/Sweden) Sponsors: Danish Arts Council,Sponsors: Danish Arts Swedish Council Arts feat. Copenhagen master Philwithconcert Frederik Øland Nikolaj piano, Busk, accordion Rune Tonsgaard Sørensen, violin Ale Carr, cittern hierarchy inmusic, aslongitcomes from theheart. Players. The group aimsto prove that there isno andDanishChamber with theDanishString Quartet Dreamers‘conductor HansEk. Circus hasalsoworked The orchestrations are madeby Swedish composer and strong to connection theScandinavian folk tradition. three membersofDreamers‘ Circus, buthasaclearand this video. The musicismainlynew, composed by the hour-long programme, andtheresult canbeseenin year, theorchestra invited thegroup backto doan classical andScandinavian folk sounds. The following the piece, themusicalternates seamlesslybetween 5 withtheCopenhagen Phil. thisreimagining In of their uniqueversion ofMozart’s Violin No Concerto group was formed firstperformed in2009,whenthetrio classicalandfolk between the boundaries music. The violin, cittern andpiano/accordion –whoaimto explore Dreamers‘ Circus isacollective ofthree musicians– MAK Lecture Hall Thursday 12:15 Label: unsigned Contact: Konzertkontor Irene Schwalb (Irene Schwalb) www.dreamerscircus.com Dreamers’ Circus 132

Amadeus Circus arr. Rune T. Sørensen andHasseHjortek Wolfgang AmadeusMozart Snabbschottish arr. HansEk Nikolaj Busk Dreamers Beginning arr. HansEk Ale Carr Year 2013 ofRelease: Director: Makropol Dreamers‘ Circus Symphony Orchestra Project

© Ard Jongsma

© Corinne Silva reconstruction byKatarinaLivljanić Text adaptationandmusical Year 2013 ofRelease: Director: Jovanov Radislav Gonzo from –ABiblical Story Judith Renaissance Croatia Croatian ofCulture Radiotelevision, Ministry of The ofCroatia Republic Royaumont (2011-13),Centre Culturel deRencontre d‘Ambronay, Arcadi, Communication, Mécénat Musical Société Générale, Fondation –French ofCultureSponsors: DRAC Île-de-France ministry and Albrecht Maurer, fiddle, lirica Rodenkirchen, flute,Norbert dvojnice Katarina director, Livljanić, artistic conductor andvoice National Television.Croatian St inZadar, Donat Croatia, with andisaco-production Septemberof Judithwas filmedin 2010inthe Church of scenography andcostumes by SandaHerzic. This video role, accompanied by instrumentalists, two withstaging, sources. The production features Livljanicinthetitle reference to Gregorian, Beneventan andGlagolitic Marulić. Marko The musichasbeenreconstructed with literature, Dalmatian poet setinverse by 16th-century isacornerstone ofmedieval CroatianThe story theenemy Holoferneswho kills to liberate herpeople. widow ofaBethulian Judith follows thebiblicalstory polyphony to medieval musicaltheatre. The production fromcovering plainchant andearly everything research withatheatrical approach to performance, ways. The ensemble’s musicological projects linknew music to life by presenting andimaginative itinnew Livljanić, medieval EnsembleDialogosbrings Katarina Founded in1997by Croatian singer andmusicologist MAK Lecture Hall Friday 13:00 Label: Alpha Contact: Ensemble (Emma Dialogos Federow) www.ensemble-dialogos.org Ensemble Dialogos Renaissance Croatia Judith –ABiblicalStoryFrom (France) 133

SHOWCASES / Video Showcases A – Z SHOWCASES / Video Showcases A – Z Fuga Libera InvestBrussels MusicCentre &Export, Flanders, Outhere Music– Sponsors: Flemish Government, Flemish Community Commission, cello Vink, Martijn Thomas director, Dieltjens, artistic Dieltjens,: clarinet piano:Benjamin collaboration withCollegium Vocale Ghent in2014/15. and Stravinsky, aswell asdetailsofanupcoming works by composers includingMessiaen performing and Asia. This videoincludesfootage ofthegroup France, Poland, America South Austria, Spain,theUK, in performed The Netherlands, Switzerland, Germany, venues itsproductions abroad tobrings concert andhas regularly inBelgium, HetCollectief often performing Schoenberg, andKee Messiaen Bach, Yong. As well as several CDs, oftheworks of includingcollections repertoire.with contemporary The group hasreleased interested inthefusionoftraditional compositions the latest experimental trends, andisparticularly repertoire rightthrough to 20th-century important Second point, itexploresViennese asastarting School of strings, windinstruments andpiano. Taking the music,contemporary usingtheunusualcombination in 1998Brussels. The group focuses mainlyon Het Collectief isachambermusicquintet founded MAK Lecture Hall Friday 13:45 Label: Outhere Music/Fuga Libera Contact: HetCollectief |Chamber MusicQuintet www.hetcollectief.be (Belgium) Chamber MusicQuintet Het Collectief| 134

: Wibert violin:Toon Aerts, Fret, flute (Gerrit Geerts) Metioron Evis Sammoutis Op.Kammersymphonie, 9 arr. Arnold Schönberg : Mondestrunken Pierrot Lunaire, Op. 21 Arnold Schönberg Musical Offering ‘revisited’, Andante arr. Het Collectief Johann SebastianBach (Mars, -Skorpia Pluto): Skorpion Tierkreis arr. HetCollectief &Capilla Flamenca Karlheinz Stockhausen Berceuse Elégiaque Ferruccio Busoni Het Collectief |Director: Emanuel Maes| Year 2013 ofRelease:

© helena.be

© Adam Sebire Year 2008 ofRelease: Director: Adam Sèbire Symphony forAll –Jordan and children from theUN-schoolsinPalestinian refugee camps Amman Symphony Orchestra, young musiciansfrom School theBaptist Merlijn Twaalfhoven, composer, conductor Philharmonic Orchestra underJurjenHempel. with including aperformance The Netherlands been reimagined several timesin The Netherlands, metaphor for tolerance. Symphony for Allhas since Arab instruments, solosingersandpoetry, creating a video, combined classicalsoundswith theperformance nearby refugee camps. Captured here inaten-minute of thePalestinian Youth Orchestra andchildren from united theAmmanSymphony Orchestra withmembers for Allproject, whichtook place inJordan in2008, the between Western andArab Worlds’. Symphony His named himasa ‘Young for intercultural Artist dialogue thedividedcapitalofCyprus.Nicosia, 2011,UNESCO In ontherooftops andbalconies of ofconcerts a series a in eastern Slovakia, ‘secret festival’ inJerusalemand projects have includedamusicfestival ghetto inaRoma projects that break throughart divisionsinsociety. His Merlijn Twaalfhoven aimsto create music, theatre and Through hisorganisation La Vie Sur Terre, composer MAK Lecture Hall Friday 12:15 Label: unsigned Merlijn TwaalfhovenContact: www.twaalfhoven.net Symphony forAll–Amman,Jordan (The Netherlands) Merlijn Twaalfhoven 135

SHOWCASES / Video Showcases A – Z SHOWCASES / Off C:N Showcases Presentations ofoutstandingtalentoutsidetheofficialjuryselection off C:NShowcases 136 through Lidbo’s electronics. are filtered, edited andmanipulated Letter),Brevet inwhich thesoundsofPettersson’s (The musicfromcollaborating theiralbum to perform The finalshowcase will feature Pettersson andLidbo responsible for more compositions. than100new followed by DuoGelland, aviolinduothat hasbeen works for thePaetzold contrabass recorder. Shewillbe of aselection thefirst concert, willperform In Petrini wide range ofapproaches to classicalmusicinSweden. This year’s offC:Nshowcases willdemonstrate the music from allgenres. andorganisationsadvises actors inneedofquality producers ofmusicfor film,dance andtheatre.It also including festivals, presenters concert andclubsto to hasmore publicsubsidies. than700members, It for Swedish musiciansthanks services profile-raising Musikcentrum Väst. The organisation provides free works closelywithasister organisation inGothenburg, unique Swedish resource which basedinStockholm are presentedThe artists by Musikcentrum Öst, a Jörgen Pettersson Lidbo. andcomposer Håkan and anintriguing collaboration saxophonist between recorderdynamic acts: player AnnaPetrini, DuoGelland ofSweden,the turn which introduces three ofitsmost outstanding talent andinnovative projects. This year itis andorganisations of for to exposetheirselection artists Classical:NEXT‘s offC:Nshowcases are anopportunity Presented by Musikcentrum Öst > Delegates/Companies A–Z For details contact fullartist Flap> Back Inside > Programme/Schedule > Programme/Overview Friday 19:00–20:20 Musikverein Saal) (Metallener off C:Nshowcases willtakeplace at: aspossible. asearly [email protected] year, inoffC:Nnext company might takepart contact For more information onhow you, your organisation or

© Jesper Lindgren Crepuscolo Oscar Bianchi Seascape Fausto Romitelli Paetzold ContrabassRecorderRecital Anna Petrini, recorder Fausto Romitelli andOscarBianchi. Paetzold contrabass recorder recital featuring musicby Bång,and Malin among others. This showcase event isa world premiere recordings ofworks by OscarBianchi of works for thePaetzold contrabass recorder, featuring nominated for aSwedish Grammy. The CDisanalbum Crepuscolo, was released in2012to acclaim critical and MusicFestival. Early and theStockholm HerdebutCD, Nova Poland, theBath International MusicFestival FestivalMinds inSanFrancisco, MusicaElectronica Autumn, theISCM World MusicDays, New theOther has beeninvited to festivals andvenues suchas Warsaw internationally asasoloistandchambermusician studies at theAmsterdam Conservatory. Sheperforms from theSwedish MusicAcademy to continue her CollegeUniversity ofMusicandlater received agrant she studiedfor aMaster’s degree at thecity’s Royal music. inStockholm, andearly Born both contemporary recorderAnna Petrini isavirtuoso player specialisingin Musikverein (MetallenerSaal) Friday 19:00 Label: dB-Productions Contact: Musikcentrum Berthling) Öst(Ragnar www.annapetrini.com Anna Petrini (Sweden) 137

SHOWCASES / Off C:N Showcases A – Z SHOWCASES / Off C:N Showcases A – Z Martin Gelland, violin Martin Cecilia Gelland, violin Holm, JamesDillonandBirgitte Alsted. programme, works by OleLützow- willperform they classic works from thegoldenageofviolinduos. this In music, theduoalsospecialiseinbreathing life new into Swedish Composers. As well asbeingdedicated to new Award) andtheInterpreter’s Prize of oftheSociety (German Record Schallplattenkritik Critics’Deutschen many international awards, including theJahrespreis der for Sonatas of Seven Two Violins. They have since won CD ontheBISlabelofAllanPettersson’s dramatic cycle their recording career in2000withahighlyacclaimed give masterclasses andlectures. The duolaunched CDs, appeared onradio andtelevision, andregularly extensively at international festivals, recorded several more works. than100new They have performed together in1994andhaveworking since premiered force for exploration. began DuoGelland contemporary concept itinto –theviolinduoandturned adriving have Gelland revivedCecilia an18th-century andMartin Musikverein (MetallenerSaal) Friday 19:00 Label: NosagRecords Contact: Musikcentrum Berthling) Öst(Ragnar www.duogelland.com Duo Gelland 138 Drama BeyondBoundaries (Sweden) Zweigeigen Birgitte Alsted : Movement 5 Traumwerk James Dillon : IVChaconne Sotto TerraDa Ole Lützow-Holm

© Trolle Gelland

© Lidbo Pettersson : No. 2,5,6and3 Brevet Jörgen Pettersson&HåkanLidbo Håkan Lidbo, electronics Jörgen Pettersson, sopranino saxophone, alto saxophone, basssaxophone and manipulated through Lidbo’s electronics. sounds ofPettersson’s saxophones are filtered, edited Letter),Brevet inwhichthedynamicacoustic (The musicfrom theiralbum 2013toClassical:NEXT perform of aball. Pettersson andLidbowillcome together at play withsoundandmusicinsteadwhere participants Zoo ofStockholm monkeys andcreating atennis game projects haveHis included giving synthesizers to the curates the Voltfestivalen for electronic music. new Ström, aradio show onSwedish National Radio, and He hasreleased more than300records, isthehostof to electronica andtechno. from soundart everything Swedish composer andproducer whosework spans focuses Lidboisasuccessful music. onnew Håkan which andKammarensembleN, EnsembleSon Quartet, Saxophonemusic asamemberoftheStockholm sought-after soloistbuthealsoengagesinchamber saxophonecontemporary players. Heisamuch Jörgen Pettersson isoneofSweden’s mostrespected Musikverein (MetallenerSaal) Friday 19:00 Label: Container Recordings Contact: Musikcentrum Berthling) Öst(Ragnar www.hakanlidbo.com, www.jorgenpettersson.com Håkan Lidbo Jörgen Petterssonand Brevet (TheLetter) (Sweden) 139

SHOWCASES / Off C:N Showcases A – Z Imprint Classical:NEXT Team

Classical: NEXT – the international professionals Berlin, Germany forum for classical and art music piranha womex AG Classical:NEXT Guide Hannah Asen (Media & Communications) Paul Bräuer (Author/Proofreader) A Production of Paul Bräuer (Media & Communications) Femke Colborne (Guide Author/Proofreader) Claudia Budke (Registration) Jennifer Dautermann (Author/Proofreader) piranha womex AG Jennifer Dautermann (Director) Fabienne Krause (Editor/Author/Guide Coordinator) Bergmannstr. 102, 10961 Berlin, Germany Julie Karmark Jensen (C:N NET) Anna Pötzsch (Advisor) Tel: +49 30 318 614 47, Fax: +49 30 318 614 10 Isabel Herold-Klemm (Accounting) Frank Stahmer (Author) [email protected], www.classicalnext.com Luca Jacob (Media) Matoula Koutsari (Production) ELEPHANT & CASTLE (Artwork)

Brigitte Bieg (Chairwoman) TEAM / C R EDITS Fabienne Krause (Project Manager) www.elephant-castle.de Christoph Borkowsky (President) EDITS / IMP R INT / C R EDITS Anna Mechelhoff (Conference) Frank Klaffs (CEO) Mitko Miericke (Registration) Ta-Trung (Cover) Luise Müller (Conference) www.ta-trung.com Anna Pötzsch (Director of Media & Communications) Toshi Rösner (Technical Director: Showcases) Photographer INITIATED BY Daniela Teuber (Director of Production) Eric van Nieuwland Dhari Vij (Showcases) CLASS – Association of Classical Independents in Germany e.V. Michael von Petrykowski (Conference & Production) Alexander Walter (Showcases) Alexa Wirtz (Conference) Vienna, Austria In Cooperation with IT Services Classical Partners Vienna Thomas Glase (Junior Software Developer) Mario Rossori Robert Haß (Junior Software Developer) Heinrich Schläfer Karsten Schiela (Junior Software Developer) Frank Stahmer Andreas Sebayang (Administration System & Network) Classical Partners Vienna IMZ International Music + Media Centre in Vienna Alexander Vipach (Senior Software Developer)

Copy deadline 23 April 2013

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