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Lulu and the Performance of Unfinishedness Downloaded from by Guest on 04 January 2020
An Incomplete Life: Lulu and the Performance of Unfinishedness Downloaded from https://academic.oup.com/oq/article-abstract/35/1-2/20/5559520 by guest on 04 January 2020 January 04 on guest by https://academic.oup.com/oq/article-abstract/35/1-2/20/5559520 from Downloaded axel englund stockholm university What does unfinishedness mean to opera criticism in the wake of the performative turn? One familiar answer suggests that it means everything. Toward the end of the millennium, as live performance became a central focus of opera studies, the idea of a definitive version of an operatic text came to seem less and less appealing, as did the very notion of an operatic “work.”1 Instead, scholars valorized the elusive, mutable, or open-ended, and opera itself was imagined as an unfinished business, its ontology anchored in the moment of performance. But if the performative turn celebrated “unfinishedness,” it also rendered the concept oddly void of meaning. Strictly speaking, the finishedness of an opera can only be measured against one version or another of the work concept. Once the composer’s intention has lost its authority and the essence of an opera is situated less in its script than in its live in- stantiation, what does it mean to speak of an unfinished opera? If the locus of opera is the performance rather than the score, can Turandot be said to be any less com- plete than Tosca just because Alfano or Berio wrote the notes for the final scene? If the work is recast as a unique event that concludes every time the curtain falls, what space is left for the inconclusive? Although these questions have a bearing on opera criticism in general, they de- rive from my engagement with one particular opera, and in this article I will reroute them back into it: Alban Berg’s Lulu, which the composer struggled with from the late 1920s until his death in 1935.2 In November of that year, Berg suffered an unfor- tunate insect bite that would lead to his death by blood poisoning on Christmas Eve. -
Annual Report 2009
Annual Report 2009 Digitization INNOVATION CultureFREEDOM CommitmentChange Bertelsmann Annual Report 2009 CreativityEntertainment High-quality journalism Performance Services Independence ResponsibilityFlexibility BESTSELLERS ENTREPRENEURSHIP InternationalityValues Inspiration Sales expertise Continuity Media PartnershipQUALITY PublishingCitizenship companies Tradition Future Strong roots are essential for a company to prosper and grow. Bertelsmann’s roots go back to 1835, when Carl Bertelsmann, a printer and bookbinder, founded C. Bertelsmann Verlag. Over the past 175 years, what began as a small Protestant Christian publishing house has grown into a leading global media and services group. As media and communication channels, technology and customer needs have changed over the years, Bertelsmann has modifi ed its products, brands and services, without losing its corporate identity. In 2010, Bertelsmann is celebrating its 175-year history of entrepreneurship, creativity, corporate responsibility and partnership, values that shape our identity and equip us well to meet the challenges of the future. This anniver- sary, accordingly, is being celebrated under the heading “175 Years of Bertelsmann – The Legacy for Our Future.” Bertelsmann at a Glance Key Figures (IFRS) in € millions 2009 2008 2007 2006 2005 Business Development Consolidated revenues 15,364 16,249 16,191 19,297 17,890 Operating EBIT 1,424 1,575 1,717 1,867 1,610 Operating EBITDA 2,003 2,138 2,292 2,548 2,274 Return on sales in percent1) 9.3 9.7 10.6 9.7 9.0 Bertelsmann Value -
Arvato Benefits Summary Plan Descriptions
The Benefits of Living Well 2017 Summary Plan Descriptions TABLE OF CONTENTS ....................................................................................... CHAPTER General and Administrative Information .......................................................................... Introduction Medical Plans ........................................................................................................................................................ 1 Medical Coverage During Retirement ................................................................................. 1A Dental Plans ............................................................................................................................................................ 2 Vision Plan................................................................................................................................................................. 3 Disability Plan ....................................................................................................................................................... 4 Life and Accident Insurance Plans.......................................................................................... 5 Health Care Flexible Spending Account Plan .......................................................... 6 Dependent Care Flexible Spending Account Plan ............................................ 7 General Information Retirement Income Program ............................................. 8 401(k) Savings Plan ..................................................................................................................................... -
References Instantdetectionsystem COMPANY COUNTRY VERSION DATE of DELIVERY AMG Srl Italy CD/DVD July 2012
release 02.2015 SMART FAST Syste ECONOMICAL tion m ec r Quality et ou D y t rd n a One Unit to Detect Playability a u t g s o n t Issues on CD/DVD/BD i References instantDetectionSystem COMPANY COUNTRY VERSION DATE OF DELIVERY AMG srl Italy CD/DVD July 2012 Audiobec Recording Canada, Inc Canada CD/DVD Jan 2013 arvato Entertainment Europe GmbH Germany Blu-ray Nov 2014 BAK Tlocznia Dyskow Optycznych Poland CD/DVD Feb 2015 Bestdisc Technology Corp. Taiwan Blu-ray Jan 2013 CD Systems de Columbia S.A. Columbia CD/DVD Nov 2013 CD Video Manufact. Inc. United States Blu-ray Aug 2013 Cinram GmbH Germany Blu-ray Aug 2011 | Sept 2013 Compact Disc Technologies South Africa CD/DVD Jan 2014 Deluxe Digital Studios Inc. United States Blu-ray Dec 2011 digiCON AG Germany CD/DVD Dec 2013 Duplas Avelca srl Italy CD/DVD Sept 2011 EDC GmbH Germany Blu-ray May 2012 | Sept 2013 Elsässer GmbH Germany Blu-ray Dec 2011 Epoch Trading LLC Iran CD/DVD Oct 2011 Hewlett Packard Caribe PV Puerto Rico CD/DVD Jan 2012 kdg France SA France CD/DVD Sept 2014 kdg Mediatech AG Austria Blu-ray Jan 2012 Láser Disc Argentina S.A Argentina CD/DVD June 2013 Max Optical Disc United States CD/DVD August 2014 MPO Asia Co. Ltd. Thailand Blu-ray Oct 2014 MPO France S.A.S. France Blu-ray Feb 2012 MPO Iberica S.A. Spain CD/DVD Dec 2012 DaTARIUS GmbH, Planseestrasse 4, AT-6600 Reutte, Austria, Tel: +43 676 848 391-0, Fax: +43 512 219 921 1132 [email protected] www.datarius.com release 02.2015 References instantDetectionSystem COMPANY COUNTRY VERSION DATE OF DELIVERY Optical Disc Solutions Srl. -
PROGRAM NOTES: “Violin Concerto”
PROGRAM NOTES: “Violin Concerto” I believe that one of the most rewarding aspects of life is exploring and discovering the magic and mysteries held within our universe. For a composer this thrill often takes place in the writing of a concerto…it is the exploration of an instrument’s world, a journey of the imagination, confronting and stretching an instrument’s limits, and discovering a particular performer’s gifts. The first movement of this concerto, written for the violinist, Hilary Hahn, carries a somewhat enigmatic title of “1726”. This number represents an important aspect of such a journey of discovery, for both the composer and the soloist. 1726 happens to be the street address of The Curtis Institute of Music, where I first met Hilary as a student in my 20th Century Music Class. An exceptional student, Hilary devoured the information in the class and was always open to exploring and discovering new musical languages and styles. As Curtis was also a primary training ground for me as a young composer, it seemed an appropriate tribute. To tie into this title, I make extensive use the intervals of unisons, 7ths, and 2nds, throughout this movement. The excitement of the first movement’s intensity certainly deserves the calm and pensive relaxation of the 2nd movement. This title, “Chaconni”, comes from the word “chaconne”. A chaconne is a chord progression that repeats throughout a section of music. In this particular case, there are several chaconnes, which create the stage for a dialog between the soloist and various members of the orchestra. The beauty of the violin’s tone and the artist’s gifts are on display here. -
Seeking Cultural Originality a Critical Study on Contemporary Product Design in China
SEEKING CULTURAL ORIGINALITY A CRITICAL STUDY ON CONTEMPORARY PRODUCT DESIGN IN CHINA Peipei Yu A thesis submitted in part fulfilment of the requirements of Birmingham City University for the degree of Doctor of Philosophy 2018 Faculty of Arts, Design and Media, Birmingham City University 1 Abstract The intention of this thesis is to explore, by a critical perspective, the originality of product design in China, along with the expression of Chinese cultural values in product design in the contemporary international arena. Starting from literature reviews of design in China, this research focuses on both historical and cultural aspects of product evolution. It will take into account the indigenous innovation phenomenon – ‘shanzhai’ and ‘Chineseness’ in order to pursue a comprehensive understanding of the origin of product design and innovation trends in a contemporary context. Also, interview data from senior designers and professors from various design institutions and companies in China has been elicited in order to understand different perspectives. IKEA and MUJI have been selected as the main case examples to demonstrate their design principles, brand loyalty and cultural impact, based upon their experiences in transcending national borders through global policies. Xiaomi has also been used as a case study to support the study of Shanzhai phenomenon, while the case study on PINWU and SHANGXIA has also been conducted to study the current interpretation of contemporary Chinese product design in China. Furthermore, there will be interpretation of their brand management, marketing strategies and brand philosophies as case examples, which may indicate new directions for design in China. Ongoing, extensive literature searches and data analysis have revealed significant relationships between design, creativity, culture, branding and marketing. -
Franck Bedrossian — Twist . Edges . Epigram
FRANCK BEDROSSIAN Twist Edges Epigram Duo Links Donatienne Michel-Dansac Klangforum Wien . Emilio Pomàrico SWR Symphonieorchester . Alejo Pérez IRCAM – Centre Pompidou 1999 20 YEARS 2019 © Philippe Gontier FRANCK BEDROSSIAN (*1971) 1 Twist for orchestra and electronics (2016) 10:09 2 Edges for piano and percussion (2010) 10:10 dedicated to Laurent and Rémi Durupt Epigram (2010 – 2018) after texts by Emily Dickinson for soprano and 11 instruments 3 I 13:49 dedicated to Donatienne Michel-Dansac 4 II 08:39 dedicated to Françoise and Jean-Philippe Billarant 5 III 13:05 dedicated to Annie Clair TT 56:08 1 SWR Symphonieorchester 2 Duo Links Alejo Pérez, conductor Laurent Durupt, piano IRCAM – Centre Pompidou Rémi Durupt, percussion Robin Meier, computer music designer Luca Bagnoli, sound engineer 3 4 5 Donatienne Michel-Dansac, soprano Klangforum Wien Emilio Pomàrico, conductor 3 4 Epigram I 288 255 290 I’m nobody! Who are you? To die – takes just a little while – Of Bronze – and Blaze – Are you nobody, too? They say it doesn’t hurt – The North – Tonight – Then there’s a pair of us – don’t tell! It’s only fainter – by degrees – So adequate – it forms – They’d banish us, you know. And then – it’s out of sight – So preceoncerted to itself – So distant – to alarms – How dreary to be somebody! A darker Ribbon – for a Day – And Unconcern so sovereign How public, like a frog A Crape upon the Hat – To Universe, or me To tell your name the livelong day And then the pretty sunshine comes – Infects my simple spirit To an admiring bog! And helps us to -
Rose Galaida and the Central China Relief Records, 1946: Discovery, Investigation, and Implications, 1-19
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-LIS Journal of East Asian Libraries, No. 153, Oct. 2011 Rose Galaida and the Central China Relief Records, 1946: Discovery, Investigation, and Implications Tao Yang East Asian Librarian, Rutgers University Introduct i on On December 28, 1945, Rose Galaida, an American social worker, and four other Westerners1 arrived at the city of Hankou in central China to work at the Hubei Regional Office of the United Nations Relief and Rehabilitation Administration (UNRRA).2 The group of five had traveled on a river steamer along the Yangzi River, a major route that millions of Chinese were taking to return home from their refuge in western China during the Sino‐Japanese War (1937‐1945). The war ended in China with the surrender of Japan in August, and soon afterward UNRRA began its China mission, through coordination with its counterpart, the Chinese National Relief and Rehabilitation Administration (CNRRA), to help the country recover with financial assistance, material support, and professional expertise.3 The UNRRA‐Hubei Regional Office, one of about a dozen such regional offices in China, focused on the Province of Hubei m, o s of which was occu t pied by J apan during the war.4 During her eleven‐month tenure as a welfare specialist in Hubei, Rose Galaida witnessed this war‐torn province struggling to recuperate under the increasing threat of a new war between the Nationalists and the Communists. She received and processed applications requesting assistance from both the Chinese organizations and the international community in the province. -
Delta Mission Critical Infrastructure Solution Helps Build an International Data Center at the Wuhan Airport Economic & Technological Development Zone
Vol. 42 December 2018 DELTA BRAND NEWS Delta Mission Critical Infrastructure Solution helps build an international data center at the Wuhan Airport Economic & Technological Development Zone SPECIAL REPORT / ABOUT DSM / PEOPLE & PRODUCT / BRAND CIRCLE / Delta Mission Critical Delta intelligent robot A leader in smart manufacturing, Delta named as Top 20 Infrastructure Solution workstation upgrades embracing new challenges Global Brands in Taiwan helps build an international packaging industry for Delta Taoyuan R&D Center for the 8th consecutive year data center at the Wuhan smart manufacturing Airport Economic & Technological Development Zone CONTENTS DELTA BRAND NEWS BRAND DELTA FROM THE EDITOR SPECIAL REPORT 02 Delta Mission Critical Infrastructure Solution helps build an international data center at the Wuhan Airport Economic & Technological Development Zone BRAND PEOPLE 06 Exclusive Interview of James Chen, Assistant Vice President of ESDBD Follow the trend, create new models for energy storage applications ABOUT DSM 09 Delta intelligent robot workstation upgrades packaging industry for smart manufacturing BRAND CIRCLE 13 Delta named as Top 20 Global Brands in Taiwan for the 8th consecutive year 14 Delta launches the world's first 8K 25,000-lumen DLP® projector in Japan 15 Delta at 2018 Greenbuild China and shares experience in green construction 16 Delta at “Transition for breakthrough, the new blue ocean shift” masters forum 16 2018 Tseng Hsu-pai Journalism Award cum “Delta Energy and Climate Special Award” results 17 Delta shares -
Meet the Key Players of Media Entertainment in Hamburg
MEDIA-TECH Conference Europe June 3, 2014 Mövenpick Hotel Hamburg, Germany 2014 Meet the Key Players of Media Entertainment in Hamburg www.media-tech.net Event Schedule 08:30 Registration Opens 14.00 Afternoon Session Part 1 08.30 Networking Coffee 15.00 Networking Coffee Break 10.00 Morning Session Part 1 15:20 Afternoon Session Part 2 11.30 Networking Coffee Break 18.30 Conference End 11:50 Morning Session Part 2 12.30 Networking Lunch Break 19.00 - 21.00 Networking Party MEDIA-TECH Networking Party Join us on June 3, Tuesday evening The key element of the MEDIA-TECH Conference is the famous networking party. Tuesday June 3, 2014, 19.00 - 21.00 Cave Bar, Mövenpick Hotel, Hamburg Entry will only be granted to registered conference badge holders. MEDIA-TECH Gold Conference Europe June 3, 2014 Mövenpick Hotel Sponsor Hamburg, Germany 2014 SINGULUS TECHNOLOGIES – Innovations for New Technologies SINGULUS’ goal is the technologic leadership in the segments Optical Disc, Solar and Semiconductor as well as the use of synergies to open new work areas in the future. In the Optical Disc segment SINGULUS continues to expand its market leadership and today is already able to offer machines, which enable the production of Blu-ray Discs with about 100 GB in total. SINGULUS positions itself as a supplier for new production solutions for crystalline and thin-film solar cells. In the Semiconductor segment SINGULUS focuses its activities on the vacuum coating of wafers with ultra-thin layers. SINGULUS is continuously expanding its technologic know-how in the areas vacuum coating, automation, process technology as well as the integration of production steps in order to open further, attractive work areas. -
SCHOENBERG Violin Concerto a Survivor from Warsaw Rolf Schulte, Violin • David Wilson-Johnson, Narrator Simon Joly Chorale • Philharmonia Orchestra Robert Craft
557528 bk Schoenberg 8/18/08 4:10 PM Page 12 SCHOENBERG Violin Concerto A Survivor from Warsaw Rolf Schulte, Violin • David Wilson-Johnson, Narrator Simon Joly Chorale • Philharmonia Orchestra Robert Craft Available from Naxos Books 8.557528 12 557528 bk Schoenberg 8/18/08 4:10 PM Page 2 THE ROBERT CRAFT COLLECTION Robert Craft THE MUSIC OF ARNOLD SCHOENBERG, Vol. 10 Robert Craft, the noted conductor and widely respected writer and critic on music, literature, and culture, holds a Robert Craft, Conductor unique place in world music of today. He is in the process of recording the complete works of Stravinsky, Schoenberg, and Webern for Naxos. He has twice won the Grand Prix du Disque as well as the Edison Prize for his landmark recordings of Schoenberg, Webern, and Varèse. He has also received a special award from the American Academy and 1 A Survivor from Warsaw National Institute of Arts and Letters in recognition of his “creative work” in literature. In 2002 he was awarded the for Narrator, Men’s Chorus and Orchestra, Op. 46 7:11 International Prix du Disque Lifetime Achievement Award, Cannes Music Festival. Robert Craft has conducted and recorded with most of the world’s major orchestras in the United States, Europe, David Wilson-Johnson, Narrator • Simon Joly Chorale • Philharmonia Orchestra Russia, Japan, Korea, Mexico, South America, Australia, and New Zealand. He is the first American to have conducted Berg’s Wozzeck and Lulu, and his original Webern album enabled music lovers to become acquainted with this Recorded at Abbey Road Studio One, London, on 3rd October, 2007 composer’s then little-known music. -
Tradition As Muse Schoenberg's Musical Morphology and Nascent
Tradition as Muse Schoenberg's Musical Morphology and Nascent Dodecaphony by Áine Heneghan A dissertation submitted in candidacy for the degree of Doctor of Philosophy to The University of Dublin Trinity College March 2006 DECLARATION I, Áine Heneghan, declare that this thesis has not been submitted as an exercise for a degree at this or any other University and that it consists entirely of my own work. I agree that the Library may lend or copy the thesis upon request, this permission covering only single copies made for study purposes, subject to normal conditions of acknowledgement. Signed __________________ Áine Heneghan March 2006 Summary of the Dissertation Tradition as Muse: Schoenberg's Musical Morphology and Nascent Dodecaphony by Áine Heneghan The University of Dublin Trinity College March 2006 This study reappraises the evolution of Arnold Schoenberg's method of composing with twelve tones by examining the interrelationship of his theoretical writings and compositional practice. Premised on the idea that theory and practice were interdependent for Schoenberg, I argue, on the one hand, that the richness and diversity of his nascent dodecaphony can be fully appreciated only in the context of the development of his musical thought and, on the other hand, that his terminological concepts—for example, Grundgestalt, 'unfolding' [Abwicklung], the distinction between Satz and Periode (sentence and period), and the differentiation of 'stable' and 'loose' construction—came about precisely because of his compositional experiments during the early 1920s. The discussion and musical analyses of selected movements from the Klavierstücke, Op. 23, the Serenade, Op. 24, and the Suite für Klavier, Op.