Inventory Dep.209 Neil M Gunn LL.D

Total Page:16

File Type:pdf, Size:1020Kb

Inventory Dep.209 Neil M Gunn LL.D Inventory Dep.209 Neil M Gunn LL.D National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland The papers of Neil M Gunn LL.D. Deposited, 1973. BOX 1 1. Seven notebooks containing drafts of letters, articles and addresses ca. 1953-1970. 2. Notebook comprising a diary for July-September 1939, with comments on current events. 3. Notebook comprising (at one end) a diary for October 21st - 27th 1931, and (at the other end), notes and quotations from books read. 4. Notebook containing (at one end) notes on the British Herring Fishing Company, Gaelic proverbs, a bibliography of the North-east coast, and (at the other end) notes and quotations from books read. 5. Five notebooks containing notes and quotations from books read. 6. Notebook containing notes on the Gaelic language and passages in Gaelic. 7. Notebook containing notes on the Isle of Eigg, Lismore, Iona, St Columba, and also on geology. 8. Notebook containing notes on the history of whisky distilling. 9. Two notebooks, 1939, containing corrected manuscript drafts of “To the West”, “Across the Minch”, “In Stornoway”, “On Bernera” and “To the Flannan Isles”. 10. Address Book. 11. Notes and leaflets relating to a journey in Denmark. 12. Two notebooks, one 1937, containing manuscript notes and drafts for “Off in a Boat”, and the other containing excerpts from the Log Book of the “Maggie” of Wick, (1873). BOX 2 1. Typescript of “The Atom of Delight”. 2. Two copies of corrected page-proofs of “The Atom of Delight”. BOX 3 1. Cuttings of reviews of “The Green Isle of the Great Deep” from German, Austrian and Swiss newspapers and periodicals, (1949-51). 2. Cuttings of reviews of “The Well at the World’s End” from German, Austrian and Swiss newspapers and periodicals, (1955-56). 3. a. Script of a radio talk, written and read by Stewart Conn on Gunn’s “The Well at the World’s End”. b. Printed copy of an article by John J Graham, “The Novels of Neil Gunn”, (1948) c. Article in “The Press and Journal”, March 7, 1970, by Cuthbert Graham “Neil Gunn: Novelist of Highlands”. 4. Article in “Scottish International Review” May 1972, “Neil M Gunn’s Fiction of Delight”, by Douglas Gifford, (with letter attached from Robert Tait). 5. Article by Francis R Hart, “The Hunter and the Circle: Neil Gunn’s Fiction of Violence”. (1 complete, 3 incomplete typescripts). 6. Article by Francis R Hart, “Poachers in Paradise: Neil Gunn’s Green Isle and the Literary Evaluation of Utopia”. (Two (slightly different) typescripts). 7. Corrected proof-copy of “Neil M Gunn: A Brief Memoir” (1972) by Francis R Hart. 8. “Scott, Gunn, and the Scottish Novelist’s Sense of the Past” by F R Hart - July 1967. (Typescript). 9. “The Faces of Regionalism in Recent Scottish Fiction”: typescript of a lecture by F R Hart. (October 1966). 10. Typescript of a radio broadcast on Neil Gunn (1967) given by Neil Paterson, and several letters concerning the broadcast. 11. “A Tribute to Neil M Gunn”, by J B Pick, (The Scots Review, November 1949). 12. “Neil M Gunn. A Man From the Grey Coast” by Edward Scouller (Scottish Field, June, 1950). 13. a. Anonymous article, “Neil M Gunn” (Scots Review, February 1948). b. Anonymous article, “The Furthest North Nationalist, Mr Neil Gunn” (Daily Record, 11 January 1929). c. Manuscripts synopsis of Gunn’s life and works by Alfred Kroner, and review of “The Well at the World’s End”, (May 30th, 1956). d. Review of article by Gunn entitled “Scotland” which appeared in “Holiday”, December 1950. Typescript (see Box 9, no.139). 14. a. Review of “Morning Tide”, anonymous and undated. b. Extract from an essay on Hugh MacDiarmid and Neil Gunn sent to Gunn, August 31st, 1932. c. “Thought for the Day”, radio broadcast, December 23rd 1971, with references to Neil Gunn’s “Highland River” and “Morning Tide”. 15. a. Review of “Butcher’s Broom”. b. Review, in “The Modern Scot”, (n.d.) and publicity handout, of “Morning Tide”. c. Review, in “The Book Society News”, January, 1931, of “Morning Tide”. BOX 4 Short Stories 1. “An Adventure in Jealousy”. Two printed copies, one with manuscript corrections, the other incomplete (Northern Review, August 1924). 2. “The Apple-Tree”. (The Apple-Tree, June 1918). Printed copy. 3. “Between Highlands”. (Northern Review, September 1924). Printed copy. 4. “Birdsong at Evening”. Two printed copies, one with manuscript corrections and insertions. 5. “The Black Woollen Gloves”. Printed copy. (The Scots Magazine, vol.8, January 1928, pp.261-8). 6. “The Boat”. Printed copy (The Scots Magazine, vol.28, December 1937, pp.186-194). 7. “The Canine Gaff”. Printed copy. 8. “The Circle”. Corrected printed copy. (The Scots Magazine, vol.16, January 1932, pp.241- 255). 9. “Community Drama”. (Outlook, April 1936). Printed copy. 10. “Countryman at the Play”. Printed copy. (Glasgow Herald, December 13th 1952). 11. “Dancing in the Wilds”. Corrected manuscript. 12. “The Dead Seaman”. Printed copy. (The Scots Magazine, vol.15, July 1931, pp.265-289). 13. “Down to the Sea”. (The Scottish Nation, September 4th 1923). Two printed copies, one incomplete. 14. “The Face in the Pool”. Typescript, n.d. 15. “Footsteps in the Corridor”. Typescript, n.d. 16. “George and the Dragon”. (The Scots Review, vol.21, June 1934, pp.188-207). Printed copy. 17. “The Golden Age”. (News Chronicle, October 12 1935). Two printed copies. 18. “The Gramophone”. (The Scottish Nation, November 13 1923). Two printed copies. 19. “The Hat-Box”. (Glasgow Herald, October 13 1923). Printed copy. 20. “Henry Drake Goes Home”. (Chamber’s Journal, March, no.569). Printed copy. 21. “Highland Hospitality”. One corrected typescript and one printed copy. (The Scots Magazine, vol.22, December 1934, pp.199-201). 22. “The Hind”. One corrected typescript and one printed copy. (The Scottish Nation, December 11th 1923). 23. “Joe and the Monster”. Typescript. (similar theme to “George and the Dragon” - see no.16). 24. “Islands and Seas”. (Chambers’s Journal, n.d.) Printed copy. 25. “The Lady’s Hand-bag”. (S.M.T. Magazine, August 1939). Printed copy. 26. “The Man who Came Back”. Printed copy (The Scots Magazine, vol.8, March 19287, pp.419-429) and fragment of typescript. 27. “The Old Man” Typescript, n.d. 28. “The Poster”. (The Scots Magazine, vol.25, August 1936, pp.346-368). 29. “Presents for their Wives”. Two typescripts, n.d. 30. “The Primrose Path”. Two typescripts, n.d. 31. “Puppets”. (S.M.T. Magazine, n.d.) Printed copy. 32. “Pure Chance”. (The Scots Magazine, vol.42, March 1945, pp.452-468). Incomplete, corrected printed copy. 33. “Revival Meeting”. Corrected typescript and corrected printed copy (The Scots Magazine, vik,32, January 1940, pp.273-9). 34. “Revolution in the Highlands”. Typescript, n.d. 35. “Ride the Gale”. Printed copy. (The Saturday Evening Post, December, 1950). 36. “The Roaring Game”. Typescript, n.d. 37. “A Romance of the Reel”. (Chamber’s Journal, August 15, 1925). Printed copy. 38. “Sea Tangle”. (The Scots Magazine, vol.14, December 1930, pp.207-215). 39. “The Secret of the Wood”. (“From Nature’s Note Book”, July 1929). Printed copy. 40. “The Sleeping Bins”. Printed copy, n.d. 41. “Snow in March”. (The Scots Magazine, vol.29, June 1938, pp.191-9). Printed copy. 42. “The Storm”. (The Scots Magazine, vol.22, February 1935, pp.349-357). Printed copy. (Theme similar to “Ride the Gale” - see no.35. 43. “Strath Ruins”. (Chambers’s Journal, September 3, 1927). Printed copy. 44. “Such Stuff as Dreams”. (The Dublin Magazine, n.d. Printed copy. 45. “Sun and Moon”. (The Scots Magazine, vol.35, November 1942, pp.83-99). 46. “Surfaces”. (The Scottish Nation, August 7, 1923). Printed copy. 47. “The Terrible Ally”. Typescript. (? incomplete). 48. “A Tight Corner”. (The Glasgow Herald, October 20, 1923). Printed copy. 49. “The Tragic Goat”. (The Glasgow Herald, February 10, 1940). Printed copy. 50. “Visioning”. (The Scottish Nation, July 24, 1923). Printed copy. 51. “When Half-Way is all the Way”. Typescript, n.d. 52. “Whisky”. Typescript, n.d. BOX 5 Plays, Dramatisations and Films 1. “All in a Lifetime”. BBC script, 1957. (Schools broadcast). 2. “The Ancient Fire”. A three-act play. Three corrected typescripts. Two of one version, one of another, and several odd pages of script. 3. “Beyond the Cage”. A three-act comedy. Two typescripts. Four printed copies. (A play with similar cast and theme as “The Ancient Fire”). One of the printed copies contains a photograph of the set, a theatre programme (1952) and notes concerning lighting. 4. “The Black Woollen Gloves”. One corrected typescript. One BBC script (February, 1944). 5. “Blueprint for the Highlands”. Corrected film script (May 1943). 6. “The Boy and the Salmon”. BBC script (May 1957). 7. “The Bridge Builder”. (The Scots Magazine, vol.32, November 1939, pp.101-116). A One-Act Play. - Printed copy. 8. “Choosing a Play”. Printed copy - one-act play. (The Scots Magazine, vol.23, May 1935, pp.99-112; published separately by Porpoise Press in 1938 as a re-issue from Scottish One-Act Plays ed J M Reid, Porpoise Press, 1935). BOX 6 Plays - continued 9. “Deer Stalking”. BBC script (November, 1957). (Schools broadcast). 10. “Drama in Lewis”. Corrected typescript. 11. “Glendaruel”. A one-act play. One printed copy (The Scots Magazine, vol.12, December 1929, pp.177-187). One corrected typescript. 12. “Good News Comes to the Glen”. BBC script (November, 1957). Schools broadcast. 13. “Hail, Caledonia”. Printed copy. (The Scots Magazine, vol.29, May 1938, pp.113-122).
Recommended publications
  • Walter Scott and the Twentieth-Century Scottish Renaissance Movement
    Studies in Scottish Literature Volume 35 | Issue 1 Article 5 2007 "A very curious emptiness": Walter Scott nda the Twentieth-Century Scottish Renaissance Movement Margery Palmer McCulloch University of Glasgow Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation McCulloch, Margery Palmer (2007) ""A very curious emptiness": Walter Scott nda the Twentieth-Century Scottish Renaissance Movement," Studies in Scottish Literature: Vol. 35: Iss. 1, 44–56. Available at: https://scholarcommons.sc.edu/ssl/vol35/iss1/5 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Margery Palmer McCulloch "A very curious emptiness": Walter Scott and the Twentieth-Century Scottish Renaissance Movement Edwin Muir's characterization in Scott and Scotland (1936) of "a very cu­ rious emptiness .... behind the wealth of his [Scott's] imagination'" and his re­ lated discussion of what he perceived as the post-Reformation and post-Union split between thought and feeling in Scottish writing have become fixed points in Scottish criticism despite attempts to dislodge them by those convinced of Muir's wrong-headedness.2 In this essay I want to take up more generally the question of twentieth-century interwar views of Walter Scott through a repre­ sentative selection of writers of the period, including Muir, and to suggest pos­ sible reasons for what was often a negative and almost always a perplexed re­ sponse to one of the giants of past Scottish literature.
    [Show full text]
  • Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
    Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre.
    [Show full text]
  • Trish Reid, Theatre & Scotland (Houndmills
    Ian Brown, editor, The Edinburgh Companion to Scottish Drama (Edinburgh: Edinburgh University Press, 2011); Trish Reid, Theatre & Scotland (Houndmills: Palgrave Macmillan, 2013) Alan Riach What might be described as the conventional wisdom about Scottish drama is summed up in the first two sentences of chapter 10 of Marshall Walker’s book, Scottish Literature since 1707 (1996): ‘There is no paucity of Scottish theatrical heritage, but there is a shortage of durable Scottish plays. Drama is the genre in which Scottish writers have shown least distinction.’ It is a judgement that has been perpetuated over generations but only relatively recently has the necessary scholarship and engagement been advanced, by both academics and theatre practitioners, to interrogate the assumptions that lie behind it. Walker refers to ‘the circumstances of theatrical history’ and questions of suppression and censorship, the Reformation, the removal of the court to London in 1603, the Licensing Act of 1737, and concludes his introduction to the chapter by saying that despite familiar references to Allan Ramsay, John Home, Joanna Baillie, and the vitality of folk, music-hall and variety theatre, nothing much happens between Sir David Lyndsay in the sixteenth century and the ‘return’ of Scottish drama in the twentieth century. Most of his chapter then goes on to discuss incisively and refreshingly the achievements of J.M. Barrie, James Bridie and John McGrath but the context he sketches out is barren. As a summary, there is some brutal truth in this, but as an appraisal of the whole complex story, there is much more to be said, and much more has been discovered and made public in the decades since Walker’s book appeared.
    [Show full text]
  • 1.1. Front Stuff
    Morgan, Sylvia (2010) The crisis of capitalism in interwar Glasgow and its realistic representation. MPhil(R) thesis. http://theses.gla.ac.uk/2031/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] The Crisis of Capitalism in Interwar Glasgow and its Realistic Representation. Candidate: Sylvia Morgan B.Soc.Sci., B.A.(Hons), M.Ed. Matric 0412445 Submitted in fulfilment of the requirements for the Degree of Master of Philosophy University of Glasgow Department of Scottish Literature and Department of Scottish History Faculty of Arts September 2009 1 Abstract The dissertation examines the economic and social consequences for Glasgow of the global crisis of capitalism known as the ‘Great Depression’, and how this is represented in five realist novels published during the 1930s. It argues that the interwar era was a time of both cultural renaissance and political revolution. It was a liminal moment in Glasgow’s history, defining economic and social conditions in the city for most of the twentieth century. It was also a significant phase in the development of the narrative of the city, creating a new form of literary representation of Glasgow, and a new genre of urban realism in Scottish literature.
    [Show full text]
  • Hugh Macdiarmid and Sorley Maclean: Modern Makars, Men of Letters
    Hugh MacDiarmid and Sorley MacLean: Modern Makars, Men of Letters by Susan Ruth Wilson B.A., University of Toronto, 1986 M.A., University of Victoria, 1994 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of English © Susan Ruth Wilson, 2007 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photo-copying or other means, without the permission of the author. ii Supervisory Committee Dr. Iain Higgins_(English)__________________________________________ _ Supervisor Dr. Tom Cleary_(English)____________________________________________ Departmental Member Dr. Eric Miller__(English)__________________________________________ __ Departmental Member Dr. Paul Wood_ (History)________________________________________ ____ Outside Member Dr. Ann Dooley_ (Celtic Studies) __________________________________ External Examiner ABSTRACT This dissertation, Hugh MacDiarmid and Sorley MacLean: Modern Makars, Men of Letters, transcribes and annotates 76 letters (65 hitherto unpublished), between MacDiarmid and MacLean. Four additional letters written by MacDiarmid’s second wife, Valda Grieve, to Sorley MacLean have also been included as they shed further light on the relationship which evolved between the two poets over the course of almost fifty years of friendship. These letters from Valda were archived with the unpublished correspondence from MacDiarmid which the Gaelic poet preserved. The critical introduction to the letters examines the significance of these poets’ literary collaboration in relation to the Scottish Renaissance and the Gaelic Literary Revival in Scotland, both movements following Ezra Pound’s Modernist maxim, “Make it new.” The first chapter, “Forging a Friendship”, situates the development of the men’s relationship in iii terms of each writer’s literary career, MacDiarmid already having achieved fame through his early lyrics and with the 1926 publication of A Drunk Man Looks at the Thistle when they first met.
    [Show full text]
  • Journal of Irish and Scottish Studies Cultural Exchange: from Medieval
    Journal of Irish and Scottish Studies Volume 1: Issue 1 Cultural Exchange: from Medieval to Modernity AHRC Centre for Irish and Scottish Studies JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 1, Issue 1 Cultural Exchange: Medieval to Modern Published by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen in association with The universities of the The Irish-Scottish Academic Initiative and The Stout Research Centre Irish-Scottish Studies Programme Victoria University of Wellington ISSN 1753-2396 Journal of Irish and Scottish Studies Issue Editor: Cairns Craig Associate Editors: Stephen Dornan, Michael Gardiner, Rosalyn Trigger Editorial Advisory Board: Fran Brearton, Queen’s University, Belfast Eleanor Bell, University of Strathclyde Michael Brown, University of Aberdeen Ewen Cameron, University of Edinburgh Sean Connolly, Queen’s University, Belfast Patrick Crotty, University of Aberdeen David Dickson, Trinity College, Dublin T. M. Devine, University of Edinburgh David Dumville, University of Aberdeen Aaron Kelly, University of Edinburgh Edna Longley, Queen’s University, Belfast Peter Mackay, Queen’s University, Belfast Shane Alcobia-Murphy, University of Aberdeen Brad Patterson, Victoria University of Wellington Ian Campbell Ross, Trinity College, Dublin The Journal of Irish and Scottish Studies is a peer reviewed journal, published twice yearly in September and March, by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen. An electronic reviews section is available on the AHRC Centre’s website: http://www.abdn.ac.uk/riiss/ahrc- centre.shtml Editorial correspondence, including manuscripts for submission, should be addressed to The Editors,Journal of Irish and Scottish Studies, AHRC Centre for Irish and Scottish Studies, Humanity Manse, 19 College Bounds, University of Aberdeen, AB24 3UG or emailed to [email protected] Subscriptions and business correspondence should be address to The Administrator.
    [Show full text]
  • Hugh Macdiarmid, Author and Publisher J.T.D
    Studies in Scottish Literature Volume 21 | Issue 1 Article 7 1986 Hugh MacDiarmid, Author and Publisher J.T.D. Hall Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Hall, J.T.D. (1986) "Hugh MacDiarmid, Author and Publisher," Studies in Scottish Literature: Vol. 21: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol21/iss1/7 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. J.T.D. Hall Hugh MacDiarmid, Author and Publisher In his volume of autobiography, Lucky Poet, Hugh MacDiarmid declared that at an early age he had decided that his life's work would not follow a conventional pattern and would exist outside the scope of ordinary professional activities: I was very early determined that I would not 'work for money', and that whatever I might have to do to earn my living, I would never devote more of my time and my energies to remunerative work than I did to voluntary and gainless activities, and actes gratuits, in Gide's phrase.1 It is perhaps not surprising that his chosen field was literature. In the same volume, MacDiarmid claimed that a "literary strain" had been struggling to the fore over several generations on both sides of the family. If his home background was thus conducive to literature, he also found ample encouragement in the resources of the local library in Langholm which were available to him, and which he consumed with an omnivorous appetite.2 Early writings were occasionally rewarded by prizes in literary competitions, or accorded the ultimate accolade of publication.3 MacDiarmid's teachers at Broughton School were aware of his great talents, and 54 J.T.D.
    [Show full text]
  • Inventory Acc.3721 Papers of the Scottish Secretariat and of Roland
    Inventory Acc.3721 Papers of the Scottish Secretariat and of Roland Eugene Muirhead National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland Summary of Contents of the Collection: BOXES 1-40 General Correspondence Files [Nos.1-1451] 41-77 R E Muirhead Files [Nos.1-767] 78-85 Scottish Home Rule Association Files [Nos.1-29] 86-105 Scottish National Party Files [1-189; Misc 1-38] 106-121 Scottish National Congress Files 122 Union of Democratic Control, Scottish Federation 123-145 Press Cuttings Series 1 [1-353] 146-* Additional Papers: (i) R E Muirhead: Additional Files Series 1 & 2 (ii) Scottish Home Rule Association [Main Series] (iii) National Party of Scotland & Scottish National Party (iv) Scottish National Congress (v) Press Cuttings, Series 2 * Listed to end of SRHA series [Box 189]. GENERAL CORRESPONDENCE FILES BOX 1 1. Personal and legal business of R E Muirhead, 1929-33. 2. Anderson, J W, Treasurer, Home Rule Association, 1929-30. 3. Auld, R C, 1930. 4. Aberdeen Press and Journal, 1928-37. 5. Addressall Machine Company: advertising circular, n.d. 6. Australian Commissioner, 1929. 7. Union of Democratic Control, 1925-55. 8. Post-card: list of NPS meetings, n.d. 9. Ayrshire Education Authority, 1929-30. 10. Blantyre Miners’ Welfare, 1929-30. 11. Bank of Scotland Ltd, 1928-55. 12. Bannerman, J M, 1929, 1955. 13. Barr, Mrs Adam, 1929. 14. Barton, Mrs Helen, 1928. 15. Brown, D D, 1930.
    [Show full text]
  • The Complete Macdiarmid
    Studies in Scottish Literature Volume 18 | Issue 1 Article 13 1983 The ompletC e MacDiarmid Ruth McQuillan Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation McQuillan, Ruth (1983) "The ompC lete MacDiarmid," Studies in Scottish Literature: Vol. 18: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol18/iss1/13 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Ruth McQuillan The Complete MacDiarmid My first reaction on buying Hugh MacDiarmid's Complete Poems 1 at Christmas 1978 for what now seems the incredibly low price of £15 was one of disappointment. Disappointment first that Dr. Aitken, whom the poet long ago appointed as his "bibliographer and rembrancer," and whom he had chosen to edit in company with Michael Grieve the definitive edition of his published work, had included no bibliographical notes. And secondly disappointment because of the technical defects of Martin Brian & O'Keefe's production. The title-page is creased in the binding (though I am assured other early purchasers were luckier than I); ink is regret­ tably scarce on several pages of the Sangschaw poems, and again in sections of In Memoriam ,James Joyoe; and the type­ setting of the page-heading "Hitherto Uncollected Poems" is not well or spaced. And yet the fly leaf bears the proud boast: "Printed in Scotland by Robert MacLehose & Co.
    [Show full text]
  • Reconstruction of a Gaelic World in the Work of Neil M. Gunn and Hugh Macdiarmid
    Paterson, Fiona E. (2020) ‘The Gael Will Come Again’: Reconstruction of a Gaelic world in the work of Neil M. Gunn and Hugh MacDiarmid. MPhil(R) thesis. http://theses.gla.ac.uk/81487/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] ‘The Gael Will Come Again’: Reconstruction of a Gaelic world in the work of Neil M. Gunn and Hugh MacDiarmid Fiona E. Paterson M.A. (Hons) Submitted in fulfilment of the requirements for the Degree of Master of Philosophy in Scottish Literature School of Critical Studies College of Arts University of Glasgow June 2020 Abstract Neil Gunn and Hugh MacDiarmid are popularly linked with regards to the Scottish Literary Renaissance, the nation’s contribution to international modernism, in which they were integral figures. Beyond that, they are broadly considered to have followed different creative paths, Gunn deemed the ‘Highland novelist’ and MacDiarmid the extremist political poet. This thesis presents the argument that whilst their methods and priorities often differed dramatically, the reconstruction of a Gaelic world - the ‘Gaelic Idea’ - was a focus in which the writers shared a similar degree of commitment and similar priorities.
    [Show full text]
  • A Critical Survey of Neil M. Gunn's Drama Richard Price
    Studies in Scottish Literature Volume 29 | Issue 1 Article 11 1996 Choosing a Play: A Critical Survey of Neil M. Gunn's Drama Richard Price Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Price, Richard (1996) "Choosing a Play: A Critical Survey of Neil M. Gunn's Drama," Studies in Scottish Literature: Vol. 29: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol29/iss1/11 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Richard Price Choosing a Play: A Critical Survey of Neil M. Gunn's Drama Neil M. Gunn, one of the principal Scottish novelists of the twentieth cen­ tury, began writing plays from the mid-1920s, and continued to write drama and (especially latterly) radio dramatizations up until the 1960s. It is the aim of this essay to look again at this much-neglected aspect of Gunn's work, to demon­ strate how his drama tried to appeal to as wide an audience as possible, how it was both a didactic and political drama, and yet how it contained elements which can be securely described as "experimental." This is not to evade the generally accepted view that the formal nature of Gunn's plays tends to be less innovative than his novels, nor the view that his overall stagecraft was undeveloped.
    [Show full text]
  • MR GILLIE by James Bridie
    Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Spring-Summer Season 2017 | April–July 2017 The first London production in over 60 years MR GILLIE by James Bridie. Directed by Jenny Eastop. Set and Costumes Designed by Anna Yates. Presented by Mercurius in association with Neil McPherson for the Finborough Theatre. Cast: David Bannerman. Andrew Cazanave Pin. Emma D’Inverno. Ross Dunsmore. Caitlin Fielding. Drew Paterson. Malcolm Rennie. Andy Secombe. "I find most good men occupied in designing and strengthening cages. I do not like cages. I think that the few minutes between the door of the cage and the jaws of the cat make life worth living." In a new production commissioned by the Finborough Theatre and continuing their rediscovery of James Bridie, one of the West End’s most successful dramatists of the 1930s and 1940s, the first London production since its 1950 premiere of Mr Gillie runs at the Finborough Theatre, playing Sunday and Monday evenings and Tuesday matinees from Sunday, 25 June 2017 (Press Night: Monday, 26 June 2017 at 7.30pm). Village headmaster William Gillie is killed by the furniture van coming to take away his possessions, as he is being evicted from his home when his school is closed down. He has spent his entire teaching career fighting the Education Board’s narrow idea of schooling, trying to inspire his pupils to strive for great creative lives. Having lost his school and his home and with none of his pupils quite finding the wings to fly free, his life is examined by a heavenly Procurator and Judge.
    [Show full text]