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Russia's Foreign Policy Change and Continuity in National Identity
Russia’s Foreign Policy Russia’s Foreign Policy Change and Continuity in National Identity Second Edition Andrei P. Tsygankov ROWMAN & LITTLEFIELD PUBLISHERS, INC. Lanham • Boulder • New York • Toronto • Plymouth, UK Published by Rowman & Littlefield Publishers, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.rowmanlittlefield.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2010 by Rowman & Littlefield Publishers, Inc. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Tsygankov, Andrei P., 1964- Russia's foreign policy : change and continuity in national identity / Andrei P. Tsygankov. -- 2nd ed. p. cm. Includes bibliographical references and index. ISBN 978-0-7425-6752-8 (cloth : alk. paper) -- ISBN 978-0-7425-6753-5 (paper : alk. paper) -- ISBN 978-0-7425-6754-2 (electronic) 1. Russia (Federation)--Foreign relations. 2. Soviet Union--Foreign relations. 3. Great powers. 4. Russia (Federation)--Foreign relations--Western countries. 5. Western countries--Foreign relations--Russia (Federation) 6. Nationalism--Russia (Federation) 7. Social change--Russia (Federation) I. Title. DK510.764.T785 2010 327.47--dc22 2009049396 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America It is the eternal dispute between those who imagine the world to suit their policy, and those who arrange their policy to suit the realities of the world. -
The Inextricable Link Between Literature and Music in 19Th
COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment Of the Requirements for the Degree Master of Music Ashley Shank December 2010 COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA Ashley Shank Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Interim Dean of the College Dr. Brooks Toliver Dr. Dudley Turner _______________________________ _______________________________ Faculty Reader Dean of the Graduate School Mr. George Pope Dr. George R. Newkome _______________________________ _______________________________ School Director Date Dr. William Guegold ii TABLE OF CONTENTS Page CHAPTER I. OVERVIEW OF THE DEVELOPMENT OF SECULAR ART MUSIC IN RUSSIA……..………………………………………………..……………….1 Introduction……………………..…………………………………………………1 The Introduction of Secular High Art………………………………………..……3 Nicholas I and the Rise of the Noble Dilettantes…………………..………….....10 The Rise of the Russian School and Musical Professionalism……..……………19 Nationalism…………………………..………………………………………..…23 Arts Policies and Censorship………………………..…………………………...25 II. MUSIC AND LITERATURE AS A CULTURAL DUET………………..…32 Cross-Pollination……………………………………………………………...…32 The Russian Soul in Literature and Music………………..……………………...38 Music in Poetry: Sound and Form…………………………..……………...……44 III. STORIES IN MUSIC…………………………………………………… ….51 iii Opera……………………………………………………………………………..57 -
Networks of Music Groups As Success Predictors
Networks of Music Groups as Success Predictors Dmitry Zinoviev Mathematics and Computer Science Department Suffolk University Boston, Massachussets 02114 Email: dzinoviev@suffolk.edu Abstract—More than 4,600 non-academic music groups process of penetration of the Western popular music culture emerged in the USSR and post-Soviet independent nations in into the post-Soviet realm but fails to outline the aboriginal 1960–2015, performing in 275 genres. Some of the groups became music landscape. On the other hand, Bright [12] presents an legends and survived for decades, while others vanished and are known now only to select music history scholars. We built a excellent narrative overview of the non-academic music in the network of the groups based on sharing at least one performer. USSR from the early XXth century to the dusk of the Soviet We discovered that major network measures serve as reason- Union—but with no quantitative analysis. Sparse and narrowly ably accurate predictors of the groups’ success. The proposed scoped studies of few performers [13] or aspects [14] only network-based success exploration and prediction methods are make the barren landscape look more barren. transferable to other areas of arts and humanities that have medium- or long-term team-based collaborations. In this paper, we apply modern quantitative analysis meth- Index Terms—Popular music, network analysis, success pre- ods, including statistical analysis, social network analysis, and diction. machine learning, to a collection of 4,600 music groups and bands. We build a network of groups, quantify groups’ success, I. Introduction correlate it with network measures, and attempt to predict Exploring and predicting the success of creative collabo- success, based solely on the network measures. -
Part 1 Audiota
Russia Inventory List Please use this list to check off items before returning the kit to Milner Library. Box – Part 1 Audiotapes Moscow Symphony Orchestra and Children’s Chorus/ Chimes of Bells (w/information sheet) Russian Pop and Rock Music II Books Children’s Russian Language Book w/Pictures (1975) A Day In the Life of the Soviet Union Illustrated Book About the Far East (4 laminated pages) (in pkg w/Russian Children’s Paintings) Kocthoma Hapodhoro (in Russian) (picture book – ethnic clothing) Let’s Visit the Soviet Union: A Passport Sticker Book Russia Today (teaching unit) Russia: A Literature Based Multicultural Unit Teacher’s Manual Magazines National Geographic (6 individual binders, 11 articles total) Newspapers Russian Newspaper (1993) Pictures and Paintings Russian Children’s Paintings (3) (in pkg w/Illustrated Book About the Far East) Church of St. Basil, Moscow General View of Moscow, Russia Tsar Kolokol, Moscow (Czar of Bells) Winter Palace, St. Petersburg Realia Children’s Story Cards (4 pairs) (in pkg w/Folk Toys and Wooden Egg) Cups (2) (lacquer-ware) Folk Doll (large) Folk Toys (2) (small) (1 w/instrument; 1 w/chef’s hat) Lapel Pins (12) Matryoshki (2) (nesting dolls) (1 set of 4, yellow coat; 1 set of 5, red coat) Pens (2) and Brooch (1) (lacquer-ware) Photos (1 set) (in pkg w/postcards) - Vladimir (25) Peter the Great Costume (jacket, waistcoat, breeches, stockings, wrist cuffs, neck stock) (fits child 4 – 4 ½ ‘ tall) Picture of Peter the Great (in clothing similar to above costume) (in bag w/costume) 1 | R u s s -
Roundup Russian
North Valley Symphony Orchestra RUSSIAN ROUNDUP Oct 14, 7 pm North Canyon High School Auditorium 1700 E. Union Hills Dr., Phoenix Music from famous Russian composers including Mussorgsky Tchaikovsky Shostakovich Enjoy the program! This concert is proudly sponsored by.... page 2 A Letter from the President Welcome to the first North Valley Symphony Orchestra (NVSO) concert of the 2017-18 concert season. We are delighted that you have joined us for our “Russian Roundup” concert! We have a lot of exciting things in store for this year. We are adding a matinee performance of our popular “Holiday Pops” concert, will be showcasing some of our own talented musicians in the “Concertos and More” concert, and will be partnering with the Las Vegas Master Singers to perform the “Best of Broadway and Opera”. We hope you will be able to join us for all of these amazing concerts! Our three youth ensembles are also keeping busy this year! They have concerts scheduled in December and May, as well as several outreach events. The Youth Octet will perform at the Cholla branch library in Novem- ber and all youth members at the Outlets at Anthem in December. Please come out to hear these talented students at one of their concerts or out- reach events! On a personal note, today’s concert is special for me. In 1988, I had the opportunity to travel to the Soviet Union with my high school orchestra. The U.S.S.R. was just starting to open its borders for cultural exchanges, and it was a tremendous opportunity for us to connect with people of a different culture through the language of music. -
St. Petersburg
Maps Events Restaurants Cafés Nightlife Sightseeing Shopping Hotels St. Petersburg October - November 2014 Mellow Yellow Autumn beyond the city limits More than 10 years in Russia! Fine dining and great view Discover the world of Buddha-Bar inyourpocket.com N°97 Contents Where to eat 28 ESSENTIAL Restaurants in hotels 42 CIT Y GUIDES Nightlife 45 Foreword 4 What to see 48 The Essentials 48 In the News 5 Hermitage 49 Arrival & Getting Around 6 St. Petersburg’s historical outskirts 52 Old Soviet Tours 54 City Basics 8 Where to stay 55 Language 9 Interview with concierge 56 Culture & Events 10 Shopping 58 Concerts and festivals 10 Russian souvenirs 58 Russian rock 16 Live music clubs 18 Expat & Business 60 Exhibitions 20 The Expat Experience 60 Features Maps & Index St. Petersburg theatre life 22 City map 62 Krestovsky and Yelagin Islands 24 Street index 64 Historic dining 35 Metro map 67 Konyushennaya area 43 Moscow 65 0+ www.facebook.com/StPetersburgInYourPocket October - November 2014 3 Foreword In the News Across the meadows whirling blow The yellow leaves of fall; HAPPY UNITY DAY PETROVSKAYA AQUATORIA No verdure in the woodlands now, November 04 is Russia’s Day of Popular Unity. This national September is traditionally associated with education and The dark green pine is all. holiday is a new old holiday having been celebrated for knowledge so what better time to hold the grand open- Beneath the boulder’s hanging crest, the first time in 1649 and commemorates the victorious ing of the historical theatrical scale model “Petrovskaya St. Petersburg In YourESSENTIAL Pocket No more on beds of flowers uprising in 1612 by Minin and Pozharsky which ejected Aquatoria”? This new unique exhibition is dedicated to founded and publishedCI TbyY OOO GUIDES Krasnaya Shapka/In Your Pocket. -
Pushkin Romances CD Book.Indd
P U S H K I N R o m a N c e S π & © 2009 Delos Productions, Inc. P.O. Box 343, Sonoma, California (5476-9998 Disc(s) Made in Canada. Assembled in the USA IVaRY ILJa PIANO www.delosmusic.com DE 3392 P U S H K I N R o m a N c e S 1 I Remember the Wonderful Moment / Ja pomnu chudnoe mgnovenie... Glinka ROMANCES TO POEMS BY aLeXaNDeR PUSHKIN 2 Declaration of Love / Priznanie Glinka DmITRI HVoRoSToVSKY baritone 3 The Fire of Longing Burns in my Blood / V krovi gorit ogon zhelania Glinka IVaRY ILJa PIANO 4 The Night Wind / Nochnoi Zefir Glinka 5 The Youth and the Maiden / Yunosha i deva Dargomyzhskiy 6 For the shores of thy far native land / Dla beregov otchizny dalnei Borodin 7 The Clouds Begin to Scatter / Redeet oblakov Rimsky-Korsakov 8 On The Hills of Georgia / Na kholmah Gruzii lezhit nochnaja mgla Rimsky-Korsakov 9 The Urn with Water Falling Down / Urnu s vodoi yroniv Kui 10 I Loved You / Ya vas ljubil Kui 11 Gone Are My Heart Desires / Ya perezhil svoi zhelania Medtner 12 Winter Evening (The Snowstorm Covers the Sky with Darkness) / Zimnii vecher (Buria Mglou nebo kroet) Medtner 13 To the Dreamer / Mechtatelu Medtner Produced by Tatiana Vinnitskaya for SVIP Production, Ltd Recorded at Great Hall of Moscow Conservatory, Russia, 9-14 September 2007 14 To the Fountain of Bakhchisarai Palace / Fontanu Bakhchisarajsogo dvortsa Vlasov Engineered by Oleg Ivanov, Andrey Myagkov, Dmitri Misailov Microphones: Holophone H2-Pro, Schoeps MK-2, Brauner VM-1 Interconnecting Monster Cable series Prolink 15 Nightingale / Solovei Tchaikovsky Console -
Paradoxes Within Soviet Rock and Pop of the 1970S A
UNIVERSITY OF CALIFORNIA Los Angeles The Soundtrack of Stagnation: Paradoxes within Soviet Rock and Pop of the 1970s A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Alexandra Grabarchuk 2015 ABSTRACT OF THE DISSERTATION The Soundtrack of Stagnation: Paradoxes within Soviet Rock and Pop of the 1970s by Alexandra Grabarchuk Doctor of Philosophy in Musicology University of California, Los Angeles, 2015 Professor David MacFadyen, Chair The “underground” Soviet rock scene of the 1980s has received considerable scholarly attention, particularly after the fall of the USSR when available channels of information opened up even more than in the glasnost years. Both Russian and American academics have tackled the political implications and historical innovations of perestroika-era groups such as Akvarium, Mashina Vremeni, and DDT. Similarly, the Beatles craze of the 1960s is also frequently mentioned in scholarly works as an enormous social phenomenon in the USSR – academics and critics alike wax poetic about the influence of the Fab Four on the drab daily lives of Soviet citizens. Yet what happened in between these two moments of Soviet musical life? Very little critical work has been done on Soviet popular music of the 1970s, its place in Soviet society, or its relationship to Western influences. That is the lacuna I address in this work. My dissertation examines state-approved popular music – so-called estrada or “music of the small stage” – produced in the USSR during the 1970s. Since detailed scholarly work has ii been done on the performers of this decade, I focus instead on the output and reception of several popular composers and musical groups of the time, exploring the relationship formed between songwriter, performer, audience, and state. -
CSU Symphony Orchestra Wes Kenney, Conductor Noelle Bauman, Graduate Assistant Conductor
CSU SYMPHONY ORCHEstRA Wes Kenney, Conductor Noelle Bauman, Graduate Assistant Conductor Nikolai Rimsky-Korsakov Russian Easter Overture, Op. 36 (b. 1844, d. 1908) (1888) UCA Maurice Ravel Rapsodie espagnole (b. 1875, d. 1937) (1907) I. Prélude à la nuit. Très modéré II. Malagueña. Assez vif III. Habanera. Assez lent et d’un rythme las IV. Feria. Assez animé INTERMISSION Johannes Brahms Symphony No. 1 in C-minor, Op. 65 (b. 1833, d. 1897) (1862-1876) I. Un poco sostenuto—Allegro II. Andante sostenuto III. Un poco allegretto e grazioso IV. Adagio—Allegro non troppo, ma con brio Wednesday, February 11, 2015 This is your your is This Griffin Concert Hall • University Center for the Arts CSU SYMPHONY ORCHEstRA Wes Kenney, Conductor Noelle Bauman, Graduate Assistant Conductor First Violin Cello Oboe Trombone Adrian Barrera, Tom Holdener, Principal Stephany Rhodes, Principal Kelan Rooney, Principal Concert Master Lydia Hynson, Katie Garrels Amanda Tatara JiHye Chung, Assistant Principal Madeleine Westbrook, Blaine Lemanski, Bass Assistant Concert Master Tavon Boaman English Horn Hannah Barnes Julius Hochmuth Julia Castellanos Savannah Jaska Tuba Nicole Fassold MarLee Johnson Clarinet Elizabeth Furuiye Angelo Sapienza Shakira Johnson Julie Park, Principal Emily Liu Chris Lewis Allison Allum Lily Lu Harp Abigail Nelson Asa Graf, Bass Clarinet Esther So Jaclyn Rising Katie Miksch, Principal Josh Steinbecker Jessie Salas Carly Swanson Graeson Van Anne Emily Stewart Bassoon Lauren Wearsch Michelle McCandish, Celeste Second Violin Principal Mikayla -
Refiguring the Rebetika As Literature
Macalester College DigitalCommons@Macalester College English Honors Projects English Department 4-2020 Bodies in the Margins: Refiguring the Rebetika as Literature Sophia Schlesinger Macalester College, [email protected] Follow this and additional works at: https://digitalcommons.macalester.edu/english_honors Part of the English Language and Literature Commons, Ethnomusicology Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Schlesinger, Sophia, "Bodies in the Margins: Refiguring the Rebetika as Literature" (2020). English Honors Projects. 44. https://digitalcommons.macalester.edu/english_honors/44 This Honors Project - Open Access is brought to you for free and open access by the English Department at DigitalCommons@Macalester College. It has been accepted for inclusion in English Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. BODIES IN THE MARGINS Refiguring the Rebetika as Literature Sophia Schlesinger Faculty Advisor: Andrea Kaston-Tange Macalester English Department Submitted April 25th, 2020 Abstract This thesis engages a literary analysis of a corpus of songs and recordings known as the rebetika (sing. rebetiko), which prospered in the port districts of major cities throughout the Aegean in the early 20th century. Engaging the rebetika as literary texts, I argue, helps us understand how they have functioned as a kind of pressure point on the borders between nation and Other. Without making unproveable biographical claims about the motives of the music progenitors, I examine why so many have reached for the rebetika as texts with which to articulate various political and cultural desires. Using a multidisciplinary theoretical framework that includes Elaine Scarry, Stuart Hall, Edward Said, Mark C. -
The Russian Standard Cocktail Experience Cocktail Standard the Russian
THE RUSSIAN STANDARD COCKTAIL EXPERIENCE COCKTAIL STANDARD THE RUSSIAN DAVAI THE RUSSIAN STANDARD COCKTAIL EXPERIENCE 1 Davai The Russian Standard Cocktail Experience давай translated: давай (davai): pronunciation 1. Let’s go (as in a call to action) 2. Go for it! Russians know how to enjoy themselves—carpe diem might have been a Latin phrase, but it certainly found its currency here in Russia. Whether you’re in a gourmet restaurant, at a private dinner party, a cocktail reception or a night club, in Russia, “Davai!” means you’re game, whether for something new or something classical. After all, discretion is ill-advised, if you’re the guest, and downright rude if you’re the host. Contents Introduction 7 Russian Standard Vodka 9 10 Things 14 You need to know about vodka! Russian Toasts 22 Russian Specials 24 The Standards 39 Glossary & Tips 98 Russian Standard 9 vodka In 1998, we made history by launching a brand new premium vodka distilled and bottled exclusively in Russia using only the fi nest Russian ingredients. Less than ten years later, our daring enterprise has paid off. Not only is Russian Standard Vodka the number one premium brand in our homeland – where it symbolises the essence of our vibrant, modern society – but major international markets are also turning to our outstanding spirit. By employing a unique blend of centuries-old tradition, a passionate attention to detail and state-of-the-art distilling techniques, we have created a contemporary classic, an entirely Russian vodka unrivalled anywhere in the world. Located in the Imperial city of St. -
The 'Adaptability' of the Balalaika: an Ethnomusicological Investigation Of
University of Vermont ScholarWorks @ UVM UVM College of Arts and Sciences College Honors Theses Undergraduate Theses 2015 The ‘Adaptability’ of the Balalaika: An Ethnomusicological Investigation of the Russian Traditional Folk Instrument Nicolas Chlebak University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/castheses Recommended Citation Chlebak, Nicolas, "The ‘Adaptability’ of the Balalaika: An Ethnomusicological Investigation of the Russian Traditional Folk Instrument" (2015). UVM College of Arts and Sciences College Honors Theses. 14. https://scholarworks.uvm.edu/castheses/14 This Undergraduate Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM College of Arts and Sciences College Honors Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. !1 of !71 The ‘Adaptability’ of the Balalaika: An Ethnomusicological Investigation of the Russian Traditional Folk Instrument Nicolas Chlebak The University of Vermont’s German and Russian Department Thesis Advisor: Kevin McKenna !2 of !71 INTRODUCTION According to the Hornbostel-Sachs system of characterizing instruments, the balalaika is considered a three stringed, triangular lute, meaning its strings are supported by a neck and a bridge that rest over a resonating bout or chamber, like a guitar or violin.1 Many relegate the balalaika solely to its position as the quintessential icon of traditional Russian music. Indeed, whether in proverbs, music, history, painting or any number of other Russian cultural elements, the balalaika remains a singular feature of popular recognition. Pity the student trying to find a Russian tale that doesn’t include a balalaika-playing character.