Prehistoric Rock Art As an Indicator of Cultural Interaction and Tribal Boundaries in South-Central California
Journal of California and Great Basin Anthropology Vol. 13, No. 1, pp. 15-28(1991). Prehistoric Rock Art as an Indicator of Cultural Interaction and Tribal Boundaries in South-central California GEORGIA LEE, P.O. Box 6774, Los Osos, CA 93402. WILLIAM D. HYDER, Social Sciences Div., Univ. of California, Santa Cruz, CA 95064. XN this paper we explore the use of rock art as images seen under the influence of Datura are an indicator of cultural interaction between mandala forms (i.e., elaborate circular designs) neighboring tribal groups in south-central Cal and tiny dots that surround objects. These forms ifornia. The area is of particular interest are ubiquitous in Chumash rock paintings and because of numerous shared cultural traits, possibly were inspired by drug-induced including a spectacular geometric polychrome phenomena. painting tradition (Steward 1929; Fenenga 1949; While much more can be written about rock Grant 1965). Although there can be no doubt art, we do not attempt in this paper to answer that people of this region formed linguistically questions concerning the meaning of the art, its distinct ethnic groups, the interaction between myriad functions in society, or problems of them involved much more than shared elements dating. Our focus lies instead in exploring the of material culture; they also shared some ways and means to use rock painting styles to religious beliefs (Hudson and Blackburn 1978). identify cultural interaction and tribal bound Thus, rock art, as one indicator of ideological aries. systems, provides an important piece of evidence In reference to artistic styles, geometric for the investigation of cultural interaction in figures not only are found throughout the area, south-central California (cf.
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