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Deutsche Guggenheim Magazine Issue 8 Summer 2009 Deutsche Guggenheim Magazine Abstraction and Empathy in Berlin Josef Albers Blinky Palermo Michael Buthe Thomas Schütte Philip Guston Paul Klee Piet Mondrian Vasily Kandinsky in New York Deutsche Guggenheim Magazine Issue 8 Summer 2009 Welcome Das Deutsche Guggenheim Magazine erscheint viermal im Jahr. Abstraction and Empathy The Deutsche Guggenheim Magazine is published four times annually. Close Up 2 Accessible for All: Neue Ausstellungsführungen Um die Aktualität der Kunst der Moderne wurde in den letzten Whether the questions that modern art raised are still topical has Redaktion Editorial 3 Partnership of Ideas: Eine Podiumsdiskussion über neue dreißig Jahren erbittert gestritten. Doch davon, wie einflussreich been heavily debated in the last 30 years. That numerous artists Deutsche Guggenheim, Berlin Sara Bernshausen Formen der Zusammenarbeit in der Kunstwelt die Moderne noch immer für die gegenwärtige Kunstproduktion still engage with 20th-century abstraction—from Constructivism Friedhelm Hütte Die Deutsche Guggenheim unterstützt Kinderstern e.V. ist, zeugen die zahllosen Künstler, die sich in ihrer Arbeit mit den to Op Art, from Bauhaus to 1960s Minimalism—attests to mod- Solomon R. Guggenheim Foundation, New York 2 Accessible for All: New Tours of Contemporary Art abstrakten Strömungen des 20. Jahrhunderts auseinandersetzen. ernism’s continuing influence on contemporary artists. In his 1999 Domenick Ammirati 3 Partnership of Ideas: A Panel Discussion on New Forms Vom russischen Konstruktivismus bis zur Op Art, vom Bauhaus book Farewell to an Idea, art historian T. J. Clark astutely proposed Kamilah Foreman of Collaboration in the Art World bis zum Minimalismus der Sechziger – all das ist auch in den jun- that modernism is the classicism of our time. In his opinion, mod- Elizabeth Franzen Regarding Arts, Berlin The Deutsche Guggenheim Supports Kinderstern e.V. gen Szenen hochaktuell. Der Kunsthistoriker Timothy J. Clark ernism, like Greek classicism and Renaissance art, produced a uni- Achim Drucks fand 1999 eine treffende Formel, als er in seinem Buch Farewell versal canon of shapes that affects all subsequent practice. Matthew Evans Maria Ferreira Morais On View at the Deutsche Guggenheim 4 Lasting Impact: Carmen Giménez über Abstraktion to an Idea die Moderne als die Antike unserer Zeit bezeichnete. This view was decisively influenced by a work that had had Christine Insel und Einfühlung Demnach bildet sie, wie einst die griechische Klassik oder später a major impact on the understanding of abstraction in the early Oliver Koerner von Gustorf 4 Lasting Impact: Carmen Giménez on Abstraction and die Renaissance, einen universalen Formenkanon, dem sich nie- 20th century: Wilhelm Worringer’s Abstraktion und Einfühlung Falls nicht anders Empathy mand entziehen kann. (Abstraction and Empathy), which was completed in 1907. Although gekennzeichnet, alle Texte Entscheidend zu dieser Sicht beigetragen hat ein Schlüssel- Worringer’s theories concentrated on past art history and did not Regarding Arts. All texts by Regarding Arts Context 12 Geistiger Rauschzustand: Sebastian Preuss über werk, das das Verständnis der Abstraktion im frühen 20. Jahrhun- address the work of his contemporaries, his ideas resonated with unless otherwise indicated. Wilhelm Worringer und die Kunst der Moderne dert prägte: Wilhelm Worringers 1907 veröffentlichte Dissertati- early modernists such as Vasily Kandinsky and Franz Marc. Their Autoren Authors 12 Spiritual Intoxication: Sebastian Preuss on Wilhelm on Abstraktion und Einfühlung. Auch wenn sich seine Theorien emerging artistic approaches were confirmed in Worringer’s book, Tracey Bashkoff Worringer and Modernism auf die vergangene Kunstgeschichte konzentrierten und die zeit- as the author was the first to describe the urge to abstraction as Susan Davidson genössische Kunst nicht berücksichtigten, stießen seine Ideen im a phenomenon in all epochs and cultures, placing it on an equal Megan Fontanella Carmen Giménez Exhibition in Depth 18 Abstraktion und Einfühlung: Die Künstler Umfeld der jungen Moderne auf enorme Resonanz. Künstler wie footing with the naturalist styles that he subsumed under the Andrea Gyorody 18 Abstraction and Empathy : The Artists Wassily Kandinsky oder Franz Marc fanden hier Bestätigung für term “empathy.” Sebastian Preuss Claudia Schicktanz ihre abstrakten Positionen. Denn Worringer war es, der als Erster Worringer’s work continues to be a touchstone for new inves- Nat Trotman What to See – Guggenheim Foundation 38 From Private to Public: Collections at the Guggenheim den Drang zur Abstraktion als Phänomen beschrieb, das sich in tigations into modern art. Inspired by his ideas, Carmen Giménez, Übersetzung Translation in Bilbao allen Epochen und den unterschiedlichsten Kulturkreisen beob- Curator of 20th-Century Art at the Guggenheim Museum, orga- Burke Barrett 39 Robert Rauschenberg: Gluts in Venedig achten lässt – gleichberechtigt mit naturalistischen Stilen, die er nized the exhibition Abstraction and Empathy. The show centers Maria Ferreira Morais 40 Kandinsky in New York unter dem Begriff der „Einfühlung“ zusammenfasst. around nearly 100 works on paper from the Deutsche Bank Oliver Koerner von Gustorf Andrea Scrima 38 From Private to Public: Collections at the Guggenheim Worringers Werk ist nach wie vor ein Prüfstein für die Neuhin- Collection—by the artists Josef Albers, Michael Buthe, Blinky in Bilbao terfragung der Kunst der Moderne. Inspiriert von seinen Ideen hat Palermo, and Thomas Schütte—that illustrate Worringer’s effect Englisches Lektorat English copy editor 39 Robert Rauschenberg: Gluts in Venice Carmen Giménez, Kuratorin für Kunst des 20. Jahrhunderts am on the reception of modernism up to the present day. This selec- Andrea Scrima 40 Kandinsky in New York Solomon R. Guggenheim Museum, die Ausstellung Abstraktion tion is supplemented by loans from the Solomon R. Guggenheim und Einfühlung organisiert. Im Zentrum stehen hierbei rund hun- Museum, the Josef and Anni Albers Foundation, and several pri- Grafische GestaltungDesign Kerstin Riedel What to See – Deutsche Bank Art 42 Die Sammlung Deutsche Bank in Sydney dert Papierarbeiten aus der Sammlung Deutsche Bank: Werke vate collections in Germany and the United States, including the 44 Att Poomtangon flutet den Portikus in Frankfurt von Josef Albers, Michael Buthe, Blinky Palermo und Thomas Sammlung Kopp in Munich. I would like to thank these lenders Herausgeber Publisher Deutsche Bank AG, Frankfurt 45 Deutsche Bank Awards: Junge Kunst aus London Schütte, die Worringers Einfluss auf die Rezeption der Moderne for so generously contributing to the exhibition and especially am Main 42 Works on View at Deutsche Bank Australia in Sydney bis in die Gegenwart verdeutlichen. Ergänzt wird diese Auswahl for providing the Philip Guston, Paul Klee, and Piet Mondrian Produktion Production 44 Att Poomtangon Floods the Portikus in Frankfurt von Leihgaben des Solomon R. Guggenheim Museums, der Josef paintings that form a historical framework for the artists at the Maria Ferreira Morais 45 Deutsche Bank Awards: Promoting Young Creative and Anni Albers Foundation sowie zahlreichen Privatsammlungen exhibition’s core. I also extend my gratitude to Douglas Baxter, Suzana Greene Minds in London in Deutschland und den Vereinigten Staaten, darunter auch die David McKee, and Gloria Moure for their invaluable assistance Kerstin Riedel Melissa Secondino Sammlung Kopp in München. Ich möchte mich ganz herzlich in securing these loans. Flashback 46 Imi Knoebel: Bildergalerie bei allen Leihgebern für ihre großzügige Unterstützung bedan- We are pleased that for the first time a curator from our LithografieImage processing Licht +Tiefe, Berlin 46 Imi Knoebel: Photo Gallery ken, insbesondere für die Beisteuerung der Gemälde von Philip partner institution has mounted an exhibition at the Deutsche Guston, Paul Klee und Piet Mondrian, die den historischen Refe- Guggenheim that includes works from the Deutsche Bank Druck Printing Medialis Offsetdruck, Berlin What to Do 47 Perfekt bis ins Detail: Ausstellungsmacher Uwe Rommel renzrahmen für die Künstler im zentralen Teil der Ausstellung Collection. The show’s approach is new as well. With its different 48 Ein anderer Blick auf Berlin: Studiobesuch bei bilden. Großer Dank gilt auch Douglas Baxter, David McKee perspectives, the exhibition enables visitors to embark on an aes- © 2009 Deutsche Bank AG, Julie Mehretu und Gloria Moure, ohne deren unschätzbare Hilfe die Vermittlung thetic adventure through various historical connections and the Frankfurt am Main Artists, authors, and photo­­- 50 Meet the Members: Deutsche Guggenheim Club der Leihgaben nicht zustande gekommen wäre. complex relationship between abstraction and empathy. graphers. All rights reserved 52 Programm und Information Es freut uns besonders, dass nun erstmals eine Kuratorin un- www.deutsche-guggenheim.de 47 Perfect in Every Detail: Uwe Rommel, Exhibition Set-Up serer Partnerinstitution eine Ausstellung mit Arbeiten aus der 48 Seeing Berlin Anew: A Visit at Julie Mehretu’s Studio Sammlung Deutsche Bank im Deutsche Guggenheim realisiert. rechte Seite Opposite page: 50 Meet the Members of the Deutsche Guggenheim Club Auch der Ansatz dieser Schau ist neuartig. Mit ihren unterschied- Neue Nationalgalerie plaza, Berlin. Pictured: Alexander 52 Event Calendar and Information lichen Perspektiven lädt die Ausstellung zu einem ästhetischen Calder, Têtes et Queue, 1965. Abenteuer ein, das durch historische Verbindungslinien
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