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Deutsche Guggenheim Magazine Issue 7 Spring / Summer 2009 Deutsche Guggenheim Magazine Imi Knoebel: ICH NICHT New Not Works Afraid of red, Yellow, and Blue ENIm durosI KNo ebel: deutscheICH NICHTBank Collection/ FrankE N Lloydduros Wright: FromFrank Within Lloyd o Wright:utward in FromNew YorkWithin outward in New York Deutsche Guggenheim Magazine Issue 7 Spring / Summer 2009 Welcome Das Deutsche Guggenheim Magazine erscheint viermal im Jahr. IMI KNOBEL: ICH NICHT/ E nduros The Deutsche Guggenheim Magazine is published four times annually. Close Up 2 Sterne für Kinder in Not Gerade in einer Zeit der Umbrüche, in der das Bedürfnis nach Today, as the need for truly relevant art is on the rise, an artist like Redaktion Editorial Imi Knoebel und der Kinderstern e.V. wirklich relevanten Positionen wächst, erscheint ein Künstler wie Imi Knoebel seems particularly pertinent. Ever since he was a stu- Deutsche Guggenheim, Berlin Sara Bernshausen 3 Hommage für Hanne Darboven Imi Knoebel besonders aktuell. Die Auseinandersetzung mit dem dent of Joseph Beuys, he has investigated the legacy of classic Friedhelm Hütte 2 Stars for Children in Need: Imi Knoebel’s Vermächtnis der klassischen Moderne und der elementaren Fra- modernism and the fundamental question as to the role of art to- Solomon R. Guggenheim Foundation, New York Support for Kinderstern e.V. ge, welche Stellung Kunst heute einnehmen kann, beschäftigen day. He has also created an oeuvre that takes Kazimir Malevich’s Kamilah Foreman 3 Homage to Hanne Darboven ihn seit seinen Anfängen als Student von Joseph Beuys. Seit über visionary abstract painting as its point of departure and explores Elizabeth Franzen vierzig Jahren arbeitet er konsequent an einem Werk, das ausge- every avenue of nonobjective painting. Knoebel has developed Valerie Hillings Context 4 Zum Nullpunkt – Friedhelm Hütte über Imi Knoebels Werke hend von der visionären, abstrakten Malerei Kasimir Malewitschs a unique artistic style of reduced conceptual painting that he con- Regarding Arts, Berlin in der Sammlung Deutsche Bank alle Register der gegenstandslosen Kunst zieht. Als Vertreter tinues to reformulate, inspiring a younger generation of artists. Achim Drucks Maria Ferreira Morais 4 On the Zero Point einer reduzierten, konzeptuell geprägten Malerei, die bis heute With ICH NICHT / ENDUROS, the Deutsche Guggenheim Oliver Koerner von Gustorf Friedhelm Hütte on Imi Knoebel’s Works in the Deutsche Bank immer wieder neu formuliert wird, entwickelte er eine einzigartige dedicates a two-part exhibition to Knoebel that provides differ- ICH NICHT Falls nicht anders Collection Position, die die junge Künstlergeneration inspiriert. ent points of access to his work. The focus of is the gekennzeichnet, alle Texte Mit ICH NICHT / ENDUROS widmet das Deutsche Guggen- wall and spatial work he made between 2005 and 2008. The title Regarding Arts. On View at the Deutsche Guggenheim 12 Keine Angst vor Rot, Gelb und Blau heim Imi Knoebel eine zweiteilige Ausstellung, die unterschied- is Knoebel’s cryptic answer to a question Barnett Newman posed All texts by Regarding Arts when not otherwise indicated. Martin Schulz über IMI KNOEBEL: ICH NICHT liche Zugänge zu seinem Werk bietet. So bilden in ICH NICHT in the 1960s with his painting series Who’s Afraid of Red, Yellow 12 Not Afraid of Red, Yellow, and Blue zwischen 2005 und 2008 entstandene Wand- und Raumarbeiten and Blue. Newman’s monochromatic color fields provoked heated Autoren Authors Valerie Hillings Martin Schulz on IMI KNOEBEL: ICH NICHT den Schwerpunkt. Hintersinnig antwortet Knoebel mit dem Titel reactions at the time. But does this fear still exist? Paintings that Susan Davidson auf eine Frage, die Barnett Newman mit seiner Gemäldeserie have departed from objects and nature are still frequently con- Friedhelm Hütte Cai Guo-Qiang: I Want to Believe Who’s Afraid of Red, Yellow and Blue Alexandra Munroe What To See – Guggenheim Foundation 16 in Bilbao in den sechziger Jahren stell- sidered far more dubious than figurative art. Yet Knoebel chal- Martin Schulz 17 Robert Rauschenberg: Gluts in Venedig te. Damals entfachten dessen monochrome Farbflächen heftige lenges the viewer to engage in color, surface, and form without Margo Stipe 18 Frank Lloyd Wright: From Within Outward in New York Reaktionen. Doch wie verhält es sich heute mit der Angst vor preconception. In ENDUROS, the second part of the show, more David van der Leer 16 Cai Guo-Qiang: I Want to Believe in Bilbao Rot, Gelb, Blau? Dem Publikum sind Bilder, die sich völlig von than 200 collages, drawings, photographs, and prints from the Übersetzung Translation 17 Robert Rauschenberg: Gluts in Venice Gegenständen und der Natur gelöst haben, immer noch suspek- Deutsche Bank Collection offer fascinating insight into the devel- Burke Barrett Frank Lloyd Wright: From Within Outward Achim Drucks 18 in New York ter als jede figurative Kunst. Doch Knoebel fordert dazu auf, opment of the artist’s nonobjective formal vocabulary. Ranging Maria Ferreira Morais sich ohne Vorbehalte auf Farbe, Fläche und Form einzulassen. In from early photographs and studies to his most recent works, Oliver Koerner von Gustorf 20 Postkarten aus Italien: Die Sammlung Deutsche Bank in Mailand ENDUROS, dem zweiten Teil der Schau, geben über 200 Colla- ENDUROS also documents a part of the bank’s collecting history: Andrea Scrima What To See – Deutsche Bank Art 22 Junge Künstler aus Deutschland in Florenz: gen, Zeichnungen, Fotografien und Druckgrafiken aus der Samm- for 23 years now, it has continuously followed, purchased, and Englisches Lektorat Villa Romana-Stipendiaten 2009 lung Deutsche Bank einen faszinierenden Einblick in die Ent- presented Knoebel’s work. English copy editor Andrea Scrima 23 Schwebende Stadt: Deutsche Bank unterstützt Yona Friedmans wicklung seines gegenstandslosen Formenvokabulars. Von frühen Together with the Neue Nationalgalerie, which is concurrently Projekt für die Venedig Biennale Fotografien und Studien bis zu jüngsten Werken dokumentiert showing the Knoebel exhibition Zu Hilfe, zu Hilfe …, the Deut- Grafische GestaltungDesign ENDUROS Kerstin Riedel 20 Postcards from Italy: A Tour Through the Deutsche Bank zugleich ein Stück Sammlungsgeschichte: Seit nun- sche Guggenheim celebrates this exceptional artist’s ability to Collection in Milan mehr 23 Jahren wird Knoebels Werk von der Sammlung Deutsche transform the fundamentals of his art into something new time Herausgeber Publisher 22 Young German Artists in Florence: Bank kontinuierlich begleitet, erworben und ausgestellt. and again. Likewise, Frank Lloyd Wright’s Solomon R. Guggen- Deutsche Bank AG, Frankfurt am Main The Villa Romana Fellows 2009 Gemeinsam mit der Neuen Nationalgalerie, die parallel die heim Museum in New York was built to house Guggenheim’s 23 Suspended City: Deutsche Bank Supports Yona Friedman’s Project Knoebel-Ausstellung Zu Hilfe, zu Hilfe … zeigt, feiert das Deut- collection of largely nonobjective art. This year marks the 50th Produktion Production Maria Ferreira Morais for the Venice Biennale sche Guggenheim in Berlin einen Künstler, der auf der Grundla- anniversary of this modernist masterwork, and in celebration, Suzana Greene ge seines Werkes immer wieder neue Ansätze entwickelt. Unter the Guggenheim is presenting the first major showing of the ar- Kerstin Riedel 24 Picturing America: Bildergalerie ähnlichen Vorzeichen wurde das Solomon R. Guggenheim Muse- chitect’s work in the museum, one of his most groundbreaking Melissa Secondino Flashback 24 Picturing America: Photo Gallery um in New York von Frank Lloyd Wright als Heimstatt der Gug- achievements. As these encounters with Knoebel and Wright dem- LithografieImage processing genheim Sammlung gegenstandsloser Kunst erbaut. Anlässlich onstrate, modernism can still be experienced today as an intel- Licht +Tiefe, Berlin What To Do 25 Sicherheit im Fokus: Museumsaufsicht Ingolf Fischer des 50-jährigen Jubiläums dieses modernistischen Meisterwerks lectual, sensuous, and controversial adventure. Druck Printing 26 Meet the Members: Deutsche Guggenheim Club feiert das Guggenheim den Architekten mit der ersten Retros- Medialis Offsetdruck, Berlin 28 Programm und Information pektive in dem Museum, das einen bedeutenden Höhepunkt in © 2009 Deutsche Bank AG, 25 Safety First: Security Guard Ingolf Fischer Wrights Schaffen markiert. Die Moderne, das zeigen die Begeg- Frankfurt am Main 26 Meet the Members of the Deutsche Guggenheim Club nung mit Knoebel und Lloyd auf verschiedene Weise, lässt sich Artists, authors, and photo­­- graphers. All rights reserved 28 Event calendar and Information auch heute als intellektuelles, sinnliches und kontroverses Aben- teuer erfahren. www.deutsche-guggenheim.de rechte Seite right page: GSW-Hauptverwaltung GSW Headquarters Kochstrasse, Berlin-Kreuzberg, Friedhelm Hütte Friedhelm Hütte September 1999 Global Head Art, Deutsche Bank Global Head Art, Deutsche Bank © Ostkreuz / Agentur der Cover: Imi Knoebel, Fotografen Ort – Blau Gelb Rot Rot, 2008 Acrylic on aluminum, 302 × 300 × 150 cm. Private collection © Imi Knoebel, VG Bild-Kunst, Bonn 2009 4 Close Up Photo: Michael Danner Michael Photo: Stars for Children in Need Homage to Hanne Darboven Imi Knoebel’s Support for Kinderstern e.V. (1941–2009) Photo courtesy Kinderstern e.V. Kinderstern courtesy Photo „Der Kinderstern steht für die Rechte der Kinder.“ Täglich griff Hanne Darboven zu Papier und Stift, um Opus 60 (2003–06), ihre Komposition für 120 Stim- Unter dieser Maxime schuf Imi Knoebel 1988 eine Daten und Ziffern nach einem von ihr selbst
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