Helen Shank, Children's Advocate Live Through This

Total Page:16

File Type:pdf, Size:1020Kb

Helen Shank, Children's Advocate Live Through This Number 6 August 2018 Helen Shank, Children’s Advocate Live Through This: From Priory to Punk Rock $5.00 THURSTON COUNTY HISTORICAL JOURNAL The Thurston County Historical Journal is dedicated to recording and celebrating the history of Thurston County. The Journal is published by the Olympia Tumwater Foundation as a joint enterprise with the following entities: City of Lacey, City of Olympia, City of Tumwater, Confederated Tribes of the Chehalis Reservation, Daughters of the American Revolution, Daughters of the Pioneers of Washington/Olympia Chapter, Lacey Historical Society, Old Brewhouse Foundation, Olympia Historical Society and Bigelow House Museum, South Sound Maritime Heritage Association, Thurston County, Tumwater Historical Association, Yelm Prairie Historical Society, and individual donors. Publisher Editor Olympia Tumwater Foundation Karen L. Johnson John Freedman, Executive Director 360-890-2299 Lee Wojnar, President, Board of Trustees [email protected] 110 Deschutes Parkway SW P.O. Box 4098 Editorial Committee Tumwater, Washington 98501 Drew W. Crooks James S. Hannum Janine Gates Erin Quinn Valcho Obtaining a Copy of the Journal The Journal does not offer a subscription service. To get your own copy, join one of the her- itage groups listed at the top of this page. These groups donate to the publication of the Journal, and thus receive copies to pass on to their members. Issues are also available for purchase at the Bigelow House Museum, Crosby House Muse- um, and Lacey Museum. Submission Guidelines The Journal welcomes factual articles dealing with any aspect of Thurston County history. Please contact the editor before submitting an article to determine its suitability for publica- tion. Articles on previously unexplored topics, new interpretations of well-known topics, and personal recollections are preferred. Articles may range in length from 100 words to 10,000 words, and should include source notes and suggested illustrations. Submitted articles will be reviewed by the editorial committee and, if chosen for publication, will be fact-checked and may be edited for length and content. The Journal regrets that authors cannot be monetarily compensated, but they will gain the gratitude of readers and the historical community for their contributions to and appreciation of local history. Opinions expressed by contributors are not necessarily those of the Olympia Tumwater Foundation Written permission is required to reproduce any part of this publication. Copyright © 2018 by the Olympia Tumwater Foundation. All rights reserved. ISSN 2474-8048 Number 6 Table of Contents August 2018 2 Helen Shank, Children’s Advocate Karen L. Johnson 45 Live Through This: From Priory to Punk Rock Megan Ockerman Back Cover Who/What/Where Is It? On the cover: Helen Sturtevant Cooper Swift Shank as a young woman. Photo courtesy of the Olympia Tumwater Foundation: Helen Shank Collection, 2016.8. See article on page 2. 1 HELEN SHANK, CHILDREN’S ADVOCATE Karen L. Johnson Just east of the Olympia Regional Air- port sits a group of abandoned barns, once known as the Trails End Stables. The buildings show all the signs of long neglect—faded paint, no- trespassing signs, cracked pavement, and rusted gates. The complex is an island of forgotten history in a sea of close-packed housing developments. But just a few decades ago, this facili- ty hummed with life: the neighing and snorting of horses, clip-clop of hooves, shouts of young competitors, applause of audiences and proud parents.1 The dream of Trails End Ranch, a re- gional summer camp, and Trails End Stables, an equine center, was brought to life by a remarkable woman who spent her entire career as a trail- blazing advocate for children’s rights and needs: Helen Sturtevant Cooper Swift Shank. Helen Shank achieved many mile- stones in her life of 86 years. She su- pervised the newly-created Washing- Helen Sturtevant Cooper, undated pho- to, but probably circa 1922. All images ton State division of child welfare, served as superintendent of Maple in this article, unless otherwise noted, Lane Girls’ School, established a chil- are courtesy of the Olympia Tumwater Foundation: Helen Shank Collection, dren’s summer camp in Mason Coun- 2016.8. ty and a second camp in Thurston County, served as the first female member of the Washington State pa- and campaigned tirelessly for children. role board, was married twice, taught Personally, she was a strong-willed high school and university classes, woman with a good sense of humor, 2 In this undated photo, a very young Helen rides a horse in Colorado. who acquired many steadfast friends. the young couple moved to Denver, Those who grew up in her presence Colorado, where they both taught in still view her as one of the primary fe- public schools.5 For a time, James male figures in their lives. served as president of a school known as the Cooper Commercial College.6 EARLY CHILDHOOD They had one child, Helen Sturtevant Cooper, born on November 28, 1900.7 Helen’s grandparents came from the eastern United States. Both born in Sometime after 1906, the Cooper fami- Pennsylvania, William H. and Mirrett2 ly moved to Spokane, where James Sturtevant married and lived in taught at local schools, eventually be- Sharpsville, Pennsylvania, where a coming head of the commercial de- daughter, Blanche Edith, was born in partment at North Central High 1875.3 In 1896, Blanche married School. James had suffered from James Fennimore Cooper (presumably chronic kidney failure for several named after the famous author),4 and years, and in early 1910 succumbed 3 empathy necessary to relate to chil- dren struggling to overcome difficult circumstances. Sometime after James’s death, Blanche and Helen moved to the Bremerton area; why and precisely when is still a mystery. Perhaps Blanche was offered a teaching posi- tion; perhaps the move occurred for another reason. EDUCATION Helen spent part of her pre-high and high school years at the Holy Names Academy in Seattle. Although formal transcripts of her time there could not be located, her name is listed in two school theatrical productions, and al- so appears in school registries for 1913 through 1916. Helen was listed as a boarder, so her mother quite pos- sibly lived in Bremerton or Charleston (a Bremerton suburb) at the time, while Helen boarded in Seattle during the school year.9 Blanche remarried in 1917. Her new husband, and Helen’s new stepfather, was William D. Stineman of Bremer- ton. Stineman was in the real estate and insurance business until 1926, when he entered the safety-deposit- Helen in a studio portrait. vault business and later joined the Western Gas Company. Blanche taught commercial subjects at to the disease.8 One must wonder if Bremerton High School for years.10 the loss of her father informed Helen’s decision to pursue social work as a After spending much of her high career, and especially to focus on school years at Holy Names Academy, troubled children. Losing her father Helen graduated from Union High certainly would have given Helen the School in Bremerton in 1918.11 4 The Sigma Kappa Sorority, located at 4732—21st Northeast, near the University of Washington campus, circa 1920. Helen is standing second from left. In the fall of 1918, Helen entered the CAREER AND FIRST MARRIAGE University of Washington where she majored in education and minored in In the fall of 1922, Helen secured a job accounting. She joined the Mu chapter teaching English and commercial sub- of Sigma Kappa Sorority in April jects at Olympia High School.15 This 1919.12 job lasted for two years, according to some sources. The 1923-24 Polk City On June 19, 1922, Helen received a directory for Olympia lists Helen as a Bachelor of Education degree from the teacher at the high school, and resid- University of Washington.13 On the ing at 115 E. 20th.16 But the Polk City same day, she received her five-year directory for Kitsap County for the normal diploma, which entitled her to same year lists Helen as a teacher in teach in high schools or to supervise Charleston.17 At the time, she was or superintend public schools in the listed as residing with her parents on state of Washington for the next five Wycoff Street in Charleston. years.14 5 On June 11, 1924, Helen married Edward Alonzo Swift, Jr.18 Helen and Swift probably met at the Uni- versity of Washington (UW). Swift sought a law degree there, where he was also a member of the Phi Kap- pa Psi fraternity.19 He enlisted in the Coast Artillery and saw active service in France during World War I, then returned to UW and com- pleted his law degree.20 At their wedding, held at the Sigma Kappa sorority house near the UW cam- pus, Helen wore “a powder-blue beaded georgette gown and carried a shower bouquet.” Reverend Ezra P. Giboney of Seattle’s Lawton Pres- byterian Church presided. The bridal couple honeymooned in Sea- side, Oregon, and then returned to set up housekeeping at the Weir Apartments in Seattle.21 In 1926 Helen received a life diplo- ma from UW.22 To be eligible for this diploma, holders of five-year diplomas were required to teach satisfactorily for at least two years in common schools. Helen’s time teaching at Olympia High School satisfied this requirement. Her life diploma entitled Helen to teach in high schools or supervise or super- intend public schools for the period of her natural life. Edward Alonzo Swift, Jr., Helen’s first hus- band, during his days in World War I. During the 1926-27 and 1927-28 school years, Helen was employed as an assistant professor in Business 1928, she was appointed as president Administration at the University of of Washington’s first district of the Washington.24 She also served as a auxiliary.25 member of the University branch of the American Legion Auxiliary.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • ENTERTAINMENT WEEKLY Interview for Not Making It Clear That He Wasn't the Father of the Baby She Miscarried Last May
    Love's Story The combative singer-actress embarks on a legal skirmish with her record label that may change what it means to be a rock star. Oh, and she also has some choice words about her late husband's bandmates, her newfound ancestry, Russell Crowe, Angelina Jolie... By Holly Millea | Mar 25, 2002 Image credit: Courtney Love Photographs by Jean Baptiste Mondino COURTNEY LOVE IS IN A LIMOUSINE TAKING HER FROM Los Angeles to Desert Hot Springs on a detox mission. "I've been on a bit of a bender after 9/11," she admits. "I've got a lot of s--- in me. I weigh 147 pounds." Which is why she's checking into the We Care colonic spa for five days of fasting. Slumped low in the seat, the 37-year-old actress and lead singer of Hole is wearing baggy faded jeans, a brown pilled sweater, and Birkenstock sandals, her pink toenails twinkling with rhinestones. On her head is a wool knit hat - 1 - that looks like something she found on the street. Last night she sat for three hours while her auburn hair extensions were unglued and cut out. "See?" Love says, pulling the cap off. "I look like a Dr. Seuss character on chemo." She does. Her hair is short and tufty and sticking out in all directions. It's a disaster. Love smiles a sad, self-conscious smile and covers up again. Lighting a cigarette, she asks, "Why are we doing this story? I don't have a record or a movie to promote.
    [Show full text]
  • The Life & Near Death Story of Patty Schemel
    REVIEWS "Describing the parabolic ups and downs of the career of Hole drummer Patty Schemel, tricked-up docu Hit So Hard features never-before-witnessed tour documentation recorded on Schemel's own Hi-8 camera, including her extended stay at the digs of band frontwoman Courtney Love just before Kurt Cobain's suicide. This recently recovered ace-in-the-Hole footage is supplemented by helmer P. David Ebersole's newly shot interviews, presented in split-screen or apportioned in brief bursts. Pic benefits from the percussionist's plainspokenness, and should attract grunge curiosity-seekers in theatrical and tube play." VARIETY "A raw, unflinching look at Schemel's hard-knock life." WALL STREET JOURNAL "Necessary viewing for any Hole fan. The footage was ample and intimate -- scenes of Schemel passed out in her hotel room after shooting heroin, Love moshing backstage at Lollapalooza with the Offspring's Dexter Holland and, most eerily, Love at home with Kurt Cobain and Frances Bean. It's heartbreaking." SPIN MAGAZINE "Hit So Hard links one milestone of Schemel’s survival to another with a caustic grace lent by the subject herself: Alcoholic at age 12. Out, tormented lesbian at 17. Junkie by her early 20s. On and off the wagon numerous times by her late 20s. A homeless, crack-addicted, music-industry exile by the end of the ’90s. It’s all there in the open, backed up with fascinating, never-before-seen archival footage featuring Love and her husband Kurt Cobain." MOVIELINE "This pull-no-punches portrait of the hell-and-back life of Patty Schemel is no ordinary rockumentary.
    [Show full text]
  • SCSC WRITING CONTEST for Students in Grades K–12
    SCSC WRITING CONTEST For Students in Grades K–12 2018–19 Theme: Bravery Sponsored by In Partnership with The SCSC Writing Contest provides students with an opportunity to express themselves through fiction, non-fiction and/ or poetry. This contest was established to encourage the love of language and writing for all students and as a way to recognize the talented young writers in south central Minnesota. SCSC is partnering with Minnesota State University, Mankato. Students in grades K–12 attending public, private or homeschools are eligible to enter. Up to three pieces per category and submissions in multiple categories are welcome. The views and opinions expressed are those of the authors and do not necessarily reflect the views and opinions of the sponsors. Note to Readers: Some of the works may not be appropriate for a younger reading audience. COPYRIGHT © 2019 This anthology is a joint project of South Central Service Cooperative and Minnesota State University’s education department. Copyright reverts to authors upon publication. CATEGORY DESCRIPTIONS: Poetry: Fiction (Imaginary/Fantasy): Non-Fiction (True/Factual): Arrangement of words in an artistic and Stories that describe imaginary events (Choose one or more non-fiction types) purposeful manner that expresses the and people that entertain the reader Personal narrative: A true story that writer’s thoughts and/or feelings about with realistic details, involving characters describes a real event or experiences in a subject of their choice using style and who experience a conflict (ex: historical the author’s life. rhythm (ex: sonnets, haiku, free verse). fiction, realistic fiction, fantasy, science Information: Factual writing to convey • Limit three entries per student fiction, mystery).
    [Show full text]
  • Hunter's Creek Middle School 2021
    Hunter’s Creek Middle School 2021 Creative Writing Anthology! Compiled during Celebrate Literacy Week 2021 by Mrs. Kellee Moye, Teacher-Librarian Table of Contents SHORT STORIES “Sparks” by Anonymous, 8th grade 3 “Coming Together as One” by Anonymous, 8th grade 9 “Hanahaki/Love?” by Anonymous, 8th grade 10 “The Day it Happened” by Anonymous, 8th grade 12 “I Survived a Line Drive to the Head” by Nathaniel Klaff, 8th grade 23 “ChronoPhobia” by Maria Segovia, 8th grade 26 “Lost in the World” by Nguyen Ta, 8th grade 27 POETRY “Time” by Maria Segovia, 8th grade 28 “You” by Sarah Weate, 8th grade 29 Collection of Poetry by Amelia Fetzer, 8th grade 31 “The Borders of Us All” by Anonymous, 7th grade 36 “Jellybean” by Anonymous, 7th grade 37 TWO-SENTENCE STORIES Collection of Two Sentence Stories by Ms. Rokaw’s Students 38 “Sparks” by Anonymous, 8th Grade “Isa, I don’t think this is a good idea.” Simon fidgeted with the flashlight, giving me a look that said, “I-can’t-believe-you-actually-dragged-me-into-this-but-I’m-not- going-stop-complaining”. I stopped walking, letting the sounds of crunching leaves fade. “If you don’t want to be here, you can leave whenever you want to.” I replied. Simon had always dragged me out of trouble, or stuck by me no matter what crazy idea I had, but I wondered - not for the first time - if there was a limit to how many times he would try to talk some sense into me while sticking by my side before he gave up trying altogether.
    [Show full text]
  • Angriest Yodeler's Screamingly Good Album Multiple Mccloskeys Are Always Enough
    ART Anna Tsouloufi BOOKS John Olson, and Maria Damon and mIEKAL aND POETRY Julia Cohen, Dylan Michel, and BOOG CITY K. Silem Mohammad A COMMUNITY NEWSPAPER FROM A GROUP OF ARTISTS AND WRITERS BASED IN AND AROUND NEW YORK CITY’S EAST VILLAGE ISSUE 28 SEPT./OCT. 2005 FREE Angriest Yodeler’s Screamingly Good Album Eller’s Just Another Banjo-Playing Michigan Acrobat BY JONATHAN BERGER he lives up to that title, leaving all competitors in the dust. He Curtis Eller’s American Circus doesn’t need a band. Still, he is joined sporadically by a revolving Taking Up Serpents Again cast of artists who flesh out the American Circus. et us reflect, for a moment, upon contradictions. Contradictions Eller’s latest album, Taking Up Serpents Again, makes great are the spice of life. Contradictions make things interesting. use of the full troupe. With assists on most of the numbers it LContradictions abound in theory and art and music. fleshes out the already exciting old-timey sound. Led consistently The banjo is a happy instrument. You can’t think of the banjo by Eller’s banjo, there is accordion, tuba, upright bass, drums, being involved in anything sad, can you? But the most familiar banjo and maracas in the mix. And it sounds perfect for the carnival piece you know is “Dueling Banjos,” from the film Deliverance. atmosphere Eller’s American Circus conjures. And the solo singer-songwriter; he is a creature all about Most of the material on Serpents harkens back to earlier days, reflection and sensitivity. You wouldn’t imagine a singer- and early heroes.
    [Show full text]
  • Celebrity Skin Album
    Celebrity Skin Album Celebrity Skin Album 1 / 2 Hole - Celebrity Skin - Full Album 50 min One of my fave records of all ... Release Details Hole's breakthrough album is on vinyl for the first time since it's release!. Which is something Korn deserves, as its latest album debuted at No. ... CD 17 24 3 CELEBRITY SKIN ♢ HOLE CELEBRITY SKIN DGC/GEFFEN OD 13 22 11 .... Listen free to Hole – Celebrity Skin (Celebrity Skin, Awful and more). 12 tracks (50:12). Celebrity Skin is the third studio album by American alternative rock band .... Celebrity Skin Lyrics. Includes Album Cover, Release Year, and User Reviews. "Celebrity Skin" is the tenth single by American alternative rock band Hole, .... Album Description. From the moment the Pyromania guitars herald open the title track on Celebrity Skin, it's clear Hole no longer is tortured. Gone are the ... In 1998, Hole's album, "Celebrity Skin," was nominated for three Grammy awards. Dan Harmon. The creator and producer of the NBC sitcom, " .... On Friday, McGraw released one of the expanded album's [. ... "Carved in an oak or tattooed on the skin / Love moves the heart, God moves the .... Michael Beinhorn, producer of Hole's Celebrity Skin, tells us how he achieved that gnarly guitar tone on the 1998 album. celebrity skin celebrity skin, celebrity skin lyrics, celebrity skin care, celebrity skincare routine, celebrity skin magazine, celebrity skin chords, celebrity skin care products, celebrity skin tab, celebrity skincare brands, celebrity skin care lines, celebrity skin hole lyrics, celebrity skin hole, celebrity skin lipstick Celebrity Skin is the third studio album by American alternative rock band Hole, released worldwide on September 8, 1998 on Geffen Records and one day later ...
    [Show full text]
  • Textual Spectacle: the Transmedial Storyworld of Coldplay's Mylo Xyloto
    The Concept Album as Visual-Sonic- Textual Spectacle: The Transmedial Storyworld of Coldplay’s Mylo Xyloto Lori Burns University of Ottawa [email protected] Abstract This paper studies the elaboration of the concept album by means of multimodal promotional strategies that include the concert tour, music videos, books, as well as other digital and print materials. Adopting the perspective that the meaning of a concept album emerges in and through a potentially complex network of materials, we can receive and understand concept album storytelling to operate according to multimedial, intermedial and transmedial contexts. This study examines the transmedial storyworld of Coldplay’s Mylo Xyloto concept spectacle as it is developed in and through the material content of the original album, the Coldplay: Live 2012 (Coldplay 2012c) concert film, as well as the paraphonographic materials that extend Mylo Xyloto into a variety of media. KEYWORDS: Concept album, spectacle, multimodality, intermediality, transmediality Introduction In the context of the new millennial industry of popular music, artists from a variety of genres rely heavily upon current technologies and social media platforms to develop elaborate promotional strategies, thus expanding the idea of the concept album to the concert tour, music videos, books, and a range of supplementary materials. With such an approach, the concept album can be seen to extend across multiple media formats in supplementary materials and live IASPM@Journal vol.6 no.2 (2016) Journal of the International Association for the Study of Popular Music ISSN 2079-3871 | DOI 10.5429/2079-3871(2016)v6i2.6en | www.iaspmjournal.net 92 Lori Burns performances.
    [Show full text]
  • Old Wives' Tales
    b-sides Jay Brandt retains a minority interest in Brandt’s and will continue to book Brandt bands, maintain the Web site, and serve as consultant and “host emeritus,” mak- ing the five-and-a-half-hour drive from New Day Cincinnati to St. Louis about once a he name “Brandt’s” has been part of month. He says Brandt’s will continue to T the Loop streetscape for years, but present longtime jazz favorites like over the past two decades the space at Whalum, Wheeler and Jeanne Trevor, 6525 Delmar Boulevard has undergone but also hopes to entice younger patrons more makeovers than Madonna. “I by bringing new musicians into the mix, started out with a natural-food store and such as fusion-jazz guitarist Todd Mos- wound up with a jazz club,” laughs Jay by, bassist Tom Kennedy’s trio, acid- Brandt, who in 1985 took over the store- jazz/remix duo Mo and Dawn, and front previously occupied by his dad’s singer-songwriters Cat Sansone and package-liquor store. Jesse Gannon. “If you go to most jazz Now Brandt is stepping back from the venues in St. Louis, it’s an older crowd,” business he shepherded from health- says Jay Brandt. “Brandt’s wants to be Jazz hands: RIck food grocery store to deli to sit-down the jazz room for the younger crowd.” Fessler (background) restaurant, just a couple of years after a — DEAN C. MINDERMAN and Adam Brandt major renovation gave birth to the Red JENNIFER SILVERBERG Carpet Lounge, a retro-flavored night- spot reusing the name (and recalling the vibe) of his parents’ club in the sto- ried Gaslight Square district.
    [Show full text]
  • XENIA and Other Classics
    XENIA and other classics by CAROLINE HENLEY M.S. in Applied Analytics, Columbia University, 2018 B.A. in American History and Classical Studies, University of Pennsylvania, 2007 A CREATIVE THESIS submitted to Southern New Hampshire University in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing School of Liberal Arts October 17, 2020 This thesis has been examined and approved. _____________________________________ Faculty name Thesis Director ______________________________________ Second reader Faculty name 2 XENIA and other classics Spring Breakers … 3 Middle School Adventure A … 18 Dog Taxi … 35 Country Club … 53 Last Day … 67 Josie, the Wrath of God … 73 Who Else Is Coming to the House? … 93 That’s Halifax … 111 Xenia … 123 3 SPRING BREAKERS Allison stooped with her knee to the ground, studying the earliest coins displayed, silver and bulky at three inches wide. The relief of a gorgon stared back from behind the glass, tongue out, teeth bared, the circular edges of the coin stretched so much like Play-Doh she imagined the Greeks entrusting its minting to a child. She stood back up and was startled by a tall red-haired young man hovering over her. She knew his face from the opposite end of a scratched-up wooden table on the ground floor of Logan Hall. He apologized, but lingered as if they were already in the midst of a conversation. He explained that drachmae were made of electrum, an alloy of silver and gold, but only made with a wee bit of gold once circulated under the Roman Empire.
    [Show full text]
  • Templeton Appeared Stoic” by Ross Kelly 1 Winning Story in the 2003 Nick Adams Short Story Contest Note: This Story Is Reprinted with Permission
    “Templeton Appeared Stoic” by Ross Kelly 1 Winning story in the 2003 Nick Adams Short Story Contest Note: This story is reprinted with permission. Reproduction of this story without the express, written permission of the author is prohibited. Associated Colleges of the Midwest www.acm.edu/nickadams Note: This story contains language which may be considered inappropriate for young or more sensitive readers. Templeton Appeared Stoic for Lee They say that I let him do it, that I knew what he was doing to those kids when he took them down into the basement, but all those people who think these things have never raised so beautiful a boy. When he was six or seven he would bring dead birds to me and ask me to make them fly again. He kissed my cheeks before he went to bed or out to play. Even when he grew older he never forgot or felt embarrassed about showing me his love. Now, I ask you how in the hell could a boy who cared for dead birds and never forgot to kiss his father hurt those kids? How can you take the words of fourteen year old boys against the word of a grown man? I ask you that. I ask you the same thing I asked the police on the night they took him away; I ask you the same thing I asked the DA and the judge and everybody in that goddamn courtroom on that day last April. And I say to you the same things I said to them.
    [Show full text]
  • Airing Our Dirty Laundry
    Spring 2015 Volume XX Blue Optics Airing Our Dirty Laundry A Literary Magazine Published Annually by the Journalism Department Table of Contents Photography, Dirty Laundry…cover Artwork, “Childhood Memories”…page 14 “The Lone Servant”…..page 29 Photography, “Whites”….page 2 “The Better Claim”…page 15 Artwork, “Loneliness”…..page 29 “Where the True Pearl Lies”…page 2 Photography, “The Cross”…page 15 “Headhunters”…..page 30 Artwork, “Shapes”….page 2 “In the Jaws of the Calculator”….page 15 “The Depths”…..page 30 Artwork, “Island Beauty”….page 2 Artwork, “Painted Face”….page 15 Sketch, “Rock Design”…..page 30 “The Sea”………page 3 “Light Among Shadows”….page 16 “Nightmare”…..page 31 “Old Man and the Sea”……….page 3 Illustrations, “Light Among Shadows”….page 16 Artwork, “In My Mind”….page 31 Artwork, “Under the Sea”…..page 3 “Go Northwest, Young Scout”….page 17 “All Will Remain Quiet on the Front”…page 32 “The Mystics of the Misty Mountain Top”….page 4 Photography, “Hanging Around”….page 17 Graphic, “Soldier’s Eyes” ……page 32 Graphic, “One Man Could Change the World”….page 4 “Every Star”…page 17 Graphic, “Butterfly”….page 32 “The Tunnel”….page 5 Photography, “Sunset”…page 17 Artwork, “Patriotic Soldier”…..page 32 Artwork, “Lonely Man”….page 5 Photography, “Angel”….page 17 Photography, “Delicates”…..page 33 “Living the Midwestern Life”……..page 5 “James Walker”….page 18 “Her”….page 33 Photography, “A Lake View”…..page 5 Artwork, “Contemplations”…page 18 Sketch, “Face”…page 33 Photography, “In the Field”…page 6 Graphic, “Smile”….page 18 “Give Us
    [Show full text]