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Computer Graphics World 2006 October
Contents Zoom In Zoom Out For navigation instructions please click here Search Issue Next Page ComputerINNOVATIONS IN VISUAL COMPUTING FOR THE GLOBAL DCC COMMUNITY October 2006 www.cgw.com WORLD Rat’s Nest DreamWorks uses digital clay to sculpt the diverse worlds in Flushed Away Past Tense CG helps bring ancient history to life Playing in the Big Leagues An indie CG filmmaker hits a home run Shadow Play Artists shine light on Hollywood’s dark side $4.95 USA $6.50 Canada Contents Zoom In Zoom Out For navigation instructions please click here Search Issue Next Page A CW Previous Page Contents Zoom In Zoom Out Front Cover Search Issue Next Page BEF MaGS Mail to [email protected] for any further request. Karen Moltenbrey Chief Editor note KAREN MOLTENBREY: Chief Editor [email protected]_______ 36 East Nashua Road A Taste of Independence Windham, NH 03087 (603) 432-7568 CONTRIBUTING EDITORS: It’s been just over a decade now since Pixar introduced us to the colorful world Courtney Howard, Jenny Donelan, of CG features, giving us Toy Story, and with it, a taste for the visually compel- Audrey Doyle, Evan Marc Hirsch, George Maestri, Martin McEachern, ling medium of CGI. Before we could ooh and ah over the technological leaps Stephen Porter, Barbara Robertson editor’s that refi ned the look of the lovable toys in Toy Story 2, we welcomed invasions of KATH CUNNINGHAM: Production Director digital insects in Disney/Pixar’s A Bug’s Life and PDI/DreamWorks’ Antz. [email protected]__________ (818) 291-1113 In 2001, these animation/technology powerhouses continued to hone their craft in Monsters, Inc., and Shrek. -
3D Graphic Modeling & Animation Lecture 1
Stereoscopic 3D Graphic Modeling & Animation Lecture 1. Introduction & Course Overview Spring 2011 Korean German Institute of Technology Stereoscopic 3D Graphic Modeling & Animation Instructor & Course Info • Professor : 김현주 • Class time : Wed 4-6pm, Wed 1-4(Open Lab) • Credit Hour: 2 hours • Contact : – Office: Room 101 (등촌), Seoul Media Lab(상암) – Phone: 02-6393-3238, Cell: 010-3050-9905 – Email: [email protected] – Office hour: Fri 10am-5pm • Class BBS : http://kgit.kr/html/?depth=280 • Class Email Group: [email protected] Korean German Institute of Technology Stereoscopic 3D Graphic Modeling & Animation Course Overview Intermediate & advanced methods and knowledge of 3D CG modeling and animation for stereoscopic contents production will be featured in this studio class. Students are expected to learn, but not limited to the topics below: • Animation Production Workflow • Workflow of Stereoscopic 3D CG • Maya’s structure and functions • Theory and Practice of Modeling • Theory and Practice of Texturing/Shading • Theory and Practice of Lighting/Staging • Theory and Practice of Animation • Stereoscopic Camera & Rendering • Theory and Practice of Composition & Post Production • Work Review Korean German Institute of Technology Stereoscopic 3D Graphic Modeling & Animation Textbook • 주교재 – Maya Summary, 곽기훈 저, 디지털북스, 2008 – 3D 입체영상제작 워크북, 최양현 외 3명, 2011 • 참고문헌 – The Art of 3-D Computer Animation and Effects, Third Edition (Paperback) by Isaac Victor Kerlow, John Wiley & Sons; 3 edition (August 12, 2003) ISBN: 0471430366 – 3D 초급자를 위한 MAYA 7.0 50일 완성 이승엽 | 정재환 (지은이) | 가메출판사 | 2006-01-03 – 3D 입체영화제작기술, Bermard Mendiburu (이승현 역), Focal Press (영화진흥위), 2010 – Introducing Maya 2008 with CD-Rom Paperback Dariush Derakhshani | WROX Press (or similar versions) Korean German Institute of Technology Stereoscopic 3D Graphic Modeling & Animation Why CG 3D for Stereoscopic Production? • Simple setup for virtual cameras • Easy of preview & adjustment • Characteristics of 3D CGI contents fits well to many stereoscopic storytelling. -
The Political Life and Times of Governor Pat M. Neff Of
PORTRAIT OF A SOUTHERN PROGRESSIVE: THE POLITICAL LIFE AND TIMES OF GOVERNOR PAT M. NEFF OF TEXAS, 1871-1952 Mark Stanley, B.S., M.A. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS May 2011 APPROVED: Richard B. McCaslin, Major Professor and Chair of the Department of History Elizabeth Hayes Turner, Committee Member Roberto Calderón, Committee Member Aaron Navarro, Committee Member John Todd, Committee Member James D. Meernik, Acting Dean of the Toulouse Graduate School Stanley, Mark. Portrait of a Southern Progressive: The Political Life and Times of Governor Pat M. Neff of Texas, 1871-1952. Doctor of Philosophy (History), May 2011, 361 pp., references, 150 titles. Pat M. Neff was a product of his political place and time. Born in Texas in 1871, during Reconstruction, he matured and prospered while his native state did the same as it transitioned from Old South to New South. Neff spent most of his life in Waco, a town that combined New South Progressivism with religious conservatism. This duality was reflected in Neff’s own personality. On moral or religious issues, he was conservative. On economic and social issues, he was Progressive. He thus was a typical Southern Progressive who de-emphasized social and political change in favor of economic development. For instance, as governor from 1921 to 1925, his work to develop and conserve Texas’ water resources brought urbanization and industrialization that made the New South a reality in the state. Neff was a devout Baptist which influenced his politics and philosophy. He was president of Baylor University, a Baptist institution, for fifteen years after leaving the governor s office and he led the Southern Baptist Convention (SBC) in the 1940s. -
Lifesaving Design to the I-MAX A+ Animations
Contents Zoom In Zoom Out For navigation instructions please click here Search Issue Next Page ComputerTHE MAGAZINE FOR DIGITAL CONTENT CREATION AND PRODUCTION January 2007 www.cgw.com WORLD Lifesaving Design Specialists use CAD tools to develop a device for the heart To the I-MAX CG films get depth and grow large in stereo 3D A+ Animations Students get high marks for their animated shorts Funny Bones A digital T. rex exhibits puppy-like behaviors amid chaos as museum displays come alive $4.95 USA $6.50 Canada Contents Zoom In Zoom Out For navigation instructions please click here Search Issue Next Page A CW Previous Page Contents Zoom In Zoom Out Front Cover Search Issue Next Page BEF MaGS ___________ __________________ A CW Previous Page Contents Zoom In Zoom Out Front Cover Search Issue Next Page BEF MaGS A CW Previous Page Contents Zoom In Zoom Out Front Cover Search Issue Next Page BEF MaGS Karen Moltenbrey Chief Editor note KAREN MOLTENBREY: Chief Editor A Good Year for CG [email protected] 36 East Nashua Road Windham, NH 03087 (603) 432-7568 By now, you should have unwrapped and, hopefully, put to good use all those holiday gifts you received. Be honest, you probably even returned one CONTRIBUTING EDITORS: Courtney Howard, Jenny Donelan, or two things. In terms of apparel, perhaps you were unhappy with the color, Audrey Doyle, Evan Marc Hirsch, George Maestri, Martin McEachern, editor’s fi t, or the item itself; but if the present fell into the category of electronics, you Stephen Porter, Barbara Robertson may have traded up for a newer, more advanced version. -
Avid Symphony Input and Output Guide • Part 0130–05443–01• February 2003 Contents
Avid® Symphony™ Input and Output Guide ™ make manage move | media Avid ® Copyright and Disclaimer Product specifications are subject to change without notice and do not represent a commitment on the part of Avid Technology, Inc. The software described in this document is furnished under a license agreement. You can obtain a copy of that license by visiting Avid's Web site at www.avid.com. The terms of that license are also available in the product in the same directory as the software. The software may not be reverse assembled and may be used or copied only in accordance with the terms of the license agreement. It is against the law to copy the software on any medium except as specifically allowed in the license agreement. Avid products or portions thereof are protected by one or more of the following United States patents: 4,746,994; 4,970,663; 5,045,940; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348; 5,452,378; 5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275; 5,577,190; 5,584,006; 5,640,601; 5,644,364; 5,654,737; 5,715,018; 5,724,605; 5,726,717; 5,729,673; 5,745,637; 5,752,029; 5,754,851; 5,799,150; 5,812,216; 5,852,435; 5,883,670; 5,905,841; 5,929,836; 5,929,942; 5,930,445; 5,946,445; 5,987,501; 5,995,115; 6,016,152; 6,018,337; 6,023,531; 6,035,367; 6,038,573; 6,058,236; 6,061,758; 6,091,778; 6,105,083; 6,118,444; 6,128,001; 6,130,676; 6,134,607; 6,137,919; 6,141,007; 6,141,691; 6,157,929; 6,198,477; 6,201,531; 6,211,869; 6,223,211; 6,239,815; 6,249,280; 6,269,195; 6,301,105; 6,317,158; 6,317,515; 6,327,253; 6,330,369; 6,351,557; 6,353,862; 6,357,047; 6,392,710; 6,404,435; 6,407,775; 6,417,891; 6,426,778; D396,853; D398,912. -
Software Filter Your Category
The Largest List Under One Roof Software Filter Your Category 3DM Export for SolidWorks 1.0 CAD & 3D CAD Drafting Softwares 3D-SHAPE.3DViewer.v1.50 CAD & 3D CAD Drafting Softwares ACAD MECHANICAL 2008 CAD & 3D CAD Drafting Softwares ANSYS PRODUCTS V11 SP1 WIN64 CAD & 3D CAD Drafting Softwares AutoDesk AutoCAD R14 2000 CAD & 3D CAD Drafting Softwares AutoDesk AutoCAD 2002 CAD & 3D CAD Drafting Softwares AutoDesk AutoCAD 2005 CAD & 3D CAD Drafting Softwares AutoDesk AutoCAD 2007 CAD & 3D CAD Drafting Softwares Autocad Structural Detailing CAD & 3D CAD Drafting Softwares AutoCad Symbols Library CAD & 3D CAD Drafting Softwares AutoDesk AutoCAD 2006 CAD & 3D CAD Drafting Softwares Autodesk Autocad Mechanical Desktop v2009 CAD & 3D CAD Drafting Softwares AUTODESK AUTOCAD RASTER DESIGN V2009 CAD & 3D CAD Drafting Softwares AUTODESK INVENTOR PRO V2008 CAD & 3D CAD Drafting Softwares Autodesk MapGuide Enterprise v2009 CAD & 3D CAD Drafting Softwares Autodesk MudBox 2009 32Bit CAD & 3D CAD Drafting Softwares Autodesk Productstream Professional v2009 CAD & 3D CAD Drafting Softwares Autodesk AutoCAD 2000i CAD & 3D CAD Drafting Softwares AutoDesk AutoCAD 2008 CAD & 3D CAD Drafting Softwares Autodesk AutoCAD LT 2009 CAD & 3D CAD Drafting Softwares Autodesk Autocad Mechanical 2009 CAD & 3D CAD Drafting Softwares Autodesk AutoSketch 2 CAD & 3D CAD Drafting Softwares Autodesk Impression R1 CAD & 3D CAD Drafting Softwares AutoDesk Inventor 7 CAD & 3D CAD Drafting Softwares Autodesk Inventor 10 CAD & 3D CAD Drafting Softwares AutoDesk Inventor 11 CAD & -
Autodesk Backburner 3 Installation and User's Guide
Autodesk Backburner 3 Installation and User’s Guide from discreet November 2000 © 2005 Autodesk Canada Co./Autodesk, Inc. All Rights Reserved. This publication, or parts thereof, may not be reproduced in any form, by any method, for any purpose. AUTODESK CANADA CO./AUTODESK, INC. MAKES NO WARRANTY, EITHER EXPRESSED OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY IMPLIED WARRANTIES, OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE, REGARDING THESE MATERIALS AND MAKES SUCH MATERIALS AVAILABLE SOLELY ON AN “AS-IS” BASIS. IN NO EVENT SHALL AUTODESK CANADA CO./AUTODESK, INC. BE LIABLE TO ANYONE FOR SPECIAL, COLLATERAL, INCIDENTAL, OR CONSEQUENTIAL DAMAGES IN CONNECTION WITH OR ARISING OUT OF PURCHASE OR USE OF THESE MATERIALS. THE SOLE AND EXCLUSIVE LIABILITY TO AUTODESK CANADA CO./AUTODESK, INC., REGARDLESS OF THE FORM OF ACTION, SHALL NOT EXCEED THE PURCHASE PRICE OF THE MATERIALS DESCRIBED HEREIN. Autodesk Canada Co./Autodesk, Inc. reserves the right to revise and improve its products as it sees fit. This publication describes the state of this product at the time of its publication, and may not reflect the product at all times in the future. Autodesk, Inc. Trademarks The following are registered trademarks of Autodesk, Inc., in the USA and/or other countries: 3D Studio, 3D Studio MAX, 3D Studio VIZ, 3ds Max, ActiveShapes, ActiveShapes (logo), Actrix, ADI, AEC-X, ATC, AUGI, AutoCAD, AutoCAD LT, Autodesk, Autodesk Envision, Autodesk Inventor, Autodesk Map, Autodesk MapGuide, Autodesk Streamline, Autodesk WalkThrough, Autodesk World, AutoLISP, -
Installation and Licensing Guide Copyright Notice Autodesk® Maya® 2010 Software © 2009 Autodesk, Inc
Installation and Licensing Guide Copyright Notice Autodesk® Maya® 2010 Software © 2009 Autodesk, Inc. All rights reserved. Except as otherwise permitted by Autodesk, Inc., this publication, or parts thereof, may not be reproduced in any form, by any method, for any purpose. Certain materials included in this publication are reprinted with the permission of the copyright holder. The following are registered trademarks or trademarks of Autodesk, Inc., and/or its subsidiaries and/or affiliates in the USA and other countries: 3DEC (design/logo), 3December, 3December.com, 3ds Max, ADI, Algor, Alias, Alias (swirl design/logo), AliasStudio, Alias|Wavefront (design/logo), ATC, AUGI, AutoCAD, AutoCAD Learning Assistance, AutoCAD LT, AutoCAD Simulator, AutoCAD SQL Extension, AutoCAD SQL Interface, Autodesk, Autodesk Envision, Autodesk Intent, Autodesk Inventor, Autodesk Map, Autodesk MapGuide, Autodesk Streamline, AutoLISP, AutoSnap, AutoSketch, AutoTrack, Backburner, Backdraft, Built with ObjectARX (logo), Burn, Buzzsaw, CAiCE, Can You Imagine, Character Studio, Cinestream, Civil 3D, Cleaner, Cleaner Central, ClearScale, Colour Warper, Combustion, Communication Specification, Constructware, Content Explorer, Create>what's>Next> (design/logo), Dancing Baby (image), DesignCenter, Design Doctor, Designer's Toolkit, DesignKids, DesignProf, DesignServer, DesignStudio, Design|Studio (design/logo), Design Web Format, Discreet, DWF, DWG, DWG (logo), DWG Extreme, DWG TrueConvert, DWG TrueView, DXF, Ecotect, Exposure, Extending the Design Team, Face Robot, -
Sherif Azmy [email protected] (002)0113951928
Sherif Azmy www.joemedia-house.com http://vimeo.com/channels/134583 http://shrifazmy.deviantart.com/gallery/ [email protected] (002)0113951928 OBJECTIVE To work as 3D generalist and/or compositor on challenging visual effects projects and collaborate with other talented artists. SKILLS - Hand painting high skills throw a multiple materials. - High skills in work planning and distributing missions - 3D Generalist - modeling, texturing, lighting, animation, dynamics and rendering - Compositor - Live action VFX, 3D / live action, 3D passes & motion graphics compositing. Roto & other cleanup work. - Experienced problem solver. - Self-motivated worker. - Always work to produce highest level of work possible within budgets and deadlines. SOFTWARE KNOWLEDGE 3D applications: Proficient in Autodesk 3Ds Max. Fear experience with Autodesk Maya and also Houdini. Dealing Experience with assorted applications ( Rhinoceros – Modo – Soft Image). Sculpting applications: Proficient in Pixelogic ZBrush Good experience with Autodesk Mudbox Motion applications: - Only am using Autodesk Motion Builder and I have a very good experience with it. Compositing & Video editing applications: - Excellent experience with Adobe after Effects. - Good experience in using Eyon fusion. - Proficient using Nuke. - Dealing experience in using Autodesk Combustion in tow projects. - Good experience in using Autodesk Toxik especially after its integration with max. 2D applications: - Excellent experience with Adobe Photoshop. - Good experience with Adobe Illustrator and Adobe -
14. International Conferenc
. Tuesday, May 05 Full day events: fmx/expo, Deutsche Telekom, Recruiting Desks, School Campus Desks, Into The Pixel - Color legends: fmx/conference fmx/forum fmx/events Raum Reutlingen Raum Mannheim List-Saal: Turm B Raum Tübingen Raum Ulm König-Karl-Halle Meidinger Saal Bertha-Benz-Saal Raum Karlsruhe Metropol 2 9 opening screenings screenings screenings Welcome to fmx/09 ITFS Screening Imagine Competition invaZion '09 fmx/recruiting best of eurographics financing & brands masterclasses visualization animation interactive co ntent screenings Recruiting Presentation Welcome and Where to get the Acting for Animators Previs 9/11 "Lost and Found" User Generated "Glago´s Guest" & 10 Sony Imageworks, Introduction Money From? - Ed Hooks John Scheele - Book and Film Media "Bolt!" 3D Stereo Mackevision, masterclasses Financing & Brands Georgia Scheele, Ron Philip Hunt Powered by Framestore Elemental Series - MFG Film Funding Frankel Studio aka Community Fire fmx/recruiting Autodesk® 3ds best of eurographics financing & brands digital media animation interactive co ntent fmx/workshops Recruiting Presentation Max® Programmable Where to get the A Global Production "Varmints" Empower the User to Procedural 11 Deutsche Telekom, Allan McKay graphics hardware Money From? - Pipeline Philip Hunt Tell His Own Story CityEngine 2009 Double Negative, Marc Stamminger Financing & Brands Xavier Nicolas Studio aka Hania Bitar Launch Black Rock Studio MFG Film Funding Lucasfilm Animation Pyalara Pascal Müller fmx/workshops best of eurographics specials digital media interactive co ntent fmx/workshops 3d stereo Maxon Computer Graphical Simulation German Producers Sony Pictures Digital Fairytales! Chaos Software Bolt 3D: Integrating 12 CINEMA 4D R11 Matthias Teschner Animation and VFX Online World for Kids V-Ray - Rendering 2D and 3D 3D Animation Software masterclasses Bob Osher Linus Feldt 3D environments Production Dirk Beichert High-Quality Renders Hannah Minghella Bajoum Interactive Peter Mitev Robert Neuman Autodesk Maya Cathy McGinnis opening Press Conference 13 Professor Dr. -
Copy of Copy of 1-9-2007 List
ANTIVIRUS 2663 PARAGON PARTACTION MANAGER V 9.0 -- CD 646) 2008 PANDA ANTIVIRUS - 2378 2008 BIT DEFFENDER TOTAL SECURITY SUIT -- CD -- 200/- 2256 2008 MCAFEE TOTAL PROTECTION -- CD 2526 NORTON LICENCE RENEWER -- CD 2759 2008 NORTON ANTIVIRUS V 14 ( WITH LIVE UPDATE FULL WORKING ) -- CD 1858 2007 NORTON SYSTEM WORKS -- 2CDS 1662) 2007 MCAFEE TOTAL PROTECTION 1435) 2007 MCAFEE V 11 1125 2006 NOD 32,KASPERSKY,ZONE ALARAM - AIO ANTIVIRUS..... 2782 NORTON 360 ALL IN ONE SECURIETY -- CD 2164) SYMANTIC CONFIDENCE V 5.0 - 2566 SYMANTIC GHOST SOLUTION SUIT V 2.0.1 -- CD 514 2005…V 10…SYMANTIC NORTON CORPOTATE SERVER .100/- 1365 NORTON INTERNET SECURITY 2006 -- 2218 AVAST ANTIVIRUS PROFESSIONAL V 4.7 -- CD 1782 SYMANTIC ENTERPRISE SECURITY V 6.0 -- 100/- 1808 SYMANTIC ENDPOINT PROTECTION V 11 -- CD 1) DATA RECOVERY TOOLS 816) CD - DVD - FLOPPY DATA RECOVRY TOOLS -- 100/- 2502 VERITAS STORAGE RUPLICATOR V 2.1 SP3 HOTFIX9 -- CD -- 200/- 1135) VERITAS NET BACKUP V 6.0 2) VERITAS NET BACKUP V 4.5 50 VM WARE WORKSTATION V 6.0 -- MAC/LINUX/WIN 2234 PARALLELS WORKSTATION V 2.2 ---CD 2624 VM WARE INFRASTRUCTURE MANAGEMENT V 3.5 1589 VMWARE WORKSTATION V 6.0 FOR WIN 643) VMWARE V 5.5 2818 NETVIZOR V 5 -- MONETARING SOFTWARE -- CD 1770) VMWARE SERVER V 1.0 867) DEEP FREEZE V 5.3 1347 DEEP FREEZE V 6 1018 TREAND MICRO OFFICE SCAN CORPORATE EDU V 7.0 - 100/- 1375 2007 TREAND MICRO ANTIVIRUS + FIRE WALL 3) WIN PROXEY V 6.1 4) CAFE SPY 98,ME - INTERNET MAINTENANCE PACK -- 5) 1)PartitionMagic 7.0 2 2)PROXYS 3)service packs 660) HARD WARE TECHNITION -- 2629 CC -
STUART LITTLE 2: Let the Feathers Fly
Course # 32, SIGGRAPH 2002 San Antonio, TX, USA STUART LITTLE 2: Let the Feathers Fly By: Debra Kaufman Based on interviews with Eric Armstrong, Jay Banks, Virginia Bowman, Rob Bredow, Aaron Campbell, Jerome Chen, Henry Darnell, Rob Engle, Kevin Hudson, Loree Perrett, Jay Redd, Pete Travers and Bob Winter Organizer: Rob Engle Presenters: Eric Armstrong Rob Bredow Jerome Chen Rob Engle Bob Peitzman Jay K. Redd Sony Pictures Imageworks, Culver City, CA, USA All Images – copyright 1999-2002 Sony Pictures Imageworks STUART LITTLE 2: Let the Feathers Fly Course Notes Production Team Rob Engle Debra Kaufman Leslie MacIver Noé Padilla Course #32/SIGGRAPH 2002 STUART LITTLE 2: Let the Feathers Fly Table of Contents Course Outline . .iii Presenter Biographies . .v INTRODUCTION AND OVERVIEW . .1 A Visual and Technical Comparison of SL and SL2 . .4 A Quick Review of Fur and Cloth/The First “Stuart Little” . .6 New Requirements . .8 Previsualization . .10 Location, Location, Location . .11 Aerial Effects Photography . .15 Planes, Trains and Automobiles . .17 CHARACTER DESIGN AND ANIMATION . .19 Birds Requirements for the Digital Birds . .20 Visual Design . .22 Modelling and Look Development . .36 Wings . .42 Animation . .46 Stuart and the Cats . .48 FEATHERS . .55 Fur vs Feathers . .56 Defining a Feather . .58 Feathering the Birds . .59 Creating Thousands of Feathers . .61 Grooming . .62 Solving Interpenetration (I14N) . .63 Manual Adjustments . .66 Shading the Feathers . .67 Falcon’s Feather Regions . .68 Course #32/SIGGRAPH 2002 i STUART LITTLE 2: Let the Feathers Fly DIGITAL CLOTHING . .71 Stuart’s Wardrobe . .72 Costumes for the Birds . .76 CG ENVIRONMENTS AND PROPS . .77 Constructing a Digital Skyscraper .