Veracruz and the Caribbean in the Seventeenth Century
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War and Insurgency in the Western Sahara
Visit our website for other free publication downloads http://www.StrategicStudiesInstitute.army.mil/ To rate this publication click here. STRATEGIC STUDIES INSTITUTE The Strategic Studies Institute (SSI) is part of the U.S. Army War College and is the strategic-level study agent for issues relat- ed to national security and military strategy with emphasis on geostrategic analysis. The mission of SSI is to use independent analysis to conduct strategic studies that develop policy recommendations on: • Strategy, planning, and policy for joint and combined employment of military forces; • Regional strategic appraisals; • The nature of land warfare; • Matters affecting the Army’s future; • The concepts, philosophy, and theory of strategy; and, • Other issues of importance to the leadership of the Army. Studies produced by civilian and military analysts concern topics having strategic implications for the Army, the Department of Defense, and the larger national security community. In addition to its studies, SSI publishes special reports on topics of special or immediate interest. These include edited proceedings of conferences and topically-oriented roundtables, expanded trip reports, and quick-reaction responses to senior Army leaders. The Institute provides a valuable analytical capability within the Army to address strategic and other issues in support of Army participation in national security policy formulation. Strategic Studies Institute and U.S. Army War College Press WAR AND INSURGENCY IN THE WESTERN SAHARA Geoffrey Jensen May 2013 The views expressed in this report are those of the authors and do not necessarily reflect the official policy or position of the Department of the Army, the Department of Defense, or the U.S. -
José Antonio Aponte Y Los Archivos De La Represión Haití Adquieren Un Relieve Particularmente Im- Tico De Cuba Resulta Más Que Evidente, Tanto En Elzbieta Sklodowska
América sin nombre, no 19 (2014) 27-33 DOI. 10.14198/AMENSN.2014.19.03 ISSN: 1577-3442 / eISSN: 1989-9831 Elzbieta Sklodowska De origen polaco, ocupa la cátedra de Randolph Family Professorship en Washington University en Saint Louis (EEUU), donde ha dirigido el Departamento de Lenguas y Litera- turas Románicas (2003-2010) y se ha desempeñado como co-editora general de la Revista de Estudios Hispánicos (1999-2010). Dentro de Genealogías de la diáspora africana: sus áreas de investigación requie- ren especial mención la narrativa hispanoamericana contemporánea, José Antonio Aponte y los archivos con énfasis en Cuba dentro del contexto del Caribe, el testimonio y la teoría literaria. Ha publicado más de la represión de sesenta artículos así como varios libros y co-ediciones, incluyendo ELZBIETA SKLODOWSKA La parodia en la nueva novela hispanoamericana (1990), Testi- monio hispanoamericano: historia, teoría, poética (1991; Premio de RESUMEN Northeast Modern Language As- sociation) y Todo ojos, todo oídos: control e insubordinación en la En las intersecciones cubano-haitianas del Circuncaribe diaspórico, híbrido y rebelde, se novela hispanoamericana (1895- 1935) (1997). Su libro más recien- enmarca la figura histórica del cubano José Antonio Aponte y Ubarra (? – 1812) —pintor, te, Espectros y espejismos: Haití en afrodescendiente, liberto, héroe y mártir— acusado por las autoridades coloniales españolas de el imaginario cubano, fue publica- haber sido líder de una conspiración antiesclavista, encarcelado, interrogado y ejecutado en La do por Iberoamericana-Vervuert en 2009. Tiene en preparación otro Habana el 9 de abril de 1812. Este ensayo repasa la evolución de la consideración del personaje libro sobre Cuba, provisionalmen- en la historiografía cubana contemporánea y analiza «el archivo de la represión»; documento te titulado Invento, luego existo: representaciones del Período Es- legal de registro metaliterario que recoge la descripción pormenorizada del Libro de pinturas, pecial en Cuba. -
The Louisiana Purchase
The Louisiana Purchase In 1803, the United States bought the Louisiana Territory from France, which was in dire straits following their revolution. On the Lewis and Clark site, there is this map of the Louisiana Purchase. As you can see, there was a great deal more of what is now the United States that was not settled. Look at Spanish Florida, New Spain, Oregon Country and British North America. The North West had been the habitat of fur traders, mostly from the British Isles, for many years. Meanwhile, in the South, there was the desire to expel the Spanish from Florida. As American expansionism moved the boundaries further west and south, the British pushed back. Greatness of the Port of New Orleans dates back to the Revolution when the Ohio River Valley was settled, and the settlers had no other way to market their produce then down the river to New Orleans – then a Spanish Port. First they came on rafts then flatboats, and, finally keelboats which could be poled back up the river. (Rafts and flatboats were broken up and the timber sold.) In the early years of this river traffic, tough American boatmen had many a argument with Spanish troops of New Orleans. Here we see Governor Milo halting once such argument. Miro hoped to persuade Tennessee and Kentucky to secede from the United States and join Spanish Louisiana. Instead, the valleyfolks brought such pressure on President Thomas Jefferson that the Louisiana Purchase resulted. An indication of the volume of this early trade between the Americans and the Spaniards at New Orleans is the American dollar. -
A Musical Analysis of Afro-Cuban Batá Drumming
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2019 Meaning Beyond Words: A Musical Analysis of Afro-Cuban Batá Drumming Javier Diaz The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2966 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MEANING BEYOND WORDS: A MUSICAL ANALYSIS OF AFRO-CUBAN BATÁ DRUMMING by JAVIER DIAZ A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, The City University of New York 2019 2018 JAVIER DIAZ All rights reserved ii Meaning Beyond Words: A Musical Analysis of Afro-Cuban Batá Drumming by Javier Diaz This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor in Musical Arts. ——————————— —————————————————— Date Benjamin Lapidus Chair of Examining Committee ——————————— —————————————————— Date Norman Carey Executive Officer Supervisory Committee Peter Manuel, Advisor Janette Tilley, First Reader David Font-Navarrete, Reader THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Meaning Beyond Words: A Musical Analysis of Afro-Cuban Batá Drumming by Javier Diaz Advisor: Peter Manuel This dissertation consists of a musical analysis of Afro-Cuban batá drumming. Current scholarship focuses on ethnographic research, descriptive analysis, transcriptions, and studies on the language encoding capabilities of batá. -
Tlacotalpan, Veracruz
TLACOTALPAN, VERACRUZ I. DATOS GENERALES DEL PUERTO. A. Nombre del Puerto. (TLACOTALPAN). Inscrito en diciembre de 1998 en la lista de Patrimonio Cultural de la Humanidad por la UNESCO, este municipio se ubica en la rivera del Río Papaloapan. Se le conoce como el lugar de origen de la identidad jarocha comúnmente aceptada. Debido a su clima y a su condición semi-tropical, la arquitectura que ahí se creó fue la respuesta lógica a dichas condicionantes a lo largo de la colonia y época independiente. De las características únicas que hicieron merecedor a Tlacotalpan de este reconocimiento son el trazo urbano y la representación de la fusión de las tradiciones españolas y caribeñas de excepcional importancia y calidad. Otro de los criterios que se reconocieron fue que es un puerto ribereño colonial español situado cerca de la costa del Golfo de México. B. Ubicación y Límites geográficos del puerto. Tlacotlapan significa “tierra partida”. Se encuentra ubicado en el sureste del estado de Veracruz en las coordenadas Lat. 18° 36´47” N, Long. 95° 39´ 23” W, a una altura de 10 metros sobre el nivel del mar. Limita al norte con Alvarado, al este con Lerdo de Tejada, al sur con Isla. Los límites geográficos de Tlacotalpan son: Latitud Longitud 18º 36´ 53.36¨ Norte 095° 40´ 18.46” Oeste 18º 36´ 51.34¨ Norte 095° 38´ 41.77” Oeste C. Tipo de Puerto. (fluvial) Tlacotalpan es un puerto fluvial para embarcaciones pesqueras y embarcaciones menores rodeado e irrigado por el río Papaloapan, además posee en el municipio los ríos tributarios de San Juan y Tesechoacán; cuenta con una extensión de 646.51 km², relativo al 0.89% del territorio total del estado y se localiza a 90 km del puerto de Veracruz, a 110 km de la ciudad de Tuxtepec, a 203 km de la ciudad de Xalapa, capital del estado y a aproximadamente a 500 km de la Ciudad de México. -
Cuban Antifascism and the Spanish Civil War: Transnational Activism, Networks, and Solidarity in the 1930S
Cuban Antifascism and the Spanish Civil War: Transnational Activism, Networks, and Solidarity in the 1930s Ariel Mae Lambe Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Ariel Mae Lambe All rights reserved ABSTRACT Cuban Antifascism and the Spanish Civil War: Transnational Activism, Networks, and Solidarity in the 1930s Ariel Mae Lambe This dissertation shows that during the Spanish Civil War (1936–1939) diverse Cubans organized to support the Spanish Second Republic, overcoming differences to coalesce around a movement they defined as antifascism. Hundreds of Cuban volunteers—more than from any other Latin American country—traveled to Spain to fight for the Republic in both the International Brigades and the regular Republican forces, to provide medical care, and to serve in other support roles; children, women, and men back home worked together to raise substantial monetary and material aid for Spanish children during the war; and longstanding groups on the island including black associations, Freemasons, anarchists, and the Communist Party leveraged organizational and publishing resources to raise awareness, garner support, fund, and otherwise assist the cause. The dissertation studies Cuban antifascist individuals, campaigns, organizations, and networks operating transnationally to help the Spanish Republic, contextualizing these efforts in Cuba’s internal struggles of the 1930s. It argues that both transnational solidarity and domestic concerns defined Cuban antifascism. First, Cubans confronting crises of democracy at home and in Spain believed fascism threatened them directly. Citing examples in Ethiopia, China, Europe, and Latin America, Cuban antifascists—like many others—feared a worldwide menace posed by fascism’s spread. -
Tour Tlacotalpan and Alvarado "Folklore and from Picardy" (Shared Service) - from Veracruz $1,428
Tour Tlacotalpan and Alvarado "Folklore and From Picardy" (Shared Service) - From Veracruz $1,428 * Minimum 2 people to reserve * Available from Tuesday to Sunday ALVARADO Only 72 km. South of the port of Veracruz at the mouth of the Blanco and Papaloapan rivers, it owes its name to the conqueror Pedro de Alvarado. A picturesque place famous for the joy and mischievousness of its people, they are also distinguished by their rich gastronomy, festivals and traditions such as the May Fair of the Crosses. TLACOTALPAN Considered as a cultural heritage of mankind by UNESCO and located 18 km from Alvardo, birthplace of Veracruz folklore, festivals, traditions and a journey through its streets contemplating the simple and colorful architecture of their houses, visit the Museum Ferrado and The famous composer Agustín Lara, the church of the virgin of the Candelaria patron of this place. * I declare that I have read and accept the general conditions of the service.R ead here TERMS If you cancel 8 days or more to the start date of your tour you will have a cancellation fee of 10% of the total amount of the reserved tours. If you cancel less than 8 days prior to the date of the tour, the charge will be for the full amount of the tour or contracted tours. Being a prepaid rate, when confirming and book your tour, the total charge to your credit or debit card will be made through PayPal. SERVICES Check Out Time: 09:00 am Tour duration: approx. 8 hours Days of operation: Tuesday to Sunday Pick up: Hotel sede It includes: * Transportation Recent models heated * Comprehensive coverage insurance * Tickets * Water bottle * Federal tour guide Does Not Include: * Food and drinks * Tips. -
Contraband Trade, the Asiento Contract, and Conflict in The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Utah: J. Willard Marriott Digital Library A TALE OF TWO PORT CITIES: CONTRABAND TRADE, THE ASIENTO CONTRACT, AND CONFLICT IN THE EARLY MODERN CARIBBEAN by Casey Sylvia Schmitt A thesis submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Master of Arts Department of History The University of Utah May 2011 Copyright © Casey Sylvia Schmitt 2011 All Rights Reserved The University of Utah Graduate School STATEMENT OF THESIS APPROVAL The thesis of Casey Sylvia Schmitt has been approved by the following supervisory committee members: Rebecca Horn , Chair March 2011 Date Approved Eric Hinderaker , Member March 2011 Date Approved Nadja Durbach , Member March 2011 Date Approved and by James R. Lehning , Chair of the Department of History and by Charles A. Wight, Dean of The Graduate School. ABSTRACT The long and lucrative history of smuggling in the early modern period receives the attention of colonial scholars only as it relates to their isolated geographic field of study, ignoring the broader history that linked imperial economies in a mercantilist age. This thesis addresses the history of eighteenth-century smuggling in the Caribbean by examining both British and Spanish sources in order to shift the angle of focus away from imperial metanarratives and towards an understanding of the commercial networks forged between Spanish and British colonists on the periphery of empire. By examining the contraband trade between Jamaican merchants and residents of Cartagena, this work explores the blurred lines of colonial jurisprudence as well as the commercial networks necessary to the survival of those colonial spheres. -
Rebellion in Spanish Louisiana During the Ulloa, O
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 The poisonous wine from Catalonia: rebellion in Spanish Louisiana during the Ulloa, O'Reilly, and Carondelet administrations Timothy Paul Achee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the History Commons Recommended Citation Achee, Timothy Paul, "The poisonous wine from Catalonia: rebellion in Spanish Louisiana during the Ulloa, O'Reilly, and Carondelet administrations" (2010). LSU Master's Theses. 399. https://digitalcommons.lsu.edu/gradschool_theses/399 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE POISONOUS WINE FROM CATALONIA: REBELLION IN SPANISH LOUISIANA DURING THE ULLOA, O’REILLY, AND CARONDELET ADMINISTRATIONS A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts In The Department of History By Timothy Paul Achee, Jr. B.A., Louisiana State University, 2006 B.A. (art history), Louisiana State University, 2006 MLIS, Louisiana State University, 2008 May, 2010 For my father- I wish you were here ii ACKNOWLEDGEMENTS This thesis could not have been written without the support and patience of several people. I would like to take a moment to acknowledge some of them. Dr. Paul Hoffman provided invaluable guidance, encouragement and advice. -
A Renaissance Depiction of a Tornado
A RENAISSANCE DEPICTION OF A TORNADO BY KLAUS P. HOINKA AND MANUEL DE CASTRO A Flemish tapestry demonstrates how weather in sixteenth-century art can be of testimonial, decorative, or emblematic character. uring the Renaissance (1400–1600) meteorologi- discoveries of new lands and seas, which consider- cal phenomena attracted the interest of dil- ably enlarged and widened old ideas and concep- D etantes and artists. Interest in the weather ex- tions. Atmospheric phenomena never seen before pressed itself in the form of individual weather notes were identified by Western explorers, and climates (see Hellman 1901), the first serious attempts to pro- that were very different from those at home became vide some rules for predicting the weather (Hellmann known (Hellmann 1908). Among these new me- 1915, 1924a), and the well-established astrometeo- teorological phenomena, tornadoes and waterspouts rological approaches to forecasting the weather. The provoked considerable interest due to their damaging Renaissance period saw increasing attention toward effects, as well as their beauty. For centuries, the con- meteorological observations, in comparison to the cept of tornadoes was indistinguishable from people’s preceeding centuries where meteorology was domi- notions of other windstorms. The word “tornado” nated by Aristotle’s “Meteorologica” (3400 b.c.). The had an archaic meaning concerning variable, gusty invention of quantitative measuring devices, such as winds and rain, and, perhaps, thunderstorms near the thermometer (in 1607) and the barometer (1643), the equator. was yet to come. The Oxford English Dictionary (1989) defines a The fresh stimulus for weather observations came tornado in the following way: “In the 16th century at the end of the fifteenth century from the great navigators called a tornado (or ternado) a violent thunderstorm of the tropical Atlantic, with torren- tial rain, and often with sudden and violent gusts of AFFILIATIONS: HOINKA—Institut für Physik der Atmosphäre, wind . -
Defensive Architecture of the Mediterranean. XV to XVIII Centuries / Vol I / Rodríguez-Navarro (Ed.) © 2015 Editorial Universitat Politècnica De València
DEFENSIVE ARCHITECTURE OF THE MEDITERRANEAN 1 1 XV to XVIII Centuries Pablo RODRÍGUEZ-NAVARRO (Ed.) Pablo RODRÍGUEZ-NAVARRO (Ed.) Pablo RODRÍGUEZ-NAVARRO XV to XVIII Centuries DEFENSIVE ARCHITECTURE OF THE MEDITERRANEAN DEFENSIVE ARCHITECTURE OF THE MEDITERRANEAN XV TO XVIII CENTURIES Vol. I PROCEEDINGS of the International Conference on Modern Age Fortifications of the Western Mediterranean Coast FORTMED 2015 DEFENSIVE ARCHITECTURE OF THE MEDITERRANEAN XV TO XVIII CENTURIES Vol. I Editor Pablo Rodríguez-Navarro Universitat Politècnica de València. Spain EDITORIAL UNIVERSITAT POLITÈCNICA DE VALÈNCIA Colección Congresos UPV Los contenidos de esta publicación han sido evaluados por el Comité Científico que en ella se relaciona y según el procedimiento que se recoge en http://ocs.editorial.upv.es/index.php/FORTMED/FORTMED2015 © editor Pablo Rodríguez-Navarro © de los textos: los autores © 2015, de la presente edición: Editorial Universitat Politècnica de València www.lalibreria.upv.es / Ref.: 6249_01_01_01 ISBN : 978-84-9048-377-0 (obra completa) edición impresa ISBN : 978-84-9048-425-8 (Vol. I) edición impresa DOI: http://dx.doi.org/10.4995/CONGR.2015 Modern Ag e Fortifications of the Western Mediterranean Coast. Se distribuye bajo una licencia de Creative Commons Reconocimiento-NoComercial-SinObraDerivada 4.0 Internacional. Basada en una obra en http://ocs.editorial.upv.es/index.php/FORTMED Defensive Architecture of the Mediterranean. XV to XVIII centuries / Vol I / Rodríguez-Navarro (Ed.) © 2015 Editorial Universitat Politècnica de València Organization and commitees Organizing Commitee Pablo Rodríguez-Navarro. (Chair). Universitat Politècnica de València. Spain M. Teresa Gil Piqueras. Universitat Politècnica de València. Spain Francisco Juan Vidal. Universitat Politècnica de València. -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book.