Production Designer C.V 2021
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Guardian and Observer Editorial
Monday 01.01.07 Monday The year that changed our lives Swinging with Tony and Cherie Are you a malingerer? Television and radio 12A Shortcuts G2 01.01.07 The world may be coming to an end, but it’s not all bad news . The question First Person Are you really special he news just before Army has opened prospects of a too sick to work? The events that made Christmas that the settlement of a war that has 2006 unforgettable for . end of the world is caused more than 2 million people nigh was not, on the in the north of the country to fl ee. Or — and try to be honest here 4 Carl Carter, who met a surface, an edify- — have you just got “party fl u”? ing way to conclude the year. • Exploitative forms of labour are According to the Institute of Pay- wonderful woman, just Admittedly, we’ve got 5bn years under attack: former camel jockeys roll Professionals, whose mem- before she flew to the before the sun fi rst explodes in the United Arab Emirates are to bers have to calculate employees’ Are the Gibbs watching? . other side of the world and then implodes, sucking the be compensated to the tune of sick pay, December 27 — the fi rst a new year’s kiss for Cherie earth into oblivion, but new year $9m, and Calcutta has banned day back at work after Christmas 7 Karina Kelly, 5,000,002,007 promises to be rickshaw pullers. That just leaves — and January 2 are the top days 16 and pregnant bleak. -
The Speakers and Chairs 2016
WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy -
{PDF EPUB} the Woman Before by Roland Schimmelpfennig the Woman Before
Read Ebook {PDF EPUB} The Woman Before by Roland Schimmelpfennig The Woman Before. The Royal Court has had very few disasters over the last couple of years but too few real delights. While pitch-black German existential comedies are not to everybody's taste, this hilarious and beautifully realised example is as good as it gets. The Woman Before has much in common with David Gieselmann's seminal Mr Kolpert , a play that opened here Upstairs at the Royal Court. Subsequently, it has built up a cult following and is regularly revived. In the UK, the plays have the same director, Richard Wilson, and translator, David Tushingham, and the style, themes and plotting make the two close Teutonic cousins. Only Caryl Churchill and Martin Crimp amongst British writers can compare with the Germans when it comes to this kind of experimental black comedy. We must therefore be grateful to the Royal Court for importing these and other important and very enjoyable German works; and giving The Woman Before space in the larger Downstairs Theatre. Frank and Claudia have been happily married for nineteen years. Nigel Lindsay plays the embarrassed Frank, while Saskia Reeves is his soon-to- be-wounded wife. Together with their handsome graffiti-artist son, Tom Riley's Andi, they are leaving the country for an eagerly anticipated new life. Things fall apart in an instant with the arrival of a beautiful visitor in a lime green coat. Romy Vögtlander stands on the doorstep and calmly announces that she and Frank were lovers for a summer 24 years before and that as he had vowed eternal love, she has come to collect on his promise. -
British Street Food • Working for the Street Food Revolution 2 Selection of Coverage
2019 Review British Street Food • Working For The Street Food Revolution 2 Selection Of Coverage C4’s Sunday Brunch ITV News MediaMedia CoverageCoverage ReportReport 20192019 British Street Food • Working For The Street Food Revolution 3 About Us ■ Formed in 2009 ■ For young street food traders to showcase their talent ■ To make good food accessible to everyone ■ And to celebrate the grass roots street food movement British Street Food • Working For The Street Food Revolution 4 Founder – Richard Johnson ■ One of the 1,000 most influential people in London for four years running according to the Evening Standard ■ Award-winning food journalist and consultant ■ Writer / presenter of The Food Programme on BBC Radio 4 ■ Author of the best-selling book Street Food Revolution ■ Johnson has been the host of Full on Food for BBC2, Kill It, Cook It, Eat It for BBC3, as well as supertaster for ITV’s Taste The Nation and judge on Channel 4’s Iron Chef and Cookery School British Street Food • Working For The Street Food Revolution 5 About Us – Our Vision “ To share street food with the world. Michelin has just awarded its first stars to street food chefs. With the British Street Food Awards - and now the European Street Food Awards - we will find the Michelin stars of tomorrow.” British Street Food • Working For The Street Food Revolution 6 “ Traders compete in five regional heats, from May to August, with a big national final in September. 2019 attendance? Over 45,000 people.” British Street Food • Working For The Street Food Revolution 7 The Judges -
Hermione Norris Talks About the Long-Awaited Return of ‘Cold Feet’ and How Her Children Now Take Centre Stage
ENJOYING FAMILY TIME IN SUNNY SARDINIA HERMIONE NORRIS TALKS ABOUT THE LONG-AWAITED RETURN OF ‘COLD FEET’ AND HOW HER CHILDREN NOW TAKE CENTRE STAGE Hermione, her husband Simon Wheeler and their children Wilf and Hero enjoy a scenic stroll while on holiday in Sardinia (above), a time to regroup after the actress spent six months away on projects, including the long-awaited return series of Cold Feet. “It’s lovely not to have to think about anything apart from, ‘Which pool shall we go to?’” she says of their sunshine break ermione Norris says she’s one of those people Cold Feet established Hermione’s career and put back projects in Leeds and Manchester – first on Hwho doesn’t like to look back. Yet that’s exactly her firmly on the map. But her husband, TV writer In the Club, the Kay Mellor drama about parents-to- what she found herself doing recently on the set of and producer Simon Wheeler, and their children be, then on Cold Feet. Away for months from their Cold Feet, the hit ITV series that last appeared on Wilf, 12, and Hero, eight, now take centre stage. Somerset home, this is the first decent stretch of our screens in 2003 and is due to return this autumn. “It’s all about them,” she says. “They are the most time they’ve spent together for a while. “It felt like only yesterday, but it first started 20 important people in my life.” “It’s lovely not to have to think about anything years ago, so you keep remembering where you We’re chatting in a shady spot of Forte Village, apart from, ‘Which pool shall we go to?’” Hermione were at that time,” she says of being back on set. -
DAVID HELFAND, ACE Editor
DAVID HELFAND, ACE Editor PROJECTS DIRECTORS STUDIOS/PRODUCERS YOUNG SHELDON Various Directors WARNER BROS. / CBS Seasons 1 - 5 Chuck Lorre, Steven Molaro Tim Marx UNITED WE FALL Mark Cendrowski ABC / John Amodeo, Julia Gunn Pilot Julius Sharpe UNTITLED REV RUN Don Scardino AMBLIN PARTNERS / ABC Pilot Presentation Jeremy Bronson, Rev Run Simmons Jhoni Marchinko ATYPICAL Michael Patrick Jann SONY / NETFLIX 1 Episode Robia Rashid, Seth Gordon Mary Rohlich, Joanne Toll GREAT NEWS Various Directors UNIVERSAL / NBC Season 1 Tina Fey, Robert Carlock Tracey Wigfield, David Miner THE BRINK Michael Lehman HBO / Roberto Benabib, Jay Roach Season 1 Tim Robbins Jerry Weintraub UNCLE BUCK Reggie Hudlin ABC / Brian Bradley, Steven Cragg Season 1 Ken Whittingham Korin Huggins, Will Packer Fred Goss Franco Bario BAD JUDGE Andrew Fleming NBC / Adam McKay, Kevin Messick Pilot Will Ferrell THE MINDY PROJECT Various Directors FOX / Mindy Kaling, Howard Klein Seasons 1 - 2 Michael Spiller WEEDS Craig Zisk SHOWTIME Series Paul Feig Jenji Kohan, Roberto Benabib 2x Nominated, Single Camera Comedy Paris Barclay Mark Burley Series – Emmys NEXT CALLER Pilot Marc Buckland NBC / Stephen Falk, Marc Buckland PARTY DOWN Bryan Gordon STARZ Season 2 Fred Savage John Enbom, Rob Thomas David Wain Dan Etheridge, Paul Rudd THE MIDDLE Pilot Julie Anne Robinson ABC / DeeAnn Heline, Eileen Heisler GANGSTER’S PARADISE Ralph Ziman Tendeka Matatu Winner, Best Editing, FESPACO Awards FOSTER HALL Bob Berlinger NBC / Christopher Moynihan Pilot Conan O’Brien, Tom Palmer THAT ‘70S SHOW David Trainer FOX Season 6 Jeff Filgo, Jackie Filgo, Tom Carsey Nominated, Multi-Cam Comedy Series – Mary Werner Emmys CRACKING UP Chris Weitz FOX Pilot Paul Weitz Mike White GROSSE POINTE Peyton Reed WARNER BROS. -
The British and European Street Food Awards, We’Ll Find the Stars of Tomorrow…”
Introduction ■ About Us ■ Our History ■ Vision British Street Food | European Street Food • Working For The Street Food Revolution 2 About Us ■ Formed in 2009 ■ For young street food traders to showcase their talent ■ To make good food accessible to everyone ■ And to celebrate the grass roots street food movement British Street Food | European Street Food • Working For The Street Food Revolution 3 Founder – Richard Johnson ■ One of the 1,000 most influential people in London for the last four years according to the Evening Standard ■ Award-winning food journalist and food columnist for the Guardian ■ Writer / presenter of The Food Programme on BBC Radio 4 ■ Author of the best-selling book Street Food Revolution ■ Johnson has been the host of Full on Food for BBC2, Kill It, Cook It, Eat It for BBC3, as well as supertaster for ITV’s Taste The Nation and judge on Channel 4’s Iron Chef and Cookery School British Street Food | European Street Food • Working For The Street Food Revolution 4 About Us – Our Vision “To share street food with the world. In 2017, street food won its first Michelin stars - with the British and European Street Food Awards, we’ll find the stars of tomorrow…” British Street Food | European Street Food • Working For The Street Food Revolution 5 In The Beginning... In 2010, our first year, the winning prize was a blender… British Street Food | European Street Food • Working For The Street Food Revolution 6 Now... ■ Prizes have included everything from a business makeover from M&S to free pitches at the world’s best music festivals and street food markets. -
The Complexities of Latina Sexuality on Ugly Betty Tanya González
IS UGLY THE NEW SEXY? The Complexities of Latina Sexuality on Ugly Betty Tanya González ABC’s Emmy and Golden Globe winning television show Ugly Betty stars America Ferrera as Betty Suarez, an intelligent Mexican American executive assistant who lives in Queens, New York, but works at Mode in Manhattan. An adaptation from the Colombian telenovela,Yo soy, Betty la fea, this television show works on a fairy tale premise: the ugly protagonist with a heart of gold will eventually obtain happiness by virtue of her goodness. However, Ugly Betty offers a protagonist with multiple love interests, constantly involving her in a variety of love triangles, begging the question, “Is ugly the new sexy?” The following analysis of Betty as a sexual subject demonstrates that Ugly Betty, within the limits of Hollywood representation, offers complex subjects instead of one-dimensional types. The show’s use of a Latino camp aesthetic continually introduces elements, like Betty’s sexuality, that push the limits of how we perceive Latinas/os on television and in everyday life. As a result, Ugly Betty surprisingly illustrates Chicana/o and Latina/o feminist theories about identity construction. ABC’s Emmy and Golden Globe winning television show Ugly Betty is a global iteration of the Colombian telenovela1 phenomenon Yo soy, Betty la fea (1999-2001). Ugly Betty, which premiered Fall 2006 and will end Spring 2010, stars America Ferrera as Betty Suarez, an intelligent, sweet, perky young Latina2 who lives in Queens, but works at Mode, a fictional representation of Vogue magazine. As the title suggests, people perceive Betty as ugly because she is not model-skinny; wears glasses, braces, and bangs; and has poor fashion sense. -
Mplc Studio Liste 2020
MPLC STUDIO LISTE 2020 STUDIOS – PRODUZENTEN – FERNSEHSTATIONEN MPLC STUDIO LISTE 2020 STUDIOS – PRODUCTEURS – STATIONS DE TÉLÉVISION MPLC LISTA STUDIO 2020 CASE CINEMATOGRAFICHE – PRODUTTORI – STAZIONI TELEVISIVE MOTION PICTURE LICENSING COMPANY: DER WELTWEIT GRÖSSTE LIZENZGEBER IN DER FILM- & TV-BRANCHE. MPLC Switzerland GmbH Münchhaldenstrasse 10, Postfach CH-8034 Zürich MPLC ist der weltweit grösste Lizenzgeber für öffentliche Vorführrechte im non-theatrical Bereich und in über 30 Länder tätig. Ihre Vorteile + Einfache und unkomplizierte Lizenzierung + Event, Title by Title und Umbrella Lizenzen möglich + Deckung sämtlicher Majors (Walt Disney, Universal, Warner Bros., Sony, FOX, Paramount und Miramax) + Benutzung aller legal erworbenen Medienträger erlaubt + Von Dokumentar- und Independent-, über Animationsfilmen bis hin zu Blockbustern ist alles gedeckt + Für sämtliche Vorführungen ausserhalb des Kinos Index MAJOR STUDIOS EDUCATION AND SPECIAL INTEREST TV STATIONS SWISS DISTRIBUTORS MPLC TBT RIGHTS FOR NON THEATRICAL USE (OPEN AIR SHOW WITH FEE – FOR DVD/BLURAY ONLY) WARNER BROS. FOX DISNEY UNIVERSAL PARAMOUNT PRAESENS FILM FILM & VIDEO PRODUCTION GEHRIG FILM GLOOR FILM HÄSELBARTH FILM SCHWEIZ KOTOR FILM LANG FILM PS FILM SCHWEIZER FERNSEHEN (SRF) MIRAMAX SCM HÄNSSLER FIRST HAND FILMS STUDIO 100 MEDIA VEGA FILM COCCINELLE FILM PLACEMENT ELITE FILM AG (ASCOT ELITE) CONSTANTIN FILM CINEWORX Label Apollo Media Apollo Media Distribution Gmbh # Apollo Media Nova Gmbh 101 Films Apollo ProMedia 12 Yard Productions Apollo ProMovie 360Production -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Beyond Postmodern Margins: Theorizing Postfeminist Consequences Through Popular Female Representation
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2008 Beyond Postmodern Margins: Theorizing Postfeminist Consequences Through Popular Female Representation Victoria Mosher University of Central Florida Part of the Women's Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mosher, Victoria, "Beyond Postmodern Margins: Theorizing Postfeminist Consequences Through Popular Female Representation" (2008). Electronic Theses and Dissertations, 2004-2019. 3605. https://stars.library.ucf.edu/etd/3605 BEYOND POSTMODERN MARGINS: THEORIZING POSTFEMINIST CONSEQUENCES THROUGH POPULAR FEMALE REPRESENTATION by VICTORIA MOSHER B.A. University of Central Florida, 2003 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2008 ©2008 Victoria Mosher iii ABSTRACT In 1988, Linda Nicholson and Nancy Fraser published an article entitled “Social Criticism Without Philosophy: An Encounter Between Feminism and Postmodernism,” arguing that this essay would provide a jumping point for discussion between feminisms and postmodernisms within academia. Within this essay, Nicholson and Fraser largely disavow a number of second wave feminist theories due to their essentialist and foundationalist underpinnings in favor of a set of postmodernist frameworks that might help feminist theorists overcome these epistemological impediments. -
MPLC Studioliste Juli21-2.Pdf
MPLC ist der weltweit grösste Lizenzgeber für öffentliche Vorführrechte im non-theatrical Bereich und in über 30 Länder tätig. Ihre Vorteile + Einfache und unkomplizierte Lizenzierung + Event, Title by Title und Umbrella Lizenzen möglich + Deckung sämtlicher Majors (Walt Disney, Universal, Warner Bros., Sony, FOX, Paramount und Miramax) + Benutzung aller legal erworbenen Medienträger erlaubt + Von Dokumentar- und Independent-, über Animationsfilmen bis hin zu Blockbustern ist alles gedeckt + Für sämtliche Vorführungen ausserhalb des Kinos Index MAJOR STUDIOS EDUCATION AND SPECIAL INTEREST TV STATIONS SWISS DISTRIBUTORS MPLC TBT RIGHTS FOR NON THEATRICAL USE (OPEN AIR SHOW WITH FEE – FOR DVD/BLURAY ONLY) WARNER BROS. FOX DISNEY UNIVERSAL PARAMOUNT PRAESENS FILM FILM & VIDEO PRODUCTION GEHRIG FILM GLOOR FILM HÄSELBARTH FILM SCHWEIZ KOTOR FILM LANG FILM PS FILM SCHWEIZER FERNSEHEN (SRF) MIRAMAX SCM HÄNSSLER FIRST HAND FILMS STUDIO 100 MEDIA VEGA FILM COCCINELLE FILM PLACEMENT ELITE FILM AG (ASCOT ELITE) CONSTANTIN FILM CINEWORX DCM FILM DISTRIBUTION (SCHWEIZ) CLAUSSEN+PUTZ FILMPRODUKTION Label Anglia Television Animal Planet Productions # Animalia Productions 101 Films Annapurna Productions 12 Yard Productions APC Kids SAS 123 Go Films Apnea Film Srl 20th Century Studios (f/k/a Twentieth Century Fox Film Corp.) Apollo Media Distribution Gmbh 2929 Entertainment Arbitrage 365 Flix International Archery Pictures Limited 41 Entertaiment LLC Arclight Films International 495 Productions ArenaFilm Pty. 4Licensing Corporation (fka 4Kids Entertainment) Arenico Productions GmbH Ascot Elite A Asmik Ace, Inc. A Really Happy Film (HK) Ltd. (fka Distribution Workshop) Astromech Records A&E Networks Productions Athena Abacus Media Rights Ltd. Atlantic 2000 Abbey Home Media Atlas Abot Hameiri August Entertainment About Premium Content SAS Avalon (KL Acquisitions) Abso Lutely Productions Avalon Distribution Ltd.