2016-2017 Season Show Descriptions Snap Judgment Live
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July – September
reat ec k ibr ary GG NN LLJuly/August/September 2013 Volume 30 Number 4 www.greatnecklibrary.org Bronx & Brooklyn Retrospective A Walk Through the Bronx of Yesteryear “Brooklyn” with Marty Adler with Steve Samtur Monday, August 12 at 2 pm Tuesday, July 9 at 2 pm This is a 90-minute nostalgic Marty Adler will speak about the retrospective of your Bronx of the Borough of Brooklyn – its history, 1940s, 50s, and 60s presented by etymology of the street names, of Steve Samtur. This fun walk down course the Golden Age of Baseball memory lane includes close to 500 (photographs, anecdotes, insights never-before-seen photos of your including three of the New York Bronx the way it was. We will teams) – and the forces that made it share our memories of the Bronx one of the nations’ outstanding locales. including the Grand Concourse, Marty Adler is considered a base - Art Deco, Bronx Delis (East and ball expert by the National Baseball West), Freedomland, Fordham Hall of Fame and Museum in Road, Movie Theatres including Cooperstown, New York, and is the Loew’s Paradise, Parkchester, included as such in its registry. Yankee Stadium, parks, Win a Door Prize shopping, schools, transportation and so much more. Steve Samtur publishes the “Back to THE BRONX” magazine. Ogden Ave Trolley - circa 1948 Lantern Theatre presents Coming to America: Visiting Mr. Green by Jeff Baron Stories from the Shtetl with Joe Dobkins & Nick Mervoch pe rformed by Eunice Bernard Tuesday, July 23 at 2 pm Tuesday, August 6 at 2 pm This comedy, written by Jeff Baron and performed “Coming to America” features stories of the by Joe Dobkins and Nick Mervoch, follows the immigrant experience in America. -
A Strange Loop
A Strange Loop / Who we are Our vision We believe in theater as the most human and immediate medium to tell the stories of our time, and affirm the primacy and centrality of the playwright to the form. Our writers We support each playwright’s full creative development and nurture their unique voice, resulting in a heterogeneous mix of as many styles as there are artists. Our productions We share the stories of today by the writers of tomorrow. These intrepid, diverse artists develop plays and musicals that are relevant, intelligent, and boundary-pushing. Our plays reflect the world around us through stories that can only be told on stage. Our audience Much like our work, the 60,000 people who join us each year are curious and adventurous. Playwrights is committed to engaging and developing audiences to sustain the future of American theater. That’s why we offer affordably priced tickets to every performance to young people and others, and provide engaging content — both onsite and online — to delight and inspire new play lovers in NYC, around the country, and throughout the world. Our process We meet the individual needs of each writer in order to develop their work further. Our New Works Lab produces readings and workshops to cultivate our artists’ new projects. Through our robust commissioning program and open script submission policy, we identify and cultivate the most exciting American talent and help bring their unique vision to life. Our downtown programs …reflect and deepen our mission in numerous ways, including the innovative curriculum at our Theater School, mutually beneficial collaborations with our Resident Companies, and welcoming myriad arts and education not-for-profits that operate their programs in our studios. -
JULY/AUGUST $2.95 I the SOUND ENGINEERING MAGAZINE Serving
I JULY/AUGUST $2.95 THE SOUND ENGINEERING MAGAZINE serving:recording, broadcast and sound contracting fields Featuring 2 to 8 trk—The Smaller Recording Studio Guides: Reverbs & Delays; Equalizers & Crossovers www.americanradiohistory.com Experience a tape transport ready for the balance of this millenium. After spending a few minutes with the production pressure is on, the A820 be- A820 you'll know you're in touch with to- comes a joy and a lifesaver. morrow. Here is everything you've ever The A820 also ushers in a new era of user dreamed of in a production/mastering ATR. programmability. In a matter of minutes, by And then some. selecting from a menu of more than a dozen For openers, note these features: Four tape operating features, you can tailor an A820 speeds. Reel sizes up to 14". Real time counter to meet any application. All primary and accurate to tenths of a second. Advanced secondary top panel buttons can be as- phase compensation in all audio circuits. And, signed to any desired function. You can of course, the massive chassis, rugged con- practically "redesign" your machine on a day- struction and precision Swiss manufacturing to-day basis! you'd naturally expect from Studer. The A820 line has been augmented by the And now for the unexpected. Inside the A820 addition of V2" two-track and center-track time you'll find the most comprehensive micropro- code versions. Also, interfaces for control by ex- cessor control systems ever put in an ATR - by ternal computers or/video editing systems are anybody. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Light on the Darkness
Fall 2016 the FlameTHE MAGAZINE OF CLAREMONT GRADUATE UNIVERSITY LIGHT ON THE DARKNESS Psychology alumna Jean Maria Arrigo dedicated 10 years of her life to exposing the American Psychological Association’s secret ties to US military interrogation efforts MAKE A GIFT TO THE ANNUAL FUND TODAY the Flame Claremont Graduate University THE MAGAZINE OF CLAREMONT GRADUATE UNIVERSITY fellowships play an important role Fall 2016 The Flame is published by in ensuring our students reach their Claremont Graduate University’s Office of Marketing and Communications educational goals, and annual giving 165 East 10th Street Claremont, CA 91711 from our alumni and friends is a ©2016 Claremont Graduate University major contributor. Here are some of VICE PRESIDENT FOR ADVANCEMENT our students who have benefitted Ernie Iseminger ASSOCIATE VICE PRESIDENT, STRATEGIC COMMUNICATIONS from the CGU Annual Fund. Max Benavidez EXECUTIVE DIRECTOR, MARKETING AND COMMUNICATIONS Andrea Gutierrez “ I am truly grateful for the support that EXECUTIVE DIRECTOR, ADVANCEMENT COMMUNICATIONS CGU has given me. This fellowship has Nicholas Owchar provided me with the ability to focus MANAGING EDITOR on developing my career.” Roberto C. Hernandez Irene Wang, MBA and MA DESIGNER Shari Fournier-O’Leary in Management DIRECTOR, DESIGN SERVICES Gina Pirtle I received fellowship offers from other ASSISTANT DIRECTOR, INTEGRATED MARKETING “ Alfie Christiansen schools. But the amount of my fellowship ASSISTANT DIRECTOR, DIGITAL COMMUNICATIONS from CGU was the biggest one, and Sheila Lefor I think that is one of my proudest DISTRIBUTION MANAGER moments.” Mandy Bennett Akihiro Toyoda, MBA PHOTOGRAPHERS Carlos Puma John Valenzuela If I didn’t have the fellowship, there is William Vasta “ Tom Zasadzinski no way I would have been able to study for a PhD. -
Slate.Com Table of Contents Faith-Based a Skeptic's Guide to Passover
Slate.com Table of Contents faith-based A Skeptic's Guide to Passover fighting words ad report card Telling the Truth About the Armenian Genocide Credit Crunch foreigners Advanced Search Why Israel Will Bomb Iran books foreigners Why Write While Israel Burns? Too Busy To Save Darfur change-o-meter foreigners Supplemental Diet No Nukes? No Thanks. change-o-meter gabfest Unclenched Fists The Velvet Snuggie Gabfest change-o-meter grieving Dogfights Ahead The Long Goodbye change-o-meter human guinea pig Big Crowds, Few Promises Where There's E-Smoke … chatterbox human nature A Beat-Sweetener Sampler Sweet Surrender corrections human nature Corrections Deeper Digital Penetration culture gabfest jurisprudence The Culture Gabfest, Empty Calories Edition Czar Obama dear prudence jurisprudence It's a Jungle Down There Noah Webster Gives His Blessing drink jurisprudence Not Such a G'Day Spain's Most Wanted: Gonzales in the Dock dvd extras moneybox Wauaugh! And It Can't Count on a Bailout explainer movies Getting High by Going Down Observe and Report explainer music box Heated Controversy When Rock Stars Read Edmund Spenser explainer music box Why Is Gmail Still in Beta? Kings of Rock explainer my goodness It's 11:48 a.m. Do You Know Where Your Missile Is? Push a Button, Change the World faith-based other magazines Passionate Plays In Facebook We Trust faith-based poem Why Was Jesus Crucified? "Bombs Rock Cairo" Copyright 2007 Washingtonpost.Newsweek Interactive Co. LLC 1/125 politics today's papers U.S. Department of Blogging Daring To Dream It's -
The YA Novel in the Digital Age by Amy Bright a Thesis
The YA Novel in the Digital Age by Amy Bright A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies University of Alberta © Amy Bright, 2016 Abstract Recent research by Neilsen reports that adult readers purchase 80% of all young adult novels sold, even though young adult literature is a category ostensibly targeted towards teenage readers (Gilmore). More than ever before, young adult (YA) literature is at the center of some of the most interesting literary conversations, as writers, readers, and publishers discuss its wide appeal in the twenty-first century. My dissertation joins this vibrant discussion by examining the ways in which YA literature has transformed to respond to changing social and technological contexts. Today, writing, reading, and marketing YA means engaging with technological advances, multiliteracies and multimodalities, and cultural and social perspectives. A critical examination of five YA texts – Markus Zusak’s The Book Thief, Libba Bray’s Beauty Queens, Daniel Handler’s Why We Broke Up, John Green’s The Fault in Our Stars, and Jaclyn Moriarty’s The Ghosts of Ashbury High – helps to shape understanding about the changes and the challenges facing this category of literature as it responds in a variety of ways to new contexts. In the first chapter, I explore the history of YA literature in order to trace the ways that this literary category has changed in response to new conditions to appeal to and serve a new generation of readers, readers with different experiences, concerns, and contexts over time. -
A Prairie Home Companion”: First Broadcast (July 6, 1974) Added to the National Registry: 2003 Essay by Chuck Howell (Guest Post)*
“A Prairie Home Companion”: First Broadcast (July 6, 1974) Added to the National Registry: 2003 Essay by Chuck Howell (guest post)* Garrison Keillor “Well, it's been a quiet week in Lake Wobegon, Minnesota, my hometown, out on the edge of the prairie.” On July 6, 1974, before a crowd of maybe a dozen people (certainly less than 20), a live radio variety program went on the air from the campus of Macalester College in St. Paul, MN. It was called “A Prairie Home Companion,” a name which at once evoked a sense of place and a time now past--recalling the “Little House on the Prairie” books, the once popular magazine “The Ladies Home Companion” or “The Prairie Farmer,” the oldest agricultural publication in America (founded 1841). The “Prairie Farmer” later bought WLS radio in Chicago from Sears, Roebuck & Co. and gave its name to the powerful clear channel station, which blanketed the middle third of the country from 1928 until its sale in 1959. The creator and host of the program, Garrison Keillor, later confided that he had no nostalgic intent, but took the name from “The Prairie Home Cemetery” in Moorhead, MN. His explanation is both self-effacing and humorous, much like the program he went on to host, with some sabbaticals and detours, for the next 42 years. Origins Gary Edward “Garrison” Keillor was born in Anoka, MN on August 7, 1942 and raised in nearby Brooklyn Park. His family were not (contrary to popular opinion) Lutherans, instead belonging to a strict fundamentalist religious sect known as the Plymouth Brethren. -
17LG Nominees ENGLISH
Nominee_Export Latin Academy of Recording Arts & Sciences, Inc. List of Nominees for the 17th Annual Latin GRAMMY Awards Nominee Name Category #s Combined Category Names A Corte Musical 42 Best Classical Album Enrique Abdón Collazo 18 Best Traditional Tropical Album Sophia Abrahão 4 Best New Artist Raúl Acea Rivera 18 Best Traditional Tropical Album Dani Acedo 47 Best Short Form Music Video Héctor Acosta "El Torito" 17 Best Contemporary Tropical Album Dario Adames 11 Best Pop/Rock Album Mario Adnet 31 Best Latin Jazz Album Antonio Adolfo 31 Best Latin Jazz Album Adrián 6 Best Traditional Pop Vocal Album Raul Agraz 31 Best Latin Jazz Album Gustavo Aguado 17 Best Contemporary Tropical Album Lino Agualimpia Murillo 19 Best Tropical Fusion Album Pepe Aguilar 1 Record Of The Year José Aguirre 15 Best Salsa Album Lisa Akerman Stefaneli 44 Best Recording Package Bori Alarcón 2 Album Of The Year Pablo Alborán 1, 2, 5 Record Of The Year, Album Of The Year, Best Contemporary Pop Vocal Album Rolando Alejandro 2 Album Of The Year Álvaro Alencar 2 Album Of The Year Alexis 7 Best Urban Fusion/Performance Alexis y Fido 7 Best Urban Fusion/Performance Omar Alfanno 20 Best Tropical Song Sergio Alvarado 47 Best Short Form Music Video Page 1 Nominee_Export Andrea Álvarez 10 Best Rock Album Diego Álvarez 48 Best Long Form Music Video Julión Álvarez 23 Best Banda Album Laryssa Alves 39 Best Brazilian Roots Album Lizete Alves 39 Best Brazilian Roots Album Lucy Alves & Clã Brasil 39 Best Brazilian Roots Album Lucy Alves 39 Best Brazilian Roots Album Jorge Amaro 11 Best Pop/Rock Album Remedios Amaya 30 Best Flamenco Album Elvis "Magno" Angulo 15 Best Salsa Album Juan Alonzo V. -
PDF of This Issue
MIT's The Weather Oldest and Largest Today: Cloudy, 58°F (14°C) Tonight: Rain, 50°F (lO°C) Newspaper Tomorrow: More rain, 57°F (14°C) Details, Page 2 Volume 120, umber 50 Cambridge, Massachusetts 02139 Tuesday, October 17, 2000 UA Debates Physics Kappa S·g To Face CLC Again Clll8sroom Proposal After Latest Drinking Incident By Melissa Cain of the Student Center so that it may By Laura McGrath Moulton event. If the drinking was related to STAFF REPORTER accommodate a new physics pro- NEWSEDlTOR the event and if he continued drink- Dean for Undergraduate Educa- gram. A Kappa Sigma brother has been ing after is still up in the air," Scali tion Robert P. Redwine presented a The purpose of the program, suspended from taking part in house said. proposal at last night's Undergradu- called rEAL (Technology Enabled activities and ordered to attend Scali said that the CLC, the ate Association meeting to renovate Active Learning), is to make MIT Alcoholics Anonymous after his Cambridge Police, and the Campus the reading room on the fifth floor students "more personally engaged" role in the first alcohol-related inci- Police are conducting investigations in the experience of learning intro- dent at the house since it was which they will report at the hear- ductory physics, Redwine said. Red- ordered to completely dry for two. ing. "This is a fact-finding hearing," wine said that faculty and staff years by the Cambridge Licensing Scali said. "We want to find out believe the current system of teach- Commission. what happened." ing physics is "not fully successful. -
The Banality of Corporate Evil
American University in Cairo AUC Knowledge Fountain Theses and Dissertations Student Research Fall 9-1-2021 The Banality of Corporate Evil Amina Dessouki [email protected] Follow this and additional works at: https://fount.aucegypt.edu/etds Part of the Growth and Development Commons, Other Anthropology Commons, Politics and Social Change Commons, and the Social and Cultural Anthropology Commons Recommended Citation APA Citation Dessouki, A. (2021).The Banality of Corporate Evil [Master's Thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/1664 MLA Citation Dessouki, Amina. The Banality of Corporate Evil. 2021. American University in Cairo, Master's Thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/1664 This Master's Thesis is brought to you for free and open access by the Student Research at AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. 1 The American University in Cairo School of Humanities and Social Sciences (HUSS) The Banality of Corporate Evil A Thesis Submitted to The Department of Sociology, Egyptology, Anthropology In partial fulfillment of the requirements for The degree of Master of Arts in Sociology-Anthropology By Amina Ali Dessouki Under the supervision of Dr. Hanan ElSabea May 2021 2 To the most inspiring women in my life My grandma for never getting tired of listening to me My mom for being my source of laughter, friendship, and support 3 Table of Contents Acknowledgments……………………………………………………………………………. 4 INTRODUCTION……..……………………………………………………………………. 5 Some Background(s): Actor-Network Mappings……………………………………………… 9 Review of literature…………………………………………………………………………… 17 Following in Footsteps, Breaking Trails: A Conceptual Framework……………………..……21 Fieldwork & Methodology……………………………………………………………………. -
1 Trinity Church in the City of Boston the Rev. Morgan S. Allen October
Trinity Church in the City of Boston The Rev. Morgan S. Allen October 25, 2020 II Stewardship, Matthew 22:34-46 Come Holy Spirit, and enkindle in the hearts of your faithful, the fire of your Love. Amen. Stephin Merritt and Claudia Gonson spent the summer of 1983 sitting on “The Wall,” the red brick relief behind the Harvard Square subway station. Merritt, a graduate of The Cambridge School of Weston, met Gonson, a Concord Academy graduate, during their high-school years.i The pair first bonded over Gonson’s David Bowie Songbook for the piano, beginning a four- decade musical partnership, most notably in the band, The Magnetic Fields. In Strange Powers, a 2010 documentary about Merritt and the group, Gonson recalls of that summer: “We would sit there on ‘The Wall’ with many punk rockers of varying types of mohawk length … kids whose names were like, ‘Toby Skinhead,’ and ‘Phlegm.’ Complete freedom, total vagrancy – it was awesome.”ii Despite these fond roots, The Magnetic Fields’ music does not neatly fit a punk’s jambox, and neither does Merritt’s unconventional, often sardonic verse rest easy in effete prep school classrooms. The band’s primary live instruments include piano, ukulele, cello, and banjo, and their studio albums incorporate unusual noisemakers (kitchen whisks and frog-callers, among others) and long-unfashionable electronica sounds.iii Yet, sometimes, their quirk, cleverness, and brilliance, click. For my ear and heart, this happens most often in their musically sparest and lyrically simplest efforts, and my favorite of their catalogue borrows on that most common of song titles: “The Book of Love.” In a deep, unemotive baritone, Merritt imagines what sort of tome that compendium would be.iv He sings: The book of love is long and boring [And] No one can liFt the … thing It’s full of charts, and facts and figures, and instructions for dancing.