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Entire Dissertation Noviachen Aug2021.Pages
Documentary as Alternative Practice: Situating Contemporary Female Filmmakers in Sinophone Cinemas by Novia Shih-Shan Chen M.F.A., Ohio University, 2008 B.F.A., National Taiwan University, 2003 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of Gender, Sexuality, and Women’s Studies Faculty of Arts and Social Sciences © Novia Shih-Shan Chen 2021 SIMON FRASER UNIVERSITY SUMMER 2021 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Declaration of Committee Name: Novia Shih-Shan Chen Degree: Doctor of Philosophy Thesis title: Documentary as Alternative Practice: Situating Contemporary Female Filmmakers in Sinophone Cinemas Committee: Chair: Jen Marchbank Professor, Department of Gender, Sexuality and Women’s Studies Helen Hok-Sze Leung Supervisor Professor, Department of Gender, Sexuality and Women’s Studies Zoë Druick Committee Member Professor, School of Communication Lara Campbell Committee Member Professor, Department of Gender, Sexuality and Women’s Studies Christine Kim Examiner Associate Professor, Department of English The University of British Columbia Gina Marchetti External Examiner Professor, Department of Comparative Literature The University of Hong Kong ii Abstract Women’s documentary filmmaking in Sinophone cinemas has been marginalized in the film industry and understudied in film studies scholarship. The convergence of neoliberalism, institutionalization of pan-Chinese documentary films and the historical marginalization of women’s filmmaking in Taiwan, Hong Kong, and the People’s Republic of China (PRC), respectively, have further perpetuated the marginalization of documentary films by local female filmmakers. -
EXPAND to OPPOSE CHINA . More on P10 AP PHOTO AP PHOTO
12 YEARS A-CHANGIN’ Double Down! ADVERTISING HERE Kowie Geldenhuys Paulo Coutinho www.macaudailytimes.com.mo +853 287 160 81 FOUNDER & PUBLISHER EDITOR-IN-CHIEF THURSDAY T. 27º/ 35º Air Quality Good MOP 8.00 3335 “ THE TIMES THEY ARE A-CHANGIN’ ” N.º 18 Jul 2019 HKD 10.00 HKZMB: THOSE TALLER THAN GAMING CHIPS HIGHER AN AIR MACAU FLIGHT EN-ROUTE 1.2M NEED NOT APPLY FOR TO MACAU FROM TOKYO WAS CHILD DISCOUNT, EVEN IF AFTER SHAMING OF FORCED TO RETURN DUE TO AN UNDER 12 ONLINE CASINOS ENGINE PROBLEM P5 P3 P5 Cinema When Wu Ke-xi was looking for a frightening plotline for her latest film, she didn’t need to look further than her own industry. The Taiwanese actress and screenwriter’s latest HONG KONG PROTESTS movie, “Nina Wu,” is the story of an actress who is abused and psychologically P8,11 scarred by a man in power. EXPAND TO OPPOSE CHINA . More on p10 AP PHOTO AP PHOTO Hong Kong Thousands of senior citizens, including a popular actress, marched yesterday in a show of support for youths at the forefront of monthlong protests against a contentious extradition bill in the semi-autonomous Chinese territory. AP PHOTO South Korea The United States will “do what it can” to help resolve festering trade and political disputes between South Korea and Japan, David Stilwell, the top U.S. diplomat for East Asian affairs, said yesterday after a series of meetings with Seoul officials. Cambodia Almost seven dozen shipping containers sitting in a Cambodian seaport that were found to be filled with plastic waste came from the United States and Canada, the Southeast Asian country’s Environment Ministry said yesterday. -
The Diminishing Power and Democracy of Hong Kong: an Analysis of Hong Kong's Umbrella Movement and the Anti-Extradition Law Amendment Bill Movement
Portland State University PDXScholar University Honors Theses University Honors College Summer 2021 The Diminishing Power and Democracy of Hong Kong: An Analysis of Hong Kong's Umbrella Movement and the Anti-Extradition Law Amendment Bill Movement Xiao Lin Kuang Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Asian Studies Commons, and the Other International and Area Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Kuang, Xiao Lin, "The Diminishing Power and Democracy of Hong Kong: An Analysis of Hong Kong's Umbrella Movement and the Anti-Extradition Law Amendment Bill Movement" (2021). University Honors Theses. Paper 1126. https://doi.org/10.15760/honors.1157 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. The diminishing power and democracy of Hong Kong: an analysis of Hong Kong’s Umbrella Movement and the Anti-extradition Law Amendment Bill Movement by Xiao Lin Kuang An undergraduate honors thesis submitted in partial fulfillment of the Requirements for the degree of Bachelor of Arts In University Honors And International Development Studies And Chinese Thesis Adviser Maureen Hickey Portland State University 2021 The diminishing power and democracy of Hong Kong Kuang 1 Abstract The future of Hong Kong – one of the most valuable economic port cities in the world – has been a key political issue since the Opium Wars (1839—1860). -
Foundation Yearbook 2019
CONTENTS 004 Message from the Chairman 007 Message from the Headmaster 008 Board of Directors 010 Sub-committees 015 Total Funds Raised 016 Endowment Fund 017 Annual Giving 018 Our Projects 020 Investment Report 022 Tiers of Recognition 030 Reunion Class Gifts 036 DBS 150th Anniversary 047 Acknowledgement of Event Sponsors 002 I I 003 MESSAGE from THE CHAIRMAN I am incredibly proud and excited to chair DBS Foundation and witness the 150th Anniversary of the School. The Most Revd. DR. PAUL KWONG Archbishop of Hong Kong Funds raised through various programmes of the Foundation have provided the School with excellent resources to nurture boys and develop them to their full potential. I would like to extend my deepest gratitude to our directors and sub-committee members for their dedication and remarkable efforts throughout the year. I would also like to thank our Old Boys, parents and friends for their continued support and generous contribution. I hope you would enjoy reading this fifth Foundation report and pray that you would continue to support our work. 004 I Photo Credit: Diocesan Media Group of DBS MESSAGE from THE HEADMASTER RONNIE CHENG Class of '83 DBS has a long history of academic excellence and extra-curricular prowess, galvanised by a strong spirit connecting current and past students. We recognise and respect each other's differences within an environment which enables students to excel in their respective areas of strength. The generosity of our Old Boys, parents and friends of DBS, through their contribution to DBS Foundation, has provided the necessary resources which enable students to reach their full potential. -
2016 Annual Report
FINANCIAL HIGHLIGHTS Revenue and Prot Attributable to 2016 2015 Change Equity Holders of the Company Revenue (Continuing operations) Prot Attributable to Equity Holders of the Company Performance 6,000 Earnings per share HK$1.14 HK$3.04 -62% Dividends per share 5,000 - Interim HK$0.60 HK$0.60 – - Final – HK$2.00 -100% 4,000 HK$0.60 HK$2.60 -77% 3,000 HK$’mil HK$’mil HK$’ million HK$’ Revenue 2,000 - Hong Kong TV broadcasting 2,707 3,105 -13% - Hong Kong digital new media 1,000 business 230 170 35% - Programme licensing and 0 distribution 1,019 951 7% 2012 2013 2014 2015 2016 - Overseas pay TV operations 169 186 -9% YEAR - Channel operations 90 105 -14% Earnings & Dividends# Per Share - Other activities 191 129 48% - Inter-segment elimination (196) (191) 2% Earnings per Share Dividends# per Share 4,210 4,455 -5% 4.5 HK$’mil HK$’mil 4 Segment (loss)/profit* 3.5 - Hong Kong TV broadcasting (71) 551 N/A 3 - Hong Kong digital new media business (29) 41 N/A 2.5 - Programme licensing and HK$ 2 distribution 444 410 8% - Overseas pay TV operations (40) (30) 31% 1.5 - Channel operations 2 18 -87% 1 - Other activities 27 11 151% 0.5 - Corporate support (33) – N/A - Inter-segment elimination 1 (1) N/A 0 2012 2013 2014 2015 2016 301 1,000 -70% YEAR # excluding special dividend Total expenses∆ 3,888 3,439 13% 2016 Revenue by Operating Segment Profit attributable to equity holders 500 1,331 -62% % relating to 2015 are shown in brackets 31 December 31 December Hong Kong TV 2016 2015 broadcasting HK$’mil HK$’mil 63% (69%) Total assets 12,357 9,113 36% -
Li Ling Ngan
Beyond Cantonese: Articulation, Narrative and Memory in Contemporary Sinophone Hong Kong, Singaporean and Malaysian Literature by Li Ling Ngan A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of East Asian Studies University of Alberta © Li Ling Ngan, 2019 Abstract This thesis examines Cantonese in Sinophone literature, and the time- and place- specific memories of Cantonese speaking communities in Hong Kong, Singapore, and Malaysia after the year 2000. Focusing on the literary works by Wong Bik-wan (1961-), Yeng Pway Ngon (1947-) and Li Zishu (1971-), this research demonstrates how these three writers use Cantonese as a conduit to evoke specific memories in order to reflect their current identity. Cantonese narratives generate uniquely Sinophone critique in and of their respective places. This thesis begins by examining Cantonese literature through the methodological frameworks of Sinophone studies and memory studies. Chapter One focuses on Hong Kong writer Wong Bik-wan’s work Children of Darkness and analyzes how vulgar Cantonese connects with involuntary autobiographical memory and the relocation of the lost self. Chapter Two looks at Opera Costume by Singaporean writer Yeng Pway Ngon and how losing connection with one’s mother tongue can lose one’s connection with their familial memories. Chapter Three analyzes Malaysian writer Li Zishu’s short story Snapshots of Chow Fu and how quotidian Cantonese simultaneously engenders crisis of memory and the rejection of the duty to remember. These works demonstrate how Cantonese, memory, and identity, are transnationally linked in space and time. This thesis concludes with thinking about the future direction of Cantonese cultural production. -
Noblesse Oblige Tvb English Subtitles
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ST/LIFE/PAGE<LIF-005>
| FRIDAY, MAY 10, 2019 | THE STRAITS TIMES | happenings life D5 Anjali Raguraman recommends Picks JASON MRAZ GOOD VIBES TOUR Just six months after his last concert Gig here at the National Stadium, American folk-pop singer-songwriter Jason Mraz returns to a more intimate venue – The Star Theatre. The Grammy winner’s concert tour comes off the back of his latest album Know (2018) and he will also be making stops in Manila, Hong Kong, Bangkok, Taipei and Shanghai. WHERE: The Star Theatre, 04-01 The Star Performing Arts Centre, 1 Vista Exchange Green MRT: Buona Vista WHEN: Tomorrow, 8pm ADMISSION: $98 to $198 from www.apactix.com ESPLANADE PRESENTS: MOSAIC MUSIC SERIES – JAPANESE BREAKFAST Experience the sparkling dream pop sounds of Korean-American singer Michelle Zauner, who will make her Singapore debut at the Esplanade. Expect tracks off her 2017 album, Soft Sounds From Another Planet, as well as her critically acclaimed debut record, 2016’s Psychopomp. Home-grown trio Sobs, who also dabble in dream pop, will open for her. WHERE: Esplanade Annexe Studio, 1 Esplanade Drive MRT: Esplanade WHEN: Monday, 8pm ADMISSION: $50 from esplanade.com and Sistic (call 6348-5555 or go to www.sistic.com.sg); $60 at the door. Limited concession for students, full-time national servicemen and seniors at $45. Standing room only MARQUEE SINGAPORE PRESENTS ARMIN VAN BUUREN Dutch trance music titan Armin Van Buuren (right) returns ESPLANADE PRESENTS: to Singapore with a show at the Republic’s newest and MOSAIC MUSIC SERIES – PHUM VIPHURIT biggest club, Marquee. Following his first outing here at music festival Neon Other than being responsible for catchy club hits like Lights last year, Thailand-born, New Zealand-raised Blah Blah Blah and Great Spirit, he has a weekly radio show singer-songwriter Phum Viphurit (above) returns with new called A State Of Trance, which is broadcast to nearly 40 songs off his yet-to-be-released sophomore album. -
2016 Interim Report
FINANCIAL HIGHLIGHTS Revenue Continuing operations Six months ended 30 June 2016 2015 Change 1st Half 2nd Half 6,000 Performance Earnings per share HK$0.69 HK$2.62 -74% 5,000 Interim dividend per share HK$0.60 HK$0.60 - 4,000 HK$’mil HK$’mil 3,000 Revenue HK$’ million HK$’ - Hong Kong TV broadcasting 1,235 1,386 -11% 2,000 - Hong Kong digital new media business 84 72 +16% - Programme licensing and distribution 532 483 +10% 1,000 - Overseas pay TV operations 84 93 -10% - Channel operations 46 55 -18% 0 2012 2013 2014 2015 2016 - Other activities 75 42 +78% YEAR - Inter-segment elimination (92 ) (100 ) -9% 1,964 2,031 -3% Prot Attributable to Equity Holders Total expenses* (1,678 ) (1,570 ) +7% of the Company Profit attributable to equity holders 302 1,148 -74% 1st Half 2nd Half 2,000 30 June 31 December 2016 2015 1,800 HK$’mil HK$’mil 1,600 1,400 Total assets 8,345 9,113 -8% 1,200 Total liabilities 1,033 1,277 -19% Total equity 7,312 7,836 -7% 1,000 Number of issued shares 438,000,000 438,000,000 HK$’ million HK$’ 800 600 Ratios 400 Current ratio 7.7 8.8 200 Gearing - 3.0% 0 2012 2013 2014 2015 2016 * excluding non-recurring expenses YEAR Revenue by Operating Segment Reportable Segment Prot by Operating Segment % relating to 1st half of 2015 are shown in brackets % relating to 1st half of 2015 are shown in brackets Hong Kong TV Programme Hong Kong TV Programme broadcasting licensing and broadcasting licensing and 62% (67%) distribution 13% (52%) distribution 24% (20%) 92% (48%) Overseas pay TV Overseas pay TV Hong Kong operations Hong Kong -
Line Walker Singers of the Voice Entertainment Group
Line Walker Singers of The Voice Entertainment Group 26 Television Broadcasts Limited Annual Report 2016 REVIEW OF OPERATIONS OTHER HONG KONG MUSIC ENTERTAINMENT OPERATIONS In 2016, the Voice Entertainment Group Limited, a wholly-owned subsidiary of the Company, INVESTMENTS IN MOVIE expanded its operation to include royalty BUSINESSES collection in Malaysia and digital licensing in Shaw Brothers HOLDINGS Singapore. The Group engages in artistes’ sound recordings, music productions, music copyrights TVB has partnered with China Media Capital management, music publishing, and artistes’ (“CMC”) to take up a 29.94% equity interest management. in Shaw Brothers Holdings (stock code: 00953), which is listed on the Main Board of Although the Group’s catalogue mainly comprises The Stock Exchange of Hong Kong Limited Cantonese sound recordings, it has nonetheless (“Stock Exchange”) and is principally engaged attracted much interest in Mainland China; hence, in, inter-alia, movie and entertainment-related the Group will commence digital licensing to businesses. Several new movie titles are being China’s largest digital music platform by early 2017. produced under this platform. PUBLICATION Flagship Entertainment GROUP Magazines have been the hardest-hit media as Together with CMC, TVB has co-invested in a result of prolonged declines in retail sales. Flagship Entertainment Group with an effective Advertising revenue for the sector was estimated 5.1% interest. Launched in March 2016, Flagship to have dropped 30% to 40% in Hong Kong. Entertainment Group is a Hong Kong-based movie powerhouse with Warner Brothers Entertainment The Group was able to maintain the revenue by and CMC among its shareholders. The company is expanding services to include event production preparing several new movie titles. -
MD Program.Fm
Doctor of Medicine Program 24 Doctor of Medicine Program Mission Statement and the Medical Curriculum The mission of the Duke University School of Medicine is: To prepare students for excellence by first assuring the demonstration of defined core competencies. To complement the core curriculum with educational opportunities and advice regarding career planning which facilitates students to diversify their careers, from the physician-scientist to the primary care physician. To develop leaders for the twenty-first century in the research, education, and clinical practice of medicine. To develop and support educational programs and select and size a student body such that every student participates in a quality and relevant educational experi- ence. Physicians are facing profound changes in the need for understanding health, dis- ease, and the delivery of medical care changes which shape the vision of the medical school. These changes include: a broader scientific base for medical practice; a national crisis in the cost of health care; an increased number of career options for physicians yet the need for more generalists; an emphasis on career-long learning in investigative and clinical medicine; the necessity that physicians work cooperatively and effectively as leaders among other health care professionals; and the emergence of ethical issues not heretofore encountered by physicians. Medical educators must prepare physicians to respond to these changes.The most successful medical schools will position their stu- dents to take the lead addressing national health needs. Duke University School of Med- icine is prepared to meet this challenge by educating outstanding practitioners, physician scientists, and leaders. Continuing at the forefront of medical education requires more than educating Duke students in basic science, clinical research, and clinical programs for meeting the health care needs of society. -
A Different Brilliance—The D & B Story
1. Yes, Madam (1985): Michelle Yeoh 2. Love Unto Wastes (1986): (left) Elaine Jin; (right) Tony Leung Chiu-wai 3. An Autumn’s Tale (1987): (left) Chow Yun-fat; (right) Cherie Chung 4. Where’s Officer Tuba? (1986): Sammo Hung 5. Hong Kong 1941 (1984): (from left) Alex Man, Cecilia Yip, Chow Yun-fat 6. It’s a Mad, Mad, Mad World (1987): (front row from left) Loletta Lee, Elsie Chan, Pauline Kwan, Lydia Sum, Bill Tung; (back row) John Chiang 7. The Return of Pom Pom (1984): (left) John Sham; (right) Richard Ng 8. Heart to Hearts (1988): (from left) Dodo Cheng, George Lam, Vivian Chow Pic. 1-8 © 2010 Fortune Star Media Limited All Rights Reserved Contents 4 Foreword Kwok Ching-ling, Wong Ha-pak 〈Chapter I〉 Production • Cinema Circuits 10 D & B’s Development: From Production Company to Theatrical Distribution Po Fung Circuit 19 Retrospective on the Big Three: Dickson Poon and the Rise-and-Fall Story of the Wong Ha-pak D & B Cinema Circuit 29 An Unconventional Filmmaker—John Sham Eric Tsang Siu-wang 36 My Days at D & B Shu Kei In-Depth Portraits 46 John Sham Diversification Strategies of a Resolute Producer 54 Stephen Shin Targeting the Middle-Class Audience Demographic 61 Linda Kuk An Administrative Producer Who Embodies Both Strength and Gentleness 67 Norman Chan A Production Controller Who Changes the Game 73 Terence Chang Bringing Hong Kong Films to the International Stage 78 Otto Leong Cinema Circuit Management: Flexibility Is the Way to Go 〈Chapter II〉 Creative Minds 86 D & B: The Creative Trajectory of a Trailblazer Thomas Shin 92 From