Uses of Organic Markers for Supporting Source Apportionment
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Mm2 Asia Announces Management and Organisational Change
mm2 Asia Ltd. Co. Reg. No.: 201424372N 1002 Jalan Bukit Merah #07-11 Singapore 159456 www.mm2asia.com Press Release MM2 ASIA ANNOUNCES MANAGEMENT AND ORGANISATIONAL CHANGE Cinema business management team formed Newly promoted CFO to lead the finance team Veteran Hong Kong actor Ha Yu appointed as Executive Director of mm2 Hong Kong SINGAPORE, 28 September 2015 – mm2 Asia Ltd. (“mm2 Asia”, “mm2全亚影视娱乐有限公 司 ”, the “Company” or collectively with its subsidiaries, the “ Group”), today announced management and organisational changes to further expansion of new businesses and accelerate growth. Following the proposed acquisition of cinemas at 2 locations in Malaysia from Cathay Cineplexes Sdn Bhd (“CCSB”) and cinemas at 3 locations in Malaysia from Mega Cinemas Management Sdn Bhd (“Mega Cinemas”), mm2 Asia has reorganised its operations structure and will make the following leadership changes with effect from 1 October 2015: Mr Tay Joo Heng will cease and relinquish his duties as Chief Financial Officer (“CFO”) of mm2 Asia and will be re-designated as Chief Executive Officer (“CEO”) of mm2 Screen Management Sdn Bhd (“mm2 Screen”). In this new role, he will oversee the Group’s cinema business. Mr Chong How Kiat, Deputy CFO, will be promoted to CFO of mm2 Asia. Upon his appointment, he will assume responsibility for all finance related matters of the Company and Group 1 | P a g e Ms Angelin Ong will be appointed Chief Operating Officer (“COO”) of mm2 Screen. In this new role, she will be responsible for the overall operations of mm2 Screen. Ms. Ong will continue in her role as General Manager of mm2 Entertainment Sdn Bhd (“mm2 Malaysia”) Ms Lai Cheah Yee will be appointed Director, Business Development and Content / General Manager Designate of mm2 Malaysia. -
Program Guide
Program Guide Week 44 Sunday October 26th, 2014 5:00 am Korean News - News via satellite from YTN Korea, in Korean, no subtitles. 5:35 am Japanese News - News via satellite from NHK Tokyo in Japanese, no subtitles. 6:10 am Hong Kong News - News via satellite from TVB Hong Kong, in Cantonese, no subtitles. 6:30 am Chinese News - News via satellite from CCTV Beijing, in Mandarin, no subtitles. 7:00 am Hindi News - News via satellite from NDTV India, in Hindi, no subtitles. 7:25 am Italian News - News via satellite from RAI Rome in Italian, no subtitles. 8:05 am Filipino News - News via satellite from ABS-CBN Manila, in Tagalog, no subtitles. 8:40 am French News - News via satellite from FT2 Paris, in French, no subtitles. 9:30 am Greek News - News via satellite from CyBC Cyprus, in Greek, no subtitles. 10:30 am German News - News via satellite from DW Berlin, in German, no subtitles. 11:00 am Spanish News - News via satellite from RTVE Madrid, in Spanish, no subtitles. 12:00 pm Arabic News - News via satellite from DRTV Dubai, in Arabic, no subtitles. 12:30 pm Turkish News - News via satellite from TRT Turkey, in Turkish, no subtitles. 1:00 pm Al Jazeera News - News via satellite from Al Jazeera Satellite Network, Qatar, in English. CC 1:30 pm The Farm Fixer - David & Helen Harrison - Times are tough for small family farms; many are now in crisis and need help. In this series, businessman Nick Hewer provides the strategic planning expertise these farmers so desperately need. -
PASSING on CHINESE DANCE to FUTURE GENERATIONS Lorita Leung from Her Early Life in Shanghai and North Korea in the 1950S, Through
PASSING ON CHINESE DANCE TO FUTURE GENERATIONS Lorita Leung From her early life in Shanghai and North Korea in the 1950s, through her years in Hong Kong in the 1960s, to her time in Canada where she emigrated to in the 1970s and still resides today, Lorita Leung has embraced a lifelong career in dance. She received ballet training at a young age and later performed Chinese dance in the army song and dance troupe, and brought her knowledge and skills to Hong Kong’s film and TV industries when she moved to the city. During her seven years in Hong Kong, Leung’s career straddled film and TV; she participated in the choreography of more than a dozen musical films, and she worked as the choreographer for Rediffusion Television’s popular variety show. She was also a dance teacher to many actors and film stars. While Hong Kong’s film and TV industries did not afford her the opportunity to live out her ideal life, Leung fulfilled her dreams of promoting Chinese dance in Canada. In the 1970s she established the Lorita Leung Dance Academy in Vancouver, and subsequently launched classes for the Beijing Dance Academy Graded Chinese Dance Examination. Today, Leung runs the school together with her daughter, as she believes that dance as a part of general education is key to dance being passed down to future generations. 106 When Dance Speaks Lorita Leung 107 young, I was raised by their younger sisters. My paternal grandfather had Date of interview: 19 October 2016 six wives. Looking at the marriages of her sisters, which were also less than Location: Lorita Leung Dance Academy in Vancouver happy, my paternal aunt lied about being 18 when she was 16, and took a Recorded and noted by: Lam Heyee job at a phone company in Shanghai. -
Effects of Hanyu Pinyin on the Pronunciation of Learners of Chinese As a Foreign Language
Bassetti, B. (2007). Effects of hanyu pinyin on the pronunciation of learners of Chinese as a Foreign Language. In A. Guder, Jiang, X. and Wan, Y. (eds.), The Cognition, Learning and Teaching of Chinese Characters (pp. 156-179). Beijing: Beijing Language and Culture University Press. Effects of hanyu pinyin on the pronunciation of learners of Chinese as a Foreign Language Benedetta Bassetti Birkbeck, University of London Abstract This paper provides evidence that the hanyu pinyin representation of the phonology of Chinese affects the production of Chinese phonology in instructed learners of Chinese as a Foreign Language. Pinyin generally has a one-to-one correspondence between graphemes and phonemes, but its transcription of some Chinese rimes does not represent the main vowel. As a consequence, learners of Chinese as a Foreign Language have non-target-like phonological representations of Chinese rimes, which in turn lead to non-target-like pronunciations. A hanzi reading-aloud task was used to elicit syllables containing the three rimes /iou/, /uei/ and /uən/ from final-year CFL students. Results show that learners often delete the vowels that are not represented in the pinyin transcription, but they produce the same vowels in the same rimes when the pinyin transcription represents them. It is concluded that the pinyin orthographic input interacts with the phonological input in shaping the phonological representations and pronunciation of Chinese syllables in intermediate as well as beginner CFL learners. Language teachers should therefore be aware of the effects of the pinyin orthography. 摘要 本篇论文论证了汉语拼音对外国学习者的汉语发音产生影响的问题。汉语拼音通常 是字母与音位一一对应的,但有一些汉语韵尾的主要元音在汉语拼音中没有得到准确的 表示,因此,学习汉语的外国学习者接触到的是不准确表示汉语发音的书写形式,这些 书写形式会导致他们出现非目标的发音。本研究要求学习汉语的中级阶段的外国学生大 声朗读包含/iou/, /uei/ 或 /uən/ 韵尾的汉字。结果显示,在汉语拼音中得不到表示 的元音经常被学生遗漏,反之,在汉语拼音中得到表示的元音,学生的发音就会出现此 元音。本研究的结论是,在中级、初级学习者掌握汉语音节的书写形式和发音的过程 中,汉语拼音的输入会影响发音。因此汉语教师应当对汉语拼音的这一作用有所认识。 1. -
Review of Operations
REVIEW OF OPERATIONS HONG KONG TV BROADCASTING The milk powder category remained at the top position in the ad spend table, even though there Hong Kong TV broadcasting business continued to be was a 14% year-on-year drop on sales. This is a key our core business, accounting for approximately 65% of advertising category as visiting Mainland China’s the Group’s revenue in 2017. tourists continue to spend on consumer products. The loan and mortgage category, largely due to more TV ADVERTISING aggressive activities by finance companies, recorded strong growth of more than 30% and secured the After a prolonged cyclical downturn, the Hong Kong second position. Other performing categories included economy experienced a mild recovery in 2017 as retail banking and local properties, both of which reported sales index which suffered from year-on-year declines encouraging increases of 36% and 64% respectively. in the last 24 months finally exhibited a 3.0% growth in Revenue from government/quasi government category March 2017. The retail sales index reported an overall recorded a more than 60% growth which was boosted growth of 2.2% in 2017. by income related to events celebrating the 20th The advertising market, however, has yet to recover, as anniversary of the establishment of the Hong Kong total advertising spending in Hong Kong was estimated SAR on 1 July 2017. However, revenue from skin care to have fallen by 4% year-on-year in 2017. Throughout continued to drop in 2017 recording a fall of 9% year- the year, most of the advertisers were very cautious in on-year, and similarly, the spending from dental care spending the budgeted dollars, as the choice of media dropped 35%, compared with last year. -
Filmart Ad Cover Day 3.Indd
WEDNESDAY, MARCH 16 2016 DAY 3 AT FILMART www.ScreenDaily.com Editorial +852 2582 8958 Advertising +852 9186 8384 IN POSTPRODUCTION CURRENTLY IN POSTPRODUCTION (2016) CAST: Mischa Barton US DISTRIBUTOR: Alchemy MISCHA GENRE: Paranormal horror. "Sometimes Evil Has A Pretty Face" BARTON IN PRODUCTION CURRENTLY IN PRODUCTION (2016) CAST: Paz de la Huerta US DISTRIBUTOR: Alchemy PAZ DE LA GENRE: Thriller. "She’s Not Alone" HUERTA PREPRODUCTION CURRENTLY IN PRE-PRODUCTION (2016) CAST: Tara Reid DIRECTOR: Robert reed Altman TARA REID US DISTRIBUTOR: Alchemy GENRE: Horror (Ghosts) "Hunger Is Not Solely For The Living" CURRENTLY IN PRE-PRODUCTION (2016) CAST: Ana Coto US DISTRIBUTOR: Alchemy ANA COTO GENRE: Thriller. "Down There, No One Can Hear You Scream" CURRENTLY IN PREPRODUCTION (2017) CAST: Mischa Barton GENRE: Paranormal horror. "Sometimes Evil Has A Pretty Face" MISCHA BARTON CURRENTLY IN PRE-PRODUCTION (2017) CAST: Rachel Leigh Cook , Natasha Henstridge NATASHA HENSTRIDGE GENRE: Sci-Fi Erotic Drama There Are No Limits To What We Can Experience RACHEL LEIGH COOK REBEL MOVIES FIlmart 1E-F31 Hall 1, Hong Kong Convention and Exhibition Centre Telephone: 310.458.6700 xt 323 [email protected] - www.rebelmovies.eu WEDNESDAY, MARCH 16 2016 TODAY DAY 3 AT FILMART Old Stone, page 4 www.ScreenDaily.com Editorial +852 2582 8958 Advertising +852 9186 8384 NEWS Old Stone Asian Shadows scoops rights to Johnny Ma’s Berlinale film » Page 4 John Woo’s Manhunt REVIEW A Lullaby To The Sorrowful Mystery Lav Diaz’s eight-hour epic is Loev tracks down its cast confusing but mesmerising BY LIZ SHACKLETON Assassins and will also appear in » Page 6 Buyers fall for Chinese star Zhang Hanyu and Zhang Yimou’s upcoming co-pro- Japan’s Masaharu Fukuyama have duction The Great Wall, alongside Final print daily been confi rmed as the fi rst leading Matt Damon and Andy Lau. -
Announcement of 2017 Annual Results
Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this announcement, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this announcement. (Incorporated in Hong Kong with limited liability) Stock Code: 00511 ANNOUNCEMENT OF 2017 ANNUAL RESULTS BUSINESS HIGHLIGHTS • 2017 was one of the toughest years in the last decade of the Company. Our businesses were challenged on many fronts, including a lackluster advertising market in Hong Kong and the global digital revolution that causes significant disruption to many conventional business models. • As the retail sales slightly improved, income from advertisers under Hong Kong TV broadcasting stabilised during 2017 at HK$2,459 million (2016: HK$2,458 million), after a consecutive two-year decline since 2014. • Three drama serials were successfully co-produced with Tencent and iQiyi. These drama serials generated significant viewerships in both Hong Kong and Mainland China and provided higher production budgets to the Company. • Major progress has been made in transformation from a terrestrial TV-based broadcaster to a digital player with substantial online distribution networks in Hong Kong and overseas. The Group now possesses a complete spectrum of media platforms, spanning terrestrial TV, OTT services and online social media in Hong Kong, and is well-positioned to capture digital opportunities. • The number of users of myTV SUPER OTT service continued its rapid growth during 2017, and had exceeded 5.8 million to-date.