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'Nothing but the Truth': Genre, Gender and Knowledge in the US
‘Nothing but the Truth’: Genre, Gender and Knowledge in the US Television Crime Drama 2005-2010 Hannah Ellison Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film, Television and Media Studies Submitted January 2014 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. 2 | Page Hannah Ellison Abstract Over the five year period 2005-2010 the crime drama became one of the most produced genres on American prime-time television and also one of the most routinely ignored academically. This particular cyclical genre influx was notable for the resurgence and reformulating of the amateur sleuth; this time remerging as the gifted police consultant, a figure capable of insights that the police could not manage. I term these new shows ‘consultant procedurals’. Consequently, the genre moved away from dealing with the ills of society and instead focused on the mystery of crime. Refocusing the genre gave rise to new issues. Questions are raised about how knowledge is gained and who has the right to it. With the individual consultant spearheading criminal investigation, without official standing, the genre is re-inflected with issues around legitimacy and power. The genre also reengages with age-old questions about the role gender plays in the performance of investigation. With the aim of answering these questions one of the jobs of this thesis is to find a way of analysing genre that accounts for both its larger cyclical, shifting nature and its simultaneously rigid construction of particular conventions. -
CHINA 1.0 CHINA 2.0 CHINA 3.0 Edited by Mark Leonard Afterword by François Godement and Jonas Parello-Plesner ABOUT ECFR ABOUT ECFR’S CHINA PROGRAMME
CHINA 1.0 CHINA 2.0 CHINA 3.0 edited by Mark Leonard Afterword by François Godement and Jonas Parello-Plesner ABOUT ECFR ABOUT ECFR’S CHINA PROGRAMME The European Council on Foreign Relations (ECFR) is ECFR’s China programme aims to develop a smarter the first pan-European think-tank. Launched in October European strategy towards China. It provides 2007, its objective is to conduct research and promote information about China and raises awareness about informed debate across Europe on the development the increasing power imbalance between China and of coherent, effective and values-based European Europe and the lack of prioritisation, consistency and foreign policy. co-ordination in EU China policy. ECFR has developed a strategy with three distinctive The report A Power Audit of EU-China relations elements that define its activities: (April 2009) has become a reference on the issue of European China policy. Since then, ECFR has also •A pan-European Council. ECFR has brought together published several policy briefs such as A Global China a distinguished Council of over one hundred and Policy (June 2010), The Scramble for Europe (April 2011) seventy Members – politicians, decision makers, and China and Germany: Why the emerging special thinkers and business people from the EU’s member relationship matters for Europe (May 2012) and the states and candidate countries – which meets once essay China at the Crossroads (April 2012). a year as a full body. Through geographical and thematic task forces, members provide ECFR staff Together with Asia Centre, ECFR also publishes China with advice and feedback on policy ideas and help Analysis, a quarterly review of Chinese sources that with ECFR’s activities within their own countries. -
Transnational Television Drama Preliminary Programme 5-9 June 2018 Inclusive Pre-Conferences, Conference and Social Walks Programme
Transnational Television Drama Preliminary programme 5-9 June 2018 Inclusive pre-conferences, conference and social walks programme International Conference, 5-9 June 2018, Aarhus University, Denmark. Conference website: conferences.au.dk/transnationaltelevisiondrama2018 Venue: Building 5335, Katrinebjerg, Aarhus University, Helsingforsgade 14, 8200 Aarhus N. Tuesday 5 June 2018: Pre-conference dinner At your own costs, register online Time Event Venue 19.00 At a restaurant in the city centre (place tba) Wednesday 6 June 2018: Parallel pre-conference workshops Free event, register online Time Pre-conference Workshop Title & Lecturers: Hosts Venue 08.30 Welcome coffee/tea Outside 091 Audio-Visual Methodologies for Transnational Room 184 09.00- Workshop 1 Television Studies: What can the Video Essay Do for Assistant Professor Mathias Bonde Korsgaard 15.00 You? (AU, DK), Associate Professor Pia Majbritt Lecturers: Professor Cathrine Grant and Dr. Janet Jensen (AU, DK) McCabe, both Birkbeck, University of London, UK PhD networking and career planning. Room 091 09.00- PhD workshop 2 Lecturers: Professor Trine Syvertsen (University of Oslo, Cathrin Bengesser (Birkbeck, University of 15.30 N), Professor Lothar Mikos (Film University Potsdam, DE), London, UK), Associate Prof Susanne Eichner, PhD students Cathrin Bengesser (Birkbeck, University of (AU, DK). London, UK), Postdoc Pei Sze Chow (MSCA AU), Associate Prof Susanne Eichner, (AU, DK. 1 6-9 June 2018: International conference: Transnational Television Drama: Tastes, Travels and Trends Wednesday 6 June 2018: Trends: Production Perspectives 15.00 Registration, welcome coffee & tea Venue 16.00 Welcome 16.15 Industry panel Co-producing for international markets Peter Boegh Andersen Aud Panel: Olivier Bibas (tbc), producer, Atlantique Prodcution (F), Piv Bernth, producer, Apple Tree Productions (DK), Peter Bose (tbc), producer, Miso Film (DK). -
Table of Contents
TABLE OF CONTENTS PAGE Introduction ANANDA KRISHNAN PROFILE AND BACKGROUND 3 - 8 MAXIS COMMUNICATION COMPANY PROFILE 9 - 12 ASTRO COMPANY PROFILE 13 - 20 STYLE OF LEADERSHIP 21 - 24 LEADERSHIP THEORY ADAPTATION 25 Conclusion 26 References 27 1 (a) Background of the leader: the aim of this section is to know and understand the leader as a person and the bases for his/her success. The data and information should be taken from any published sources such as newspapers, company reports, magazines, journals, books etc. INTRODUCTION ANANDA KRISHNAN Who is Ananda Krishnan? According to a report then by Bernama News Agency, the grandfathers of Tan Sri T. Ananda Krishnan and Tan Sri G. Gnanalingam had been brought to Malaysia from Jaffna by British colonial rulers to work in Malaysia¶s Public Works Department, a common practice then as Jaffna produced some of the most educated people in the whole country. Tan Sri Gnanalingam himself told one of our ministers that he wants to put something back into this country because his grandfather was Sri Lankan," Deputy Director-General of Sri Lanka's Board of Investment (BOI) Santhusht Jayasuriya had told a a group of visiting Malaysian journalists then, 2 according to the Bernama 2003 story. Gnanalingam, executive chairman of Malaysia's Westport, held talks with Prime Minister Ranil Wickremesinghe during a visit to Malaysia in 2003 and the former followed up with a visit to Colombo. In the same year a Memorandum of Understanding was formalized in March this year between 'Westport' and the Sri Lanka Ports Authority (SLPA). Westport is keen to invest in Sri Lanka but no formal process has begun. -
Eleadership for the 21 Century: Coping with New Challenges
E-Leader Budapest 2010 eLeadership for the 21 st century: coping with new challenges Frank Owarish, PhD Executive Director, International Institute for Strategic Research Training and Keller Graduate School of Management, New York, New York, USA Introduction Leadership has always been a crucial factor in the advancement of society as a whole and of specific segments thereof such as government organizations or business companies. No entities can progress without leadership. Studies have been undertaken over time to capture the essence of leadership and much has been written about the subject which is even taught in several universities. Leadership can be exercised by a single person or by a group (collective leadership such as that of a university senate) depending on the context. There are also different expectations from leaders depending on the particular socio-political context. As society has evolved and become more complex, leadership has become more demanding. Leadership which may have been successful in a prior era may not be suited to a new era. Leadership may also have to be adapted to specific circumstances. While there is much to the credit of the so-called democratic leadership, there may be situations which require a strong hand such as autocratic leadership. Also, leadership which may be suitable for a traditional society may not be suitable for a modern technological society. The so called advanced, developed, societies are facing leadership challenges. The context has changed drastically over th years, yet leaders with style which may have worked in the previous era often do not realize that a new leadership approach may be needed. -
Complaints Dealt with by the Communications Authority (“CA”) (Released on 15 December 2020)
Complaints dealt with by the Communications Authority (“CA”) (released on 15 December 2020) The CA considered the following cases which had been deliberated by the Broadcast Complaints Committee (“BCC”) – Complaint Cases 1. Television Programme “Another Hong Kong” (另一個香港) broadcast by Television Broadcasts Limited (“TVB”), PCCW Media Limited (“now TV”), Hong Kong Cable Television Limited (“HKCTV”) and Radio Television Hong Kong (“RTHK”) 2. Radio Programmes “Weekend Lucky Star” (潮爆開運王) broadcast by Hong Kong Commercial Broadcasting Company Limited (“CRHK”) The CA also considered cases of dissatisfaction with the decisions of the Director-General of Communications (“DG Com”) on complaint cases. Having considered the recommendations of the BCC, the CA decided– 1. that the complaints against the television programme “Another Hong Kong” (另 一個香港) were unsubstantiated. Nevertheless, there is scope to improve identification of the source of acquired/relayed factual programmes on controversial issues of public importance in Hong Kong to help viewers in making decisions in their choice of programmes and in forming their expectations and judgements. The CA suggested that TVB could inform viewers of the existence of other parts of such programmes which were not broadcast on its service, and that now TV and HKCTV should provide sufficient information about the source of such programmes in a prominent manner prior to their broadcast; 2. that strong advice should be given to CRHK on the complaint against the radio programmes “Weekend Lucky Star” (潮爆開運王); and 3. to uphold the decisions of the DG Com on two cases of dissatisfaction with the decisions of the DG Com. The list of the cases is available in the Appendix. -
PDF Full Report
Heightening Sense of Crises over Press Freedom in Hong Kong: Advancing “Shrinkage” 20 Years after Returning to China April 2018 YAMADA Ken-ichi NHK Broadcasting Culture Research Institute Media Research & Studies _____________________________ *This article is based on the same authors’ article Hong Kong no “Hodo no Jiyu” ni Takamaru Kikikan ~Chugoku Henkan kara 20nen de Susumu “Ishuku”~, originally published in the December 2017 issue of “Hoso Kenkyu to Chosa [The NHK Monthly Report on Broadcast Research]”. Full text in Japanese may be accessed at http://www.nhk.or.jp/bunken/research/oversea/pdf/20171201_7.pdf 1 Introduction Twenty years have passed since Hong Kong was returned to China from British rule. At the time of the 1997 reversion, there were concerns that Hong Kong, which has a laissez-faire market economy, would lose its economic vigor once the territory is put under the Chinese Communist Party’s one-party rule. But the Hong Kong economy has achieved generally steady growth while forming closer ties with the mainland. However, new concerns are rising that the “One Country, Two Systems” principle that guarantees Hong Kong a different social system from that of China is wavering and press freedom, which does not exist in the mainland and has been one of the attractions of Hong Kong, is shrinking. On the rankings of press freedom compiled by the international journalists’ group Reporters Without Borders, Hong Kong fell to 73rd place in 2017 from 18th in 2002.1 This article looks at how press freedom has been affected by a series of cases in the Hong Kong media that occurred during these two decades, in line with findings from the author’s weeklong field trip in mid-September 2017. -
Ace AV Solution Vtek ARD-CX5 Channels List with Web Link As at 21St Nov, 2011
Ace AV Solution Vtek ARD-CX5 Channels List with Web Link as at 21st Nov, 2011. No 频道 Channel Language Service Provider Country Web Link 1 广东电视台体育频道 Guangdong Sports Cantonese Guangdong Television China http://www.gdtv.com.cn/newpage/dabenying/typd/index.asp 2 珠江台 GDTV Cantonese Guangdong Television China http://www.gdtv.com.cn/newpage/dabenying/zjpd2/index.asp 3 高尔夫 Golfbox China English Golf Box, China China http://www.golfbox.cn/ 4 CHC-HD 高清电影 CHC-HD Chinese Movies Mandarin People's Republic of China China http://www.chc2004.cn/huacheng/chc_h.htm 5 中国中央电视台5体育 CCTV5 Mandarin People's Republic of China China http://cctv.cntv.cn/cctv5/ 6 中國中央電視台13新聞 CCTV13 Mandarin People's Republic of China China http://cctv.cntv.cn/cctvxinwen/ 7 中國中央電視台1綜合 CCTV1 Mandarin People's Republic of China China http://cctv.cntv.cn/cctv1/ 8 中國中央電視台2財經 CCTV2 Mandarin People's Republic of China China http://cctv.cntv.cn/cctv2/ 9 中國中央電視台3綜藝 CCTV3 Mandarin People's Republic of China China http://cctv.cntv.cn/cctv3/ 10 中國中央電視台4中文國際(亞洲) CCTV4 Mandarin People's Republic of China China http://cctv.cntv.cn/cctv4asia/ 11 中國中央電視台8電視劇 CCTV8 Mandarin People's Republic of China China http://cctv.cntv.cn/cctv8/ 12 凤凰卫视台 Phoenix Satellite TV Mandarin Phoenix Satellite Television Holdings Limited China http://phtv.ifeng.com/ 13 凤凰资讯台 Phoenix Satellite TV News Mandarin Phoenix Satellite Television Holdings Limited China http://news.ifeng.com/ 14 東方衛視 Dragontv Mandarin Shanghai Media Group China http://www.dragontv.cn/ 15 江蘇衛視 Jiangsu Satallite TV (JSBC) Mandarin Jiangsu Broadcasting Corporation China http://www.jsbc.com/ 16 深圳体育 Shenzhen Sports Mandarin Shenzhen Media Group China http://www.sztv.com.cn/szmg_television/index.do?a=channelindex0506&m=0506 17 湖南卫视 Hunantv Mandarin Golden Eagle Broadcasting System China http://zixun.hunantv.com/ 18 古巴电视 Cubavision Spanish Cuban Institute of Radio and Television Cuba http://www.cubavision.cubaweb.cu/portada.asp 19 法国时装 Fashion TV English Fashion TV France http://www.ftv.com/schedule 20 法国电视 TV5Monde French TV5MONDE, S.A. -
The Cultural Politics of Tobacco Control in Hong Kong
Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of Cultural Studies 2009 Beyond public health : the cultural politics of tobacco control in Hong Kong Wai Yin CHAN Follow this and additional works at: https://commons.ln.edu.hk/cs_etd Part of the Critical and Cultural Studies Commons, Health Policy Commons, and the Social Control, Law, Crime, and Deviance Commons Recommended Citation Chan, W. Y. (2009).Beyond public health : the cultural politics of tobacco control in Hong Kong (Doctor's thesis, Lingnan University, Hong Kong). Retrieved from http://dx.doi.org/10.14793/cs_etd.4 This Thesis is brought to you for free and open access by the Department of Cultural Studies at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. BEYOND PUBLIC HEALTH: THE CULTURAL POLITICS OF TOBACCO CONTROL IN HONG KONG CHAN WAI YIN PHD LINGNAN UNIVERSITY 2009 BEYOND PUBLIC HEALTH: THE CULTURAL POLITICS OF TOBACCO CONTROL IN HONG KONG by CHAN Wai Yin A thesis submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in Cultural Studies Lingnan University 2009 ABSTRACT Beyond Public Health: The Cultural Politics of Tobacco Control in Hong Kong by CHAN Wai Yin Doctor of Philosophy This work provides cultural and political explanations on how and why cigarette smoking has increasingly become an object of intolerance and control in Hong Kong. -
Independent Cinema in the Chinese Film Industry
Independent cinema in the Chinese film industry Tingting Song A thesis submitted in partial fulfilment of the requirements of the degree of Doctor of Philosophy Faculty of Creative Industries Queensland University of Technology 2010 Abstract Chinese independent cinema has developed for more than twenty years. Two sorts of independent cinema exist in China. One is underground cinema, which is produced without official approvals and cannot be circulated in China, and the other are the films which are legally produced by small private film companies and circulated in the domestic film market. This sort of ‘within-system’ independent cinema has played a significant role in the development of Chinese cinema in terms of culture, economics and ideology. In contrast to the amount of comment on underground filmmaking in China, the significance of ‘within-system’ independent cinema has been underestimated by most scholars. This thesis is a study of how political management has determined the development of Chinese independent cinema and how Chinese independent cinema has developed during its various historical trajectories. This study takes media economics as the research approach, and its major methods utilise archive analysis and interviews. The thesis begins with a general review of the definition and business of American independent cinema. Then, after a literature review of Chinese independent cinema, it identifies significant gaps in previous studies and reviews issues of traditional definition and suggests a new definition. i After several case studies on the changes in the most famous Chinese directors’ careers, the thesis shows that state studios and private film companies are two essential domestic backers for filmmaking in China. -
2016 Annual Report
FINANCIAL HIGHLIGHTS Revenue and Prot Attributable to 2016 2015 Change Equity Holders of the Company Revenue (Continuing operations) Prot Attributable to Equity Holders of the Company Performance 6,000 Earnings per share HK$1.14 HK$3.04 -62% Dividends per share 5,000 - Interim HK$0.60 HK$0.60 – - Final – HK$2.00 -100% 4,000 HK$0.60 HK$2.60 -77% 3,000 HK$’mil HK$’mil HK$’ million HK$’ Revenue 2,000 - Hong Kong TV broadcasting 2,707 3,105 -13% - Hong Kong digital new media 1,000 business 230 170 35% - Programme licensing and 0 distribution 1,019 951 7% 2012 2013 2014 2015 2016 - Overseas pay TV operations 169 186 -9% YEAR - Channel operations 90 105 -14% Earnings & Dividends# Per Share - Other activities 191 129 48% - Inter-segment elimination (196) (191) 2% Earnings per Share Dividends# per Share 4,210 4,455 -5% 4.5 HK$’mil HK$’mil 4 Segment (loss)/profit* 3.5 - Hong Kong TV broadcasting (71) 551 N/A 3 - Hong Kong digital new media business (29) 41 N/A 2.5 - Programme licensing and HK$ 2 distribution 444 410 8% - Overseas pay TV operations (40) (30) 31% 1.5 - Channel operations 2 18 -87% 1 - Other activities 27 11 151% 0.5 - Corporate support (33) – N/A - Inter-segment elimination 1 (1) N/A 0 2012 2013 2014 2015 2016 301 1,000 -70% YEAR # excluding special dividend Total expenses∆ 3,888 3,439 13% 2016 Revenue by Operating Segment Profit attributable to equity holders 500 1,331 -62% % relating to 2015 are shown in brackets 31 December 31 December Hong Kong TV 2016 2015 broadcasting HK$’mil HK$’mil 63% (69%) Total assets 12,357 9,113 36% -
Big Four Coming to the Venetian Macao for Third Time Hong Kong Cantopop Stars to Perform at Venetian Theatre
Big Four Coming to The Venetian Macao for Third Time Hong Kong Cantopop stars to perform at Venetian Theatre (Macao, Oct. 30, 2014) – Cantopop stars Big Four will perform one night only at The Venetian® Macao’s Venetian Theatre on Friday, Nov. 21 with its WOW An Evening date with Big Four. Tickets go on sale Oct. 31 at all Cotai Ticketing box offices*. The band’s return to The Venetian Macao is part of an exciting weekend of superstar entertainment at the popular integrated resort. Sunday, Nov. 23 will also see the return of boxing icon Manny Pacquiao, as he takes on the undefeated Chris Algieri at Clash in Cotai II. Tickets are still available, priced HKD/MOP 880-24,080, so fans are urged to grab tickets now at www.cotaiticketing.com. Both events give visitors a chance to experience spectacular live entertainment while enjoying the convenience of The Venetian Macao’s diverse selection of world-class shopping and dining choices. Formed in 2009, Big Four is made up of friends Dicky Cheung, Andy Hui, William So and Edmond Leung. The Hong Kong actor-singers are set to entertain the Macao audience this November with WOW An Evening date with Big Four, a concert filled with their greatest hits, including “Big Four,” “Powerless to Help,” “The Pain of Men,” and “Man Should Not Make Woman Cry.” Tickets for the 8 p.m., Nov. 21 performance of WOW An Evening date with Big Four at the Venetian Theatre go on sale Friday, Oct. 31 via Cotai Ticketing and can be purchased for HKD/MOP 780 (A Reserve), 580 (B Reserve) and 380 (C Reserve); HKD/MOP 88 adds a round trip Cotai Water Jet ferry ticket between Hong Kong and * The Venetian Macao – Cotai Arena and Main Lobby box offices; Four Seasons Hotel Macao – The Plaza™ Macao box office; Sands® Macao – L1 box office; Sands® Cotai Central – Sheraton Main Lobby and Holiday Inn Main Lobby Page 1 of 3 Macao.