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Executive Summary of the Opinion Survey
Survey on the Regulation of Indirect Advertising and Sponsorship in Domestic Free Television Programme Services in Hong Kong Opinion Survey Executive Summary Prepared for Communications Authority By MVA Hong Kong Limited August 2017 Survey on the Regulation of Indirect Advertising and Sponsorship in Domestic Free Television Programme Services in Hong Kong MVA Hong Kong Limited Opinion Survey – Executive Summary Table of Contents Page no. 1 SURVEY BACKGROUND AND OBJECTIVE............................................................................... 1 1.1 Survey Background and Objective ................................................................................................ 1 2 SURVEY METHODOLOGY ..................................................................................................... 2 2.1 Sample Coverage and Target Respondents .................................................................................. 2 2.2 Data Collection Method ................................................................................................................ 2 2.3 Fieldwork Period and Response Rate ........................................................................................... 2 2.4 Weighting ...................................................................................................................................... 2 3 SURVEY FINDINGS ............................................................................................................... 3 3.1 Findings Presentation................................................................................................................... -
Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. -
Digital News Report 2018 Reuters Institute for the Study of Journalism / Digital News Report 2018 2 2 / 3
1 Reuters Institute Digital News Report 2018 Reuters Institute for the Study of Journalism / Digital News Report 2018 2 2 / 3 Reuters Institute Digital News Report 2018 Nic Newman with Richard Fletcher, Antonis Kalogeropoulos, David A. L. Levy and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2018 4 Contents Foreword by David A. L. Levy 5 3.12 Hungary 84 Methodology 6 3.13 Ireland 86 Authorship and Research Acknowledgements 7 3.14 Italy 88 3.15 Netherlands 90 SECTION 1 3.16 Norway 92 Executive Summary and Key Findings by Nic Newman 8 3.17 Poland 94 3.18 Portugal 96 SECTION 2 3.19 Romania 98 Further Analysis and International Comparison 32 3.20 Slovakia 100 2.1 The Impact of Greater News Literacy 34 3.21 Spain 102 2.2 Misinformation and Disinformation Unpacked 38 3.22 Sweden 104 2.3 Which Brands do we Trust and Why? 42 3.23 Switzerland 106 2.4 Who Uses Alternative and Partisan News Brands? 45 3.24 Turkey 108 2.5 Donations & Crowdfunding: an Emerging Opportunity? 49 Americas 2.6 The Rise of Messaging Apps for News 52 3.25 United States 112 2.7 Podcasts and New Audio Strategies 55 3.26 Argentina 114 3.27 Brazil 116 SECTION 3 3.28 Canada 118 Analysis by Country 58 3.29 Chile 120 Europe 3.30 Mexico 122 3.01 United Kingdom 62 Asia Pacific 3.02 Austria 64 3.31 Australia 126 3.03 Belgium 66 3.32 Hong Kong 128 3.04 Bulgaria 68 3.33 Japan 130 3.05 Croatia 70 3.34 Malaysia 132 3.06 Czech Republic 72 3.35 Singapore 134 3.07 Denmark 74 3.36 South Korea 136 3.08 Finland 76 3.37 Taiwan 138 3.09 France 78 3.10 Germany 80 SECTION 4 3.11 Greece 82 Postscript and Further Reading 140 4 / 5 Foreword Dr David A. -
PDF Full Report
Heightening Sense of Crises over Press Freedom in Hong Kong: Advancing “Shrinkage” 20 Years after Returning to China April 2018 YAMADA Ken-ichi NHK Broadcasting Culture Research Institute Media Research & Studies _____________________________ *This article is based on the same authors’ article Hong Kong no “Hodo no Jiyu” ni Takamaru Kikikan ~Chugoku Henkan kara 20nen de Susumu “Ishuku”~, originally published in the December 2017 issue of “Hoso Kenkyu to Chosa [The NHK Monthly Report on Broadcast Research]”. Full text in Japanese may be accessed at http://www.nhk.or.jp/bunken/research/oversea/pdf/20171201_7.pdf 1 Introduction Twenty years have passed since Hong Kong was returned to China from British rule. At the time of the 1997 reversion, there were concerns that Hong Kong, which has a laissez-faire market economy, would lose its economic vigor once the territory is put under the Chinese Communist Party’s one-party rule. But the Hong Kong economy has achieved generally steady growth while forming closer ties with the mainland. However, new concerns are rising that the “One Country, Two Systems” principle that guarantees Hong Kong a different social system from that of China is wavering and press freedom, which does not exist in the mainland and has been one of the attractions of Hong Kong, is shrinking. On the rankings of press freedom compiled by the international journalists’ group Reporters Without Borders, Hong Kong fell to 73rd place in 2017 from 18th in 2002.1 This article looks at how press freedom has been affected by a series of cases in the Hong Kong media that occurred during these two decades, in line with findings from the author’s weeklong field trip in mid-September 2017. -
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Reddening Or Reckoning?
Reddening or Reckoning? An Essay on China’s Shadow on Hong Kong Media 22 Years after Handover from British Rule Stuart Lau Journalist Fellow 2018 Reuters Institute for the Study of Journalism University of Oxford August 2019 CONTENTS 1. Preface 2 2. From top to bottom: the downfall of a TV station 4 3. Money, Power, Media 10 4. “Political correctness”: New normal for media 20 5. From the Big Brother: “We are watching you” 23 6. Way forward - Is objective journalism still what Hong Kong needs? 27 1 Preface Hong Kong journalists have always stood on the front line of reporting China, a country that exercises an authoritarian system of government but is nonetheless on track to global economic prominence. The often-overlooked role of Hong Kong journalists, though, has gained international attention in summer 2019, when weeks of citywide protests has viralled into the largest-scale public opposition movement ever in the city’s 22-year history as a postcolonial political entity under Chinese sovereignty, forcing the Hong Kong government into accepting defeat over the hugely controversial extradition bill. While much can be said about the admirable professionalism of Hong Kong’s frontline journalists including reporters, photojournalists and video journalists, most of whom not having received the level of warzone-like training required amid the police’s unprecedentedly massive use of potentially lethal weapons, this essay seeks to examine something less visible and less discussed by international media and academia: the extent to which China influences Hong Kong’s media organisations, either directly or indirectly. The issue is important on three levels. -
Estructura Mediática En China, Rusia E India Media Structures in China
Revista TELOS (Cuadernos de Comunicación e Innovación) - www.telos.es Autores invitados Autor/es: Ramón Reig y Antonio Javier Martín Ávila La comunicación en los países emergentes Estructura mediática en China, Rusia e India Communications in Emerging Nations Media Structures in China, Rusia and India RESUMEN: El propósito de este trabajo es establecer un mapa estructural de la situación comunicativa en China, Rusia e India, tres grandes potencias que de forma progresiva se han ido posicionando en el mercado mediático global. Palabras clave: Medios de comunicación, China, Rusia, India, Mercado ABSTRACT: The intention of this work is to establish a structural map of the communicative situation in China, Rusia and India, three big powers that progressive form haver been taking positioning in the media global market. Keywords: Mass media, China, Rusia, India, Market China Hasta el año 2004, las actividades de producción y gestión de radio y televisión, así como la producción cinematográfica de compañías de capital extranjero pertenecían a la categoría de ‘restringidas' y podía haber participación externa sin necesidad de un socio chino que tuviera un porcentaje accionarial mayoritario. A partir de 2007, en cambio, estas actividades han pasado a estar prohibidas. Con esta medida se limita el número de compañías extranjeras que pueden intervenir en el mercado chino y se preserva un margen de control para el gobierno. China Radio, Film and Television Group (CRFTG) El conglomerado mediático estatal China Radio, Film and Television Group (CRFTG) nació en el año 2001 con la intención de aglutinar todas las estaciones de difusión, compañías e instituciones que controla el State Administration of Radio, Film and Television (SARFT), es decir, el organismo chino encargado de que el sistema informativo del país funcione bajo los intereses del gobierno. -
When Business Met Politics the Case of Want Want, a Different Type of Media Capital in Taiwan
China Perspectives 2017/2 | 2017 Processual Change in Taiwan When Business Met Politics The Case of Want Want, a Different Type of Media Capital in Taiwan Lihyun Lin and Chun-Yi Lee Electronic version URL: http://journals.openedition.org/chinaperspectives/7333 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 June 2017 Number of pages: 37-46 ISSN: 2070-3449 Electronic reference Lihyun Lin and Chun-Yi Lee, « When Business Met Politics », China Perspectives [Online], 2017/2 | 2017, Online since 01 June 2018, connection on 28 October 2019. URL : http://journals.openedition.org/ chinaperspectives/7333 © All rights reserved Special feature China perspectives When Business Met Politics The Case of Want Want, a Different Type of Media Capital in Taiwan LIHYUN LIN AND CHUN-YI LEE ABSTRACT: Since 2008, the Taiwanese business group Want Want, having made a fortune in China, has returned to Taiwan to buy a major media group and attempt to exert political influence on Taiwanese society. This paper analyses the rise and rationale of this new type of media inves - tor in the light of the business-government relationship under China’s model of state capitalism. According to the analysis developed in this paper, when China needed foreign investment in the early 1990s, Taiwanese investors were warmly welcomed by the Chinese government, which provided Taiwanese businesses with tax incentives at that time. After 2000, however, when not only domestic Chinese entrepreneurs emerged but also more non-Chinese investors entered the Chinese markets, Taiwanese businesses realised that the investment environment had become much more competitive, so they had to work hard on building ties with Chinese officials. -
Alternative Media and Street Politics in Hong Kong
International Journal of Communication 12(2018), 3707–3728 1932–8036/20180005 Digital Amplification of Fringe Voices: Alternative Media and Street Politics in Hong Kong YIDONG WANG University of Wisconsin–Madison, USA This study examined the development of alternative media in Hong Kong from 2012 to 2016. This time period saw a proliferation of media outlets that represented alternative voices. Adopting the theoretical framework of media ecology, I analyzed the political economy of the alternative media niche. The emergence of the alternative media niche was facilitated by digital technologies, but technological development was not the sole driving force. The centralization of media ownership collided the ability of mainstream media outlets to represent a wide spectrum of opinions. Meanwhile, the legitimacy of institutional politics was challenged by street politics, and hence the loosening of institutional control over ideology opened up a new space for political discussion and civic engagement. Alternative media used digital technologies to respond to this decreased supply and increased demand for media production that amplified fringe voices within the Hong Kong civil society. Keywords: alternative media, media ecology, Hong Kong localism, political economy, media ownership Hong Kong is a media-saturated society. The city has a population of 7.3 million and a high volume of media products circulating among the local population. There are 52 daily newspapers, more than 600 periodicals, and seven licensed broadcast networks serving the 2.5 million households in Hong Kong (“Hong Kong: The Facts,” 2016). The statistics do not yet include many alternative media outlets that publish on a smaller scale but represent emerging fringe voices. -
A List of Licensed Broadcasting Services in Hong Kong (As at 1 June 2021)
A List of Licensed Broadcasting Services in Hong Kong (As at 1 June 2021) A. Television Services Receivable in Hong Kong I. Domestic Free Television Programme Services Licensee Name of Channel (1) Television Broadcasts Limited 81. Jade 82. J2 83. TVB News 84. Pearl 85. TVB Finance & Information (2) HK Television Entertainment Company 96. ViuTVsix Limited 99. ViuTV (3) Fantastic Television Limited 76. Hong Kong International Business Channel 77. Hong Kong Open TV II. Domestic Pay Television Programme Services Channel Licensee Name of Channel Satellite No. (1) Hong Kong Cable 108 i-CABLE Finance Info Channel NA Television Limited (HD) (Total No. of Channels: 135) 109 i-CABLE News Channel (HD) 110 i-CABLE Live News Channel (HD) 111 CCTV-News 112 CCTV 4 113 Phoenix Info News Channel (HD) 114 ETTV Asia News 121 Sky News 122 BBC World News 123 FOX News 124 CNNI 125 CNN HLN 126 NHK World-Japan 127 CNBC 128 Bloomberg TV HD 129 CGTN 130 Channel NewsAsia 131 Russia Today 133 Al Jazeera English 134 France24 French 135 France24 English 139 DW (English) - 2 - Channel Licensee Name of Channel Satellite No. 140 DW (Deutsch) 151 i-CABLE Finance Info Channel 152 i-CABLE News Channel 153 i-CABLE Live News Channel 154 Phoenix Info News 155 Bloomberg 201 HD CABLE Movies 202 My Cinema Europe HD 204 Star Chinese Movies 205 SCM Legend 214 FOX Movies 215 FOX Family Movies 216 FOX Action Movies 218 HD Cine p. 219 Thrill 251 CABLE Movies 252 My Cinema Europe 253 Cine p. 301 HD Family Entertainment Channel 304 Phoenix Hong Kong 305 Pearl River Channel 311 FOX 312 FOXlife 313 FX 317 Blue Ant Entertainment HD 318 Blue Ant Extreme HD 319 Fashion TV HD 320 tvN HD 322 NHK World Premium 325 Arirang TV 326 ABC Australia 331 ETTV Asia 332 STAR Chinese Channel 333 MTV Asia 334 Dragon TV 335 SZTV 336 Hunan TV International 337 Hubei TV 340 CCTV-11-Opera 341 CCTV-1 371 Family Entertainment Channel 375 Fashion TV 376 Phoenix Chinese Channel 377 tvN 378 Blue Ant Entertainment 502 Asia YOYO TV 510 Dreamworks 511 Cartoon Network - 3 - Channel Licensee Name of Channel Satellite No. -
A1) a New Online Platform with All TVB Productions - Mytv SUPER
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Money Matters – a Cross-National Study of Economic Influences on TV News
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2010 Money Matters – A Cross-National Study of Economic Influences on TV News Nguyen Vu, Hong Nga Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-77675 Dissertation Published Version Originally published at: Nguyen Vu, Hong Nga. Money Matters – A Cross-National Study of Economic Influences on TV News. 2010, University of Zurich, Faculty of Arts. Money Matters – A Cross-‐National Study of Economic Influences on TV News Thesis presented to the Faculty of Arts of the University of Zurich for the degree of Doctor of Philosophy by Hong Nga Nguyen Vu from Germany Accepted in the spring semester 2010 on the recommendation of Prof. Dr. Frank Esser and Prof. Dr. Heinz Bonfadelli Zurich, October 2010 Acknowledgements First of all, I would like to thank my advisor Frank Esser for his trust, encouragement and advice throughout the years of my Ph.D. He is the most supportive advisor one could ever imagine and a great researcher from whom I have gladly learned to “go comparative.” Further, I would like to thank Thomas Hanitzsch, Michael Bauer and Heinz Bonfadelli for the excellent collaboration in the Foreign News on TV project. I am also grateful to Heinz Bonfadelli for agreeing to co‐examine my thesis. I am greatly indebted to all members of the Foreign News on TV project who have kindly given me permission to use their TV news content data for this thesis and who also helped me gather data on the TV system and TV channels in their countries.