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Bitch the Politics of Angry Women
Bitch The Politics of Angry Women Kylie Murphy Bachelor of Arts with First Class Honours in Communication Studies This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2002. DECLARATION I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. Kylie Murphy ii ABSTRACT ‘Bitch: the Politics of Angry Women’ investigates the scholarly challenges and strengths in retheorising popular culture and feminism. It traces the connections and schisms between academic feminism and the feminism that punctuates popular culture. By tracing a series of specific bitch trajectories, this thesis accesses an archaeology of women’s battle to gain power. Feminism is a large and brawling paradigm that struggles to incorporate a diversity of feminist voices. This thesis joins the fight. It argues that feminism is partly constituted through popular cultural representations. The separation between the academy and popular culture is damaging theoretically and politically. Academic feminism needs to work with the popular, as opposed to undermining or dismissing its relevancy. Cultural studies provides the tools necessary to interpret popular modes of feminism. It allows a consideration of the discourses of race, gender, age and class that plait their way through any construction of feminism. I do not present an easy identity politics. These bitches refuse simple narratives. The chapters clash and interrogate one another, allowing difference its own space. I mine a series of sites for feminist meanings and potential, ranging across television, popular music, governmental politics, feminist books and journals, magazines and the popular press. -
MANUSCRIPT Before KG.Docx
Prostitutes, Virgins and Mothers: Questioning Teachings About Biblical Women Table of Contents Introduction 4-14 1. Sarah, The First Matriarch in the Genealogy of Jesus 15-29 2. The Women of Sarah’s Family 30-46 3. Foreign Women in Jesus’ Genealogy 47-58 4. Women in Jesus’ Family 59-77 5. Women Disciples of Jesus 78-92 6. Women in Jesus’ Parables and Public Life 93-112 7. Women in the Development of the Early Church and the Epistles 113-136 8. More than Bible Study137-163 1 Acknowledgments In an essay I wrote during my graduate work for Dr. Letty Russell and J. Shannon Clarkson, I stated, “I am still ignorant because of my inability to read the texts in their original language. I am grateful to theologians like Phyllis Trible who can read the texts in their original language and present the information in a form I can use.” Letty wrote in the margin of my essay, “Even if you could read Hebrew you would need other interpretations to assist in interpretation—we all need another’s help.” I am grateful to Letty and Shannon for mothering me through my Doctor of Ministry program. In 1995, I was lucky enough to take a class from Sister Miriam Therese Winter at the Graduate Theological Union. She wrote three of the required texts for the class: Woman Wisdom: A Feminist Lectionary and Psalter Women of the Hebrew Scriptures: Part One, Woman Witness: A Feminist Lectionary and Psalter Women of the Hebrew Scriptures: Part Two and Woman Word: A Feminist Lectionary and Psalter Women of the New Testament. -
The Molloy Student Literary Magazine
The Molloy Student Literary Magazine Volume 16 (2018) Managing Editor Damian Ward Hey, Ph.D. English Department; [email protected] ____________________________________ Given sufficient content, The Molloy Student Literary Magazine is published twice a year in Spring and Fall. Otherwise, MSLM is published annually. The Molloy Student Literary Magazine is supported by the English Department at Molloy College. All authors retain copyright of their submitted and/or published work. The Molloy Student Literary Magazine 1 Letter from the Editor The Molloy Student Literary Magazine, produced out of Molloy’s English Department, is devoted to publishing the best previously unpublished works of prose, poetry, drama, literary review, criticism, and other literary genres, that the Molloy student community has to offer. The journal welcomes submissions, for possible publication, from currently enrolled Molloy students at all levels. All submitted work will undergo a review process by the Managing Editor prior to a decision being made regarding publication of said work. Although The Molloy Student Literary Magazine is generally a yearly publication, given sufficient content, it may upon occasion be published twice annually in Spring and Fall. 2 The Molloy Student Literary Magazine Interested contributors from the currently enrolled Molloy student community should send work via e-mail attachment and brief cover letter (including a two- sentence biographical statement) to: Dr. Damian Ward Hey, Managing Editor, The Molloy Student Literary Magazine: [email protected]. Enrolled students who are interested in becoming members of The Molloy Student Literary Magazine staff may e-mail letters of inquiry. Excelsior! Damian Ward Hey, Ph.D. Managing Editor Faculty Moderator The Molloy Student Literary Magazine 103F Siena Hall; [email protected] The Molloy Student Literary Magazine 3 Note on Content and Editorial Policy: Potential contributors should keep in mind that The Molloy Student Literary Magazine is not a vehicle for political content nor for other content of a controversial nature. -
“We're Going to Make the Rolling Stones Look Like Choirboys.”
“We’re going to make The Rolling Stones look like choirboys.” Alice Cooper lice Cooper still looks like a witch: long, raggedy arms, a thatch of crow-feather hair and a large Captain Hook beaked nose. Even without his kohl eye make-up, his grey-blueA eyes wink out just like they did on his million-selling ’70s album covers. His face is creased and his skin is a little looser, but Alice doesn’t look that different from how he did when he was a threat to American decency. He’s tremendously easy company – warm, gracious and happy to retell well-worn stories, and laughing while he does. You can imagine him holding court with The Hollywood Vampires (his 1970s fraternity of terrifyingly hard-drinking musicians that included Keith Moon, Harry Nilsson and John Lennon), and you can see why celebrities like Johnny Depp regard him as a close friend. Smart and slightly self-effacing, he’s also surprisingly similar to his cameo in Wayne’s World, where he played the dignified elder statesman of rock lecturing his stunned fans with expert detail about the pre-settle- ment history of America. Vincent Damon Furnier may be a sophisticated and sober sixty-eight-year-old, golf-obsessed Republican, but he speaks with real fondness about Alice, often referring to him in the third person. Hearing about the height of his fame (and let’s not forget he was face-on-a-lunchbox, TV-holiday-special, Marvel-comic-about- your-exploits famous), it’s obvious he relishes the controversy he caused, but he never set out to corrupt anyone – only to entertain them. -
Brooks Double Live
www.emimusic.ca 17 NOVEMBER STORES IN COLLECTIONS RELEASE LIMITED AND EDITION CANADIAN LIMITED DELUXE SONG IT'SYOUR SINGLE NEW THE INCLUDES SONGS NEW 3 SINGLES #1 17 SONGS 25 SET CD 2 SET CE, VE DOUBLE LIVE .UHLE LIVE DOUBLE BROOKS GARTH IS LIVE GARTH THAN BETTER THING ONLY THE Mail Publication 1998 16, November 08141 No. Registration 68 Volume GST) .20 plus ($2.80 8 No. $3.00 - 116 V2 finally opens Ca) It's high gear for V2 Records, the 1 (%; 100HIT TRACKS maverick entrepreneur Richard Brant the label has officially opened its doo & where to find them V2 was officially established here se Record Distributor Codes: ago, and Alison Mercer named to overt BMG - N EMI - F Universal - J Canada's Only National 100 Hit Tracks Survey Polygram - Q Sony - H Warner - P indicates biggest mover .tk TW LW WO NOVEMBER 16,1998 1 1 4 THE SWEETEST THING 35 36 9 SOME KINDA WONDERFUL 68 70 5 ANGELENE U2 - Best Of 1980-90 Sky - Piece Of Paradise iQV PJ Harvey Mercury 314 534 613-1 EMI 58732 (promo CD) -F Island 314 524 - 1E11 6 5 DOO WOP (THAT THING) El_ 59 2 PRETTY FLY (FOR A WHITE GUY) 69 NEW STILL RAININ' Lauryn Hill - The Miseducation Of Lauryn Hill Offspring - Americana Jonny Lang - Wander This World Ruff House 69035 (promo CD) -H Columbia 69661 - H ABM 540984 - Q 3 3 11 MY FAVORITE MISTAKE 37 37 29 CRY at& 70 63 21 IMMORTALITY Sheryl Crow -The Globe Sessions Philosopher Kings - Famous Rich And Beautiful Celine Dion w/Bee Gees - Let's Talk About Love ABM 314 540 959 (comp 7)-Q Columbia 80291(comp 073)-H Columbia 68861 (comp 0751-H 4 4 5 SLIDE 38 38 22 CRUEL SUMMER 71 72 8 YOU DON'T LOVE ME GooGoo Dolls - Dizzy Up The Girl Ace Of Base - Cruel Summer The Philosopher Kings - Famous Rich 8. -
Euro Tour 2008
TLASILA/Sudden Infant: Euro Tour 2008 • To Live and Shave in L.A. (Les Tricoteuses, Savage Land Records, France, 2007; painting by Gregory Jacobsen.) To Live and Shave in L.A. (aka TLASILA) rip through sonic boundaries and demolish cultural mythologies with a kinetic mélange of violent, constantly shifting musique concrète structures, splintered electronics, and stark, dramatic vocalizations. Their powerfully evocative compositions can take the form of forty- minute Kuiper Belt freak-outs or dense, demonic, two-minute pipe bomb pop. Their avowed enemy is genre itself, their ultimate goal, unknowing. Hyper-literate texts, ungovernable performances, and a ruthlessly meticulous production regimen yield recordings without referent, sounds that garrote taxonomy. (TLASILA, live in Philadelphia, May 2007.) TLASILA was formed in Miami Beach, Florida in 1991 by Tom Smith, an alumnus of late 1970s-early 1980s dada-improv outsider cabals Boat Of and Peach of Immortality, and the earliest (1985) incarnation of Jon Spencer's legendary Pussy Galore. He was soon joined in TL&S by Frank "Rat file:///C|/Users/ommyth/Documents/My%20Webs/tlasila/tlasila_tour_pdf.htm (1 of 36)3/23/2008 10:36:47 AM TLASILA/Sudden Infant: Euro Tour 2008 Bastard" Falestra, a veteran of many aesthetically disruptive South Florida projects (most infamously, Scraping Teeth, and since the mid-1990s, the Laundry Room Squelchers), and Ben Wolcott, a filmmaker and lifelong circuit bender whose mammoth screeching oscillators sent early Shave audiences running for cover. Now a full-fledged collective comprising nearly 20 members, To Live and Shave in L.A. have released dozens of albums on a variety of international labels and have toured the world with jagged frequency for more than seventeen years. -
Bare Facts by Samantha Birmingham, Andy Gale, Sophie Rocks, Alex Cass, and Rob Dorey Should Industry Share the Financial Burden for Higher Education?
ED971031Issue 918.qxd 07/05/98 14:58 Page 1 (1,1) Issue 918 - Weekly Friday 31st October 1997 What made them see eye to eye? Matt Pannell Editor he Conservative MP for Guildford and the President of the National Union of TStudents spoke out together on Monday night against the Government’s proposed uni- versity tuition fees, at a public meeting held in the University Hall. For years, the two organisations have been in dispute over funding for Higher Education, yet the two men turned out to have plenty of common ground in opposing the cur- rent plans. Nick St Aubyn, who has represent- ed Guildford since the general election in May, said that the funding crisis in higher education “will get even worse....we can’t carry on like that.” Douglas Trainer, President of the National Union of Students attacked the Conservatives for having caused the cash shortage in the first place, but had some fierce criticism for the Labour Party, too, branding the Government “dead stupid” for introducing the proposals. Asked what realistic chance he stood of getting the proposals overturned by lobbying MP’s, he admitted that “our ability to get a revolt with a government majority of 170 is very limited.” Nick St.Aubyn,, Conservative MP for Guildford (above) Douglas Trainer , NUS President, Other speakers included a repreenta- And does anybody care? tive from the local Liberal Democrat Party, John Vincent, who in turn claimed that his party, too, was “100 % united against the Meningitis hits imposition of fees.” He said that the new scheme “will discourage students -
Music in Youth Culture: a Lacanian Approach
01_Muyo_FM.qxd 5/28/05 18:43 Page i M Y C This page intentionally left blank 01_Muyo_FM.qxd 5/28/05 18:43 Page iii M Y C A L A jan jagodzinski 01_Muyo_FM.qxd 5/30/05 22:12 Page iv MUSIC IN YOUTH CULTURE © jan jagodzinski, 2005. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. First published in 2005 by PALGRAVE MACMILLAN™ 175 Fifth Avenue, New York, N.Y. 10010 and Houndmills, Basingstoke, Hampshire, England RG21 6XS Companies and representatives throughout the world. PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN 1–4039–6530–7 Library of Congress Cataloging-in-Publication Data is available from the Library of Congress A catalogue record for this book is available from the British Library. Design by Newgen Imaging Systems (P) Ltd., Chennai, India. First edition: August 2005 10987654321 Printed in the United States of America. 01_Muyo_FM.qxd 5/28/05 18:43 Page v This book is dedicated to my son Jeremy When he reads it he will know why. This page intentionally left blank 01_Muyo_FM.qxd 5/28/05 18:43 Page vii C Introduction: Aural/Oral Connections 1 I T C 5 1. -
MUTANT POP Big Catalog
It’s the incredible free! MutantMutant PopPop Y Mailorder Catalog Hi again! Don’t forget to bookmark the web page: http://members.aol.com/mutantpop/index.html This month’s dose of joy is MP-30 VARIOUS ARTISTS “No Band Photo, Vol.1.” Yes, you read that right, no leather jacket boys on the sleeve, just a cool cartoon by Jeff Wilson, author of Sap. It looks swell and you get four little band photos inside along with my typical yeoman’s output of typos, so dry your little traditionalist eyes. Four bands for five bucks on two slabs of wonderful blue wax. THE FRATELLI’S are on side F, this is their first release ever. They’re four guys from Michigan and they deliver two uptempo, peppy, happy sounding cuts. “Nobody Likes Me Again” is the hit, an anthem for unpopular kids everywhere. THE FRATELLI’S fit into the puzzle next to bands like CARTER PEACE MISSION and THE KLOPECS, combining buzzing guitars and a warm, fuzzy ambiance with enough guitar grit to slide into the pages of Maximum Rocknroll. An excellent pop-punk band, I hope this is just the first of a series of FRATELLI’S stuff. Backing side F is side S. The big S stands for SPODIE and you certainly must know them by now. Their self-released “Pop Punk-a-Go Go” EP blows the doors off, their new split EP with PINCUSHION adds to their growing legacy. SPODIE is definitely the hardest of the four bands involved in this project, chas- ing it with two true-to-life relationship songs. -
D:\Teora\Radu\R\Pdf\Ghid Pop Rock\Prefata.Vp
DedicaÆie: Lui Vlad Månescu PREFAæÅ Lucrarea de faÆå cuprinde câteva sute de biografii çi discografii ale unor artiçti çi trupe care au abordat diverse stiluri çi genuri muzicale, ca pop, rock, blues, soul, jaz çi altele. Cartea este dedicatå celor care doresc så-çi facå o idee despre muzica çi activitatea celor mai cunoscuÆi artiçti, mai noi çi mai vechi, de la începutul secolului çi pânå în zilele noastre. Totodatå am inclus çi un capitol de termeni muzicali la care cititorul poate apela pentru a înÆelege anumite cuvinte sau expresii care nu îi sunt familiare. Fårå a se dori o lucrare foarte complexå, aceastå micå enciclopedie oferå date esenÆiale din biografia celor mai cunoscuÆi artiçti çi trupe, låsând loc lucrårilor specializate pe un anumit gen sau stil muzical så dezvolte çi så aprofundeze ceea ce am încercat så conturez în câteva rânduri. Discografia fiecårui artist sau trupå cuprinde albumele apårute de la începutul activitåÆii çi pânå în prezent, sau, de la caz la caz, pânå la data desfiinÆårii trupei sau abandonårii carierei. Am numit disc de platinå sau aur acele albume care s-au vândut într-un anumit numår de exemplare (diferit de la Æarå la Æarå, vezi capitolul TERMENI MUZICALI) care le-au adus acest statut. Totodatå, am inclus çi o serie de LP-uri BEST OF sau GREATEST HITS apårute la casele de discuri din întreaga lume. De aceea veÆi observa cå discografia unui artist sau a unei trupe cuprinde mai multe albume decât au apårut în timpul vieÆii sau activitåÆii acestora (vezi Jimi Hendrix, de exemplu) çi asta pentru cå industria muzicalå çi magnaÆii acesteia çi-au protejat contractele çi investiÆiile iniÆiale cât mai mult posibil, profitând la maximum de numele artiçtilor çi trupelor lor. -
The UWM Post
Tie Me Down is East Side 'win'" *»4L «L<i. one sharp store band review c_> %m> Page 8 Pages 10-11 March 20, 1997 The UWEstablished 1956 M PosVolume 41, Numbet r 24 The Annual East Side Guide m S3 HI H___ i "The voice ofthe campus" March 20, 1997 JEast Side Guide; Welcome to the East Side Guide CONTENTS East Side Guide 1997 A closer look at area eats A closer look at area eats p.2 By Matt Johnson and one, that had some good deals. I self an "East Sider," you have to Quick decisions needed for late night din Krista Kinnius had the roasted half-chicken visit this place every once in (with dressing) dinner for about awhile. ing p.3 It's that time of the year again. $8. It came with your choice of (It's a rite of passage-thing.) The UWM Post _ East Side Guide is soup or salad, a bread basket, I usually get their "Trader Localvideostoreshaveitall p.4 out, and it wouldn't be complete peas, along with your choice of omelette." (The cost is about without some kind of restaurant dessert (scoop of ice cream, $6.) It's this huge omelette that review. So, The News Dude brownie, slice of pie, etc.). Ev comes with a heaping side of Isgrafittiart? p.5 (that's me) and our "star" re erything was good, especially all potatoes, along with your choice porter (Krista Kinnius) signed the kinds of crackers they give of toast or muffin (get the latter, Feeding that caffeine addiction p.7 up to do them. -
The Rhapsodist
The Rhapsodist Spring 2017 Asheville-Buncombe Technical Community College Asheville, NC Editor’s Note: Editors Barbie Byrd Jeff Horner “You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was Dostoevsky and Dickens who taught me Erik Moellering that the things that tormented me most were the very things that connected Ella Mowad me with all the people who were alive, or who ever had been alive. Only if we Eric Overbey face these open wounds in ourselves can we understand them in other people. Mark Smith An artist is a sort of emotional or spiritual historian. His role is to make you realize the doom and glory of knowing who you are and what you are. He has to tell, because nobody else can tell, what it is like to be alive.” Readers -James Baldwin Kenet Adamson Jennifer Browning ___________________________ Abigail Hickman Lisa Johnson Dear Reader, Stephanie O’Brien As A-B Tech’s primary venue for literature and fine art, The Rhapsodist Beverly Williamson showcases the best examples of creative expression from our college’s diverse population. We are excited to share a journal filled with vision––some pain, heartbreak, and torment––but also, all the necessary joy, connection, and growth in between. Design/Layout Thank you for your continued support of The Rhapsodist. Porscha Orndorf & _____________________________ The Rhapsodist Editors Quoted in: Howard, Jane. “Doom and Glory of Knowing Who You Are.” Life. 24 May 1963, pp. 81-90. 2 3 Carmello...........................................................................21