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WXYC Brings You Gems from the Treasure of UNC's Southern
IN/AUDIBLE LETTER FROM THE EDITOR a publication of N/AUDIBLE is the irregular newsletter of WXYC – your favorite Chapel Hill radio WXYC 89.3 FM station that broadcasts 24 hours a day, seven days a week out of the Student Union on the UNC campus. The last time this publication came out in 2002, WXYC was CB 5210 Carolina Union Icelebrating its 25th year of existence as the student-run radio station at the University of Chapel Hill, NC 27599 North Carolina at Chapel Hill. This year we celebrate another big event – our tenth anni- USA versary as the first radio station in the world to simulcast our signal over the Internet. As we celebrate this exciting event and reflect on the ingenuity of a few gifted people who took (919) 962-7768 local radio to the next level and beyond Chapel Hill, we can wonder request line: (919) 962-8989 if the future of radio is no longer in the stereo of our living rooms but on the World Wide Web. http://www.wxyc.org As always, new technology brings change that is both exciting [email protected] and scary. Local radio stations and the dedicated DJs and staffs who operate them are an integral part of vibrant local music communities, like the one we are lucky to have here in the Chapel Hill-Carrboro Staff NICOLE BOGAS area. With the proliferation of music services like XM satellite radio Editor-in-Chief and Live-365 Internet radio servers, it sometimes seems like the future EDITOR-IN-CHIEF: Nicole Bogas of local radio is doomed. -
Freier Download BA 67 Als
BAD 67 ALCHEMY 1 Martin Büsser gewidmet 1968 - 2010 2 WHAT A DIFFERENCE A NIGHT MAKES Ah, Serenade kommt tatsächlich von sereno. Weil sie unter heiterem Himmel stattfindet. Der 10. August 2010 ist so ein Abend, ideal, um ihn beim WÜRZ- BURGER HAFENSOMMER mit dem PORTICO QUARTET zu genießen. Vier le- ger gekleidete Jungmänner entern die schwimmende Bühne hinter dem Heiz- kraftwerk und beginnen, die genial verhuschten Federwölkchen über uns abzu- malen. Duncan Bellamy an den Drums, Milo Fitzpatrick am Kontrabass, Nick Mul- vey klöppelt auf etwas, das sich Hang Drums nennt und aussieht wie drei Wok- pfannen und Jack Wyllie bläst abwechselnd Tenor- und Sopranosaxophon. Sie präsentieren ihr Isla-Programm und wenige Takte genügen, um auf den voll be- setzten Treppenstufen zu begreifen, warum die Londoner für den Mercury Prize 2008 nominiert waren, auf Peter Gabriels Label Real World publizieren und eu- ropaweit als Darlings herumgereicht werden. Der melodische Sound des Hang, einer Percussion-Novität von Panart in Bern, verbreitet mit repetitiven, harmoni- schen Mustern aus nur einer Handvoll Tönen die Wärme und den hypnotischen Sog von Trinidad-Steel-Drums, erinnert stellenweise an Harfenarpeggios, mit bloßen Händen gespielt auch an eine Mbira. Das Quartett lässt in seinen Mustern Debussy und Nyman mit Tortoise vexieren. Fitzpatrick zupft warme Bassriffs. Bellamy tickelt, tüpfelt und wischt dazu funkelnde und federleichte Beats. Und schon ist jeweils der schönste Groove beieinander, etwa bei ‚Dawn Patrol‘ mit seinem simplen Pizzikatodrive, in den Wyllie hell und sanglich betörend einfädelt. Der Clou sind jedoch klangliche Accessoires, die er mit Delay- und Loop-Effekten unterlegt, einfach das Klacken der Klappenmechanik, lang gezogene oder kas- kadierende Dauertöne, das Fiepen einer Melodica. -
Bitch the Politics of Angry Women
Bitch The Politics of Angry Women Kylie Murphy Bachelor of Arts with First Class Honours in Communication Studies This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2002. DECLARATION I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. Kylie Murphy ii ABSTRACT ‘Bitch: the Politics of Angry Women’ investigates the scholarly challenges and strengths in retheorising popular culture and feminism. It traces the connections and schisms between academic feminism and the feminism that punctuates popular culture. By tracing a series of specific bitch trajectories, this thesis accesses an archaeology of women’s battle to gain power. Feminism is a large and brawling paradigm that struggles to incorporate a diversity of feminist voices. This thesis joins the fight. It argues that feminism is partly constituted through popular cultural representations. The separation between the academy and popular culture is damaging theoretically and politically. Academic feminism needs to work with the popular, as opposed to undermining or dismissing its relevancy. Cultural studies provides the tools necessary to interpret popular modes of feminism. It allows a consideration of the discourses of race, gender, age and class that plait their way through any construction of feminism. I do not present an easy identity politics. These bitches refuse simple narratives. The chapters clash and interrogate one another, allowing difference its own space. I mine a series of sites for feminist meanings and potential, ranging across television, popular music, governmental politics, feminist books and journals, magazines and the popular press. -
Breakcore.Pdf 2/1/2007 2:39:28 PM
DCR115-Girls Love Breakcore.pdf 2/1/2007 2:39:28 PM Daly City Records Presents: “ MOCHIPET - GIRLS LOVE BREAKCORE ” ARTIST: Mochipet Mochipet is back, again? CD PreRelease: 02/14/2007 At first sight one might think that this album was dedicated to CD In-Stores: 04/03/2007 breakcore and the girls who love it. With guests like Rotator, Doormouse, Aaron Spectre, and Otto Von Schirach it is sure a Vinyl: 03/06/2007 GIRLS good contender for it. However, one listen through and you will TITLE: Girls Love Breakcore notice that is much more. Keeping in the same Mochipet BREAKCORE CAT-NO: DCR115 traditions of the past, this album is an exploration into the field of FORMAT: CD gabber, noise, jazz, metal, hip-hop, and waffles. There is even some TITLE: Girls Love Breakcore toy piano and Chinese Opera thrown in for good measure. This is the record for the imaginary world where justin timberlake has CAT-NO: DCR116 four legs and moshes to alien flapper b-girls at an underground FORMAT: 12” rave in china during the roaring 20’s. Be prepared! Rotator C Otto Von Schirach Weasel Walter (peaceoff) M (ipecac / schematic) (flying luttenbacher) Headmaster to France’s infamous record labels: Y Otto von Schirach is an IDM and Composer and instrumentalist Weasel Walter PEACEOFF, KAMIKAZE CLUB, DAMAGE, MUTANT breakcore artist from Miami, Florida of (born Christopher Todd Walter in Rockford, IL) SNIPER, BANG A RANG, and RUFF, Mr. Kill, Rotator, CM Cuban/German decent. His style is founded the band The Flying Luttenbachers in Frank Tavakoli, is a master of breakcore and many more sporadic and noisy than other Chicago in 1991 with late jazz cult figure Hal other forms of fucked up weird electronic dance MY artists in the genre, and has a leaning Russell. -
"Hope Freaks" CD / LP
PRE "Hope Freaks" CD / LP Format: CD / LP / Digital Download SKiNgraftRecords.com Catalog #: GR94CD CD barcode: 647216609421 SKiN GRAFT Records LP barcode: 647216609414 P.O. Box 1543 street date: June 23rd, 2009 O'Fallon, MO. 63366 USA EMAIL: [email protected] contact: Mark Fischer / phone: 314-781-2608 PRE "Hope Freaks" CD / LP Hope Freaks is the second album from London's new-school, no wave naugh- ties PRE. Recorded in Chicago with Steve Albini at Electrical Audio and mas- tered by Weasel Walter in San Francisco, “Hope Freaks” is a power-vault up from the acclaimed newborn gnarl of their debut 'Epic Fits'. Like it's predecessor, “Hope Freaks” weighs in at a lean twenty minutes. Every punch is packed, and with a master at the faders, you will feel the devil in all its ------------------- TRACK LISTING ------------------- detail. Each unhinged swing never fails to connect. gang of wire Since forming in London three years ago, PRE has taken their spring-loaded live-show to the people. Two massive UK tours with The Gossip and stints with haircut, tacos the likes of Health, The Mae Shi, Finally Punk and Mika Miko in the US has the junk refined their footwork into a dizzying dance of precision instruments. A sold out why be wives performance at the Knitting Factory resulted in a two page spread in SPIN Magazine and the band's infamy lead to a bootleg vinyl release in Eastern teenage lakes Europe. +INTERLUDE+ Most recently, PRE embarked on yet another US tour, pummeling SXSW and the love crunch the West Coast, and appeared alongside Yowie, Colossamite (Deerhoof) and COLD Mule (P.W. -
Allenotes 11/17-11/24
Allenotes 11/17-11/24 4pm: Improvisers Exchange Workshop JeJaWeDa w/ JeJaWeDa (Main Lounge) Sunday, November 17 7pm: Watercolor Workshops (Room 151) 4pm Workshop Sun 17th 7pm: Ceramics Club (Ceramics Lab) 7pm Concert 7pm: Improvisers Exchange Concert Main Lounge of Allen Hall featuring: Bishop/Blonk/Smith/Walter Quartet (Main Lounge) JeJaWeDa features trombone virtuoso Jeb Bishop, the great Mon 18th 6pm: Fair Trade Fair (South Rec) Dutch sound poet and improvisor Jaap Blonk, and the 6:30pm: Qusa Nia SLAYS (LAR versatile and powerful "rhythm section" of Damon Smith and Weasel Walter. A Boston-based artist, Jeb Bishop Ballroom) Tue 19th established himself as a leading member of Chicago's 7pm: Building Positivity and Resilience improvised music scene for two decades, performing with (South Rec) Ken Vandermark, Peter Brötzmann Chicago Tentet, and his Wed 20th Halfway to break! own trio. Jaap Blonk is unique for his powerful stage Thu 21st One more day! presence and playful freedom in improvisation, combined with a keen grasp of structure. Damon Smith's sonic palette Fri 22nd Have a great fall break! on double bass is a personal, flexible improvisational Sat 23rd 3pm: Hall Closes for Fall Break language based in the American jazz avant-garde movement Sun 24th See you November 30th! and European non-idiomatic free improvisation. The frenetically prolific bandleader/composer/multi-instrumentalist Weasel Walter Improvisers Exchange Workshop & Concert w/ JeJaWeDa summons myriad timbres from a (mostly) conventional drum Quartet kit, while also bringing a strong performative element to the Sunday, November 17th, 4:00pm, Main Lounge proceedings. Sunday, November 17th, 7:00pm, Main Lounge IE workshops are open to musicians of all backgrounds and levels who are interested in exploring collective improvisation. -
Kenny Barron Fun Adventure
July 2012 | No. 123 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com KENNY BARRON FUN ADVENTURE VERYAN • WEASEL • ERNIE • MATCHLESS • EVENT WESTON WALTER ANDREWS RECORDINGS CALENDAR It was with great joy that the National Endowment for the Arts reversed a 2011 decision to end the Jazz Masters program after decades. Whatever brought them back to their senses (jazz needs more recognition, not less), all jazz fans should be New York@Night happy that legendary performers will still receive this accolade (and the 25,000 4 clams that goes with it). In 2010, alongside fellow pianists Muhal Richard Abrams and Cedar Walton, Philadelphia-born Kenny Barron was elevated. We could Interview: Veryan Weston devote our entire gazette just to printing his massive discography, starting with 6 by Ken Waxman his first recording in 1960 with Yusef Lateef (part of the same Jazz Master class), Artist Feature: Weasel Walter the many done with his older brother/saxophonist Bill, sessions with Dizzy Gillespie and almost everyone else in jazz as well as his over 40 albums as a leader. 7 by Martin Longley Barron brings a quintet to the Village Vanguard this month. On The Cover: Kenny Barron In the category of “And now for something completely different”, Interview (British pianist Veryan Weston) and Artist Feature (Chicagoan drummer Weasel by George Kanzler 9 Walter) subjects present two very different sides to modern improvising, the Encore: Lest We Forget: former often working in the insectile world of European free music with such chaps as Trevor Watts and Lol Coxhill, the latter leaving a trail of destruction in 10 Ernie Andrews Buster Bailey his wake with his defunct Flying Luttenbachers group or in any number of by Marcia Hillman by Donald Elfman aggressive local collaborations. -
Musicians Line up : 2012 Dizzy Gillespie/Englewood Fund- Raiser
MUSICIANS LINE UP : 2012 DIZZY GILLESPIE/ENGLEWOOD FUND- RAISER THE 2012 DIZZY GILLESPIE/ENGLEWOOD FUND-RAISER HOSTED BY CHRISTOPHER KENNEDY LAWFORD AND CHERYL WILLS TUESDAY OCTOBER 16, 2012 AT THE COTTON CLUB HARLEM 7:30 PM MUSICIANS LINE UP: SPECIAL OPENING BY GUITARIST DR. FRANCIS FORTE EMMY WINNER ALEX GARCIA AFRO MANTRA ALEX GARCÍA/Drums, musical direction & compositions Chilean-born, Cuban-raised, Emmy Winner 2011, drummer & composer Alejandro Garcia, studied classical and contemporary Afro-Cuban and jazz percussion at Cuba's Ignacio Cervantes School of Music under the direction of Irakere's drummer Enrique Plá. Capable of incorporating Afro-Cuban and Latin-American rhythms into the Jazz idiom, Alex has also worked in a variety of musical genres from Pop to Rock, Theatre to Jazz. Along with his performances as a leader with his band AfroMantra, Alex has shared the stage with important bands and artists in the New York’s Latin-Jazz Scene. Major performance, recording and composition accomplishments include Cuban trombonist and composer, Juan Pablo Torres also Grammy nominee singer song writer Juan Carlos Formell, Alex Foster (Jaco Pastorius, Steps Ahead), Tony Cimorosi, Frank Colón (Weather Report, Manhattan Transfer, Wayne Shorter), Omar Hakim (Sting, Madonna, Weather Report), Victor Bailey (Madonna, Weather Report), Rachel Z (Steps Ahead), Marcus Miller (Miles Davis), Najee, Oriente Lopez. Steve Kroon (Ron Carter), Chris Washburn & Syotos, Meme Solis, Israel Kantor (Los Van Van), Charles Flores (Michel Camilo, Issac Delagado), Tony Perez (Klimax), Malena Burke, Alfredo De La Fé (Fannia All Stars) among many others. Alex also has worked with several theater companies, among them, Pregones Theater and Making Books Sing. -
Extravaganza Press Release 2013
DITHER QUARTET_______________________FOR IMMEDIATE RELEASE____________ The Dither Extravaganza! 2013 Saturday, October 26, 2013, 7:00 pm - midnight @ The Gowanus Loft: 61 9th St, Brooklyn, NY F/G to Smith & 9th $8 admission Funded by the Brooklyn Arts Council, Sponsored by Brooklyn Brewery! Dither Phantom Orchard: Ikue Mori & Zeena Parkins JACK Quartet Weasel Walter, Mary Halvorson & Peter Evans Blarvuster Dan Friel Probosci: Gyan Riley & Timba Harris Vomit Fist Elliott Sharp’s Ile Tigre Lily performed by Sharp, Dither & friends “Be there or be square. Seriously.” – Time Out NY (of the 2012 Extravaganza) Brooklyn, NY ~ The electric guitar quartet Dither announces their fourth Dither Extravaganza! – a raucous annual festival of creative music and art, taking place this year at the Gowanus Loft in Brooklyn. The Extravaganza showcases a cross-section of New York’s diverse experimental music scene, including artists whose backgrounds span jazz, classical, metal, electronica and the avant garde. Past extravaganzas have been dubbed an “official concert on the edge” (The New Yorker) and ”The here and now of New York’s postclassical music scene” (Time Out NY) There will be 10 short sets throughout the evening, featuring Dither and an eclectic line-up of New York’s finest musicians: Phantom Orchard, a duo of reknowned improvisers Ikue Mori (electronics) and Zeena Parkins (harp); The illustrious JACK Quartet performing repertoire from their upcoming Danish tour; The powerhouse trio of Weasel Walter (drums) Mary Halvorson (guitar) and Peter Evans -
Music in Youth Culture: a Lacanian Approach
01_Muyo_FM.qxd 5/28/05 18:43 Page i M Y C This page intentionally left blank 01_Muyo_FM.qxd 5/28/05 18:43 Page iii M Y C A L A jan jagodzinski 01_Muyo_FM.qxd 5/30/05 22:12 Page iv MUSIC IN YOUTH CULTURE © jan jagodzinski, 2005. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. First published in 2005 by PALGRAVE MACMILLAN™ 175 Fifth Avenue, New York, N.Y. 10010 and Houndmills, Basingstoke, Hampshire, England RG21 6XS Companies and representatives throughout the world. PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN 1–4039–6530–7 Library of Congress Cataloging-in-Publication Data is available from the Library of Congress A catalogue record for this book is available from the British Library. Design by Newgen Imaging Systems (P) Ltd., Chennai, India. First edition: August 2005 10987654321 Printed in the United States of America. 01_Muyo_FM.qxd 5/28/05 18:43 Page v This book is dedicated to my son Jeremy When he reads it he will know why. This page intentionally left blank 01_Muyo_FM.qxd 5/28/05 18:43 Page vii C Introduction: Aural/Oral Connections 1 I T C 5 1. -
Monsieur Délire: 2013-11-25/26: Copernicus, the Claudia Quintet
Mer Nästa blogg» Skapa en blogg Logga in Portail du journalisme et de l'activisme musical de François Couture. INTRODUCTION | JOURNAL D'ÉCOUTE | DÉLIRE MUSICAL | DÉLIRE ACTUEL | FIMAV | MA PROPRE MUSIQUE Home of François Couture's music journalism and activism. INTRODUCTION | LISTENING DIARY | DÉLIRE MUSICAL | DÉLIRE ACTUEL | FIMAV | MY OWN MUSIC 2 0 1 3 - 1 1 - 2 7 CE François Couture 2013-11-25/26: Copernicus, The Claudia Quintet, Nouvel album solo / New solo Chrome Hoof, 21, Metal-o-Phone, Brigitte release Fontaine Libellés : 21, Brigitte Fontaine, Chrome Hoof, Claudia Quintet, Coax Records, Copernicus, Cuneiform, Journal d'écoute / Listening diary, Metal-o-Phone, Collaboration avec ®o©HLo / New Nevermore, Superior Viaduct collaboration with ®o©HLo Journal d'écoute / Listening Diary 2013-11-25/26 D'autres musiques sur / More music COPERNICUS / L’Éternité immédiate (Nervermore – merci à/thanks on: bandcamp soundcloud to Moonjune) J’aime bien Copernicus – son personnage, ses musiques, son propos. Les choix de Monsieur Délire / Or, avec L’Éternité immédiate, c’est la débandade. Je m’explique: en Monsieur Délire's current favs 2001, Copernicus enregistre Immediate Eternity en Équateur, avec des - Anthony Braxton: Quartet (FRM) musiciens équatoriens, en espagnol et en anglais. Il considère encore 2007 Vol. 4 aujourd’hui qu’il s’agit de son meilleur album en carrière. Au cours des - The Wrong Object: After the deux années suivantes, il a réenregistré des paroles en fançais et en Exhibition allemand. En 2013, à l’occasion d’une longue entrevue dans un - Dieuf-Dieul de Thiès: Aw Sa Yone, magazine français, son étiquette Nervermore a réédité L’Éternité Vol. -
The Spatial Politics of Urban Gardening Epic Houseplant Fails the Myth of the Industry Plant Maya Dukmasova 8 Sarah Beckett 19 Leor Galil 27
CHICAGO’SFREEWEEKLYSINCE | MARCH CHICAGO’SFREEWEEKLYSINCE The spatial politics of urban gardening Epic houseplant fails The myth of the industry plant Maya Dukmasova 8 Sarah Beckett 19 Leor Galil 27 The Plants Issue THIS WEEK CHICAGOREADER | MARCH | VOLUME NUMBER A NOTE FROM THE EDITOR TR - I KNOW A fair amount about plants, and gar- ethical reasons, because it’s not an easy way to toxins. They are inherently political, and some- @ dening, and the pending environmental disas- eat. But it keeps me alive. And I like it. Making times quite dangerous for cats. John Porcellino ter that we euphemistically refer to as climate cheese out of nuts is a good time! even drew up a “Sunday Strip” (read: full-color) version of Prairie Potholes for the issue, to in- PTB change. In fact, I spent two and a half years Hog butcher for the world, indeed. The lack ECAEM as a small-scale organic farmer in Detroit, of plant-based restaurants in Chicago is an troduce us to a few of his favorite leaf-covered MEPSK and could probably have thrown together a odd blind spot in this otherwise food-focused buddies. Plants are fun, and pretty, and also a MEDKH D EKS good 5,000 words about common household town. Elsewhere such cuisines are easy to complicated pejorative when describing a cer- C LSK substances that not only support your gut find. In Toronto, I dig Planta on Bay Street. tain breed of unusually popular hip-hop artist. D P JR CEAL microflora but will double the size of your In the Detroit area, there’s GreenSpace Cafe They are also extremely tasty.