Demidenko Makes Public Apperance
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Bitch the Politics of Angry Women
Bitch The Politics of Angry Women Kylie Murphy Bachelor of Arts with First Class Honours in Communication Studies This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2002. DECLARATION I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. Kylie Murphy ii ABSTRACT ‘Bitch: the Politics of Angry Women’ investigates the scholarly challenges and strengths in retheorising popular culture and feminism. It traces the connections and schisms between academic feminism and the feminism that punctuates popular culture. By tracing a series of specific bitch trajectories, this thesis accesses an archaeology of women’s battle to gain power. Feminism is a large and brawling paradigm that struggles to incorporate a diversity of feminist voices. This thesis joins the fight. It argues that feminism is partly constituted through popular cultural representations. The separation between the academy and popular culture is damaging theoretically and politically. Academic feminism needs to work with the popular, as opposed to undermining or dismissing its relevancy. Cultural studies provides the tools necessary to interpret popular modes of feminism. It allows a consideration of the discourses of race, gender, age and class that plait their way through any construction of feminism. I do not present an easy identity politics. These bitches refuse simple narratives. The chapters clash and interrogate one another, allowing difference its own space. I mine a series of sites for feminist meanings and potential, ranging across television, popular music, governmental politics, feminist books and journals, magazines and the popular press. -
Euro Tour 2008
TLASILA/Sudden Infant: Euro Tour 2008 • To Live and Shave in L.A. (Les Tricoteuses, Savage Land Records, France, 2007; painting by Gregory Jacobsen.) To Live and Shave in L.A. (aka TLASILA) rip through sonic boundaries and demolish cultural mythologies with a kinetic mélange of violent, constantly shifting musique concrète structures, splintered electronics, and stark, dramatic vocalizations. Their powerfully evocative compositions can take the form of forty- minute Kuiper Belt freak-outs or dense, demonic, two-minute pipe bomb pop. Their avowed enemy is genre itself, their ultimate goal, unknowing. Hyper-literate texts, ungovernable performances, and a ruthlessly meticulous production regimen yield recordings without referent, sounds that garrote taxonomy. (TLASILA, live in Philadelphia, May 2007.) TLASILA was formed in Miami Beach, Florida in 1991 by Tom Smith, an alumnus of late 1970s-early 1980s dada-improv outsider cabals Boat Of and Peach of Immortality, and the earliest (1985) incarnation of Jon Spencer's legendary Pussy Galore. He was soon joined in TL&S by Frank "Rat file:///C|/Users/ommyth/Documents/My%20Webs/tlasila/tlasila_tour_pdf.htm (1 of 36)3/23/2008 10:36:47 AM TLASILA/Sudden Infant: Euro Tour 2008 Bastard" Falestra, a veteran of many aesthetically disruptive South Florida projects (most infamously, Scraping Teeth, and since the mid-1990s, the Laundry Room Squelchers), and Ben Wolcott, a filmmaker and lifelong circuit bender whose mammoth screeching oscillators sent early Shave audiences running for cover. Now a full-fledged collective comprising nearly 20 members, To Live and Shave in L.A. have released dozens of albums on a variety of international labels and have toured the world with jagged frequency for more than seventeen years. -
Music in Youth Culture: a Lacanian Approach
01_Muyo_FM.qxd 5/28/05 18:43 Page i M Y C This page intentionally left blank 01_Muyo_FM.qxd 5/28/05 18:43 Page iii M Y C A L A jan jagodzinski 01_Muyo_FM.qxd 5/30/05 22:12 Page iv MUSIC IN YOUTH CULTURE © jan jagodzinski, 2005. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. First published in 2005 by PALGRAVE MACMILLAN™ 175 Fifth Avenue, New York, N.Y. 10010 and Houndmills, Basingstoke, Hampshire, England RG21 6XS Companies and representatives throughout the world. PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN 1–4039–6530–7 Library of Congress Cataloging-in-Publication Data is available from the Library of Congress A catalogue record for this book is available from the British Library. Design by Newgen Imaging Systems (P) Ltd., Chennai, India. First edition: August 2005 10987654321 Printed in the United States of America. 01_Muyo_FM.qxd 5/28/05 18:43 Page v This book is dedicated to my son Jeremy When he reads it he will know why. This page intentionally left blank 01_Muyo_FM.qxd 5/28/05 18:43 Page vii C Introduction: Aural/Oral Connections 1 I T C 5 1. -
The JW.HAU CORK
p. Y-- THUKSDAY, FEBRUARY B, WBSj- PA6B TWCNTt Average Dally Net Preaa Run The Weather iSantlTPatpr 1EBPttihgNipral& For the Week: Ending. Foraanat of O. 8. B of«aa January >1, 1S59 cuaa 'ooursa aelactiona but appoint Fair and ooMer tonight and Sat Kdmund H. Hindi* Jr., IS l Olcn- Chapman Court. Order of Ama port of Manchester’s c i ^ and eco- o l i r p r i 8 C " ' o l l O ^ G r nomlc development.” ments ahould be ma)le in Advance. 12,879 urday. I.OW tonight 10-tS. High Wood S t, ton Of Mr. uid Mr*. E. H. ranth. will meet tomorrow at 7:46 Let Child Pick About Town Hindi*, Six Parker St., ia now at p.m. in the Masonic Temple. Fol . a . • w ; * l More than 500 persons aHcnded ‘ A ' Hyatt Sutliffe served a* Member of the Audit Saturday In tOs. — — th* Its. Naval RecetvtnR Station. lowing the business session a sur- r o r M i s s W i IGV th* chamber-dinner ■i..eeUn|Nl*st Own Curriculum, moderator and introduced the VERY SOON Bureau *t Orrnlation. * ! year in the high sOhool. Reset Manehe$tt>rr^A City of Village Charm H w Eipaer Club will bold its Norfolk. Va., awaiting: transfer to I prlsii entertainment will be pre- three .panelists: Edson Bailey, I tented. Refreshmenta will be ... „ - , r '■'.T.r « a, ' Uons for the ’.59 event may bi Mrs. Gertrude Hitchcock and. Mra. weakly aetback party in the club- Rooaavelt Roads. San Juan. Puer- Miss Patricia Wiley, 2 Olcott ,St. -
A Motion to Strike
1 Keith A. Fink, Bar No. 146841 Olaf J. Muller, Bar No. 247372 2 KEITH A. FINK & ASSOCIATES 11500 Olympic Boulevard, Suite 316 3 Los Angeles, California 90064 Telephone: (310) 268-0780 4 Facsimile: (310) 268-0790 5 Attorneys for Defendant COURTNEY LOVE COBAIN 6 7 8 SUPERIOR COURT OF THE STATE OF CALIFORNIA 9 FOR THE COUNTY OF LOS ANGELES - CENTRAL DISTRICT 1 0 DAWN SIMORANGKIR, aka DAWN ) CASE NO. BC410593 [Assigned to the YOUNGER-SMITH, aka BOUDOIR QUEEN, ) Honorable Aurelio Munoz, Dept 47] 1 1 an individual, ) ) DEFENDANT COURTNEY LOVE 1 2 Plaintiff, ) COBAIN’S SPECIAL MOTION TO ) STRIKE PURSUANT TO C.C.P. § 425.16; 1 3 v . ) MEMORANDUM OF POINTS AND ) AUTHORITIES; DECLARATIONS OF 1 4 COURTNEY MICHELLE LOVE, an ) COURTNEY LOVE COBAIN AND OLAF individual; and DOES 1 through 25, inclusive, ) J. MULLER IN SUPPORT THEREOF 1 5 ) Defendants. ) Hearing Date: October 26, 2009 1 6 ) Time: 8:30 A.M. ) Dept.: 47 1 7 ) ______________________________________ ) Trial Date: May 11, 2010 1 8 Time: 8:30 A.M. Dept: 47 1 9 TO ALL PARTIES AND THEIR COUNSEL OF RECORD: 2 0 PLEASE TAKE NOTICE that on October 26, 2009, at 8:30 a.m. in Department 47 of the 2 1 above-entitled courthouse, Defendant COURTNEY LOVE COBAIN (“Love” and/or “Defendant”) will 2 2 and does move this Court to strike Plaintiff DAWN SIMORANGKIR A/K/A DAWN YOUNGER- 2 3 SMITH A/K/A BOUDOIR QUEEN’S (“Simorangkir” and/or “Plaintiff) First Amended Complaint 2 4 pursuant to C.C.P. § 425.16. -
It Felt Like a Kiss: the Courtney Love Anthology
It Felt Like A Kiss: The Courtney Love Anthology BREADCRUMB TRAIL BOOKS Introduction: 20 Years In The Dakota “And I know all you devils by your Christian names/and I know all you bitches by your Christian names…” – Turpentine, 1990 There isn’t one creation story. Courtney Love didn’t pop into the world fully formed. She was a shadow at the edge of rock music for years. She’s a glimmer in Alex Cox’s Straight “I made my bed: I lie in it. I made my bed: I’ll die in it.” To Hell. She’s was bit part player on the edge of the Liverpool Miss World, 1994 scene. Julian Cope described her as: Those words from Miss World sort of sum up the mad media “So full of energy that it looked like she’d make a strategy of Miss Love. She knows what the chaos will bring wonderful icon for ugly girls everywhere.” but she does it anyway. She knows what the drugs can bring but she did them anyway. She is always at the heart of a Reads funny but said with love. The kind of love, that Court- maelstrom but unlike say Keith Richards she is not venerated ney would get, the kind of screwed up, fucked up, contradic- for it, she is vilified for it. tory hell of it statement she aces. Because mothers in rock’n’roll are meant to learn their lesson. Courtney Love wasn’t born Courtney Love. On July 9, 1964 They are meant to turn into brand ambassadors for fucking the screaming baby girl was Courtney Michelle Harrison. -
Vox Humana, the Acts in the New Orleans Area
VoxHumana The W1.,UL Newsletter Volume 7, Number 1 New Orleans, Louisiana February, 1992 WTUL Presents ... Mark Whitfield, BOP (harvey), and more The Vox returns This month WTUL is proud to present a number of national Welcome to the frrst edition of the revived Vox Humana, the acts in the New Orleans area. The presentations begin on Feb. 2 and official newsletter of WTUL. Some of you may remember the a night of ska with BOP (harvey) and local favorites Smilin' Myron, Vox from years past, but since we have not printed an issue in and continue through the month with jazz from Baton Rouge-based almost two years, many readers will be unfamiliar with it. guitarist Mark Whitfield, and alternative rock from Victim's Family It's purpose is to help keep you informed of our program and Buck-O. ming, fund raising activities, and musical events around town. This coverage includes our own WTUL-sponsored 'TUL box Mark Whitfield concerts, featuring national and international artists as well as local favorites, which are broadcast live every Monday night. Be "The best young guitarist on the scene today" is a heavy title sure to pick up future issues of the Vox for news on W1UL' s to carry around, but The New York Times is not a paper to throw annual Rock-On Survival Marathon as it develops. Marathon, around such titles loosely. They have crowned Mark Whitfield with for anyone who doesn't know, is one of our main sources forthe this moniker, and rightfully so. Mark has knowledge and experi funding we need to keep our student-run, non-commercial station ence that are well beyond his 25 years and talent that is, simply, on the air.