MANUSCRIPT Before KG.Docx

Total Page:16

File Type:pdf, Size:1020Kb

MANUSCRIPT Before KG.Docx Prostitutes, Virgins and Mothers: Questioning Teachings About Biblical Women Table of Contents Introduction 4-14 1. Sarah, The First Matriarch in the Genealogy of Jesus 15-29 2. The Women of Sarah’s Family 30-46 3. Foreign Women in Jesus’ Genealogy 47-58 4. Women in Jesus’ Family 59-77 5. Women Disciples of Jesus 78-92 6. Women in Jesus’ Parables and Public Life 93-112 7. Women in the Development of the Early Church and the Epistles 113-136 8. More than Bible Study137-163 1 Acknowledgments In an essay I wrote during my graduate work for Dr. Letty Russell and J. Shannon Clarkson, I stated, “I am still ignorant because of my inability to read the texts in their original language. I am grateful to theologians like Phyllis Trible who can read the texts in their original language and present the information in a form I can use.” Letty wrote in the margin of my essay, “Even if you could read Hebrew you would need other interpretations to assist in interpretation—we all need another’s help.” I am grateful to Letty and Shannon for mothering me through my Doctor of Ministry program. In 1995, I was lucky enough to take a class from Sister Miriam Therese Winter at the Graduate Theological Union. She wrote three of the required texts for the class: Woman Wisdom: A Feminist Lectionary and Psalter Women of the Hebrew Scriptures: Part One, Woman Witness: A Feminist Lectionary and Psalter Women of the Hebrew Scriptures: Part Two and Woman Word: A Feminist Lectionary and Psalter Women of the New Testament. In her three-volume work she found, named and celebrated in song, prayer, psalm and reflection all the women of the Bible. I have read and re-read these books and relished Sister Miriam’s woman-centered words. The books have been invaluable to me as I searched out the stories of the women in the genealogy of Jesus, his family, friends, public life, parables and the women of the first century church. I wish to thank my neighbors Jack and Marijean Hawks for their insight and support, and my dentist, Dr. Robert McLachlan, for his encouragement and humor. He always makes me smile and he is smarter than he looks. Special thanks to my husband, Marty, who encouraged me throughout the writing process. I deeply appreciate my sisters Hilary and Sonya; they would stop what they were doing whenever I called and listen as I read to them what I had just written. Sonya always said, “Interesting,” and Hilary always said, “I can’t wait to read it.” 2 I am indebted to my friend Hilary Christiansen. She grew up without church or Bible and as such was totally unfamiliar with the biblical stories. She enthusiastically read and critiqued my work. She was instrumental in drawing attention to the need for background information about these biblical women. Additionally, many thanks to Nancy Corran, who graciously offered her theological knowledge and insights although we had never met. Both of these women came into my life at exactly the moment I needed their expertise. Finally, thanks to publishers Cathy and Bradley Winch who would say, “How usual.” 3 Introduction For just as the body without spirit is dead, so faith without works is dead. James 2:26 My work is writing this book. No matter what else I do, I must write this book. My sense of call is overwhelming. As a child in Sunday school, I always wondered where are the women in these Bible stories? And, why are they all prostitutes, virgins or mothers? It was this question, among others, which prompted me to study religion. I began to learn that the stories of women in the Bible had been written by men and were communicated to me through the interpretations of male scholars and ministers. I perceived there was more than one way to interpret the stories of women and men in the Bible. I earned my Bachelor of Arts degree in Religion at Chapman College and my Master of Arts degree in Religion at Liberty University. It was there that the full force of the subject matter of this book hit me. Later I received a Doctor of Ministry in International Feminist Theology at San Francisco Theological Seminary. I write this book because the reach for wisdom by Eve in Genesis has been interpreted as the reason for the evil in the world and because I am exhausted with hearing Mary Magdalene called a prostitute even though there is no evidence for this in the Bible. I am fed up with traditional interpretations of scripture. I believe there are different ways to interpret the scriptures, interpretations from the perspective of a twenty-first century woman, a perspective vastly different from that of a first, second or any other century man. I write this book because my God, my Creator, in whose image and likeness I am created, has called me to write it. There are some who might argue that my sense of call is subjective and that it ignores biblical criteria for ministry and teaching. I believe there is ample biblical evidence to demonstrate the call of women and men to ministry, teaching and leadership. I believe Bible study can be more than traditional Bible study. Bible study can include a clear understanding of historical setting, geographical location of events, intention and audience of the author, as well as the meaning of the text to a modern reader. 4 I am a cradle Christian. I started my faith life as a Protestant and later became a Roman Catholic. Now I am a member of an Independent Catholic Community. As a woman, my call is not fully recognized by the Roman Catholic Church and many Protestant denominations, including the one that sponsors Liberty University. God is credited in Isaiah 1:17-18 with saying, “Learn to do good. Make justice your aim: redress the wronged, hear the orphan’s plea, defend the widow. Come now, let us set things right.”(NAB) I write this book to set right the institutionalized response to my call and that of many other women. I believe in a good and just God who does not repress or discriminate. The stories of the people in the genealogy and life of Jesus are bursting with examples of God’s goodness and justice toward women and men. I believe in a Jesus who attempted to model God’s loving, inclusive relationship with creation. To paraphrase 1 Peter 1:17, my creator judges me impartially, according to my deeds. This is my understanding of God and my relationship with and experience of God. I base my understanding on an uncensored awareness of who God has called me to be. I believe I am, as all women are, created in the image and likeness of God. To summarize Genesis 1:27, God created humans in God’s image, in the divine image God created them male and female. In her book Women’s Bodies, Women’s Wisdom, Dr. Christiane Northrup asks this question: “Do you understand how inherited cultural attitudes toward our female physiological processes such as menstruation and menopause have contributed to the illness suffered by our female bodies?”1 I am appalled that girls are not taught to celebrate their marvelous bodies which were created in the image and likeness of God, bodies endowed with the God-like ability to produce life. God must, in some magnificent way, be female, as I and all women created in the image and likeness of God reflect. “The birthing image of God is prevalent in scripture, the one who brings forth life.”2 In Isaiah 42:14 God is said to compare God’s self with a woman in labor. 1 Christiane Northrup, Women’s Bodies, Women’s Wisdom Creating Physical and Emotional Health and Healing (New York: Bantam Books, 1998), 590. 2 Nancy Corran, written message to author, July, 2011. 5 Creation has been ordered marvelously! The creation story in Genesis 1:8 introduces the cycle of evening and morning. We experience cycles all around us. Does it make sense that the cycles of women’s bodies are anything less than marvelous? Shortly after the creation of male and female in Genesis 1:27, God looks over the creation and pronounces it “very good.” One has to look past the interpretations handed down to us by men who, not only in Christianity but history in general, have been the creators and generators of knowledge. How did we lose the image of the divine feminine? Why, in a faith where both genders are created in the image and likeness of the Creator, are women treated as less than the image and likeness of God, less than full human beings, less than full participants in the worship of God? The God who has called me is not a God of dominance and repression but one of liberation and release. Chicano historian Jesus Chararra once said, “As long as you do not write your own story and elaborate your own knowledge, you will always be a slave to another’s thoughts.”3 I am called to the freedom of writing my own story and elaborating my own knowledge. I write to know what I think, to examine my set of unexamined beliefs. It is essential to understand why we believe what we believe, whether it is about our faith or who we believe ourselves to be. By identifying what we believe about God’s relationship to creation, we can discover what we believe about our relationship to God and our relationship to God’s creation.
Recommended publications
  • The Molloy Student Literary Magazine
    The Molloy Student Literary Magazine Volume 16 (2018) Managing Editor Damian Ward Hey, Ph.D. English Department; [email protected] ____________________________________ Given sufficient content, The Molloy Student Literary Magazine is published twice a year in Spring and Fall. Otherwise, MSLM is published annually. The Molloy Student Literary Magazine is supported by the English Department at Molloy College. All authors retain copyright of their submitted and/or published work. The Molloy Student Literary Magazine 1 Letter from the Editor The Molloy Student Literary Magazine, produced out of Molloy’s English Department, is devoted to publishing the best previously unpublished works of prose, poetry, drama, literary review, criticism, and other literary genres, that the Molloy student community has to offer. The journal welcomes submissions, for possible publication, from currently enrolled Molloy students at all levels. All submitted work will undergo a review process by the Managing Editor prior to a decision being made regarding publication of said work. Although The Molloy Student Literary Magazine is generally a yearly publication, given sufficient content, it may upon occasion be published twice annually in Spring and Fall. 2 The Molloy Student Literary Magazine Interested contributors from the currently enrolled Molloy student community should send work via e-mail attachment and brief cover letter (including a two- sentence biographical statement) to: Dr. Damian Ward Hey, Managing Editor, The Molloy Student Literary Magazine: [email protected]. Enrolled students who are interested in becoming members of The Molloy Student Literary Magazine staff may e-mail letters of inquiry. Excelsior! Damian Ward Hey, Ph.D. Managing Editor Faculty Moderator The Molloy Student Literary Magazine 103F Siena Hall; [email protected] The Molloy Student Literary Magazine 3 Note on Content and Editorial Policy: Potential contributors should keep in mind that The Molloy Student Literary Magazine is not a vehicle for political content nor for other content of a controversial nature.
    [Show full text]
  • The Rhapsodist
    The Rhapsodist Spring 2017 Asheville-Buncombe Technical Community College Asheville, NC Editor’s Note: Editors Barbie Byrd Jeff Horner “You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was Dostoevsky and Dickens who taught me Erik Moellering that the things that tormented me most were the very things that connected Ella Mowad me with all the people who were alive, or who ever had been alive. Only if we Eric Overbey face these open wounds in ourselves can we understand them in other people. Mark Smith An artist is a sort of emotional or spiritual historian. His role is to make you realize the doom and glory of knowing who you are and what you are. He has to tell, because nobody else can tell, what it is like to be alive.” Readers -James Baldwin Kenet Adamson Jennifer Browning ___________________________ Abigail Hickman Lisa Johnson Dear Reader, Stephanie O’Brien As A-B Tech’s primary venue for literature and fine art, The Rhapsodist Beverly Williamson showcases the best examples of creative expression from our college’s diverse population. We are excited to share a journal filled with vision––some pain, heartbreak, and torment––but also, all the necessary joy, connection, and growth in between. Design/Layout Thank you for your continued support of The Rhapsodist. Porscha Orndorf & _____________________________ The Rhapsodist Editors Quoted in: Howard, Jane. “Doom and Glory of Knowing Who You Are.” Life. 24 May 1963, pp. 81-90. 2 3 Carmello...........................................................................21
    [Show full text]
  • The JW.HAU CORK
    p. Y-- THUKSDAY, FEBRUARY B, WBSj- PA6B TWCNTt Average Dally Net Preaa Run The Weather iSantlTPatpr 1EBPttihgNipral& For the Week: Ending. Foraanat of O. 8. B of«aa January >1, 1S59 cuaa 'ooursa aelactiona but appoint­ Fair and ooMer tonight and Sat­ Kdmund H. Hindi* Jr., IS l Olcn- Chapman Court. Order of Ama­ port of Manchester’s c i ^ and eco- o l i r p r i 8 C " ' o l l O ^ G r nomlc development.” ments ahould be ma)le in Advance. 12,879 urday. I.OW tonight 10-tS. High Wood S t, ton Of Mr. uid Mr*. E. H. ranth. will meet tomorrow at 7:46 Let Child Pick About Town Hindi*, Six Parker St., ia now at p.m. in the Masonic Temple. Fol­ . a . • w ; * l More than 500 persons aHcnded ‘ A ' Hyatt Sutliffe served a* Member of the Audit Saturday In tOs. — — th* Its. Naval RecetvtnR Station. lowing the business session a sur- r o r M i s s W i IGV th* chamber-dinner ■i..eeUn|Nl*st Own Curriculum, moderator and introduced the VERY SOON Bureau *t Orrnlation. * ! year in the high sOhool. Reset Manehe$tt>rr^A City of Village Charm H w Eipaer Club will bold its Norfolk. Va., awaiting: transfer to I prlsii entertainment will be pre- three .panelists: Edson Bailey, I tented. Refreshmenta will be ... „ - , r '■'.T.r « a, ' Uons for the ’.59 event may bi Mrs. Gertrude Hitchcock and. Mra. weakly aetback party in the club- Rooaavelt Roads. San Juan. Puer- Miss Patricia Wiley, 2 Olcott ,St.
    [Show full text]
  • The Victorian Cult of the Dead Child by Mary Gryctko BA in English
    Title Page Eternal Innocence: The Victorian Cult of the Dead Child by Mary Gryctko B.A. in English Literature and Government, The College of William and Mary, 2009 M.A. in English Literature, New York University, 2012 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2020 Committee Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Mary Gryctko It was defended on May 29, 2020 and approved by Troy Boone, Associate Professor, Department of English Jules Gill-Peterson, Associate Professor, Department of English James Kincaid, Professor Emeritus, University of Southern California, Department of English Patricia Crain, Professor, New York University, Department of English Dissertation Director: Tyler Bickford, Associate Professor, Department of English ii Copyright © by Mary Gryctko 2020 iii Abstract Eternal Innocence: The Victorian Cult of the Dead Child Mary Gryctko, PhD University of Pittsburgh, 2020 This dissertation argues that Victorian subjects’ increased idealization of childhood as a distinct phase of life marked by freedom, helplessness, innocence, and unproductiveness relied upon the figure of the dead child. Working through literary texts, in conjunction with cultural and social histories of childhood and of death, I argue that excessive mourning for dead children in the Victorian era functioned not only as an expression of sorrow for the loss of a particular child but also as a celebration and confirmation of the figure of “the child” as a distinct category of humanity, and bearer of human value.
    [Show full text]
  • Sung by 14-Year-Old Autistic Girl Taryn Mallard-Reid 2 #Bangi
    Numbering Video's Name Author's Name 1 "Let it Go" sung by 14-year-old Autistic girl Taryn Mallard-Reid 2 #Bangi my autistic princess! Jo'Nique's Story Autism and Me 3 5 year old autisticgirl sings song from frozen Jessica James 4 A major meltdown jpowellm 5 Autism Behavioral Challenges-Teenage daughter smacksErina momBlondin in the heads & spits, wont brush teeth 6 Autistic 13-Year-Old girl sings "Something There" fromTaryn Disney's Mallard-Reid "Beauty and the Beast". 7 Autistic 4 year old girl sorting her toys Jennifer Doane 8 Autistic 6 yr old singing frozen song Leighann Wilson 9 Autistic beauty shinning bright! Rossie Foushee 10 Autistic boy Jamming to "Blurred Lines" in the car Amandasworld 12 Autistic Daughter Reaction Video to Flappy Bert Renee Ya 13 Autistic Girl Finds Her Voice Jodie Ward 14 Autistic hand flap Karen Sweeney 15 Autistic daughter hand flapping Karen Sweeney 16 Autistic child plays the recorder Jenna Eastland 17 Autistic kirsten donovan playing her new williams piano.Patrick Playing Donovan Tchaikovsky by ear 18 Autistic son, NT daughter swinging together The Mister123 19 Autistic toddler - Poppy part 2 Loulisepop mum 20 Autitic Sing a Long Angel Van Meter 21 Boo boo song by my autistic daughter The Beans 22 Daddy and autistic girl having fun Blafly101 23 Daughter 8 years old autistic stim laughing Conina Johnson 24 Evyn Loves her Autistic Brother Tracey Mahler 25 Giggle Autistic 2 year old sorting numbers Karen Sweeney 26 Hyperlexic Autistic Girl Sight Reads Flash Cards Renee Ya 27 Child with Bipolar Disorder
    [Show full text]
  • It Felt Like a Kiss: the Courtney Love Anthology
    It Felt Like A Kiss: The Courtney Love Anthology BREADCRUMB TRAIL BOOKS Introduction: 20 Years In The Dakota “And I know all you devils by your Christian names/and I know all you bitches by your Christian names…” – Turpentine, 1990 There isn’t one creation story. Courtney Love didn’t pop into the world fully formed. She was a shadow at the edge of rock music for years. She’s a glimmer in Alex Cox’s Straight “I made my bed: I lie in it. I made my bed: I’ll die in it.” To Hell. She’s was bit part player on the edge of the Liverpool Miss World, 1994 scene. Julian Cope described her as: Those words from Miss World sort of sum up the mad media “So full of energy that it looked like she’d make a strategy of Miss Love. She knows what the chaos will bring wonderful icon for ugly girls everywhere.” but she does it anyway. She knows what the drugs can bring but she did them anyway. She is always at the heart of a Reads funny but said with love. The kind of love, that Court- maelstrom but unlike say Keith Richards she is not venerated ney would get, the kind of screwed up, fucked up, contradic- for it, she is vilified for it. tory hell of it statement she aces. Because mothers in rock’n’roll are meant to learn their lesson. Courtney Love wasn’t born Courtney Love. On July 9, 1964 They are meant to turn into brand ambassadors for fucking the screaming baby girl was Courtney Michelle Harrison.
    [Show full text]