A Guide to Digital Television Systems and Measurements
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Application of Closed Circuit Television for Traffic Surveillance in Texas
APPLICATION OF CLOSED CIRCUIT TELEVISION FOR TRAFFIC SURVEILLANCE IN TEXAS by William R. McCasland Research Engineer Texas Transportation Institute and Raymond G. Biggs Engineering Technician Texas Highway Department Research Report Number 139-11 Freeway Control and Information Systems Research Study Number 2-8-69-139 Sponsored by The Texas Highway Department In Cooperation with the U.S. Department of Transportation Federal Highway Administration TEXAS TRANSPORTATION INSTITUTE Texas A&M University College Station, Texas August 1971 ABSTRACT Closed circuit television (CCTV) has been used for surveillance of traffic and transportation facilities for many years. However, the num ber of operating systems are few bec,ause their effectiveness as a long term surveillance system has been suspect due to the inclusion of human observers in the surveillance loop. The use of CCTV for short intensive observations necessary to research and traffic studies has been success ful. The accelerating development of area wide traffic surveillance, control, and communications systems for urban areas will increase the interest in the use of CCTV as part of the surveillance system. There are four operating CCTV systems in Texas that are used for traffic sur veillance. Each system has different design and operating characteris tics. DISCLAIMER The opinions, findings, and conclusions expressed ,or implied in this report are those of the research agency and not necessarily those of the Texas Highway Department or the Federal Highway Administration. SUMMARY There are four closed circuit television systems in Texas that are designed and operated for traffic surveillance. Each system has different design and operating characteristics to satisfy the surveillance require ments. -
Radio Communications in the Digital Age
Radio Communications In the Digital Age Volume 1 HF TECHNOLOGY Edition 2 First Edition: September 1996 Second Edition: October 2005 © Harris Corporation 2005 All rights reserved Library of Congress Catalog Card Number: 96-94476 Harris Corporation, RF Communications Division Radio Communications in the Digital Age Volume One: HF Technology, Edition 2 Printed in USA © 10/05 R.O. 10K B1006A All Harris RF Communications products and systems included herein are registered trademarks of the Harris Corporation. TABLE OF CONTENTS INTRODUCTION...............................................................................1 CHAPTER 1 PRINCIPLES OF RADIO COMMUNICATIONS .....................................6 CHAPTER 2 THE IONOSPHERE AND HF RADIO PROPAGATION..........................16 CHAPTER 3 ELEMENTS IN AN HF RADIO ..........................................................24 CHAPTER 4 NOISE AND INTERFERENCE............................................................36 CHAPTER 5 HF MODEMS .................................................................................40 CHAPTER 6 AUTOMATIC LINK ESTABLISHMENT (ALE) TECHNOLOGY...............48 CHAPTER 7 DIGITAL VOICE ..............................................................................55 CHAPTER 8 DATA SYSTEMS .............................................................................59 CHAPTER 9 SECURING COMMUNICATIONS.....................................................71 CHAPTER 10 FUTURE DIRECTIONS .....................................................................77 APPENDIX A STANDARDS -
A Guide to Radio Communications Standards for Emergency Responders
A GUIDE TO RADIO COMMUNICATIONS STANDARDS FOR EMERGENCY RESPONDERS Prepared Under United Nations Development Programme (UNDP) and the European Commission Humanitarian Office (ECHO) Through the Disaster Preparedness Programme (DIPECHO) Regional Initiative in Disaster Risk Reduction March, 2010 Maputo - Mozambique GUIDE TO RADIO COMMUNICATIONS STANDARDS FOR EMERGENCY RESPONDERS GUIDE TO RADIO COMMUNICATIONS STANDARDS FOR EMERGENCY RESPONDERS Table of Contents Introductory Remarks and Acknowledgments 5 Communication Operations and Procedures 6 1. Communications in Emergencies ...................................6 The Role of the Radio Telephone Operator (RTO)...........................7 Description of Duties ..............................................................................7 Radio Operator Logs................................................................................9 Radio Logs..................................................................................................9 Programming Radios............................................................................10 Care of Equipment and Operator Maintenance...........................10 Solar Panels..............................................................................................10 Types of Radios.......................................................................................11 The HF Digital E-mail.............................................................................12 Improved Communication Technologies......................................12 -
Digital Television Systems
This page intentionally left blank Digital Television Systems Digital television is a multibillion-dollar industry with commercial systems now being deployed worldwide. In this concise yet detailed guide, you will learn about the standards that apply to fixed-line and mobile digital television, as well as the underlying principles involved, such as signal analysis, modulation techniques, and source and channel coding. The digital television standards, including the MPEG family, ATSC, DVB, ISDTV, DTMB, and ISDB, are presented toaid understanding ofnew systems in the market and reveal the variations between different systems used throughout the world. Discussions of source and channel coding then provide the essential knowledge needed for designing reliable new systems.Throughout the book the theory is supported by over 200 figures and tables, whilst an extensive glossary defines practical terminology.Additional background features, including Fourier analysis, probability and stochastic processes, tables of Fourier and Hilbert transforms, and radiofrequency tables, are presented in the book’s useful appendices. This is an ideal reference for practitioners in the field of digital television. It will alsoappeal tograduate students and researchers in electrical engineering and computer science, and can be used as a textbook for graduate courses on digital television systems. Marcelo S. Alencar is Chair Professor in the Department of Electrical Engineering, Federal University of Campina Grande, Brazil. With over 29 years of teaching and research experience, he has published eight technical books and more than 200 scientific papers. He is Founder and President of the Institute for Advanced Studies in Communications (Iecom) and has consulted for several companies and R&D agencies. -
ABBREVIATIONS EBU Technical Review
ABBREVIATIONS EBU Technical Review AbbreviationsLast updated: January 2012 720i 720 lines, interlaced scan ACATS Advisory Committee on Advanced Television 720p/50 High-definition progressively-scanned TV format Systems (USA) of 1280 x 720 pixels at 50 frames per second ACELP (MPEG-4) A Code-Excited Linear Prediction 1080i/25 High-definition interlaced TV format of ACK ACKnowledgement 1920 x 1080 pixels at 25 frames per second, i.e. ACLR Adjacent Channel Leakage Ratio 50 fields (half frames) every second ACM Adaptive Coding and Modulation 1080p/25 High-definition progressively-scanned TV format ACS Adjacent Channel Selectivity of 1920 x 1080 pixels at 25 frames per second ACT Association of Commercial Television in 1080p/50 High-definition progressively-scanned TV format Europe of 1920 x 1080 pixels at 50 frames per second http://www.acte.be 1080p/60 High-definition progressively-scanned TV format ACTS Advanced Communications Technologies and of 1920 x 1080 pixels at 60 frames per second Services AD Analogue-to-Digital AD Anno Domini (after the birth of Jesus of Nazareth) 21CN BT’s 21st Century Network AD Approved Document 2k COFDM transmission mode with around 2000 AD Audio Description carriers ADC Analogue-to-Digital Converter 3DTV 3-Dimension Television ADIP ADress In Pre-groove 3G 3rd Generation mobile communications ADM (ATM) Add/Drop Multiplexer 4G 4th Generation mobile communications ADPCM Adaptive Differential Pulse Code Modulation 3GPP 3rd Generation Partnership Project ADR Automatic Dialogue Replacement 3GPP2 3rd Generation Partnership -
Creating 4K/UHD Content Poster
Creating 4K/UHD Content Colorimetry Image Format / SMPTE Standards Figure A2. Using a Table B1: SMPTE Standards The television color specification is based on standards defined by the CIE (Commission 100% color bar signal Square Division separates the image into quad links for distribution. to show conversion Internationale de L’Éclairage) in 1931. The CIE specified an idealized set of primary XYZ SMPTE Standards of RGB levels from UHDTV 1: 3840x2160 (4x1920x1080) tristimulus values. This set is a group of all-positive values converted from R’G’B’ where 700 mv (100%) to ST 125 SDTV Component Video Signal Coding for 4:4:4 and 4:2:2 for 13.5 MHz and 18 MHz Systems 0mv (0%) for each ST 240 Television – 1125-Line High-Definition Production Systems – Signal Parameters Y is proportional to the luminance of the additive mix. This specification is used as the color component with a color bar split ST 259 Television – SDTV Digital Signal/Data – Serial Digital Interface basis for color within 4K/UHDTV1 that supports both ITU-R BT.709 and BT2020. 2020 field BT.2020 and ST 272 Television – Formatting AES/EBU Audio and Auxiliary Data into Digital Video Ancillary Data Space BT.709 test signal. ST 274 Television – 1920 x 1080 Image Sample Structure, Digital Representation and Digital Timing Reference Sequences for The WFM8300 was Table A1: Illuminant (Ill.) Value Multiple Picture Rates 709 configured for Source X / Y BT.709 colorimetry ST 296 1280 x 720 Progressive Image 4:2:2 and 4:4:4 Sample Structure – Analog & Digital Representation & Analog Interface as shown in the video ST 299-0/1/2 24-Bit Digital Audio Format for SMPTE Bit-Serial Interfaces at 1.5 Gb/s and 3 Gb/s – Document Suite Illuminant A: Tungsten Filament Lamp, 2854°K x = 0.4476 y = 0.4075 session display. -
HD-SDI, HDMI, and Tempus Fugit
TECHNICALL Y SPEAKING... By Steve Somers, Vice President of Engineering HD-SDI, HDMI, and Tempus Fugit D-SDI (high definition serial digital interface) and HDMI (high definition multimedia interface) Hversion 1.3 are receiving considerable attention these days. “These days” really moved ahead rapidly now that I recall writing in this column on HD-SDI just one year ago. And, exactly two years ago the topic was DVI and HDMI. To be predictably trite, it seems like just yesterday. As with all things digital, there is much change and much to talk about. HD-SDI Redux difference channels suffice with one-half 372M spreads out the image information The HD-SDI is the 1.5 Gbps backbone the sample rate at 37.125 MHz, the ‘2s’ between the two channels to distribute of uncompressed high definition video in 4:2:2. This format is sufficient for high the data payload. Odd-numbered lines conveyance within the professional HD definition television. But, its robustness map to link A and even-numbered lines production environment. It’s been around and simplicity is pressing it into the higher map to link B. Table 1 indicates the since about 1996 and is quite literally the bandwidth demands of digital cinema and organization of 4:2:2, 4:4:4, and 4:4:4:4 savior of high definition interfacing and other uses like 12-bit, 4096 level signal data with respect to the available frame delivery at modest cost over medium-haul formats, refresh rates above 30 frames per rates. distances using RG-6 style video coax. -
Broadcast Television (1945, 1952) ………………………
Transformative Choices: A Review of 70 Years of FCC Decisions Sherille Ismail FCC Staff Working Paper 1 Federal Communications Commission Washington, DC 20554 October, 2010 FCC Staff Working Papers are intended to stimulate discussion and critical comment within the FCC, as well as outside the agency, on issues that may affect communications policy. The analyses and conclusions set forth are those of the authors and do not necessarily reflect the view of the FCC, other Commission staff members, or any Commissioner. Given the preliminary character of some titles, it is advisable to check with the authors before quoting or referencing these working papers in other publications. Recent titles are listed at the end of this paper and all titles are available on the FCC website at http://www.fcc.gov/papers/. Abstract This paper presents a historical review of a series of pivotal FCC decisions that helped shape today’s communications landscape. These decisions generally involve the appearance of a new technology, communications device, or service. In many cases, they involve spectrum allocation or usage. Policymakers no doubt will draw their own conclusions, and may even disagree, about the lessons to be learned from studying the past decisions. From an academic perspective, however, a review of these decisions offers an opportunity to examine a commonly-asserted view that U.S. regulatory policies — particularly in aviation, trucking, and telecommunications — underwent a major change in the 1970s, from protecting incumbents to promoting competition. The paper therefore examines whether that general view is reflected in FCC policies. It finds that there have been several successful efforts by the FCC, before and after the 1970s, to promote new entrants, especially in the markets for commercial radio, cable television, telephone equipment, and direct broadcast satellites. -
EVOLUTION and CONVERGENCE in TELECOMMUNICATIONS 2002 2Nd Edition 2005
the united nations 11 abdus salam educational, scientific and cultural international organization ISBN 92-95003-16-0 centre for theoretical international atomic physics energy agency lecture notes EVOLUTION AND CONVERGENCE IN TELECOMMUNICATIONS 2002 2nd Edition 2005 editors S. Radicella D. Grilli ICTP Lecture Notes EVOLUTION AND CONVERGENCE IN TELECOMMUNICATIONS 11 February - 1 March 2002 Editors S. Radicella The Abdus Salam ICTP, Trieste, Italy D. Grilli The Abdus Salam ICTP, Trieste, Italy EVOLUTION AND CONVERGENCE IN TELECOMMUNICATIONS - First edition Copyright © 2002 by The Abdus Salam International Centre for Theoretical Physics The Abdus Salam ICTP has the irrevocable and indefinite authorization to reproduce and dissem• inate these Lecture Notes, in printed and/or computer readable form, from each author. ISBN 92-95003-16-0 Printed in Trieste by The Abdus Salam ICTP Publications & Printing Section iii PREFACE One of the main missions of the Abdus Salam International Centre for Theoretical Physics in Trieste, Italy, founded in 1964 by Abdus Salam, is to foster the growth of advanced studies and research in developing countries. To this aim, the Centre organizes a large number of schools and workshops in a great variety of physical and mathematical disciplines. Since unpublished material presented at the meetings might prove of great interest also to scientists who did not take part in the schools the Centre has decided to make it available through a new publication titled ICTP Lecture Note Series. It is hoped that this formally structured pedagogical material in advanced topics will be helpful to young students and researchers, in particular to those working under less favourable conditions. -
Glossary of Digital Video Terms
Glossary of Digital Video Terms 24P: 24 frame per second, progressive scan. This has been the frame rate of motion picture film since talkies arrived. It is also one of the rates allowed for transmission in the DVB and ATSC television standards – so they can handle film without needing any frame-rate change (3:2 pull-down for 60 fields-per-second systems or running film at 25fps for 50 Hz systems). It is now accepted as a part of television production formats – usually associated with high definition 1080 lines, progressive scan. A major attraction is a relatively easy path from this to all major television formats as well as offering direct electronic support for motion picture film and D-cinema. 24Psf: 24 frame per second, progressive segmented frame. A 24P system in which each frame is segmented – recorded as odd lines followed by even lines. Unlike normal television, the odd and even lines are from the same snapshot in time – exactly as film is shown today on 625/50 TV systems. This way the signal is more compatible (than normal progressive) for use with video systems, e.g. VTRs, SDTI or HD-SDI connections, mixers/switchers etc., which may also handle interlaced scans. It can also easily be viewed without the need to process the pictures to reduce 24-frame flicker. 3:2 pull-down: Method used to map the 24 fps of film onto the 30 fps (60 fields) of 525-line TV, so that one film frame occupies three TV fields, the next two, etc. It means the two fields of every other TV frame come from different film frames making operations such as rotoscoping impossible, and requiring care in editing. -
A~'? ~1 I0 4 THRU) (ACCESSION NUMBER)
SATELLITES PROGRAM ON APPLICATION OF COMMUNICATIONS TO EDUCATIONAL DEVELOPMENT WASHINGTON UNIVERSITY May, 1971 Report No. T-71/2 STILL-PICTURE TELEVISION (SPTV) TRANSMISSION Gulab Sharma A~'? ~1 i0 4 THRU) (ACCESSION NUMBER) O~ l _(PAGES) Z3 (NASACRORM"ORADNUMBE REPRODUCED BY- NATIONAL TECHNICAL INFORMATION SERVICE K U S DEPARTMENT OFCOMMERCE SPRINGFIELD, VA. 22161 / MISSOURI 63130 WASHINGTON UNIVCRSITY / SAINT LOUIS PROGRAM ON APPLICATION OF COMMUNICATIONS SATELLITES TO EDUCATIONAL DEVELOPMENT WASHINGTON UNIVERSITY Report No T-71/2 May, 1971 STILL-PICTURE TELEVISION (SPTV) TRANSMISSION Gulab Sharma I This research is supported by the National Aeronautics and Space Administration under Grant No Y/NGL-26-08-054 and it does not necessarily represent the views of either the research team as a whole or NASA WASHINGTON UNIVERSITY SEVER INSTITUTE OF TECHNOLOGY ABSTRACT STILL-PICTURE TELEVISION TRANSMISSION by Gulab Sharma ADVISOR: Professor D.L. Snyder June, 1971 Saint Louis, Missouri To produce a diversity of program material in a limited frequency spectrum, various multichannel, continuous-audio still-video, television transmission-systems, compatible to the existing systems, have been suggested and investigated. In this report, we categorize and describe these alternative systems and identify some of the system parameters and con straints. The issues explored are: the number of still picture channels that can be realized in a limited spectrum, the interrelation of various parameters with system con straints, and general system considerations. iii Preceding page blank TABLE OF CONTENTS No. Page 1. Introduction.....................................1 1.1 Main Objective and Scope ................... 2 1.2 Television Broadcast Standards ............. 3 1.3 System Performance Objectives .............. 4 1.4 Subjective Picture Quality ................ -
Improved Television Systems: NTSC and Beyond
• Improved Television Systems: NTSC and Beyond By William F. Schreiber After a discussion ofthe limits to received image quality in NTSC and a excellent results. Demonstrations review of various proposals for improvement, it is concluded that the have been made showing good motion current system is capable ofsignificant increase in spatial and temporal rendition with very few frames per resolution. and that most of these improvements can be made in a second,2 elimination of interline flick er by up-conversion, 3 and improved compatible manner. Newly designed systems,for the sake ofmaximum separation of luminance and chromi utilization of channel capacity. should use many of the techniques nance by means of comb tilters. ~ proposedfor improving NTSC. such as high-rate cameras and displays, No doubt the most important ele but should use the component. rather than composite, technique for ment in creating interest in this sub color multiplexing. A preference is expressed for noncompatible new ject was the demonstration of the Jap systems, both for increased design flexibility and on the basis oflikely anese high-definition television consumer behaL'ior. Some sample systems are described that achieve system in 1981, a development that very high quality in the present 6-MHz channels, full "HDTV" at the took more than ten years.5 Orches CCIR rate of 216 Mbits/sec, or "better-than-35mm" at about 500 trated by NHK, with contributions Mbits/sec. Possibilities for even higher efficiency using motion compen from many Japanese companies, im sation are described. ages have been produced that are comparable to 35mm theater quality.