Life of Victor Hugo
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La Fuerza Del Sino Romántico En Don Álvaro, Hernani Y Antony
LA FUERZA DEL SINO ROMÁNTICO EN DON ÁLVARO, HERNANI Y ANTONY M.a Mercedes Guirao Silvente Correo electrónico: [email protected] Resumen Muchos críticos románticos se esforzaron en alejar Don Álvaro o la fuerza del sino de los dos dramas franceses que le sirvieron de modelos indirectos: Hernani de Victor Hugo y Antony de Alexandre Dumas, por considerarlos corruptos e inmorales. Pero no hay que olvidar que la obra de Rivas fue gestada en Francia, durante el exilio del autor; en pleno contacto con la revolución liberal y romántica en Europa. Este artículo pretende, a través de un estudio comparativo entre estos tres dramas fundamentales del Romanticismo europeo, demostrar su estrecha relación. Las tres obras sorprenden por la fuerza de ese destino nefasto, causante de desgracia y muerte, que está directamente vinculado con la schicksalstragödie alemana y evidencian la superación de la vieja y rígida frontera entre Orden y Caos; entre lo Apolíneo y lo Dionisíaco. Palabras clave: drama romántico, Don Álvaro o la fuerza del sino, Hernani, Antony. THE FORCE OF THE ROMANTIC FATE IN DON ÁLVARO, HERNANI AND ANTONY Abstract 237 Many romantic critics strove to separate Don Álvaro or the force of the fate from the two French dramas which served as indirect models: Victor Hugo’s Hernani and Alexandre Dumas’ Antony, for considering them corrupt and immoral. But it should not be forgotten that Rivas’ play was conceived in France, during the exile of the author; in full contact with the liberal and romantic revolution in Europe. This article aims, through a comparative study of these three fundamental dramas of European romanticism, to demonstrate their close relationship. -
Conference Programme Guernsey 28-30 June 2019 Organised by the Victor Hugo in Guernsey Society
IN GUERNSEY CONFERENCE 2019 Conference Programme Guernsey 28-30 June 2019 Organised by The Victor Hugo in Guernsey Society Supported by the Guernsey Arts André Gill illustration for L’Eclipse, 25 April 1869, from the Gérard Pouchain collection. from the Gérard Pouchain April 1869, 25 L’Eclipse, André Gill illustration for Commission About The Victor Hugo In Guernsey Society Welcome from The Victor Hugo In Guernsey Society Victor Hugo wrote many of his greatest works on The Victor Hugo in Guernsey Society welcomes you to its 3rd In~ a letter to his publisher, Lacroix, in December the island of Guernsey, a small British dependency Victor Hugo in Guernsey conference. This weekend in the 1868, after he had announced the publication of 20 miles off the coast of France. Hugo was in exile, but island of Hugo’s exile will focus on the novel Hugo published a new work by Hugo which he characterised as a Roman despite his grief for his family and his homeland he was 150 years ago in 1869, L’Homme qui rit, (The Man who Laughs), historique, the famous novelist wrote: inspired by the beauty of the rocky landscape and seas written on Guernsey and set in England. Our sister island of “When I paint history I make my historical characters that surrounded him to produce magnificent novels – Alderney plays a pivotal part in the narrative, and even our old do only what they have done or could do, their characters including Les Misérables, and Les Travailleurs de la mer – Norman law finds its way into the text. -
Gérard De Nerval Et Charles Nodier: Le Rêve Et La Folie
ABSTRACT GÉRARD DE NERVAL ET CHARLES NODIER: LE RÊVE ET LA FOLIE par Laetitia Gouhier Charles Nodier et Gérard de Nerval entreprennent dans La Fée aux miettes et Aurélia une exploration du moi et de la destinée de ce moi à la recherche d’une vérité transcendante qui est la quête du bonheur à travers une femme aimée irrémédiablement perdue. Pour cela ils développent un mode d’expression en marge des modes littéraires de l’époque en ayant recours au mode fantastique. En effet, l’exploration du moi est liée à la perception surnaturaliste intervenant dans les rêves des protagonistes de ces deux contes. Il s’agit dans cette étude de voir comment l’irruption de l’irréel chez Nodier et Nerval creuse un espace dans lequel instaurer le moi et pourquoi l’irréel et le fantastique provoquent l’interrogation du « moi » en littérature jetant un doute sur sa santé mentale. GÉRARD DE NERVAL ET CHARLES NODIER : LE RÊVE ET LA FOLIE A thesis Submitted to the Faculty of Miami University In partial fulfilment of The requirements of the degree of Masters of Arts Department of French and Italian By Laetitia Gouhier Miami University Oxford, Ohio 2003 Advisor: Jonathan Strauss Reader: Elisabeth Hodges Reader: Anna Roberts TABLE DES MATIÈRES Introduction: Gérard de Nerval le poète fou et Charles Nodier le conteur mélancolique................................................................................................................1 Petite histoire de la folie...........................................................................................2 Nerval -
1 Dictée Du 14 Janvier 2019 : Texte De Victor Hugo * Spectre
Dictée du 14 janvier 2019 : texte de Victor Hugo La monarchie de Juillet est le nom du régime politique de la France de juillet 1830 à février 1848. C'est une monarchie constitutionnelle avec pour roi Louis-Philippe Ier. Le régime politique repose sur le suffrage censitaire qui donne le pouvoir à la petite partie la plus riche de la bourgeoisie française. Hier, 22 février [1846], j'allais à la Chambre des pairs. Il faisait beau et très froid, malgré le soleil de midi. Je vis venir rue de Tournon un homme que deux soldats emmenaient. Cet homme était blond, pâle, maigre, hagard ; trente ans à peu près, un pantalon de grosse toile, les pieds nus et écorchés dans des sabots avec des linges sanglants roulés autour des chevilles pour tenir lieu de bas ; une blouse courte et souillée de boue derrière le dos, ce qui indiquait qu'il couchait habituellement sur le pavé, nu-tête et les cheveux hérissés. Il avait sous le bras un pain. Le peuple disait autour de lui qu'il avait volé ce pain et que c'était à cause de cela qu'on l'emmenait. En passant devant la caserne de gendarmerie, un des soldats y entra et l'homme resta à la porte, gardé par l'autre soldat. Une voiture était arrêtée devant la porte de la caserne. C'était une berline armoriée portant aux lanternes une couronne ducale, attelée de deux chevaux gris, deux laquais en guêtres derrière. Les glaces étaient levées mais on distinguait l'intérieur tapissé de damas bouton d'or. -
THE THREE MUSKETEERS by Alexandre Dumas
THE THREE MUSKETEERS by Alexandre Dumas THE AUTHOR Alexandre Dumas (1802-1870) was born in a small French village northeast of Paris. His father had been a general under Napoleon, and his paternal grandfather had lived in Haiti and had married a former slave woman there, thus making Dumas what was called a quadroon. Napoleon and his father had parted on bad terms, with Dumas’ father being owed a large sum of money; the failure to pay this debt left the family poor and struggling, though the younger Dumas remained an admirer of the French emperor. Young Dumas moved to Paris in 1823 and took a job as a clerk to the Duke of Orleans (later to become King Louis Philippe), but soon began writing plays. Though his plays were successful and he made quite a handsome living from them, his profligate lifestyle (both financially and sexually) kept him constantly on the edge of bankruptcy. He played an active role in the revolution of 1830, and then turned to writing novels. As was the case with Dickens in England, his books were published in cheap newspapers in serial form. Dumas proved able to crank out popular stories at an amazing rate, and soon became the most famous writer in France. Among his works are The Three Musketeers (1844), The Count of Monte Cristo (1845), and The Man in the Iron Mask (1850). Dumas’ novels tend to be long and full of flowery description (some cynics suggest that this is because he was paid by the word), and for this reason often appear today in the form of abridged translations (if you ever doubt the value of such an approach, take a look at the unabridged version of Victor Hugo’s Les Miserables sometime). -
Les Références Antiques Et Modernes Dans Smarra
Francis Claudon Université de Paris XII [email protected] Les Références antiques et modernes dans Smarra Abstract: Charles Nodier is often thought of as belonging to the “Frenetic School”, he is also perceived as an eccentric author, almost as a humorist, which therefore contrasts with the graveness of the major romantic authors, such as Hugo, Novalis or Shelley. Yet, upon taking a closer look, it becomes obvious that Nodier cultivated “horror”, that is a type of romanticism which would later come to be termed “Black Romanticism”. It is also true that this deeply erudite man very skillfully borrowed elements from various sources in order to create a literature of his own, tales which are his, and his only. In this respect, Nodier is an interesting author for comparative studies. Such is the interest of Smarra, Smarra which initially seems to be an imitation of Apuleius. Yet, when studying the antique text closely, it appears that the Latin author really screens another reference, Shakespeare, the allusions to whom are numerous and difficult to decrypt. The result, a juxtaposition of antiquity and modernity, creates a specific coloring, itself reminiscent of the work of the painter Füssli, who also adapted freely Shakespearian sources, adding to them a sort of neoclassic halo. The true charm of Smarra resides there; Nodier is neither an eccentric nor an amateur, his romanticism is very educated and situates him midway between the erudition of the Enlightenment and the illumination of Romanticism. Keywords: freneticism, influences, Shakespeare, Antiquity, painting. Résumé: On range volontiers Charles Nodier parmi les membres de l’école frénétique ; on le tient aussi pour un auteur fantaisiste, voire humoriste, qui trancherait donc avec le sérieux des « grands » romantiques (Hugo, Novalis, Shelley). -
Actes Et Paroles – Volume IV
Victor Hugo Actes et paroles – Volume IV 2003 - Reservados todos los derechos Permitido el uso sin fines comerciales Victor Hugo Actes et paroles – Volume IV Depuis l'Exil 1876-1885 DEPUIS L'EXIL 1876-1885 1876 I POUR LA SERBIE Il devient nécessaire d'appeler l'attention des gouvernements européens sur un fait tellement petit, à ce qu'il paraît, que les gouvernements semblent ne point l'apercevoir. Ce fait, le voici: on assassine un peuple. Où? En Europe. Ce fait a-t-il des témoins? Un témoin, le monde entier. Les gouvernements le voient-ils? Non. Les nations ont au-dessus d'elles quelque chose qui est au-dessous d'elles les gouvernements. A de certains moments, ce contre-sens éclate: la civilisation est dans les peuples, la barbarie est dans les gouvernants. Cette barbarie est-elle voulue? Non; elle est simplement professionnelle. Ce que le genre humain sait, les gouvernements l'ignorent. Cela tient à ce que les gouvernements ne voient rien qu'à travers cette myopie, la raison d'état; le genre humain regarde avec un autre oeil, la conscience. Nous allons étonner les gouvernements européens en leur apprenant une chose, c'est que les crimes sont des crimes, c'est qu'il n'est pas plus permis à un gouvernement qu'à un individu d'être un assassin, c'est que l'Europe est solidaire, c'est que tout ce qui se fait en Europe est fait par l'Europe, c'est que, s'il existe un gouvernement bête fauve, il doit être traité en bête fauve; c'est qu'à l'heure qu'il est, tout près de nous, là, sous nos yeux, on massacre, on incendie, on pille, on extermine, -
Géraldine Crahay a Thesis Submitted in Fulfilments of the Requirements For
‘ON AURAIT PENSÉ QUE LA NATURE S’ÉTAIT TROMPÉE EN LEUR DONNANT LEURS SEXES’: MASCULINE MALAISE, GENDER INDETERMINACY AND SEXUAL AMBIGUITY IN JULY MONARCHY NARRATIVES Géraldine Crahay A thesis submitted in fulfilments of the requirements for the degree of Doctor in Philosophy in French Studies Bangor University, School of Modern Languages and Cultures June 2015 i TABLE OF CONTENTS Abstract .................................................................................................................................... vii Acknowledgements ................................................................................................................... ix Declaration and Consent ........................................................................................................... xi Introduction: Masculine Ambiguities during the July Monarchy (1830‒48) ............................ 1 Introduction ..................................................................................................................................... 1 Theoretical Framework: Masculinities Studies and the ‘Crisis’ of Masculinity ............................. 4 Literature Overview: Masculinity in the Nineteenth Century ......................................................... 9 Differences between Masculinité and Virilité ............................................................................... 13 Masculinity during the July Monarchy ......................................................................................... 16 A Model of Masculinity: -
The Role of Ultra-Orthodox Political Parties in Israeli Democracy
Luke Howson University of Liverpool The Role of Ultra-Orthodox Political Parties in Israeli Democracy Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy By Luke Howson July 2014 Committee: Clive Jones, BA (Hons) MA, PhD Prof Jon Tonge, PhD 1 Luke Howson University of Liverpool © 2014 Luke Howson All Rights Reserved 2 Luke Howson University of Liverpool Abstract This thesis focuses on the role of ultra-orthodox party Shas within the Israeli state as a means to explore wider themes and divisions in Israeli society. Without underestimating the significance of security and conflict within the structure of the Israeli state, in this thesis the Arab–Jewish relationship is viewed as just one important cleavage within the Israeli state. Instead of focusing on this single cleavage, this thesis explores the complex structure of cleavages at the heart of the Israeli political system. It introduces the concept of a ‘cleavage pyramid’, whereby divisions are of different saliency to different groups. At the top of the pyramid is division between Arabs and Jews, but one rung down from this are the intra-Jewish divisions, be they religious, ethnic or political in nature. In the case of Shas, the religious and ethnic elements are the most salient. The secular–religious divide is a key fault line in Israel and one in which ultra-orthodox parties like Shas are at the forefront. They and their politically secular counterparts form a key division in Israel, and an exploration of Shas is an insightful means of exploring this division further, its history and causes, and how these groups interact politically. -
Complaint Hugo Boss
Kampagne für Saubere Kleidung Clean Clothes Campaign Entwicklungspolitisches Netzwerk Sachsen e.V. ENS Dr. Bettina Musiolek Dresden, 13. November 2014 To Christoph Auhagen, Chief Brand Officer HUGO BOSS AG Dieselstrasse 12 , 72555 Metzingen [email protected] cc RA Carsten Thiel von Herff, Hugo Boss Ombudsperson Detmolder Straße 30, 33604 Bielefeld 0049/5215573330 [email protected] Complaint Poverty wages of workers producing Hugo Boss products Rationale: Europe plays an important role in the production and sales of Boss’ products According to Hugo Boss’ Sustainability Report 2013, „the Group operates production facilities in Izmir (Turkey), which is its largest in-house production location, as well as in Cleveland (USA), Metzingen (Germany), Radom (Poland) and Morrovalle (Italy).“ „The main business operations of the HUGO BOSS Group are concentrated within Europe, where the primary administrative and production sites are located.” „The Company has identified attractive growth opportunities in Eastern Europe.” „Production, logistics and administration locations in Europe (…) represent 55% of the Group's employees.” The company’s claim with regard to remuneration „The HUGO BOSS Group’s remuneration system is designed to ensure the fair and transparent compensation of employees and promote a culture of performance and dedication.” „At international locations the companies comply with the corresponding national framework conditions with regard to their pay structure. As such, entry-level wages must be at least equivalent to the statutory minimum wage.” (p. 23, Sustainability Report). The report does not account for any reality checks of these claims, let alone an indepent verification. CCC research on wages of Hugo Boss workers The Clean Clothes Campaign researched in Turkey, Central, East and South East Europe in order to find out, which conditions workers who make Hugo Boss’ clothes find themselves in – with specific focus on remuneration. -
The Worlds of Rigoletto: Verdi╎s Development of the Title Role in Rigoletto
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 The Worlds of Rigoletto Verdi's Development of the Title Role in Rigoletto Mark D. Walters Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE WORLDS OF RIGOLETTO VERDI’S DEVELOPMENT OF THE TITLE ROLE IN RIGOLETTO By MARK D. WALTERS A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2008 The members of the Committee approve the Treatise of Mark D. Walters defended on September 25, 2007. Douglas Fisher Professor Directing Treatise Svetla Slaveva-Griffin Outside Committee Member Stanford Olsen Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii I would like to dedicate this treatise to my parents, Dennis and Ruth Ann Walters, who have continually supported me throughout my academic and performing careers. iii ACKNOWLEDGEMENTS I would like to express my gratitude to Professor Douglas Fisher, who guided me through the development of this treatise. As I was working on this project, I found that I needed to raise my levels of score analysis and analytical thinking. Without Professor Fisher’s patience and guidance this would have been very difficult. I would like to convey my appreciation to Professor Stanford Olsen, whose intuitive understanding of musical style at the highest levels and ability to communicate that understanding has been a major factor in elevating my own abilities as a teacher and as a performer. -
Pierre LAFORGUE : "Bug Jargal, Ou De La Difficulté D'écrire En Style Blanc"
Retour Pierre Laforgue : Bug Jargal ou de la difficulté d'écrire en "style blanc" Communication au Groupe Hugo du 17 juin 1989. Ce texte peut être téléchargé au format pdf Mais, qu'est-ce que c'est donc un Noir ? Et d'abord, c'est de quelle couleur ? Jean Genet Il s'agit ici de montrer comment se fait l'inscription de l'idéologie dans le texte, comment dans les contradictions et les confusions du texte s'opère, ou ne s'opère pas, un processus de conceptualisation, d'appropriation et de transformation du réel historique et politique, comment enfin c'est l'écriture elle-même qui produit sa propre idéologie, et non le contraire. Autrement dit, je pose qu'il est impossible d'entreprendre la lecture, de l'idéologie d'un texte sans prendre en compte d'abord les modalités de sa production, en l'occurrence sa scripturalité. De là un refus clair et avoué, celui de porter a priori un jugement idéologique auquel on soumettrait la lisibilité du texte, un tel jugement n'étant pas pertinent puisqu'il méconnaîtrait le travail de l'écriture qui, lui, pour le coup, est fondamentalement idéologique. Un tel travail, Bug-Jargal1 dans ses deux versions de 1820 et de 1825-1826 permet d'en voir les implications, tant les différences d'ordre idéologique entre la nouvelle et le roman sont importantes. L'intrigue n'a pas changé, Bug- Jargal meurt toujours à la fin, et de manière générale les ajouts se présentent comme des intercalations qui ne viennent pas modifier la trame d'ensemble.