The Oldskull Necronomicon
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For the Harmony of the Race, Each Individual Should Be
http://www.englishworld2011.info/ WILLIAM BUTLER YEATS / 2019 For the harmony of the race, each individual should be the expression of an easy & ample interpenetration of the male & female temperaments—free of stress Woman must become more responsible for the child than man— Women must destroy in themselves, the desire to be loved— The feeling that it is a personal insult when a man transfers his attentions from her to another woman The desire for comfortable protection instead of an intelligent curiosity & courage in meeting & resisting the pressure of life sex or so called love must be reduced to its initial element, honour, grief, sentimentality, pride & consequently jealousy must be detached from it. Woman for her happiness must retain her deceptive fragility of appearance, combined with indomitable will, irreducible courage, & abundant health the outcome of sound nerves— Another great illusion that woman must use all her introspective clear-sightedness & unbiassed bravery to destroy—for the sake of her self respect is the impurity of sex the realisation in defiance of superstition that there is nothing impure in sex—except in the mental attitude to it—will constitute an incalculable & wider social regeneration than it is possible for our generation to imagine. 1914 1982 WILLIAM BUTLER YEATS 1865-1939 William Butler Yeats was born to an Anglo-Irish family in Dublin. His father, J. B. Yeats, had abandoned law to take up painting, at which he made a somewhat precar- ious living. His mother came from the Pollexfen family that lived near Sligo, in the west of Ireland, where Yeats spent much of his childhood. -
MAY 19Th 2018
5z May 19th We love you, Archivist! MAY 19th 2018 Attention PDF authors and publishers: Da Archive runs on your tolerance. If you want your product removed from this list, just tell us and it will not be included. This is a compilation of pdf share threads since 2015 and the rpg generals threads. Some things are from even earlier, like Lotsastuff’s collection. Thanks Lotsastuff, your pdf was inspirational. And all the Awesome Pioneer Dudes who built the foundations. Many of their names are still in the Big Collections A THOUSAND THANK YOUS to the Anon Brigade, who do all the digging, loading, and posting. Especially those elite commandos, the Nametag Legionaires, who selflessly achieve the improbable. - - - - - - - – - - - - - - - - – - - - - - - - - - - - - - - – - - - - - – The New Big Dog on the Block is Da Curated Archive. It probably has what you are looking for, so you might want to look there first. - - - - - - - – - - - - - - - - – - - - - - - - - - - - - - - – - - - - - – Don't think of this as a library index, think of it as Portobello Road in London, filled with bookstores and little street market booths and you have to talk to each shopkeeper. It has been cleaned up some, labeled poorly, and shuffled about a little to perhaps be more useful. There are links to ~16,000 pdfs. Don't be intimidated, some are duplicates. Go get a coffee and browse. Some links are encoded without a hyperlink to restrict spiderbot activity. You will have to complete the link. Sorry for the inconvenience. Others are encoded but have a working hyperlink underneath. Some are Spoonerisms or even written backwards, Enjoy! ss, @SS or $$ is Send Spaace, m3g@ is Megaa, <d0t> is a period or dot as in dot com, etc. -
W. B. Yeats Selected Poems
W. B. Yeats Selected Poems Compiled by Emma Laybourn 2018 This is a free ebook from www.englishliteratureebooks.com It may be shared or copied for any non-commercial purpose. It may not be sold. Cover picture shows Ben Bulben, County Sligo, Ireland. Contents To return to the Contents list at any time, click on the arrow ↑ before each poem. Introduction From The Wanderings of Oisin and other poems (1889) The Song of the Happy Shepherd The Indian upon God The Indian to his Love The Stolen Child Down by the Salley Gardens The Ballad of Moll Magee The Wanderings of Oisin (extracts) From The Rose (1893) To the Rose upon the Rood of Time Fergus and the Druid The Rose of the World The Rose of Battle A Faery Song The Lake Isle of Innisfree The Sorrow of Love When You are Old Who goes with Fergus? The Man who dreamed of Faeryland The Ballad of Father Gilligan The Two Trees From The Wind Among the Reeds (1899) The Lover tells of the Rose in his Heart The Host of the Air The Unappeasable Host The Song of Wandering Aengus The Lover mourns for the Loss of Love He mourns for the Change that has come upon Him and his Beloved, and longs for the End of the World He remembers Forgotten Beauty The Cap and Bells The Valley of the Black Pig The Secret Rose The Travail of Passion The Poet pleads with the Elemental Powers He wishes his Beloved were Dead He wishes for the Cloths of Heaven From In the Seven Woods (1904) In the Seven Woods The Folly of being Comforted Never Give All the Heart The Withering of the Boughs Adam’s Curse Red Hanrahan’s Song about Ireland -
October 26-28, 2012 Marriott Ann Arbor Ypsilanti at Eagle Crest Info Info 2012 U•CON GAMING CONVENTION
October 26-28, 2012 Marriott Ann Arbor Ypsilanti at Eagle Crest Info Info 2012 U•CON GAMING CONVENTION Map Location Marriott Ann Arbor Ypsilanti Eagle Crest, 1275 S Huron Street, Ypsilanti, MI 48197. Phone: Special (734) 487-0600. Registration is located in the lobby of Eagle Crest (not the hotel lobby). Open Gaming is on the second floor. Schedule Board/Card Friday, October 26 8 pm ...................Exhibitor Hall Closes 12 pm ................... Registration Opens 11 pm ................... Registration Closes 12 pm ............................ Events Begin Sunday, October 28 5 pm ...................Exhibitor Hall Opens 8:30 am ................ Registration Opens 8 pm ...................Exhibitor Hall Closes 9 am .............................. Events Begin CCGs 11 pm ................... Registration Closes 10 am .................Exhibitor Hall Opens Saturday, October 27 3 pm ...................Exhibitor Hall Closes Minis 8 am ..................... Registration Opens 5 pm ..................... Registration Closes 9 am .............................. Events Begin 7 pm ................................. Events End 10 am .................Exhibitor Hall Opens Roleplaying Prices On-Site Weekend Badge ............... $25 Seminars ......................................free On-Site 1-Day Badge (Fri, Sun) ...... $10 U-Con 6-sided dice (set of 4) ........... $1 On-Site 1-Day Badge (Sat) ............ $15 U-Con Logo bags ......................... $15 Event Tickets ................ priced by event Kid U-Con Badge (Ages 5-10): ...... $10 Living Campaign Living Generic Tickets ......................... $1.50 Shirt (M, L, XL) ............................. $22 Play Games All Weekend Ribbons ...$15 Shirt (2X, 3X, 4X) ......................... $25 Some events have higher entry fees. These events typically run for more than a standard time block or include the cost of event materials like sealed decks that participants get to keep. Please note that a badge is required to play in events. -
Mi-Go 1 Mi-Go
Mi-go 1 Mi-go An interpretation of the Mi-Go by Ruud Dirven Mi-go ("The Abominable Ones") is a Himalayan nickname for a race of extraterrestrials in the Cthulhu Mythos created by H. P. Lovecraft and others. The name was first applied to the creatures in Lovecraft's short story "The Whisperer in Darkness" (1931), elaborating on a reference to 'What fungi sprout in Yuggoth' in his sonnet cycle Fungi from Yuggoth (1929–30) which described the contrasting vegetation on alien dream-worlds. Summary The "Mi-go" are large, pinkish, fungoid, crustacean-like entities the size of a man; where a head would be, they have a "convoluted ellipsoid" composed of pyramided, fleshy rings and covered in antennae. According to two reports in the original short story, their bodies consist of a form of matter that does not occur naturally on Earth; for this reason, they do not register on ordinary photographic film. They are capable of going into suspended animation until softened and reheated by the sun or some other source of heat. They are about five feet (1.5 m) long, and their crustacean-like bodies bear numerous sets of paired appendages. They possess a pair of membranous bat-like wings which are used to fly through the "aether" of outer space (a scientific concept which is now discredited). The wings do not function well on Earth. Several other races in Lovecraft's Mythos also have wings like these. The Mi-go can transport humans from Earth to Pluto (and beyond) and back again by removing the subject's brain and placing it into a "brain cylinder", which can be attached to external devices to allow it to see, hear, and speak. -
IN DARKEST ENGLAND and the WAY out by GENERAL WILLIAM BOOTH
IN DARKEST ENGLAND and THE WAY OUT by GENERAL WILLIAM BOOTH (this text comes from the 1890 1st ed. pub. The Salvation Army) 2001 armybarmy.com To the memory of the companion, counsellor, and comrade of nearly 40 years. The sharer of my every ambition for the welfare of mankind, my loving, faithful, and devoted wife this book is dedicated. This e-book was optically scanned. Some minor updates have been made to correct some spelling errors in the original book and layout in-compatibilities 2001 armybarmy.com PREFACE The progress of The Salvation Army in its work amongst the poor and lost of many lands has compelled me to face the problems which an more or less hopefully considered in the following pages. The grim necessities of a huge Campaign carried on for many years against the evils which lie at the root of all the miseries of modern life, attacked in a thousand and one forms by a thousand and one lieutenants, have led me step by step to contemplate as a possible solution of at least some of those problems the Scheme of social Selection and Salvation which I have here set forth. When but a mere child the degradation and helpless misery of the poor Stockingers of my native town, wandering gaunt and hunger-stricken through the streets droning out their melancholy ditties, crowding the Union or toiling like galley slaves on relief works for a bare subsistence kindled in my heart yearnings to help the poor which have continued to this day and which have had a powerful influence on my whole life. -
Ts Eliot “Love Song of J. Alfred Prufrock”
THE COURSE MATERIAL IS DESIGNED AND DEVELOPED BY INDIRA GANDHI NATIONAL OPEN UNIVERSITY (IGNOU), NEW DELHI, OSOU HAS BEEN PERMITTED TO USE THE MATERIAL. BESIDES, A FEW REFERENCES ARE ALSO TAKEN FROM SOME OPEN SOURCES THAT HAS BEEN ACKNOWLEGED IN THE TEXT. BACHELOR OF ARTS (HONOURS) IN ENGLISH (BAEG) BEG-7 20th Century British literature Block-2 20th Century Poems Unit 1 T.S. Eliot “Love Song of J. Alfred Prufrock” Unit 2 W.B. Yeats : “Second Coming” Unit 3 Wilfred Owen: “Strange Meeting” Unit 4 Siegfried Sassoon, “Suicide in The Trenches” UNIT 1: T.S. ELIOT “LOVE SONG OF J. ALFRED PRUFROCK” Structure 1.0 Objectives 1.1 Introduction 1.2 About T.S. Eliot 1.3 Poem 1.4 Analysis 1.5 Check Your Progress 1.6 Let us Sum up 1.0 OBJECTIVE After reading this poem you will be able to: Examine the tortured psyche of the prototypical modern man—overeducated, eloquent, neurotic, and emotionally stilted. Prufrock, the poem’s speaker, seems to be addressing a potential lover, with whom he would like to “force the moment to its crisis” by somehow consummating their relationship. But Prufrock knows too much of life to “dare” an approach to the woman: In his mind he hears the comments others make about his inadequacies, and he chides himself for “presuming” emotional interaction could be possible at all. 1.1 INTRODUCTION The poem moves from a series of fairly concrete (for Eliot) physical settings—a cityscape (the famous “patient etherised upon a table”) and several interiors (women’s arms in the lamplight, coffee spoons, fireplaces)—to a series of vague ocean images conveying Prufrock’s emotional distance from the world as he comes to recognize his second-rate status (“I am not Prince Hamlet’). -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
The Sailor Who Fell from Grace with the Sea
Penguin Books The Sailor Who Fell from Grace with the Sea Yukio Mishima was born in Tokyo in 1925. When he graduated from the Peers' School in 1944, he received a citation from the Emperor as the highest honour student. He graduated from the Tokyo Imperial University School of Jurisprudence in 1947, and the following year he published his first novel. He wrote eight novels, four successful plays for the Kabuki Theatre, and a travel book. He was the author of more than fifty short stories, ten one-act plays, and several volumes of essays. Among his books published in England are After the Banquet, Confessions elf a Mask, Death in Midsummer and other stories, and The Thirstfor Love. The Sound of Waves, published in Japan under the title of Shiosai, won the 1954 Shinchosha literary prize. Immediately after the Second World War, Yukio Mishima went to the United States as a guest of the State Department and of Partisan Review. In his spare time he was a devotee of weight-lifting and body-building exercises. Mishima firmly upheld the traditions of Japan's imperial past, which he believed were being swiftly eroded by Western materialism. In 1970 he astonished the world when he and a colleague committed ritual suicide, or hara-kiri, by disembowelment. Yukio Mishima The Sailor Who Fell from Grace with the Sea Translated from the Japanese by John Nathan Penguin Books in association with Martin Seeker & Warburg Penguin Books Ltd, Harmondsworth, Middlesex, England Penguin Books, 625 Madison Avenue, New York, New York 10022, U.S.A. -
The Necronomicon
Dedication On the One Hundredth anniversary of the Nativity of the Poet ALEISTER CROWLEY 1875-1975 Ad Meiomrum Cthulhi Gloriam ACKNOWLEDGEMENTS THE EDITOR would like to thank all of the people whose cooperation and dedication to unspeakable horrors has made this book possible. First, our thanks go to that nameless monk who presented us with the originals., who has since disappeared. Second, to that ever-changing staff of translators who performed a most distasteful and oft'times unsatisfying task: to Ms. I. Celms, Ms. N. Papaspyrou, Mr. Peter Levenda, Mr. X. and Mr. Y. Third, to Ms. J. McNally, whose thorough knowledge and understanding of Craft folklore aided the Editor in assuming a proper perspective towards this Work. Fourth, to Mr. J. Birnbaum who aided in some of the preliminary practical research concerning the powers of the Book, and its dangers. Fifth, to Mr. L. K. Barnes, who dared to tempt the awesome wrath of the Ancient Ones, rising unspeakable eldritch horrors, in supporting the publication of this arcane treatise. Sixth, to all those patient Pagans and Friends of the Craft who waited, and waited for the eventual publication of this tome with baited breath . and something on the stove. Seventh, and perhaps most importantly, to Herman Slater of the Magickal Childe (nee Warlock Shop), whose constant encouragement and eternal kvetching was material to the completion of this Work. And, finally, to the Demon PERDURABO, without whose help the presentation of this Book would have been impossible. Blessed Be! TABLE OF CONTENTS INTRODUCTION -
UNIT 21 WILLIAM BUTLER YEATS William Butler Yeats
UNIT 21 WILLIAM BUTLER YEATS William Butler Yeats Structure 21.0 Objectives 21.1 Introduction 21.2 W.B. Yeats (13 June 1865- 28 January 1939) 21.3 To a Shade (1913) 21.3.1 Introduction 21.3.2 The Text 21.3.3 Analysis 21.4 No Second Troy (1910) 21.4.1 Introduction 21.4.2 The Text 21.4.3 Analysis 21.5 The Second Coming (1920) 21.5.1 Introduction 21.5.2 The Text 21.5.3 Analysis 21.6 Let Us Sum Up 21.7 Answers to Self-check Exercises 21.0 OBJECTIVES After you have read this unit, you will be able to: • Critically respond to W.B.Yeats’s life and works. • Understand Yeats’s poetry in relation to Irish politics and history of his time. • Appreciate the relationship between form and content of his poetry. • To examine Yeats’s contribution to poetic modernism. • Examine the poems “To a Shade,” “No Second Troy,” and “The Second Coming.” 21.1 INTRODUTION In this unit, we will have first look at W.B.Yeats’s life and works. Yeats lived a long and eventful life. There was a direct connection between his social, and political life and the kind of literature he wrote. Therefore understanding his life may hold some key to comprehending his poetry. The first poem in this unit is “To a Shade,” which Yeats wrote to commemorate the great Irish nationalist Charles Stuart Parnell. As a nationalist Yeats was greatly influenced by this revolutionary leader, and his passion for the 9 The High Modernist, independence of Ireland. -
Mythic Implications of Archibald Macleish's Songs for Eve
Re-Visioning the Fall: Mythic Implications Of Archibald Macleish's Songs for Eve By Richard T. Felt A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida August 2002 Re-Visioning the Fall: Mythic Implications Of Archibald Macleish's Songs for Eve By RichardT. Felt This thesis was prepared under the direction of the candidate's thesis advisor, Dr. Howard Pearce, Department of English, and has been approved by the members of his supervisory committee. It was submitted to the faculty members of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Master of Arts. SUPERVISORY COMMITTEE: Thesis Advisor Vice Provost Date 11 ABSTRACT Author: Richard T. Felt Title: Re-Visioning the Fall: Mythic Implications of Archibald Macleish's Songs for Eve Institution: Florida Atlantic University Thesis Advisor: Dr. Howard Pearce Degree: Master of Arts Year: 2002 The history of Western thought is permeated by a dualistic habit of mind which prevents a deeper connection with that primordial world mediated by myth and archetypes. Nietzsche described this dualism as the imposition of rationalistic Apollonian values on the far older tradition of intuitive Dionysian modes of being. Extending this concept further, James Hillman describes this same phenomenon as a lack of soul which he calls psyche. Without a reconnection to psyche, Western civilization is schizoid and incomplete. Using these insights as a basis for critical exploration, this thesis examines Archibald Macleish's 1954 poem cycle Songs for Eve and its inversion of the traditional Western archetypes of the Fall and woman's role in it.