IN DARKEST ENGLAND and the WAY out by GENERAL WILLIAM BOOTH
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
William Booth Leader's Guide
Leader’s Guide to accompany the DVD The Torchlighters: The William Booth Story Table of Contents Introduction to the Torchlighters Series . 3 Synopsis of The Torchlighters: The William Booth Story . 4 Teaching Plan for The William Booth Story . 5 Session 1 - No Compromise: Called! . 6-8 Session 2 - No Compromise: Courage! . 9 Session 3 - No Compromise: Commitment! . 10 Session 4 - No Compromise: Continue! . 11-12 Letter to Parents . 13 Supplementary Materials Key People in The William Booth Story . 14 The Nineteenth-Century World of William Booth . 15-16 Timeline of the Booths and The Salvation Army . 17-18 Additional Materials . 19 The Torchlighters Series . 20 Answer Key for Select Student Pages . 21 © Christian History Institute Learn more about The Torchlighters: Heroes of the Faith programs at www.torchlighters.org.2 Leader’s Guide to accompany the DVD The Torchlighters: The William Booth Story Introduction to the Torchlighters Series Torchlighter: One who commits to serving God and passing on the light of the Gospel, even if the going gets tough. Kids today have no shortage of heroes. From Hollywood celebrities to music artists and sports figures, it would seem that there are plenty of heroes to go around. The heroes being offered by popular culture are teaching children that physical perfection, financial success, and fame are the most important goals in life. The morals and values presented by these heroes are often in direct opposition to the standards parents want to pass on to their children. So, while there is no shortage of heroes, there is a dreadful shortage of heroes worth emulating. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end. -
A Vision of Heaven
A VISION OF HEAVEN This vision is attributed to William Booth, the founder of the Salvation Army. He had several visions that were significant in shaping his life and ministry. While all visions must be evaluated and tested by the Scriptures, we feel that this condensed account of his vision could also bring a significant impact to your own life. I felt as though I was in a dream. I knew I was ill – dangerously ill – because a relative insisted on my being told my real condition. And yet I was not disturbed about the fact. I thought I would recover. Most people do, I suppose, until the hand of death is upon them. And if I did not recover, I thought I had no reason to be terribly concerned, because I was a Christian. Hadn’t I been converted? Didn’t I believe the Bible? Why should I fear? But even so, disturbing thoughts crossed my mind about whether I had truly followed Jesus Christ. Had I done my duty to a perishing world with my time, influence, and money? These questions were very difficult for me to answer. Yet it was all in a dreamy way because of the burning fever that was numbing my brain. Meanwhile a strange faintness seized me. I lost consciousness. My next awareness was altogether beyond description. It was the thrill of a new and celestial existence. I was in heaven. After the first feeling of surprise had lessened, I looked around me. It was delightful way beyond anything on earth. And yet some of the more beautiful scenes and sounds and feelings of the world I had just left appeared to be repeated in my new experience, although in more wonderful ways. -
MAY 19Th 2018
5z May 19th We love you, Archivist! MAY 19th 2018 Attention PDF authors and publishers: Da Archive runs on your tolerance. If you want your product removed from this list, just tell us and it will not be included. This is a compilation of pdf share threads since 2015 and the rpg generals threads. Some things are from even earlier, like Lotsastuff’s collection. Thanks Lotsastuff, your pdf was inspirational. And all the Awesome Pioneer Dudes who built the foundations. Many of their names are still in the Big Collections A THOUSAND THANK YOUS to the Anon Brigade, who do all the digging, loading, and posting. Especially those elite commandos, the Nametag Legionaires, who selflessly achieve the improbable. - - - - - - - – - - - - - - - - – - - - - - - - - - - - - - - – - - - - - – The New Big Dog on the Block is Da Curated Archive. It probably has what you are looking for, so you might want to look there first. - - - - - - - – - - - - - - - - – - - - - - - - - - - - - - - – - - - - - – Don't think of this as a library index, think of it as Portobello Road in London, filled with bookstores and little street market booths and you have to talk to each shopkeeper. It has been cleaned up some, labeled poorly, and shuffled about a little to perhaps be more useful. There are links to ~16,000 pdfs. Don't be intimidated, some are duplicates. Go get a coffee and browse. Some links are encoded without a hyperlink to restrict spiderbot activity. You will have to complete the link. Sorry for the inconvenience. Others are encoded but have a working hyperlink underneath. Some are Spoonerisms or even written backwards, Enjoy! ss, @SS or $$ is Send Spaace, m3g@ is Megaa, <d0t> is a period or dot as in dot com, etc. -
Emmanuele F.M. Emanuele Emmanuele Francesco Maria
Emmanuele F.M. Emanuele Emmanuele Francesco Maria Emanuele, descendant of one of the most illustrious ancient noble Christian Catholic families of medieval Spain (1199) and Southern Italy, Baron. University Professor, Supreme Court lawyer, economist, expert in financial, tax and insurance issues, essayist and author of books on economics and poetry. EDUCATION - Primary school: “S. Anna”, Palermo; - Lower secondary school: “Istituto Gonzaga” (Jesuit), Palermo; - Upper secondary school: “Istituto Don Bosco - Ranchibile” (Salesian), Palermo; - Lyceum: “Giuseppe Garibaldi”, Palermo; - Degree in law awarded by the University of Palermo in 1960; - Business training course held by ISDA (Istituto Superiore per la Direzione Aziendale), 1962-63; - Financial and Monetary Economics course at the Harvard Summer School, Harvard University in Cambridge, Massachusetts U.S.A., through a scholarship granted by the Italian Ministry of Foreign Affairs, 1968. PROFESSORSHIPS Former - Assistant to the Chair of Economic Policy at the Faculty of Statistical, Demographic and Actuarial Sciences of the ‘La Sapienza’ University of Rome, 1963-74; - Tenured assistant to the Chair of Taxation Law at the Faculty of Political Science of the University of Naples; - Professor of Tax Law at the University of Salerno, 1971-81; - Professor of Tax and Public Sector Law at the LUISS Guido Carli University, 1982-83; - Professor of Tax Law at the LUISS Guido Carli University, 1983-84 and 1993-96; - Professor of Financial Law at the LUISS Guido Carli University, 1984-92; - Professor -
Barefacts-1080-100904
Issue 1080 10 09 04 relive the highlights of your summer... celebrate the launch of Rubix... distract yourself from study... ... all in your new fortnightly barefacts! contents 1 editorial 2 The new year brings some new developments... So... the first issue of barefacts this year. You may have noticed it’s changed rather since 6 Neil Christie summarizes the summer that was 2004 the last edition. Change for change’s sake is never a particularly good idea, and changing 9 Try something new this year... get volunteering the longstanding tradition of barefacts as a tabloid newspaper was a hard decision to 10 Another year, another bout of elections take. However, having spoken to many of you during campaigning it became clear that 13 Happy 2nd birthday DAVE barefacts needed a facelift of sorts. 15 Paul Canning reveals a new national phobia Its reduction to a fortnightly publication comes from the realisation that as a weekly paper, it 16 Ben Supper exposes the humble mortarboard not only demanded continuous attention and resources from the VP Comms but also left 20 Music reviews albums, singles and the festivals regular contributors with little time between editions to fully research features and news 25 Literature checks out some escapist fiction items. By going to print every other week, the opportunity exists not only for more extensive 26 Film reviews the holiday blockbusters journalistic reporting to be undertaken by the editorial team, but also for a wider 28 GU2 returns to the airwaves range of articles to be collated from different constituent members and the possibility for 30 Computers needn’t be all work, work, work more ambitious design formats, both in terms of editorial time available and also through 32 Amy Price introduces the Alumni Office the redistribution of budget resources. -
The Theological Socialism of the Labour Church
‘SO PECULIARLY ITS OWN’ THE THEOLOGICAL SOCIALISM OF THE LABOUR CHURCH by NEIL WHARRIER JOHNSON A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Theology and Religion School of Philosophy, Theology and Religion College of Arts and Law University of Birmingham May 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The thesis argues that the most distinctive feature of the Labour Church was Theological Socialism. For its founder, John Trevor, Theological Socialism was the literal Religion of Socialism, a post-Christian prophecy announcing the dawn of a new utopian era explained in terms of the Kingdom of God on earth; for members of the Labour Church, who are referred to throughout the thesis as Theological Socialists, Theological Socialism was an inclusive message about God working through the Labour movement. By focussing on Theological Socialism the thesis challenges the historiography and reappraises the significance of the Labour -
Song Pack Listing
TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like -
The Good Time Coming : the Impact of William Booth's Eschatological Vision
.. ....... .. I. ... ., ... : .. , . j;. ..... .. .... The Copyright law of the United States (title 17, United States Code) governs the making of phwtmwpies or derreproductiwns of mpyrighted material. Under cetZBin conditions specified in the law, libraries and archives are authorid to furnish a photocopy or other reproduction. Om of these specific mditions is that the phohmpy or reproduction is not to be “Used fir my purpose other than private study, schdanhip, or research.” If B user make3 a quest far, or later uses, a photompy or repductim for puqmses in ecess of ‘‘fair we9”that user may be liable for mpyright infringement, This institution reserves the right to rehe to accept a copying order if, in its judgmenk fulfitlrnent of the order would involve violation ofcoMght Jaw- By the using this materid, you are couwnting h abide by this copyright policy, Any duplication, reprodndinn, nr modification of this material without express waitken consent from Asbuv Theological Seminary andhr the original publisher is prohibited. Q Asbury TheoIogi@alSeminary 2009 MECUMTAW BINDERY, INC ASBURY SEMINARY 10741 04206 ASBURY THEOLOGICAL, SEMINARY “THE GOOD TZME COMING”: THE IMPACT OF WILLIAM BOOTH’S ESCHATOLOGICAL VISION A THESIS SUBMITTED FOR PARTIAL FULFILLMENT OF THE REQUlREMENTS FOR THE DEGREE, MASTOR OF DIVINITY BY ANDREW S. MILLER I11 WILMORE, KY DECEMBER 1,2005 “THE GOOD TIME COMING”: THE IMPACT OF WILLIAM BOOTH’S ESCHATOLOGICAL VISION Approved by: Date Accepted: Vice President for Academic Affairs and Provost Date CONTENTS ACKNOWLEDGEMENTS ............................... V INTRODUCTION ...................................... 1 Goals of the Study Review of Literature Chapter : 1. WILLIAM BOOTH’S ESCHATOLOGICAL PERSPECTIVE .... 6 Eschatology as the Centerpiece of William Booth’s Theology William Booth as a Postmillennialist William Booth’s Theological History The Making of an Eschatological Army Contemporary Application Conclusion 2. -
University of Cincinnati
! "# $ % & % ' % !" #$ !% !' &$ &""! '() ' #$ *+ ' "# ' '% $$(' ,) * !$- .*./- 0 #!1- 2 *,*- Atomic Apocalypse – ‘Nuclear Fiction’ in German Literature and Culture A dissertation submitted to the Graduate School of the University of Cincinnati In partial fulfillment of the requirements for the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) in the Department of German Studies of the College of Arts and Sciences 2010 by Wolfgang Lueckel B.A. (equivalent) in German Literature, Universität Mainz, 2003 M.A. in German Studies, University of Cincinnati, 2005 Committee Chair: Sara Friedrichsmeyer, Ph.D. Committee Members: Todd Herzog, Ph.D. (second reader) Katharina Gerstenberger, Ph.D. Richard E. Schade, Ph.D. ii Abstract In my dissertation “Atomic Apocalypse – ‘Nuclear Fiction’ in German Literature and Culture,” I investigate the portrayal of the nuclear age and its most dreaded fantasy, the nuclear apocalypse, in German fictionalizations and cultural writings. My selection contains texts of disparate natures and provenance: about fifty plays, novels, audio plays, treatises, narratives, films from 1946 to 2009. I regard these texts as a genre of their own and attempt a description of the various elements that tie them together. The fascination with the end of the world that high and popular culture have developed after 9/11 partially originated from the tradition of nuclear fiction since 1945. The Cold War has produced strong and lasting apocalyptic images in German culture that reject the traditional biblical apocalypse and that draw up a new worldview. In particular, German nuclear fiction sees the atomic apocalypse as another step towards the technical facilitation of genocide, preceded by the Jewish Holocaust with its gas chambers and ovens. -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat.