A Historical Portrait of Dukun Bayi in Java to the Present∗
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Release from Batara Kala's Grip: a Biblical Approach to Ruwatan From
ERT (2019) 43:2, 126-137 Release from Batara Kala’s Grip: A Biblical Approach to Ruwatan from the Perspective of Paul’s Letter to the Ephesians Pancha W. Yahya Ruwatan is a ritual that has been Ruwatan is derived from a Hindu practiced by the Javanese people (the - largest ethnic group in Indonesia) for cation or liberation of gods who had centuries.1 The word ruwatan comes traditionbeen cursed and for is makingrelated mistakesto the purifi and from ruwat, which means ‘to free’ or changed into other beings (either hu- ‘to liberate’. Ruwatan is ‘a ritual to lib- mans or animals). erate certain people because it is be- Because of the widespread practice lieved that they will experience bad of ruwatan, a biblical perspective on luck.’2 These people are considered - donesian Christians, especially those Batara Kala, an evil god of gigantic thisfrom ritual a Javanese would cultural be beneficial background. to In uncleanproportions and firmlyin Javanese under mythology.the grip of Paul’s epistle to the Ephesians pro- The ritual is practised by every stra- vides such a perspective, as it directly tum of the Javanese society—wealthy addresses the evil powers and their and poor, educated and illiterate.3 ability to bind people.4 Ephesus was known as the centre of magic in the Graeco-Roman world.5 1 - I will begin by describing the prac- tral Java and East Java and also the Yogyakar- tice and implicit worldview of ruwa- ta special The Javanese region, live all onin thethe provincesisland of Java, of Cen In- tan. -
S G Rip R Itual U Ses of Shadow P Lays in Java and Bali Ward Keeler
R e l e a s e f r o m K a l a ' s G r ip R it u a l U ses o f S h a d o w P l a y s in J a v a a n d B a l i Ward Keeler Comparative work in anthropology sometimes appears to be as perilous as it is unfash ionable. That it is unfashionable is evident in the relative dearth of explicitly comparative studies published in anthropology over the past forty or so years. A few exceptions aside, the closest one usually comes is an edited volume in which each essay deals with a single society but an introductory essay by the editors hazards some broader comparative re marks. The reasons for such reticence seem clear: not only is it difficult for a single anthro pologist to acquire enough expertise in more than one society to make comparative remarks with any authority, it also goes against the grain of much contemporary anthropology to try to make data from diverse societies fit the analytic categories—any analytic categories— upon which comparison might be based. This fear of reductionism, which defines the peril in comparative work, is well-founded: the disrepute into which so much earlier anthropology has fallen stems in large part from the brazenly reductive manner in which cross-cultural comparisons were made. Even com- parativists as scrupulous and sophisticated as Boas and Levi-Strauss still seem to lose too much of what matters about the societies they study when they embark on comparisons of ritual, myth, or social organization. -
The Sinophone Roots of Javanese Nini Towong
Margaret Chan Singapore Management University The Sinophone Roots of Javanese Nini Towong This article proposes that Nini Towong, a Javanese game involving a pos- sessed doll, is an involution of fifth-century Chinese spirit-basket divination. The investigation is less concerned with originist theories than it is a discus- sion of the Chinese in Indonesia. The Chinese have been in Southeast Asia from at least as early as the Ming era, yet Chinese contributions to Indonesian culture is an understudied area. The problem begins with the asymmetrical privileging of Indic over Sinic influences in early European scholarship, a sit- uation which in turn reveals the prejudices that the Europeans brought to bear in their dealings with the Chinese of Southeast Asia in the seventeenth to nineteenth century. Europeans introduced the Chinese-Jew analogy to the region. Their disdain contributed to indigenous hostility toward the Chinese. Racialism is a sensitive topic but a reminder of past injustices provides a timely warning in this moment of tense world geopolitics. keywords: Nini Towong—jelangkung—spirit-basket divination— Sinophone—Sinophobia Asian Ethnology Volume 76, Number 1 • 2017, 95–115 © Nanzan University Anthropological Institute ini Towong is a Javanese rain ritual that involves a female effigy made with Na coconut-shell ladle head mounted upon a basket body.* The soul of a dead person possesses the doll when it self-animates to answer questions put to it by rapping, nodding, and pointing. There is a second Indonesian spirit-basket game, jelangkung, from the Chinese cai lan gong (菜篮公), meaning “vegetable basket deity.” Two people hold onto a basket which moves to write using a pen stuck into its reeds. -
Did the Solar Eclipse of 9 March 2016 Attract Tourist to Come to Indonesia?
Asia Tourism Forum 2016 – The 12th Biennial Conference of Hospitality and Tourism Industry in Asia (ATF-16) Did the Solar Eclipse of 9 March 2016 Attract Tourist to Come to Indonesia? Nuria Haristiani1, Ani Siti Wiryani2, Arvina Rusli2, Asep Bayu Dani Nandiyanto2*, Novie Permatasari2, Transmissia Noviska Sucahya2, Anisa Purnamasari2, Desri Sofiani2, Isma Widiaty3, Ade Gafar Abdullah4, Ana3, Ratih Hurriyati5 1Departemen Pendidikan Bahasa Jepang, Universitas Pendidikan Indonesia, Jl. Dr. Setiabudi 229, Bandung 40154, Indonesia 2Departemen Kimia, Universitas Pendidikan Indonesia, Jl. Dr. Setiabudi 229, Bandung 40154, Indonesia 3Departemen Pendidikan Kesejahteraan Keluarga, Universitas Pendidikan Indonesia, Jl. Dr. Setiabudi 229, Bandung 40154, Indonesia 4Departemen Pendidikan Teknik Elektro, Universitas Pendidikan Indonesia, Jl. Dr. Setiabudi 229, Bandung 40154, Indonesia 5Departemen Manajemen dan Bisnis, Universitas Pendidikan Indonesia, Jl. Dr. Setiabudi 229, Bandung 40154, Indonesia ABSTRACT- Solar eclipse phenomenon is one 1. INTRODUCTION of the spectacular events in nature. On 9 March 2016, the solar eclipse happened in several Solar eclipse phenomenon is a rare event regions in Indonesia. This event attracted tourists to visit Indonesia. The tourists came for that happens in the universe. This phenomenon not only seeing the beautiful solar eclipse scene occurs when the Sun and the Moon are in a but also getting sensation of myths and cultures line in a few minutes, so that sunlight is in Indonesia during the solar eclipse. Here, the covered by the Moon, resulting the darkening aim of this study was to discuss about the effects sky. (Fabian, Winterhalter, & et al, 2001; of solar eclipse event on the increases in the Foken, Wichura, & et al, 2001; Nishanth, Ojha, number of tourists to Indonesia and influence of & et al, 2011) This eclipse takes place in foreign exchange in Indonesia. -
The Panji Story: from Version to Version *) by Triyono
The Panji Story: From Version to Version *) by Triyono Bramantyo Indonesian Institute of the Arts (ISI) Yogyakarta, Indonesia Introduction A monument that was erected during the reign of King Dyah Balitung of Central Java dating from approximately 907 CE (Ministry of Education and Culture 1983-1984, 2) provides the oldest written record of a wayang performance, which was based on the Mahabharata epic tale. The Ramayana was also an important source in the development of the performing arts in the early civilization of Java. The history of the Ramayana dates back to approximately the 5th-4th century BCE. It is believed that the original version of the story is Valmiki’s Ramayana. Some cultural evidence suggests that the Ramayana predates the Mahabharata. Regardless of which tale appeared first, these two important Indian literary works have been adapted to many forms in Javanese performing arts and in those of the rest of Southeast Asia: the Javanese Ramayana, the Javanese Mahabharata (in various forms of puppetry), the Balinese Ramayana, the Phra Lak Phra Lam of Laos, the Hikayat Seri Rama of Malaysia, the Ramakien of Thailand, the Yama Zatdaw of Myanmar, etc. Alongside the Ramayana and the Mahabharata, there is a local Javanese cycle called the Story of Panji, which, according to C.C. Berg’s work Inleiding tot de Studie van het Oud-Javaansch (1928), was disseminated in the year of Pamalayu (1277 CE). Purbatjaraka, an expert on the Panji cycles, writes: “[…] the writing of the early Panji story was during the supremacy of the Majapahit Kingdom” (Purbatjaraka 1968, 404). The Story of Panji subsequently spread throughout the Southeast Asian region, including present-day Malaysia, Thailand, Cambodia, Myanmar and Laos, and has been adapted to a variety of performing arts. -
J. Ras the Panji Romance and WH Rassers Analysis of Its Theme In
J. Ras The Panji Romance and W.H. Rassers analysis of its theme In: Bijdragen tot de Taal-, Land- en Volkenkunde 129 (1973), no: 4, Leiden, 411-456 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/10/2021 12:56:07PM via free access J. J. RAS l THE PANJI ROMANCE 1 AND W. H. RASSERS' ANALYSIS li OF ITS THEME \-., i 9 Rasser? work. Some early and more recent judgements. In June 1972 it was exactly 50 years since W. H. Rassen (deceased recently, on 16th May, 1973) presented his book 'De Pandji-roman' to i the Senate Committee of the University of Leiden, which Comrnittee, ) after the traditional discussion on the merits of this study and of the theses accompanying it, conferred on the author the degree of Doctor of Philmphy. - After the completion of his dissertation Rassers proceeded with his research and wrote a number of further studies, the most important of which were later collected and republished in English translation under / the title Pañji, the Culture Hero.' It is through this latter collection , / of essays that Rassen' views have become most widely known outside the Netherlands. The title of this book is not altogether fortunate, in the first place because some of the essays contained in it do not touch on the Panji theme at dl, while in the second place it has caused the book to be mistaken for Rassers' dissertation of 1922, which it definitely is not. -/ The dissertation was never made accessible to the English-reading public. -
The Practice of Pencak Silat in West Java
The Politics of Inner Power: The Practice of Pencak Silat in West Java By Ian Douglas Wilson Ph.D. Thesis School of Asian Studies Murdoch University Western Australia 2002 Declaration This is my own account of the research and contains as its main content, work which has not been submitted for a degree at any university Signed, Ian Douglas Wilson Abstract Pencak silat is a form of martial arts indigenous to the Malay derived ethnic groups that populate mainland and island Southeast Asia. Far from being merely a form of self- defense, pencak silat is a pedagogic method that seeks to embody particular cultural and social ideals within the body of the practitioner. The history, culture and practice of pencak in West Java is the subject of this study. As a form of traditional education, a performance art, a component of ritual and community celebrations, a practical form of self-defense, a path to spiritual enlightenment, and more recently as a national and international sport, pencak silat is in many respects unique. It is both an integrative and diverse cultural practice that articulates a holistic perspective on the world centering upon the importance of the body as a psychosomatic whole. Changing socio-cultural conditions in Indonesia have produced new forms of pencak silat. Increasing government intervention in pencak silat throughout the New Order period has led to the development of nationalized versions that seek to inculcate state-approved values within the body of the practitioner. Pencak silat groups have also been mobilized for the purpose of pursuing political aims. Some practitioners have responded by looking inwards, outlining a path to self-realization framed by the powers, flows and desires found within the body itself. -
Akuntansi Bantengan: Perlawanan Akuntansi Indonesia Melalui Metafora Bantengan Dan Topeng Malang
AKUNTANSI BANTENGAN: PERLAWANAN AKUNTANSI INDONESIA MELALUI METAFORA BANTENGAN DAN TOPENG MALANG Amelia Indah Kusdewanti1)* Achdiar Redy Setiawan2) Ari Kamayanti1) Aji Dedi Mulawarman1) 1)Universitas Brawijaya, Jl. MT. Haryono 165, Malang. 2)Universitas Trunojoyo Madura Surel: [email protected] Abstrak: Akuntansi Bantengan: Perlawanan Akuntansi Indonesia melalui Metafora Kesenian Bantengan dan Topengan Malang. Tujuan studi ini meng- usulkan bahwa melakukan perlawanan pada ‘kuasa’ yang sedang berperang merupakan usaha yang melelahkan. Bentuk perlawanan akan lebih bermakna bagi kepentingan rakyat apabila dilakukan oleh dan bagi rakyat. Pendekatan metafora digunakan untuk menelaah perang kuasa. Studi literatur mendalam serta wawancara dengan komunitas budaya, budayawan serta sejarawan meng- konfirmasi bahwa metafora Bantengan dan Topeng Malang tepat untuk meng- gambarkan kondisi ini. Artikel ini menunjukkan bahwa keberadaan Masyarakat Akuntansi Multiparadigma Indonesia (MAMI) adalah bentuk perlawanan Akun- tansi Bantengan yang menjadi motor penggerak pembangunan ilmu akuntansi menuju akuntansi Indonesia yang merdeka. Abstract: Bantengan Accounting: The Counterforce of Indonesian Account- ing through Bantengan and Topengan Malang Art as Methapor. This study proposes that the counterforce of this war should be done by the people and for them. The methapor is used to examine the war. In-depth study of literature and interviews with cultural communities, as well as cultural historians confirm that Bantengan and Topeng Malang appropriate to describe this condition. This arti- cle shows that the presence of Masyarakat Akuntansi Multiparadigma Indonesia (MAMI) as a form of Bantengan Accounting battle is a driving force toward the free- dom of Indonesian Accounting. Kata kunci: Bantengan, Topeng malang, MAMI, Metafora, Perang kuasa “Titenana yen mbesok wes ana sarpo kantaka Handoko Brang saka wetan dalane, sinuwuk ubrug wahana jati. -
Ngahudang Carita Anu Baheula
NGAHUDANG CARITA ANU BAHEULA (To Awaken An Ancient Story) An Introduction to the Stories of Pantun Sunda Andrew N. Weintraub Southeast Asia Paper No. 34 Center for Southeast Asian Studies School of Hawaiian, Asian and Pacific Studies University of Hawaii at Manoa 1991 ACKNOWLEDGENffiNTS I am indebted to all the people who have helped me in my studies of pantun Sunda. I would like to mention a few individuals here who generously contributed their time and energy to the work contained in this volume. Yoseph Iskandar, Ajip Rosidi, Epih Wirahadikusumah and Amalia Firman collaborated closely with me on the translations of the Sundanese epics and helped me understand the stories within the context of Sundanese culture. Alice Dewey, Hardja Susilo and Ricardo D. Trimillos made valuable comments and suggestions on the writing of the synopses. Truong Buu Lam, Jim Collins, and Flo Lamoureux at the University of Hawaii Center for Southeast Asian Studies were very helpful in getting this volume to press. I am also grateful to the Institute of Culture and Communication at the East-West Center for supporting my research in West Java. Most importantly, I would like to dedicate this volume to the pantun bard, Ki Enjum, who willingly shared his time and knowledge with me. Ki Enjum begins the performance of every pantun Sunda with the invocatory song, "Rajah," which functions as an apology in the event that the performer makes a mistake during the performance. It seems appropriate that I begin this volume by quoting the opening lines from the song "Rajah". -
The Once and Future King: Utopianism As Political Practice in Indonesia El Pasado Y Futuro Rey: Utopismo Como Práctica Política En Indonesia
12 The Once and Future King: Utopianism as Political Practice in Indonesia El pasado y futuro rey: utopismo como práctica política en Indonesia Thomas Anton Reuter Abstract A centuries-old practice persists on the island of Java, Indonesia, whereby utopian prophecies are used not only to critique the socio-political order of the day but also to outline an ideal form of government for the future. The prophecy text is attributed to a 12th century king, Jayabaya. This historical figure is celebrated as a ‘just king’ (ratu adil) and as an incarnation of the Hindu God Vishnu, who is said to manifest periodically in human form to restore the world to order and prosperity. The prophecy predicts the present ‘time of madness’ (jaman edan) will culminate in a major crisis, followed by a restoration of cosmic harmony within a utopian society. Not unlike the work of Thomas More, and the genre of western utopian literature in general, the political concepts outlined in this Indonesian literary tradition have been a perennial source of inspiration for political change. Keywords: imagination, Indonesia, Java, prophecy, time, utopian literature. Resumen Una práctica centenaria persiste en la isla de Java, Indonesia, en la que profecías utópicas son usadas no solo para criticar el orden sociopolítico actual, sino también para trazar una forma ideal de un futuro gobierno. El texto profético es atribuido a Jayabaya, un rey del siglo XII. Esta figura histórica es reconocida como un rey justo (ratu adil) y como una encarnación del dios hindú Vishnu, quien se manifiesta periódicamente en forma humana para restaurar el orden mundial y la prosperidad. -
The Once and Future King: Utopianism As Political Practice in Indonesia El Pasado Y Futuro Rey: Utopismo Como Práctica Política En Indonesia
12 The Once and Future King: Utopianism as Political Practice in Indonesia El pasado y futuro rey: utopismo como práctica política en Indonesia Thomas Anton Reuter Abstract A centuries-old practice persists on the island of Java, Indonesia, whereby utopian prophecies are used not only to critique the socio-political order of the day but also to outline an ideal form of government for the future. The prophecy text is attributed to a 12th century king, Jayabaya. This historical figure is celebrated as a ‘just king’ (ratu adil) and as an incarnation of the Hindu God Vishnu, who is said to manifest periodically in human form to restore the world to order and prosperity. The prophecy predicts the present ‘time of madness’ (jaman edan) will culminate in a major crisis, followed by a restoration of cosmic harmony within a utopian society. Not unlike the work of Thomas More, and the genre of western utopian literature in general, the political concepts outlined in this Indonesian literary tradition have been a perennial source of inspiration for political change. Keywords: imagination, Indonesia, Java, prophecy, time, utopian literature. Resumen Una práctica centenaria persiste en la isla de Java, Indonesia, en la que profecías utópicas son usadas no solo para criticar el orden sociopolítico actual, sino también para trazar una forma ideal de un futuro gobierno. El texto profético es atribuido a Jayabaya, un rey del siglo XII. Esta figura histórica es reconocida como un rey justo (ratu adil) y como una encarnación del dios hindú Vishnu, quien se manifiesta periódicamente en forma humana para restaurar el orden mundial y la prosperidad. -
Prince Dipanagara's Pilgrim's Staff
Archipel Études interdisciplinaires sur le monde insulindien 97 | 2019 Varia Prince Dipanagara’s Pilgrim’s Staff Le Bâton de pèlerinage du Prince Dipanagara Pauline Lunsingh Scheurleer Electronic version URL: https://journals.openedition.org/archipel/1034 DOI: 10.4000/archipel.1034 ISSN: 2104-3655 Publisher Association Archipel Printed version Date of publication: 11 June 2019 Number of pages: 87-112 ISBN: 978-2-910513-81-8 ISSN: 0044-8613 Electronic reference Pauline Lunsingh Scheurleer , “Prince Dipanagara’s Pilgrim’s Staff”, Archipel [Online], 97 | 2019, Online since 16 June 2016, connection on 16 September 2021. URL: http://journals.openedition.org/archipel/ 1034 ; DOI: https://doi.org/10.4000/archipel.1034 Association Archipel PAULINE LUNSINGH SCHEURLEER 1 Prince Dipanagara’s Pilgrim’s Staff 1Prince Dipanagara (1785-1855), a national hero of the Republic Indonesia, was the leader of the Java War (1825-1830). As a Javanese prince who took the title of Ratu Adil (Just King), he owned many weapons and other objects considered pusaka (sacred heirloom). Both during the War itself, when some were captured by Dutch commanders, and afterwards, when the prince’s personal collection of pusaka weapons were distributed among his children, a number of the pusaka in his possession still remained and many would subsequently be dispersed in collections all over the world. One of these pusaka has only recently surfaced. For a long time it had remained with the descendants of Jean Chrétien Baud (1789-1859), a post-Java War Governor-General (in office 1834-1836), after an interim period (1833-1834). In 1834 Baud went on an inspection tour, with the purpose of affirming Dutch power on the island and to check that the recently imposed Cultivation System (cultuurstelsel) was working properly.