Tracing the Concept of Political Leadership of Islam Nusantara
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UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Collecting the People: Textualizing Epics in Philippine History from the Sixteenth Century to the Twenty-First Permalink https://escholarship.org/uc/item/61q8p086 Author Reilly, Brandon Joseph Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Collecting the People: Textualizing Epics in Philippine History from the Sixteenth Century to the Twenty-First A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Brandon Joseph Reilly 2013 © Copyright by Brandon Joseph Reilly 2013 ABSTRACT OF THE DISSERTATION Collecting the People: Textualizing Epics in Philippine History from the Sixteenth Century to the Twenty-First by Brandon Joseph Reilly Doctor of Philosophy in History University of California, Los Angeles, 2012 Professor Michael Salman, Chair My dissertation, “Collecting the People: Textualizing Epics in Philippine History from the Sixteenth Century to the Twenty-First,” examines the study and uses of oral epics in the Philippines from the late 1500s to the present. State institutions and cultural activists uphold epics linked to the pre-colonial era as the most culturally authentic, ancient, and distinctive form of Filipino literature. These “epics” originated as oral traditions performed by culturally diverse groups. Before they could be read, they had to be written down and translated into, first, the colonial language of Spanish, and later, the national languages of English and Filipino. Beginning from the earliest Spanish colonial times, I examine the longer history of writing about, describing, summarizing, and beginning in the late nineteenth century, transcribing the diverse sorts of oral narratives that only in the twentieth century came to be called epics. -
Narratology and New Historicism in Keong Mas
NARRATOLOGY AND NEW HISTORICISM IN KEONG MAS Retnowati1; Endang Ernawati2 1, 2English Department, Faculty of Humanities, Bina Nusantara University Jln. Kemanggisan Illir III No. 45, Palmerah, Jakarta 11480, Indonesia [email protected]; [email protected] ABSTRACT The goal of this research was to know how the folktale Keong Mas was narrated based on Vladimir Propp’s Narratology (1968). Then the evidence in the story was compared to the historical evidence happening during the reign of the two dynasties in the Kediri Kingdom in the eleventh century using the theory of New Historicism. This research used a qualitative method which was based on library research. Furthermore, the research is to know that the work of literature is not always independent. It can be traced through the historical evidence in the folktale which becomes their clues. It is to inform the readers that a work of literature is actually the imitation, that is the reflection of the society. Keywords: elements of folktale, Propp’s narratology, new historicism, historical events INTRODUCTION Indonesian culture produces many kinds of the folktale. They are variously based on the tribes and the areas where the folktales come from. The characters in folktale would be the mirror of human life in the society (Hendra, 2013). Some of the folktales are now written, and some are translated into foreign languages such as English. The elements of folktale are generally part of the oral tradition of a group, more frequently told than read, passing down from one generation to another, taking on the characteristics of the time and place in which they are told, sometimes taking on the personality of the storyteller, speaking to universal and timeless themes, trying to make sense of our existence, helping humans cope with the world in which they live, or explaining the origin of something, often about the common person and may contain supernatural elements. -
Historical Game of Majapahit Kingdom Based on Tactical Role-Playing Game
Historical Game of Majapahit Kingdom based on Tactical Role-playing Game Mohammad Fadly Syahputra, Muhammad Kurniawan Widhianto and Romi Fadillah Rahmat Department Information Technology, Faculty of Computer Science and Information Technology, University of Sumatera Utara, Medan, Indonesia Keywords: Cut-out Animation, History, Majapahit, Role-playing Game, Tactical Role-playing Game, Turn based Strategy, Video Game. Abstract: Majapahit was a kingdom centered in East Java, which once stood around year 1293 to 1500 C. Majapahit kingdom was the last Hindu-Buddhist kingdom that controlled Nusantara and is regarded as one of the greatest kingdom in Indonesia. The lack of modern entertainment content about the history of Majapahit kingdom made historical subject become less attractive. Therefore, we need a modern entertainment as one option to learn about the fascinating history of the kingdom of Majapahit. In this study the authors designed a video game about history of Majapahit kingdom with the genre of tactical role-playing game. Tactical role-playing game is a sub genre of role playing game by using system of turn-based strategy in every battle. In tactical role-playing game, players will take turns with the opponent and can only take action in their turn and each character will have an attribute and level as in role-playing game video game. This study used the A* algorithm to determine the movement direction of the unit and cut-out techniques in the making of animation. This study demonstrated that video games can be used as a media to learn about history. 1 INTRODUCTION only used as an entertainment, but also can be used as a story telling, and sometimes game also can be mixed Majapahit was a kingdom centered in East Java, with educational elements to train someone. -
Conceptual Understanding of Myths and Legends in Malay History
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UKM Journal Article Repository Conceptual Understanding of MythsSari 26 and (2008) Legends 91 - in 110 Malay History 91 Conceptual Understanding of Myths and Legends in Malay History HUSSAIN OTHMAN ABSTRAK Teks-teks sejarah Melayu juga kaya dengan cerita dongeng and legenda. Tetapi, banyak sarjana yang mengkaji isi teks itu kerap membuat tanggapan yang salah. Dalam kajian mereka, mereka menetapkan aspek luaran, dan bukannya aspek fungsi dan sejarah pada cerita mitos dan legenda itu. Oleh itu, adalah tujuan rencana ini untuk menerokai pemahaman konsep saya tentang cerita legenda dan mitos dalam teks sejarah klasik Melayu untuk membuktikan adanya kebenaran sejarah yang tersirat di sebalik cerita itu. Untuk tujuan itu, saya telah memilih Sejarah Melayu, Hikayat Raja-Raja Pasai dan Hikayat Merong Mahawanga. Kata kunci: Kosmologi Melayu, Sejarah Melayu, simbol Melayu, tafsir dan ta’wil ABSTRACT Malay historical texts are also rich in the mythical and legendary stories. Unfortunately, many scholars who study the content of the texts have always misunderstood them. In their study, they specify on the superficial aspects, instead of functional and historical aspects of the mythical and legendary stories. It is the purpose of this paper to explore my conceptual understanding of mythological and legendary stories in the Malay classical historical texts to prove that there are indeed historical truth embedded within these stories. To do that, Sejarah Melayu, Hikayat Raja-raja Pasai and Hikayat Merong Mahawangsa are selected. Key words: Malay cosmology, Malay history, Malay symbols, tafsir and ta’wil INTRODUCTION Much has been said about the symbols used and adored by man in ancient times. -
Tenaga Dalam Volume 2 - August 1999
Tenaga Dalam Volume 2 - August 1999 The Voice of the Indonesian Pencak Silat Governing Board - USA Branch Welcome to the August issue of Tenaga Dalam. A lot has occurred since May issue. Pendekar Sanders had a very successful seminar in Ireland with Guru Liam McDonald on May 15-16, a very large and successful seminar at Guru Besar Jeff Davidson’s school on June 5-6 and he just returned from a seminar in England. The seminar at Guru Besar Jeff Davidson’s was video taped and the 2 volume set can be purchased through Raja Naga. Tape 1 consists of blakok (crane) training and Tape 2 has about 15 minutes more of blakok training followed by a very intense training session in various animal possessions including the very rare Raja Naga possession. Guru Besar Davidson and his students should be commended on their excellent portrayal of the art. Tape 1 is available to the general public, but due to the intense nature of tape 2 you must be a student. It is with great sadness that I must report that Guru William F. Birge passed away. William was a long time personal student of Pendekar Sanders and he will be missed by all of the people that he came into contact with. 1 Tribute to Guru William F. Birge Your Memory Will Live On In Our Hearts. 2 DJAKARTA aeroplane is a lead-coloured line of sand beaten by EX ‘PEARL OF THE EAST’ waves seeping into a land as flat as Holland. The Dutch settlers who came here in 1618 and founded The following is a passage from the wonderful Batavia must have thought it strangely like their book Magic and Mystics of Java by Nina Epton, homeland. -
Developing a Waldorf Curriculum in Asia
Freie Hochschule Stuttgart Developing a Waldorf Curriculum in Asia Written Scientific Master’s Thesis for obtaining the academic degree Master of Arts Class- and Subject Teacher for Waldorf Schools Submitted by: Serene Fong Email Address: [email protected] Date: 24 November 2017 Supervisor: Martyn Rawson Course Leader: Iris Taggert 1 Acknowledgments There are many people around the world to whom I am immensely grateful: My supervisor Martyn Rawson for his guiding help, perceptive insights, razor-sharp and witty explanations and observations that broadened my perspectives and challenged me to improve; Horst Hellman, for hours of insightful discussions, and providing an inspiring and living example of a constantly striving teacher and mentor; Iris Taggert, for constant encouragement, support and guidance; The numerous teachers and mentors who have shared their rich experiences and insights through lengthly interviews, particularly Neil Boland, Gilbert van Kerckhoven, Andrew Hill, Ursula Nicolai, Monika Di Donato, and Eugene Schwartz; All the warm and helpful teachers who responded to the survey and queries; My generous lecturers and classmates in the International Master’s Course for helping me in numerous ways, for translating and sharing their story resources, especially Zhang Shu Chun, Ianinta Sembiring, Kim So Young, Kaori Seki Kohchi, and Ji Young Park; Rosemarie Harrison, my very encouraging and supportive friend and proofreader; My teachers and friends, and all who contributed to this project in some way or other; Finally, to my family, and my mother, who have supported and encouraged me every step of the way; to Ho Pan Liang, my husband, confidante, classmate, and colleague, for walking with and helping me on this journey, and my two lovely children for their patience and love, and for many happy hours together enjoying stories from around the world. -
1 Orang Asli and Melayu Relations
1 Orang Asli and Melayu Relations: A Cross-Border Perspective (paper presented to the Second International Symposium of Jurnal Antropologi Indonesia, Padang, July 18-21, 2001) By Leonard Y. Andaya In present-day Malaysia the dominant ethnicity is the Melayu (Malay), followed numerically by the Chinese and the Indians. A very small percentage comprises a group of separate ethnicities that have been clustered together by a Malaysian government statute of 1960 under the generalized name of Orang Asli (the Original People). Among the “Orang Asli” themselves, however, they apply names usually associated with their specific area or by the generalized name meaning “human being”. In the literature the Orang Asli are divided into three groups: The Semang or Negrito, the Senoi, and the Orang Asli Melayu.1 Among the “Orang Asli”, however, the major distinction is between themselves and the outside world, and they would very likely second the sentiments of the Orang Asli and Orang Laut (Sea People) in Johor who regard themselves as “leaves of the same tree”.2 Today the Semang live in the coastal foothills and inland river valleys of Perak, interior Pahang, and Ulu (upriver) Kelantan, and rarely occupy lands above 1000 meters in elevation. But in the early twentieth century, Schebesta commented that the areas regarded as Negrito country included lands from Chaiya and Ulu Patani (Singora and Patthalung) to Kedah and to mid-Perak and northern Pahang.3 Most now live on the fringes rather than in the deep jungle itself, and maintain links with Malay farmers and Chinese shopkeepers. In the past they appear to have also frequented the coasts. -
George Yeo, Minister
National Archives of Release No.: 23/NOV 03B-l/94/11/09 SPEECH BY BG (NS) GEORGE YEO, MINISTER (INFORMATION AND THE ARTS) AND (HEALTH), AT THE OPENING OF THE LEGACY OF MAJAPAHIT AT THE NATIONAL MUSEUM ON WEDNESDAY, 9 NOVEMBER 1994 AT 6.00 PM To many Singaporeans, Majapahit is an ancient empire we read of only in the pages of a history textbook. The Kingdom of Majapahit ruled by Hindu Kings was the largest empire ever established in Southeast Asia from the 13th century to the 16th century. It was founded in East Java in 1294, exactly 700 years at the end of Kublai Khan's invasion. In the 14th century, Majapahit became a great centre of power in the entire Malay Archipelago. Its sway spread over much Administratively the empire was loosely bound by tribute paid in products and services to the centre by small states in the region including old Singapore, then known as Temasek. In the 15th century it was gradually torn apart by civil war. The trading ports of Java's north coast, where Islam was becoming popular, came into conflict with the traditional centre of power in the rice-growing interior. Majapahit authority in the Malacca Straits was increasingly contested by an emergent Malacca. By the time the Portuguese conquered Malacca in 1511, only a shell was left of Majapahit. Through archaeology and historical writings, we know that Majapahit had a major influence on the politics and culture of old Singapore. Both the 14th Century poem, Nagarakertagama and the 17th century Pararaton (Book of Kings) mentioned Temasek as part of the Majapahit empire. -
Jurnal Melayu Jilid 11 Disember 2013 ISSN 1675-7513 99 SIMBOL
Jurnal Melayu Jilid 11 99 Disember 2013 SIMBOL KEBESARAN DAULAT, MAHKOTA DAN KERIS DALAM HIKAYAT HANG TUAH TENGKU INTAN MARLINA TENGKU MOHD ALI Universiti Malaya [email protected] SALINAH JA’AFAR Universiti Malaya [email protected] ABSTRAK Kesultanan Melayu merupakan satu identiti penting bagi masyarakat Melayu tradisional. Taat dan setia kepada raja sudah bertapak kukuh dalam jiwa dan kehidupan seharian mereka. Persepsi kesetiaan masyarakat Melayu tradisional terhadap raja atau sultan jelas dapat dilihat dalam karya-karya sastera tradisional seperti Hikayat Hang Tuah, Sejarah Melayu, dan lain-lain . Kebanyakan epik atau hikayat menceritakan tentang kebesaran sultan atau raja dan kesetiaan rakyat terhadap raja-raja Melayu. Walaupun terdapat gambaran berkenaan ketidakadilan yang dilakukan oleh raja-raja Melayu, persepsi ketuanan raja dalam masyarakat Melayu tidak dapat dipisahkan daripada amalan kehidupan mereka. Kajian ini berfokus kepada analisis simbol daulat, mahkota dan keris yang dilihat dapat menjadi ikon, simbol dan indeks bagi masyarakat Melayu tradisional dalam persepsi mereka melihat dan berkhidmat kepada raja yang menjadi ketua pentadbiran dan ketua agama yang terkandung dalam teks Hikayat Hang Tuah. Kata Kunci: Kesultanan Melayu; kebesaran sultan; simbol; Hikayat Hang Tuah; identiti SOVEREIGN SYMBOLS OF DAULAT, MAHKOTA AND KERIS IN HIKAYAT HANG TUAH ABSTRACT Malay Sultanate is an important identity for the Malay traditional community. Obedient and loyal to the king is a must in their daily life. The perception of Malay traditional community loyalty towards their king or sultan can be seen in such of works of literature in the form of an epic like Hikayat Hang Tuah, Sejarah Melayu, and others. Most of the epics or hikayats elaborate more on the throne and the devotion of the people to the Malay rulers. -
Affixes, Austronesian and Iconicity in Malay
GEOFFREY BENJAMIN Affixes, Austronesian and iconicity in Malay In this paper I present materials that were left undiscussed in an earlier study (Benjamin 1993) on the historical sociolinguistics of Malay verbal affixation.1 Here, I say more about the possible history of Malay (both internal and exter- nal) and about the evidence for phonic – or, more strictly, oral-gesture – iconic- ity in its morphological apparatus. I also say something about certain affixes that were not discussed in the earlier paper. A wide range of present-day language varieties are covered by the label ‘Malay’.2 The sociolinguistically ‘Low’ codes consist of the dialects of the vari- ous Aboriginal-Malay groups and the non-aristocratic varieties of the Local- Malay dialects spoken by the Malays (Orang Melayu) proper. But there are also the ‘High’ codes, consisting of the varieties of Local Malay used by aris- tocrats (and those addressing them) and the standardized modern national languages known as Bahasa Malaysia and Bahasa Indonesia. (By governmen- tal decisions, the national languages of Brunei and Singapore – there called Bahasa Melayu – have remained practically identical with Malaysian.) The 1 I am grateful to William Foley, Alton Becker and John Wolff for valuable discussions relating to different parts of this paper at various times since it was first mooted in the late 1970s, and to Linda Waugh for a discussion of phonic and oral-gesture iconicity. I must also acknowledge the continuing influence of the seminal paper by Oka and Becker (1974) on the interplay of phonic iconicity with grammar. Syed Farid Alatas willingly served as a sounding board for the accept- ability of some of the word forms discussed here. -
Appendix Appendix
APPENDIX APPENDIX DYNASTIC LISTS, WITH GOVERNORS AND GOVERNORS-GENERAL Burma and Arakan: A. Rulers of Pagan before 1044 B. The Pagan dynasty, 1044-1287 C. Myinsaing and Pinya, 1298-1364 D. Sagaing, 1315-64 E. Ava, 1364-1555 F. The Toungoo dynasty, 1486-1752 G. The Alaungpaya or Konbaung dynasty, 1752- 1885 H. Mon rulers of Hanthawaddy (Pegu) I. Arakan Cambodia: A. Funan B. Chenla C. The Angkor monarchy D. The post-Angkor period Champa: A. Linyi B. Champa Indonesia and Malaya: A. Java, Pre-Muslim period B. Java, Muslim period C. Malacca D. Acheh (Achin) E. Governors-General of the Netherlands East Indies Tai Dynasties: A. Sukhot'ai B. Ayut'ia C. Bangkok D. Muong Swa E. Lang Chang F. Vien Chang (Vientiane) G. Luang Prabang 954 APPENDIX 955 Vietnam: A. The Hong-Bang, 2879-258 B.c. B. The Thuc, 257-208 B.C. C. The Trieu, 207-I I I B.C. D. The Earlier Li, A.D. 544-602 E. The Ngo, 939-54 F. The Dinh, 968-79 G. The Earlier Le, 980-I009 H. The Later Li, I009-I225 I. The Tran, 1225-I400 J. The Ho, I400-I407 K. The restored Tran, I407-I8 L. The Later Le, I4I8-I8o4 M. The Mac, I527-I677 N. The Trinh, I539-I787 0. The Tay-Son, I778-I8o2 P. The Nguyen Q. Governors and governors-general of French Indo China APPENDIX DYNASTIC LISTS BURMA AND ARAKAN A. RULERS OF PAGAN BEFORE IOH (According to the Burmese chronicles) dat~ of accusion 1. Pyusawti 167 2. Timinyi, son of I 242 3· Yimminpaik, son of 2 299 4· Paikthili, son of 3 . -
The Practice of Pencak Silat in West Java
The Politics of Inner Power: The Practice of Pencak Silat in West Java By Ian Douglas Wilson Ph.D. Thesis School of Asian Studies Murdoch University Western Australia 2002 Declaration This is my own account of the research and contains as its main content, work which has not been submitted for a degree at any university Signed, Ian Douglas Wilson Abstract Pencak silat is a form of martial arts indigenous to the Malay derived ethnic groups that populate mainland and island Southeast Asia. Far from being merely a form of self- defense, pencak silat is a pedagogic method that seeks to embody particular cultural and social ideals within the body of the practitioner. The history, culture and practice of pencak in West Java is the subject of this study. As a form of traditional education, a performance art, a component of ritual and community celebrations, a practical form of self-defense, a path to spiritual enlightenment, and more recently as a national and international sport, pencak silat is in many respects unique. It is both an integrative and diverse cultural practice that articulates a holistic perspective on the world centering upon the importance of the body as a psychosomatic whole. Changing socio-cultural conditions in Indonesia have produced new forms of pencak silat. Increasing government intervention in pencak silat throughout the New Order period has led to the development of nationalized versions that seek to inculcate state-approved values within the body of the practitioner. Pencak silat groups have also been mobilized for the purpose of pursuing political aims. Some practitioners have responded by looking inwards, outlining a path to self-realization framed by the powers, flows and desires found within the body itself.