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Spinning Wheel (1969) Blood, Sweat & Tears
MUSC-21600: The Art of Rock Music Prof. Freeze Spinning Wheel (1969) Blood, Sweat & Tears LISTEN FOR • Fusion of musical styles • Prominent horn section (like in big band) • Sophisticated jazz harmonies, improvisation • Syncopated R&B bass riffs • Heavy rock backbeat CREATION Songwriters David Clayton-Thomas Album Blood, Sweat & Tears Label Columbia 44871 Musicians David Clayton-Thoma (vocals), Steve Katz (guitar), Bobby Colomby (drums), Jim Fielder (Bass), Fred Lipsius (alto saxophone), Lew Soloff (trumpet), Alan Rubin (trumpet), Jerry Hyman (trombone), Dick Halligan (piano) Producer James William Guercio Engineer Roy Halee, Fred Catero Recording October 1968; stereo Charts Pop 2, Easy 1, R&B 45 MUSIC Genre Jazz rock Form Simple verse with contrasting middle section, improvised solos, complex outro Key G major Meter 4/4 (alternates with 3/8 in Coda) MUSC-21600 Listening Guide Freeze “Spinning Wheel” (Blood, Sweat & Tears, 1969) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro • Short intro for horns, with crescendo on sustained note and then riff punctuated by snare. 0:07 A1 “What goes up” • Vocals enter, accompanying texture gradually accumulates, starting with R&B bass/piano riff, then cowbell, drums, tambourine, horns. 0:21 • Refrain begins with stop time. 0:26 A2 “You got no money” • As before, with big-band-inspired horn section punctuating the texture, sometimes with jazzy, swung filler. 0:41 • Refrain. 0:46 B “Did you find” • Extensive contrasting section. • More four-square rhythmic structure with slower harmonic rhythm. • Ends with digital distortion of last vocal note. 1:16 Intro • Overlaps with previous section. 1:30 A3 “Someone is waiting” • As in A2, but with stop time for new stop time for trombone glissando (slide). -
1 the Politics of Ghostwriting Lawyers
1 The Politics of Ghostwriting Lawyers “The lawyers of the United States form a party which is but little feared and scarcely per- ceived, which has no badge peculiar to itself, which adapts itself with great flexibility to the exigencies of the time. it acts upon the country imperceptibly, but it finally fashions it to suit its purposes." – Alexis de Tocqueville, Democracy in America1 If, as James Scott argues, most politics are “like infrared rays," taking place “beyond the visible end of the spectrum" and contradicting or inflecting “what appears in the public transcript," then lawyers are the virtuosos of democratic “infrapolitics."2 For under “the auspices of a disinterested exchange in the service of the law,"3 lawyers can remake social relations, broker fields of knowledge, construct novel polities, and dismantle old ones. Ubiquitous in Western societies, they are embedded in any social movement challenging or consolidating political authority.4 Yet officially they are to remain offstage, neither repre- senting their own interests (but those of their clients) nor providing decisions under law (for that is the judge’s job). Amidst clients ‘lawyering up’ and judges ‘pronouncing the words of the law,’ lawyers make do with the appearance of mere go-betweens. 1Tocqueville, Alexis de. 2003 [1862]. Democracy in America, Vols. I & II. New York, NY: Barnes & Noble Books, at 254-255. 2Scott, James C. 1990. Domination and the Arts of Resistance. New Haven, CT: Yale University Press, at 4-5; 183-184. 3Vauchez, Antoine. 2015. Brokering Europe. New York, NY: Cambridge University Press, at 115. 4Halliday, Terence, and Lucien Karpik. -
Survey on Guidelines and Procedures for CH Management
Ref. Ares(2018)3987590 - 27/07/2018 HERACLES HEritage Resilience Against CLimate Events on Site Deliverable D1.1 Survey on guidelines and procedures for CH management Project details: No: 700395 Name: HERACLES Title: HEritage Resilience Against CLimate Events on Site Start date: May 1st, 2016 Duration: 36 month Version: V3.0 1 This project has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 700395 HERACLES D1.1 [HERACLES Survey on guidelines and procedures for CH management] Dissemination Level PU Public ● PP Restricted to other programme participants (including the Commission Services) RE Restricted to a group specified by the consortium (including the Commission Services) CO Confidential, only for members of the consortium (including the Commission Services) Document details: Project HERACLES Title Deliverable D1.1: HERACLES Survey on guidelines and procedures for CH management Version 3.0 Work package WP1 Author(s) Antonella Curulli, George Alexandrakis, Patrizia Grifoni, Elisabeth Kavoulaki, Elpida Politaki, Vassiliki Sithiakaki, Kostas Demadis, Ioannis Grammatikakis, Angeliki Psaroudakis, Georgios Tsimpoukis, Francesco Tosti, Giuseppina Padeletti Keywords Survey, guidelines, procedures Document ID HERACLES Survey on guidelines and procedures for CH management D1.1-v3.0 Synopsis Report for work package 1 Release Date July, 27th, 2018 2 HERACLES D1.1 [HERACLES Survey on guidelines and procedures for CH management] Revision history: Version Date Changes changes by 0.1 September, Draft version A.Curulli 16, 2016 0.2 October, Draft version G.Alexandrakis/ 06, 2016 K.Demadis October, 0.3 12, 2016 Draft Version A.Curulli October, 0.4 19, 2016 Draft version P.Grifoni/E.Politaki, October E.Kavoulaki, V.Sithiakaki 0.5 20, 2016 Draft version G. -
391 À 437 .Cwk
Aux Etats-Unis, Blood, Sweat and Tears est sans conteste le groupe de rock de la fin des sixties qui intègre le plus de jazz à sa démarche musicale : passages swing intégrés aux compositions binaires, présence active d’une phalange de souffleurs (trompette, trombone, sax) qui ne se limite pas à un travail de section (comme dans le R’n B ou dans un groupe comme Chicago) mais est faite de vrais solistes - parmi ces solistes, un trompettiste qui fera ensuite une belle carrière dans le jazz, Lew Soloff, le tromboniste Jerry Hyman et un saxophoniste dont on ne sait trop ce qu’il est devenu depuis, Fred Lipsius. Tous trois sont mis à contribution dans la superbe version du God bless the child de Billie Holiday qui figure dans le disque BST 2 (sans doute le meilleur) : 439. Blood, Sweat and Tears: God Bless the child David Clayton-Thomas (voc) Lew Soloff, Chuck Winfield (tp, flgh) Jerry Hyman (tb) Fred Lipsius (as, pn) Dick Halligan (org, pn) Steve Katz (gt, hca) Jim Fielder (b) Bobby Colomby (dms); rec 1968 (CBS) A côté de ces groupes rock (et de plusieurs autres) qui lorgnent vers le jazz, il nous faut maintenant repasser de l’autre côté, et évoquer le phénomène inverse : l’impact qu’a le rock sur de nombreux jazzmen, à commencer par Miles Davis ! Electric Miles - Le Jazz-Rock en gestation Et revoilà Miles Davis ! Décidément omniprésent dans l’histoire du jazz moderne. Un petit rappel, peut-être ? 1945 : débuts dans le be-bop aux côtés de Charlie Parker : d’emblée, le son et le phrasé de Miles se situent aux antipodes de ceux de Dizzy et des autres trompettistes be-bop. -
Stanley Cowell Samuel Blaser Shunzo Ohno Barney
JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian. -
Hered at to 1948
Join us for more DUOS! Our generous donors are the key to our successful community band. Ticket In the Fall of 1994, as Bob Briggs was leading the California Marching merican music of the 1920’s to 1940’s is celebrated tonight through the Band through5/18/2012 his last season : Stage before his& retirement,Screen Bill Doherty suggested revenues makelens of up tw lesso musicalthan 30% ge ofnius oures :overall George budget, Gershwin and and your Pe helprcy isGrainger. always needed! Your tax deductible donation will help us in expanding our music to him that he could fill his Guesttime in Artists: retirement by starting up a community While their music shares a familiarity with today’s audiences, both band to conduct in Fairfield. Before becoming the Director of Bands at the library, commissioningcomposers brok ae necowncert grou ndpiece in their to owben ways.composed for our band, University of California, BobEric was Seiler, the Dire Tenoctorr of the Armijo SuperBand, A purchasing and renting musical instruments and equipment, and sponsoring George Gershwin mastered the twin genres of “popular” and “classical” music. building a standard of excelMelanielence with Seil thater, Sopranhigh schoolo program. Strong guest artists at our performances. The Gershwin “songbook” has been sung by virtually every important jazz high school bands in Fairfield have been around since that time, including vocalist Beco,mi anngd scoranes Admirer,of his tunes Devotee are consid orered Enthusiast “standards” me inans the repertoireyou receive. At many successful Fairfieldyears fo rCenter the Fair forfield Cr eaSctivearlet ArtsBrig ade, the Armijo thmembershipe same time bene, his fits.classical Help wo usrks spread introduc theed sound new soundsof fine concertinto that band arena, music and Superband, the Rodriguez Entertainment Unit, and the Vanden Viking manythroughout are now our likewise community! “classics”. -
47Th Annual Report of the Bank for International Settlements
BANK FOR INTERNATIONAL SETTLEMENTS FORTY-SEVENTH ANNUAL REPORT 1st APRIL 1976 - 31st MARCH 1977 BASLE 13th June 1977 TABLE OF CONTENTS Page Introduction I. Economic Developments and Policy Issues Positive developments on the international scene (p. ß) ; the central issues : unemploy- ment and inflation (p. j) ; outline of the Report (p. y). II. The Course of Economic Recovery io Recession and upswing: some international comparisons (p. 10); patterns of recovery: a varied picture (p. iß); cyclical and structural change: where do we stand? (p. ij); the utilisation of resources: adjustment versus accommodation (p. iy): personal consumption and saving (p. iy), dwelling construction (p. 20); business fixed investment spending (p. 21); fiscal policy and demand management (p. 2j): United States (p. 2y), Germany (p. 2y), Japan (p. 2y), United Kingdom (p. 28), Italy (p. 28). III. Inflation and Unemployment 31 Price inflation: recent trends and present prospects (p. ßi); international commodity prices: will history repeat itself? (p. ß2); exchange rates and domestic inflation (p. ßy); prices, wages and profits: the domestic aspects (p. 41); cyclical and structural un- employment (p. 4;); inflation and unemployment: the policy choices (p. 48). IV. Domestic Credit Markets and Monetary Policy 51 The pattern of sectoral financial positions (p. JI) : the financing of the corporate sector (p. jß), borrowing and lending in the personal sector (p. JJ), the financing of public-sector bor- rowing requirements (p. jy); monetary developments and policies (p. ;<>): monetary policy (p. jp), developments in monetary aggregates (p. 62) ; the use of monetary targets : problems and policies (p. 64) : actual results: how close to the mark? (p. -
Actionnow Sdgs Celebration 2019-2020 Music for Sdgs Hosted by Glocha in New York on 6 October 2019 and July 2020
#ActionNow SDGs Celebration 2019-2020 Music for SDGs Hosted by Glocha in New York on 6 October 2019 And July 2020 as of 20 September, 2019 Mack Okubo Executive Producer (Project Director, Music for SDGs & Glocha Associate) Music for SDGs Project with Social-Japan & ACTION NOW 2 What we do: The Secretariat Under the slogan of No one will be left behind! established with aiming to provide opportunities for general public to deepen understanding of SDGs in an easier and enjoyable way through music events integrating entertainment and education What is Music for SDGs Project? 3 What are SDGs? Sustainable Development Goals (SDGs) were adopted by the United Nations (UN) aiming to achieve 17 goals by 2030 for a sustainable, equitable, and inclusive society with no one left behind as a keyword. All UN member countries are asked to work together through public (government) and private (corporations and citizens) partnership to achieve this goal. It is a common global language for sustainable society. How music can help promote SDGs? While a number of papers and meetings provide high-quality education for those who are already informed and motivated on SDGs, most general public are still not aware of SDGs or interested in the subjects. We aim to provide opportunities for general public to learn about SDGs in an easier and enjoyable way through musical and music concerts integrating entertainment and education. What makes Music for SDGs Project unique? The project director is a global policy advisor who chairs a working group to promote sustainable development in the Asia-Pacific and collaborates with the UN on SDGs. -
(Incorporated 1990) Offers Books and Cds
Saxophone Catalog 21 Van Cott Information Services, Inc. 5/13/21 presents Saxophone Music, Books, CDs and More This catalog includes saxophone books, videos, and CDs; reed books; woodwind books; and general music books. We are happy to accept Purchase Orders from University Music Departments, Libraries and Bookstores in the US. We also have clarinet, flute, oboe, and bassoon books, videos and CDs. You may order online, by fax, or phone. To order or for the latest information visit our web site at http://www.vcisinc.com. Bindings: HB: Hard Bound, PB: Perfect Bound (paperback with square spine), SS: Saddle Stitch (paper, folded and stapled), SB: Spiral Bound (plastic or metal). Shipping: Heavy item, US Media Mail shipping charges based on weight. Free US Media Mail shipping on this item if ordered with another item with paid shipping. Price and Availability Subject to Change. Table of Contents S995. Londeix Guide to the Saxophone Repertoire Saxophone Books .................................................................. 1 1844-2012 edited by Bruce Ronkin. Roncorp Publica- tions, 2012, HB, 776 pages. The latest version of this book Saxophone Jazz Books........................................................... 3 is 130 pages longer than the previous edition. It is in French Saxophone Music .................................................................. 3 and English. More than 29,000 works for saxophone from Excerpts ....................................................................... 3 1844 to 2012–the entire lifespan of the saxophone–are -
David Clayton-Thomas Bloodlines Mp3, Flac, Wma
David Clayton-Thomas Bloodlines mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Bloodlines Country: US Released: 1999 Style: Jazz-Rock MP3 version RAR size: 1453 mb FLAC version RAR size: 1835 mb WMA version RAR size: 1815 mb Rating: 4.1 Votes: 258 Other Formats: ADX AU AIFF FLAC MP2 VQF MMF Tracklist 1 Nawlins Gal 2 Mornin' Blues 3 Dancin' To LaBelle 4 We Tried 5 Biscuit 6 Ashleigh's Song 7 Secretive Child 8 I Can't Complain 9 Verbal Abuse 10 Bobby's Blues 11 Surely You Know 12 After You Fall Credits Backing Vocals – Angela Clemmons, Janice Pendarvis, Patrick And The Dixie Hummingbirds, Vanese Thomas Bass – Gary Foote Drums – Brian Delaney , Ricky Sebastian, Zach Danziger Guitar – Danny Draher, Jamie Fox, Mike Docampo, Mike Stern, Tom Guarna Harmonica – Rob Paparozzi Keyboards – Dan Zank, Doug Riley Percussion – Don Alias Producer – David Clayton-Thomas Saxophone – Dave Riekenberg, Fred Lipsius, Tim Ries Trombone – Pat Hallaran Trombone, Tuba – Dave Bargeron Trumpet – Lew Soloff, Tony Klatka Trumpet, Flugelhorn – Jon Owens, Randy Brecker, Steve Guttman Written By – David Clayton-Thomas Notes Recorded At Beartracks Studio,Rockland County,New York Barcode and Other Identifiers Barcode: 660355351228 Related Music albums to Bloodlines by David Clayton- Thomas David Clayton-Thomas - Tequila Sunrise Various - Nothing But Funk (12 JB Produced Funk Instrumentals 1967-1977) Ray Guntrip And Tina May - Out Of The Blue David Clayton-Thomas - Combo Buck Clayton - All The Cats Join In (A Buck Clayton Jam Session) David Clayton-Thomas - David Clayton-Thomas! Blood, Sweat & Tears - Blood, Sweat & Tears John Barry - The Cotton Club Original Motion Picture Sound Track David Clayton-Thomas - Anytime....Babe Blood, Sweat And Tears - Blood, Sweat And Tears 3. -
Kenyon Collegian College Archives
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 11-14-1968 Kenyon Collegian - November 14, 1968 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - November 14, 1968" (1968). The Kenyon Collegian. 2284. https://digital.kenyon.edu/collegian/2284 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. I LIBRARY A NOV 1 8 19G8 Vo ARCHIVES d wit tfrftir Co 0 Vol XCV Kenyon College GamJbier Ohio November 14 1968 Na 9 Senate Studies Columbia o 9 Security Role Students Hits End Womens Hours Protestors The Undergraduate Dormitory Council at Columbia College has elimi- In a relatively quiet nated on i session restrictions womens visiting hours marked by the eating According to a of marsh- New York Times report of November 8 the student mallows and french organization fries Campus exercised authority delegated to it by the Dean last Wednes- Senate passes day Dean some new legislation Carl Hovde delegated to the council responsibility for setting and discussed and enforcing student participation dorm regulations He maintained a veto power because V in policy- making of the legal liabilities of the university According a Several senators -
Educating in Paradise: the Experiences of North American Institutions of Higher Learning in Italy
Association of American Circolo di Cultura Politica College and University Fratelli Rosselli Programs in Italy Corso Vittorio Emanuele II, 110 Piazza della Libertà, 16 00186 Roma 50129 Firenze PROCEEDINGS OF / ATTI DI EDUCATING IN PARADISE: THE EXPERIENCES OF NORTH AMERICAN INSTITUTIONS OF HIGHER LEARNING IN ITALY A Symposium Held in Florence, Italy, from October 5-8, 2000 UNDER THE GRACIOUS PATRONAGE OF CARLO AZEGLIO CIAMPI, PRESIDENT OF THE REPUBLIC OF ITALY AND WITH THE PATRONAGE OF the Ministry for Foreign Affairs of the Republic of Italy; the Ministry for Cultural Assets and Activities of the Republic of Italy; the Embassy of Canada; the Embassy of the United States of America; the Region of Tuscany; the Province of Florence; the City of Florence; the City of Fiesole; the Commission for Cultural Exchange between Italy and the United States - the Fulbright Commission. PROCEEDINGS OF EDUCATING IN PARADISE – INTERNET EDITION Acknowledgements / Ringraziamenti .......................................................................1 Presentation / Presentazione ....................................................................................3 Valdo Spini................................................................................................................3 Introduction..............................................................................................................4 North American Universities in Italy......................................................................................4 Le università nord-americane