A Silicon Valley Love Story
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Digital Media Practice and Medium Theory Informing Learning on Mobile Touch Screen Devices
Touching knowledge: Digital media practice and medium theory informing learning on mobile touch screen devices Victor Alexander Renolds Bachelor of Communications (Interactive Multimedia) College of Arts & Education Victoria University. Submitted in fulfilment of the requirements of the degree of Master of Arts 13 November 2017 Abstract The years since 2007 have seen the worldwide uptake of a new type of mobile computing device with a touch screen interface. While this context presents accessible and low cost opportunities to extend the reach of higher education, there is little understanding of how learning occurs when people interact with these devices in their everyday lives. Medium theory concerns the study of one type of media and its unique effects on people and culture (Meyrowitz, 2001, p. 10). My original contribution to knowledge is to use medium theory to examine the effects of the mobile touch screen device (MTSD) on the learning experiences and practices of adults. My research question is: What are the qualities of the MTSD medium that facilitate learning by practice? The aim of this thesis is to produce new knowledge towards enhancing higher education learning design involving MTSDs. The project involved a class of post-graduates studying communications theory who were asked to complete a written major assessment using their own MTSDs. Their assignment submissions form the qualitative data that was collected and analysed, supplemented with field notes capturing my own post-graduate learning experiences whilst using an MTSD. I predominantly focus on the ideas of Marshall McLuhan within the setting of medium theory as my theoretical framework. The methods I use are derived from McLuhan's Laws of the Media (1975), its phenomenological underpinnings and relevance to the concept of ‘flow' (Csikszentmihalyi, 2014b, p. -
Artist's Proposal
Gabbert Artist’s Proposal 14th Street Roundabout Page 434 of 1673 Gabbert Sarasota Roundabout 41&14th James Gabbert Sculptor Ladies and Gentlemen, Thank you for this opportunity. For your consideration I propose a work tentatively titled “Flame”. I believe it to be simple-yet- compelling, symbolic, and appropriate to this setting. Dimensions will be 20 feet high by 14.5 feet wide by 14.5 feet deep. It sits on a 3.5 feet high by 9 feet in diameter base. (not accurately dimensioned in the 3D graphics) The composition. The design has substance, and yet, there is practically no impediment to drivers’ visibility. After review of the design by a structural engineer the flame flicks may need to be pierced with openings to meet the 150 mph wind velocity requirement. I see no problem in adjusting the design to accommodate any change like this. Fire can represent our passions, zeal, creativity, and motivation. The “flame” can suggest the light held by the Statue of Liberty, the fire from Prometheus, the spirit of the city, and the hearth-fire of 612.207.8895 | jgsculpture.webs.com | [email protected] 14th Street Roundabout Page 435 of 1673 Gabbert Sarasota Roundabout 41&14th James Gabbert Sculptor home. It would be lit at night with a soft glow from within. A flame creates a sense of place because everyone is drawn to a fire. A flame sheds light and warmth. Reference my “Hopes and Dreams” in my work example to get a sense of what this would look like. The four circles suggest unity and wholeness, or, the circle of life, or, the earth/universe. -
The Politics of Urban Cultural Policy Global
THE POLITICS OF URBAN CULTURAL POLICY GLOBAL PERSPECTIVES Carl Grodach and Daniel Silver 2012 CONTENTS List of Figures and Tables iv Contributors v Acknowledgements viii INTRODUCTION Urbanizing Cultural Policy 1 Carl Grodach and Daniel Silver Part I URBAN CULTURAL POLICY AS AN OBJECT OF GOVERNANCE 20 1. A Different Class: Politics and Culture in London 21 Kate Oakley 2. Chicago from the Political Machine to the Entertainment Machine 42 Terry Nichols Clark and Daniel Silver 3. Brecht in Bogotá: How Cultural Policy Transformed a Clientist Political Culture 66 Eleonora Pasotti 4. Notes of Discord: Urban Cultural Policy in the Confrontational City 86 Arie Romein and Jan Jacob Trip 5. Cultural Policy and the State of Urban Development in the Capital of South Korea 111 Jong Youl Lee and Chad Anderson Part II REWRITING THE CREATIVE CITY SCRIPT 130 6. Creativity and Urban Regeneration: The Role of La Tohu and the Cirque du Soleil in the Saint-Michel Neighborhood in Montreal 131 Deborah Leslie and Norma Rantisi 7. City Image and the Politics of Music Policy in the “Live Music Capital of the World” 156 Carl Grodach ii 8. “To Have and to Need”: Reorganizing Cultural Policy as Panacea for 176 Berlin’s Urban and Economic Woes Doreen Jakob 9. Urban Cultural Policy, City Size, and Proximity 195 Chris Gibson and Gordon Waitt Part III THE IMPLICATIONS OF URBAN CULTURAL POLICY AGENDAS FOR CREATIVE PRODUCTION 221 10. The New Cultural Economy and its Discontents: Governance Innovation and Policy Disjuncture in Vancouver 222 Tom Hutton and Catherine Murray 11. Creating Urban Spaces for Culture, Heritage, and the Arts in Singapore: Balancing Policy-Led Development and Organic Growth 245 Lily Kong 12. -
Vanuatu) John Frum Superstar: Images of the Cargo Cult in Tanna (Vanuatu)
Journal de la Société des Océanistes 148 | 2019 Filmer (dans) le Pacifique John Frum Superstar : images du culte du cargo à Tanna (Vanuatu) John Frum Superstar: images of the cargo cult in Tanna (Vanuatu) Marc Tabani Édition électronique URL : https://journals.openedition.org/jso/10210 DOI : 10.4000/jso.10210 ISSN : 1760-7256 Éditeur Société des océanistes Édition imprimée Date de publication : 15 juillet 2019 Pagination : 113-125 ISBN : 978-2-85430-137-3 ISSN : 0300-953x Référence électronique Marc Tabani, « John Frum Superstar : images du culte du cargo à Tanna (Vanuatu) », Journal de la Société des Océanistes [En ligne], 148 | 2019, mis en ligne le 01 janvier 2021, consulté le 22 juillet 2021. URL : http://journals.openedition.org/jso/10210 ; DOI : https://doi.org/10.4000/jso.10210 Journal de la société des océanistes est mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. John Frum Superstar : images du culte du cargo à Tanna (Vanuatu) par Marc TABANI* RÉSUMÉ ABSTRACT L’île de Tanna a attiré plusieurs générations de réalisateurs The island of Tanna has attracted successive generations de films. La plupart ont été immanquablement fascinés par of filmmakers. Most of them have been invariably fasci- l’histoire de John Frum, un personnage surnaturel dont les nated by the story of John Frum, a supernatural figure prophéties ont donné naissance, au cours de la Seconde Guerre whose prophecies gave rise during World War Two to a mondiale, à un vaste mouvement indigène de protestation huge indigenous movement of social protest. -
Experts Say Conway May Have Broken Ethics Rule by Touting Ivanka Trump'
From: Tyler Countie To: Contact OGE Subject: Violation of Government Ethics Question Date: Wednesday, February 08, 2017 11:26:19 AM Hello, I was wondering if the following tweet would constitute a violation of US Government ethics: https://twitter.com/realDonaldTrump/status/829356871848951809 How can the President of the United States put pressure on a company for no longer selling his daughter's things? In text it says: Donald J. Trump @realDonaldTrump My daughter Ivanka has been treated so unfairly by @Nordstrom. She is a great person -- always pushing me to do the right thing! Terrible! 10:51am · 8 Feb 2017 · Twitter for iPhone Have a good day, Tyler From: Russell R. To: Contact OGE Subject: Trump"s message to Nordstrom Date: Wednesday, February 08, 2017 1:03:26 PM What exactly does your office do if it's not investigating ethics issues? Did you even see Trump's Tweet about Nordstrom (in regards to his DAUGHTER'S clothing line)? Not to be rude, but the president seems to have more conflicts of interest than someone who has a lot of conflicts of interests. Yeah, our GREAT leader worrying about his daughters CLOTHING LINE being dropped, while people are dying from other issues not being addressed all over the country. Maybe she should go into politics so she can complain for herself since government officials can do that. How about at least doing your jobs, instead of not?!?!? Ridiculous!!!!!!!!!!!! I guess it's just easier to do nothing, huh? Sincerely, Russell R. From: Mike Ahlquist To: Contact OGE Cc: Mike Ahlquist Subject: White House Ethics Date: Wednesday, February 08, 2017 1:23:01 PM Is it Ethical and or Legal for the Executive Branch to be conducting Family Business through Government channels. -
The Journal of the Walters Art Museum
THE JOURNAL OF THE WALTERS ART MUSEUM VOL. 73, 2018 THE JOURNAL OF THE WALTERS ART MUSEUM VOL. 73, 2018 EDITORIAL BOARD FORM OF MANUSCRIPT Eleanor Hughes, Executive Editor All manuscripts must be typed and double-spaced (including quotations and Charles Dibble, Associate Editor endnotes). Contributors are encouraged to send manuscripts electronically; Amanda Kodeck please check with the editor/manager of curatorial publications as to compat- Amy Landau ibility of systems and fonts if you are using non-Western characters. Include on Julie Lauffenburger a separate sheet your name, home and business addresses, telephone, and email. All manuscripts should include a brief abstract (not to exceed 100 words). Manuscripts should also include a list of captions for all illustrations and a separate list of photo credits. VOLUME EDITOR Amy Landau FORM OF CITATION Monographs: Initial(s) and last name of author, followed by comma; italicized or DESIGNER underscored title of monograph; title of series (if needed, not italicized); volume Jennifer Corr Paulson numbers in arabic numerals (omitting “vol.”); place and date of publication enclosed in parentheses, followed by comma; page numbers (inclusive, not f. or ff.), without p. or pp. © 2018 Trustees of the Walters Art Gallery, 600 North Charles Street, Baltimore, L. H. Corcoran, Portrait Mummies from Roman Egypt (I–IV Centuries), Maryland 21201 Studies in Ancient Oriental Civilization 56 (Chicago, 1995), 97–99. Periodicals: Initial(s) and last name of author, followed by comma; title in All Rights Reserved. No part of this book may be reproduced without the written double quotation marks, followed by comma, full title of periodical italicized permission of the Walters Art Museum, Baltimore, Maryland. -
Our World Is Burning
OUR WORLD IS BURNING John Scales Avery September 27, 2020 INTRODUCTION1 Two time scales The central problem which the world faces in its attempts to avoid catas- trophic climate change is a contrast of time scales. In order to save human civilization and the biosphere from the most catastrophic effects of climate change we need to act immediately, Fossil fuels must be left in the ground. Forests must be saved from destruction by beef or palm oil production. These vitally necessary actions are opposed by powerful economic inter- ests, by powerful fossil fuel corporations desperate to monetize their under- ground “assets”, and by corrupt politicians receiving money the beef or palm oil industries. However, although some disastrous effects climate change are already visible, the worst of these calamities lie in the distant future. Therefore it is difficult to mobilize the political will for quick action. We need to act immediately, because of the danger of passing tipping points beyond which climate change will become irreversible despite human efforts to control it. Tipping points are associated with feedback loops, such as the albedo effect and the methane hydrate feedback loop. The albedo effect is important in connection with whether the sunlight falling on polar seas is reflected or absorbed. While ice remains, most of the sunlight is reflected, but as areas of sea surface become ice-free, more sunlight is absorbed, leading to rising temperatures and further melting of sea ice, and so on, in a loop. The methane hydrate feedback loop involves vast quantities of the power- ful greenhouse gas methane, CH4, frozen in a crystalline form surrounded by water molecules. -
Arabic Gospels in Italy • Wangechi Mutu • Lorena
US $30 The Global Journal of Prints and Ideas November – December 2014 Volume 4, Number 4 Arabic Gospels in Italy • Wangechi Mutu • Lorena Villablanca • Vishnu in the Netherlands • Ukiyo-e Heroes David Hockney • Connecting Seas • Yona Friedman • Ed Ruscha • Gauguin at MoMA • Prix de Print • News November – December 2014 In This Issue Volume 4, Number 4 Editor-in-Chief Susan Tallman 2 Susan Tallman On Globalism Associate Publisher Evelyn Lincoln 4 Julie Bernatz Gospel Lessons: Arabic Printing at the Tipografia Medicea Orientale Managing Editor Dana Johnson Zoe Whitley 11 International Geographic: Wangechi Mutu News Editor on Paper, Print and Printmaking Isabella Kendrick Carlos Navarrete 16 Manuscript Editor Everyday and Popular Imagery Prudence Crowther in the Prints of Lorena Villablanca Online Columnist Robert J. Del Bontà 20 Sarah Kirk Hanley Engraving India in 17th- and 18th-century Europe Design Director Skip Langer Christina Aube 26 Navigating Difference, Connecting Seas Editorial Associate Andrew Saluti 30 Michael Ferut Defenders of the Floating World Editor-at-Large Prix de Print, No. 8 34 Catherine Bindman Faye Hirsch Cartier Window by Stella Ebner Reviews Julia Beaumont-Jones 36 The Rake’s Progress Laurie Hurwitz 40 27 Square Meters, 1001 Nights Faye Hirsch 42 Ruscha’s Course of Empire Calvin Brown 45 Gauguin at MoMA On the Cover: Coenraet Decker, detail of Matsya (1672), copperplate engraving from Jaclyn Jacunski 49 Philippus Baldeaus, Afgoderye der Oost- Past Partisans Indisch heydenen (Pt. III of Naauwkeurige beschryvinge), Amsterdam: J. Janssonius v. John Murphy 50 Collective Brilliance Waasberge & J. v. Someren. Elleree Erdos 52 This Page: Wangechi Mutu, detail of The Proof: Lingen—Melby—Miller Original Nine Daughters (2012), series of nine etching, relief, letterpress, digital printing, News of the Print World 55 collage, pochoir, hand coloring and handmade Contributors 79 carborundum appliques. -
'John Frum Files' (Tanna, Vanuatu, 1941–1980)
Archiving a Prophecy. An ethnographic history of the ‘John Frum files’ (Tanna, Vanuatu, 1941–1980) Marc Tabani To cite this version: Marc Tabani. Archiving a Prophecy. An ethnographic history of the ‘John Frum files’ (Tanna, Vanuatu, 1941–1980). PAIDEUMA. Mitteilungen zur Kulturkunde, Frobenius Institute, 2018, 64. hal-01962249 HAL Id: hal-01962249 https://hal.archives-ouvertes.fr/hal-01962249 Submitted on 9 Jul 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - ShareAlike| 4.0 International License Paideuma 64:99-124 (2018) ARCHIVING A PROPHECY An ethnographie history of the 'John Frum files' (Tanna, Vanuatu, 1941-1980) MarcTabani ABSTRACT. Repeated signs of a large-scale rebellion on the South Pacifie island of Tanna (Va nuatu) appeared in 1941. Civil disobedience was expressed through reference to a prophetic fig ure namedJohn Frum. In order to repress this politico-religious movement, categorized later as a cargo cult in the anthropological literature, the British administration accumulated thousands of pages of surveillance notes, reports and commentaries. This article proposes an introduction to the existence of these documents known as the 'John Frum files', which were classified as confidential until the last few years. -
Portrayals of the South Sea in German Language Tourist Brochures
Lincoln University Digital Dissertation Copyright Statement The digital copy of this dissertation is protected by the Copyright Act 1994 (New Zealand). This dissertation may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: you will use the copy only for the purposes of research or private study you will recognise the author's right to be identified as the author of the dissertation and due acknowledgement will be made to the author where appropriate you will obtain the author's permission before publishing any material from the dissertation. "THERE IS A PLACE WHERE THE DREAMS LIVE": PORTRAYALS OF THE SOUTH SEA IN GERMAN LANGUAGE TOURIST BROCHURES A dissertation submitted in partial fulfilment of the requirements for the degree of Master of Applied Science at Lincoln University by Matthias Schellhorn Lincoln University 1998 - ii - ABSTRACT Abstract for a dissertation submitted in partial fulfilment of the requirements for the degree of M. Appl. Sc. "THERE IS A PLACE WHERE THE DREAMS LIVE": PORTRAYALS OF THE SOUTH SEA IN GERMAN LANGUAGE TOURIST BROCHURES by Matthias Schellhorn The promotion of places for tourism involves the projection of selective sets of images. Destinations often shape their cultural realities to match successful marketing images. Tourism and its promotion, therefore, generate transformations of a physical and symbolic nature. Beyond their manipulative and stereotyping promotional role, tourist brochures are agents in the ongoing commodification of natural and cultural environments. Tourism-related commercialisation is often viewed as a degenerative process. An alternative perspective acknowledges the risks involved yet also focuses on opportunities . -
The Sacred and Cultural Maritime Sites of Fiji-An Inventory in the Making
The Sacred and Cultural Maritime Sites of Fiji-An Inventory in the Making Elia Nakoro Archaeology Department The Fiji Museum Thurston Gardens Suva, Fiji Email: [email protected] Abstract The Fiji Museum Archaeology Department, since 2015, has begun inventorying the different underwater and maritime sites in Fiji. Ratification of the 2001 UNESCO Convention on the Protection of the Underwater Cultural Heritage and review of the legislation on the Preservation of Objects of Archaeological and Palaeontological Interest Act (Chapter 264) has had little fruition due to limitations in manpower and resources. The Fiji Museum has however taken first steps towards realizing the amendment of the legislation by developing and drafting an overarching policy for the institution. The Fiji Museum continues to deliberate on the draft policy encompassing all aspects of its services, which includes underwater and maritime cultural heritage sites, to ensure that Fiji’s cultural heritage is protected. This paper will elaborate on the different types of underwater/maritime cultural heritage sites in Fiji and the inventory process of documenting and creating a database, including challenges and opportunities. It will highlight the importance of the database in assisting the Fiji Museum in its work to raise awareness and provide advice to Government and relevant authorities in the respect, preservation and protection of these submerged historical treasures. The paper will also highlight the various agencies with common goals to protect underwater cultural sites and discuss the importance of inter- agency collaboration. Key words: Cultural heritage, maritime, preservation, and protection Introduction The Fiji Islands The island nation of Fiji encompasses over 300 volcanic islands. -
CRISIS CULTURE: the THEORY & POLITICS of HISTORICAL RUPTURE by David W
CRISIS CULTURE: THE THEORY & POLITICS OF HISTORICAL RUPTURE by David W. Janzen A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Department of English & Film Studies University of Alberta © David W. Janzen, 2017 ABSTRACT Everywhere, we are told, we are in crisis. And yet, the concept “crisis” obscures as much as it clarifies. Crisis Culture: The Theory & Politics of Historical Rupture examines how modern conceptions of crisis structure the ways we experience, narrate, and respond to moments of historical rupture and upheaval. It analyzes how logics of crisis and event limit and facilitate the emergence of new forms of social and political relations. In its modern conceptions, “crisis” names an event in historical time, while simultaneously constituting historical temporality; crises reconfigure time by defining a new relation between past and future. Both academic and vernacular discourses frame crisis in normative terms: to name a situation a crisis is to posit and affirm (explicitly or implicitly) a definition of a “normal” or non-crisis situation. As such, the logic of crisis tends to reproduce existing hierarchies—specifically, those determining who has the power to name the situation and prescribe solutions. Contemporary Marxist theories of crisis—including Wertkritik and Neue Marx-Lectüre resist normative understandings by locating crisis in the concrete, historical dynamics related to capitalist forms of value. In doing so, they account for the broader, transformative