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The Political Economy of Linguistic and Social Exchange Among The
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 Mayas, Markets, and Multilingualism: The Political Economy of Linguistic and Social Exchange in Cobá, Quintana Roo, Mexico Stephanie Joann Litka Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES MAYAS, MARKETS, AND MULTILINGUALISM: THE POLITICAL ECONOMY OF LINGUISTIC AND SOCIAL EXCHANGE IN COBÁ, QUINTANA ROO, MEXICO By STEPHANIE JOANN LITKA A Dissertation submitted to the Department of Anthropology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Copyright 2012 Stephanie JoAnn Litka All Rights Reserved Degree Awarded: Spring Semester, 2012 Stephanie JoAnn Litka defended this dissertation on October 28, 2011 . The members of the supervisory committee were: Michael Uzendoski Professor Directing Dissertation Robinson Herrera University Representative Joseph Hellweg Committee Member Mary Pohl Committee Member Gretchen Sunderman Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the [thesis/treatise/dissertation] has been approved in accordance with university requirements. ii For the people of Cobá, Mexico Who opened their homes, jobs, and hearts to me iii ACKNOWLEDGEMENTS My fieldwork in Cobá was generously funded by the National Science Foundation, the Florida State University Center for Creative Research, and the Tinker Field Grant. I extend heartfelt gratitude to each organization for their support. In Mexico, I thank first and foremost the people of Cobá who welcomed me into their community over twelve years ago. I consider this town my second home and cherish the life-long friendships that have developed during this time. -
With the Protection of the Gods: an Interpretation of the Protector Figure in Classic Maya Iconography
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography Tiffany M. Lindley University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lindley, Tiffany M., "With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography" (2012). Electronic Theses and Dissertations, 2004-2019. 2148. https://stars.library.ucf.edu/etd/2148 WITH THE PROTECTION OF THE GODS: AN INTERPRETATION OF THE PROTECTOR FIGURE IN CLASSIC MAYA ICONOGRAPHY by TIFFANY M. LINDLEY B.A. University of Alabama, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Tiffany M. Lindley ii ABSTRACT Iconography encapsulates the cultural knowledge of a civilization. The ancient Maya of Mesoamerica utilized iconography to express ideological beliefs, as well as political events and histories. An ideology heavily based on the presence of an Otherworld is visible in elaborate Maya iconography. Motifs and themes can be manipulated to convey different meanings based on context. -
Bibliography
Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P. -
The Rulers of Palenque a Beginner’S Guide
The Rulers of Palenque A Beginner’s Guide By Joel Skidmore With illustrations by Merle Greene Robertson Citation: 2008 The Rulers of Palenque: A Beginner’s Guide. Third edition. Mesoweb: www. mesoweb.com/palenque/resources/rulers/PalenqueRulers-03.pdf. Publication history: The first edition of this work, in html format, was published in 2000. The second was published in 2007, when the revised edition of Martin and Grube’s Chronicle of the Maya Kings and Queens was still in press, and this third conforms to the final publica- tion (Martin and Grube 2008). To check for a more recent edition, see: www.mesoweb.com/palenque/resources/rulers/rulers.html. Copyright notice: All drawings by Merle Greene Robertson unless otherwise noted. Mesoweb Publications The Rulers of Palenque INTRODUCTION The unsung pioneer in the study of Palenque’s dynastic history is Heinrich Berlin, who in three seminal studies (Berlin 1959, 1965, 1968) provided the essential outline of the dynasty and explicitly identified the name glyphs and likely accession dates of the major Early and Late Classic rulers (Stuart 2005:148-149). More prominent and well deserved credit has gone to Linda Schele and Peter Mathews (1974), who summarized the rulers of Palenque’s Late Classic and gave them working names in Ch’ol Mayan (Stuart 2005:149). The present work is partly based on the transcript by Phil Wanyerka of a hieroglyphic workshop presented by Schele and Mathews at the 1993 Maya Meet- ings at Texas (Schele and Mathews 1993). Essential recourse has also been made to the insights and decipherments of David Stuart, who made his first Palenque Round Table presentation in 1978 at the age of twelve (Stuart 1979) and has recently advanced our understanding of Palenque and its rulers immeasurably (Stuart 2005). -
What Maya Collapse? Terminal Classic Variation in the Maya Lowlands
J Archaeol Res (2007) 15:329–377 DOI 10.1007/s10814-007-9015-x ORIGINAL PAPER What Maya Collapse? Terminal Classic Variation in the Maya Lowlands James J. Aimers Published online: 17 August 2007 Ó Springer Science+Business Media, LLC 2007 Abstract Interest in the lowland Maya collapse is stronger than ever, and there are now hundreds of studies that focus on the era from approximately A.D. 750 to A.D. 1050. In the past, scholars have tended to generalize explanations of the collapse from individual sites and regions to the lowlands as a whole. More recent approaches stress the great diversity of changes that occurred across the lowlands during the Terminal Classic and Early Postclassic periods. Thus, there is now a consensus that Maya civilization as a whole did not collapse, although many zones did experience profound change. Keywords Maya Á Collapse Á Terminal Classic–Early Postclassic Introduction ‘‘Much has been published in recent years about the collapse of Maya civilization and its causes. It might be wise to preface this chapter with a simple statement that in my belief no such thing happened’’ (Andrews IV 1973, p. 243). More than three decades after Andrews made this statement, interest in the lowland Maya collapse is more intense than ever. Of the more than 400 books, chapters, or articles of which I am aware, over half were published in the last ten years. As always, speculation about the collapse follows contemporary trends (Wilk 1985), and widespread concern over war and the physical environment have made the lowland Maya into a cautionary tale for many (Diamond 2005; Gibson 2006; J. -
Ongoing Struggles: Mayas and Immigrants in Tourist Era Tulum
Ongoing Struggles: Mayas and Immigrants in Tourist Era Tulum Tulum-an important Maya sea-trade center during the 13k, 14th, and 1 5 th centuries-now neighbors Mexico's most fashionable beach resort (Cancun) and has become the country's most popular archeological site. Since the 1970s, tourism, centerecL in the planned resort of Cancun, has over-shad- owed all other cultural and economic activities in the northern zone of Quintana Roo, Mexico. The tourism industry, including multinational capi- talist and national and international government agents, was designed to strengthen Mexico's abstract economy and alleviate its . ~~~~~~~unemployment and na- In Quintana Roo, Mexico, an area once con- uneloyent andena- trolled by Maya descendants of the mid-19d'-cen- tional debt payments tury Caste Wars of the Yucatan, the global tourist (Cardiel 1989; Garcia economyhas led to radical changes. This study ana- Villa 1992; Clancy lyzes relations between local'Mayas andYucatec and 1998). In the process, Mexican immigrants in Talum Pueblo, located tourism led to radical de- south of Cancun and just outside a popular archeo- mographic changes and logical site. Struggles between Mayas and immi- gave a special character grants have centered on cultural, marital and reli- to Quintana Roo's cul- gious practices and physical control of the town's ture and economy. Al- central church and plaza, eventually resulting in though a group ofMayas the establishment of dual, competing town centers. and mestizos known as Questions of cultural politics and the control o the Cruzoob once con- space continue to be central to contemporary po- troled the area, practic- litical movements around tde world. -
Symbol of Conquest, Alliance, and Hegemony
SYMBOL OF CONQUEST, ALLIANCE, AND HEGEMONY: THE IMAGE OF THE CROSS IN COLONIAL MEXICO by ZACHARY WINGERD Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON August 2008 Copyright © by Zachary Wingerd 2008 All Rights Reserved ACKNOWLEDGEMENTS I offer thanks to Dr. Dennis Reinhartz, Dr. Kenneth Philp, Dr. Richard Francaviglia, and Dr. Joseph Bastien who agreed to sit on my dissertation committee and guide my research and writing. Special thanks are given to Dr. Douglas Richmond who encouraged my topic from the very beginning and as the committee chair actively supported my endeavor. May 1, 2008 iii DEDICATED TO MY LOVING WIFE AND SONS Lindsey, Josh, and Jamie iv ABSTRACT SYMBOL OF CONQUEST, ALLIANCE, AND HEGEMONY: THE IMAGE OF THE CROSS IN COLONIAL MEXICO Zachary Wingerd, PhD. The University of Texas at Arlington, 2008 Supervising Professor: Douglas Richmond The universality of the cross image within the transatlantic confrontation meant not only a hegemony of culture, but of symbolism. The symbol of the cross existed in both European and American societies hundreds of years before Columbus. In both cultures, the cross was integral in religious ceremony, priestly decoration, and cosmic maps. As a symbol of life and death, of human and divine suffering, of religious and political acquiescence, no other image in transatlantic history has held such a perennial, powerful message as the cross. For colonial Mexico, which felt the brunt of Spanish initiative, the symbol of the cross penetrated the autochthonous culture out of which the independent nation and indigenous church were born. -
The Investigation of Classic Period Maya Warfare at Caracol, Belice
The Investigation of Classic Period Maya Warfare at Caracol, Belice ARLEN F. CHASE DIANE Z. CHASE University of Central Florida Prior to the 1950s the prevalent view of the like rulers who were concerned whith preserving ancient Maya was as a peaceful people. ln 1952, their histories in hieroglyphic texts on stone and Robert Rands completed his Ph. D. thesis on the stucco; investigations at the site have thus far evidences of warfare in Classic Maya art, following uncovered some 40 carved monuments (Beetz and up on the important work just completed by Tatia- Satterthwaite 1981; A. Chase and D. Chase na Proskouriakoff (1950). Since then, research has 1987b). Caracol is unusual, however, in having rapidly accumulated substantial documentation left us written records that it successfully waged that the Maya were in fact warlike (cf. Marcus warfare against two of its neighboring polities at 1974; Repetto Tio 1985). There is now evidence different times within the early part of the Late for the existence of wars between major political Classic Period. units in the Maya area and, importantly, Maya There are two wars documented in the hiero- kingship has also been shown to be inextricably glyphic texts: Caracol defeats Tikal in 9.6.8.4.2 or joined with concepts of war, captives, and sacrifice A. D. 562 (A. Chase and D. Chase 1987a:6, (Demarest 1978; Schele and Miller 1986; Freidel 1987b:33,60; S. Houston in press) and Naranjo in 1986). Warfare also has been utilized as a power- 9.9.18.16.3 or A. D. 631 (Sosa and Reents 1980). -
The Mayan Gods: an Explanation from the Structures of Thought
Journal of Historical Archaeology & Anthropological Sciences Review Article Open Access The Mayan gods: an explanation from the structures of thought Abstract Volume 3 Issue 1 - 2018 This article explains the existence of the Classic and Post-classic Mayan gods through Laura Ibarra García the cognitive structure through which the Maya perceived and interpreted their world. Universidad de Guadalajara, Mexico This structure is none other than that built by every member of the human species during its early ontogenesis to interact with the outer world: the structure of action. Correspondence: Laura Ibarra García, Centro Universitario When this scheme is applied to the world’s interpretation, the phenomena in it and de Ciencias Sociales, Mexico, Tel 523336404456, the world as a whole appears as manifestations of a force that lies behind or within Email [email protected] all of them and which are perceived similarly to human subjects. This scheme, which finds application in the Mayan worldview, helps to understand the personality and Received: August 30, 2017 | Published: February 09, 2018 character of figures such as the solar god, the rain god, the sky god, the jaguar god and the gods of Venus. The application of the cognitive schema as driving logic also helps to understand the Maya established relationships between some animals, such as the jaguar and the rattlesnake and the highest deities. The study is part of the pioneering work that seeks to integrate the study of cognition development throughout history to the understanding of the historical and cultural manifestations of our country, especially of the Pre-Hispanic cultures. -
Central America
Zone 1: Central America Martin Künne Ethnologisches Museum Berlin The paper consists of two different sections. The first part has a descriptive character and gives a general impression of Central American rock art. The second part collects all detailed information in tables and registers. I. The first section is organized as follows: 1. Profile of the Zone: environments, culture areas and chronologies 2. Known Sites: modes of iconographic representation and geographic context 3. Chronological sequences and stylistic analyses 4. Documentation and Known Sites: national inventories, systematic documentation and most prominent rock art sites 5. Legislation and institutional frameworks 6. Rock art and indigenous groups 7. Active site management 8. Conclusion II. The second section includes: table 1 Archaeological chronologies table 2 Periods, wares, horizons and traditions table 3 Legislation and National Archaeological Commissions table 4 Rock art sites, National Parks and National Monuments table 5 World Heritage Sites table 6 World Heritage Tentative List (2005) table 7 Indigenous territories including rock art sites appendix: Archaeological regions and rock art Recommended literature References Illustrations 1 Profile of the Zone: environments, culture areas and chronologies: Central America, as treated in this report, runs from Guatemala and Belize in the north-west to Panama in the south-east (the northern Bridge of Tehuantepec and the Yucatan peninsula are described by Mr William Breen Murray in Zone 1: Mexico (including Baja California)). The whole region is characterized by common geomorphologic features, constituting three different natural environments. In the Atlantic east predominates extensive lowlands cut by a multitude of branched rivers. They cover a karstic underground formed by unfolded limestone. -
Martin Künne Y Matthias Strecker INTRODUCCION De Todas Las Manifestaciones Culturales Que Han Dejado Los Indígenas De México
Martin Künne y Matthias Strecker INTRODUCCION De todas las manifestaciones culturales que han dejado los indígenas de México y de América Central, los grabados y pinturas rupestres han recibido la menor atención. Aunque las representaciones rupestres pertenecen a los monumentos arqueológicos más visibles, solo raras veces se las incluyó en investigaciones sistemáticas. Desde los primeros informes y noticias de la mitad del siglo XIX se dejó su documentación a menudo a aficionados e investigadores autodidactas. De la misma manera se nota que tampoco la literatura especializada actual toma en cuenta las representaciones rupestres de la región. A pesar de que el recién editado "Handbook of Rock Art Research" (Whitley 2001) comprende cuatro regiones americanas, faltan completamente Mesoamérica y América Central. Por otro lado podemos constatar que muchas documentaciones e informes sobre el arte rupestre centroamericano han sido parciales y hacen difícil una visión del conjunto. Sus enfoques se limitan normalmente a perspectivas descriptivas. Solamente algunas tienen también carácter analítico (A. Stone 1995). Entre los pocos compendios que mencionan representaciones rupestres de México y de América Central están las publicaciones "Rock Art Studies: News of the World I" (Bahn y Fossati 1996) y "Arte Prehistórico de América" (Schobinger 1997). Nuestro libro tiene carácter bibliográfico. Su propósito es ser una guía para la búsqueda de fuentes de información y ofrecer una introducción al estudio sistemático del arte rupestre en el oriente de México y en Centroamérica; ampliando y actualizando la publicación anterior "Rock Art of East Mexico and Central America" (Strecker 1979). Se dirige tanto a especialistas, estudiantes y aficionados como a propietarios o indígenas quienes asuman el rol de "custodios naturales" de sitios con representaciones rupestres. -
A New Reading Proposal for the Water Scroll Sign T579 As YAM
Glyph Dwellers Report 63 November 2019 A New Reading Proposal for the Water Scroll Sign T579 as YAM Jens Rohark Cancún, Mexico The hieroglyph listed as T579 (Fig. 1a) in the Thompson (1962) catalog and ZUP in the catalog of Macri and Looper ( 2003), is only seldom attested in Maya hieroglyphic writing. Basically, it occurs in only few secure contexts: 1) as part of the emblem glyph of Altun Ha and its place name (Fig. 1b-d); 2) as part of the emblem glyph of Topoxte (Fig. 1.f), 3) in context of a female nominal phrase with the logogram EK' (Fig. 1g), 4) designating the name of a mountain, SAK-T579-wi-WITZ, (Fig. 1h), and 5) as part of the nominal phrase of a wahy being formerly known as "water-jaguar" (Fig. 1i). There are also some examples of T579 in fragmentary inscriptions, where the contexts are, however, not clear (Fig. 1j, k). So far, the most comprehensive study about the glyph T579, which is also known as the 'Water Scroll' Sign, has been published by Helmke, Guenter, and Wanyerka (2018). Their excellent article focuses on the appearances of the Water Scroll emblem glyph, which is associated with the Altun Ha royal family, and, as they argue, stresses the importance of Altun Ha despite of the seemingly small size of that site. The authors briefly mention the possible phonetic reading of the glyph as follows: "... in the absence of a fuller understanding of the semantics of this sign, we are not yet closer to proposing a decipherment. Yet, the iconography does, however, make it clear that the sign marks bodies of water, perhaps specifically freshwater, and may, in fact, represent a wave" (Helmke, Guenter and Wanyerka 2018: 115).