TOC and Sample Chapter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
With the Protection of the Gods: an Interpretation of the Protector Figure in Classic Maya Iconography
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography Tiffany M. Lindley University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lindley, Tiffany M., "With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography" (2012). Electronic Theses and Dissertations, 2004-2019. 2148. https://stars.library.ucf.edu/etd/2148 WITH THE PROTECTION OF THE GODS: AN INTERPRETATION OF THE PROTECTOR FIGURE IN CLASSIC MAYA ICONOGRAPHY by TIFFANY M. LINDLEY B.A. University of Alabama, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Tiffany M. Lindley ii ABSTRACT Iconography encapsulates the cultural knowledge of a civilization. The ancient Maya of Mesoamerica utilized iconography to express ideological beliefs, as well as political events and histories. An ideology heavily based on the presence of an Otherworld is visible in elaborate Maya iconography. Motifs and themes can be manipulated to convey different meanings based on context. -
Panthéon Maya
Liste des divinités et des démons de la mythologie des mayas. Les noms sont tirés du Popol Vuh des Mayas Quichés, des livres de Chilam Balam et de Diego de Landa ainsi que des divers codex. Divinité Dieu Déesse Démon Monstre Animal Humain AB KIN XOC Dieu de poésie. ACAN Dieu des boissons fermentées et de l'ivresse. ACANTUN Quatre démons associés à une couleur et à un point cardinal. Ils sont présents lors du nouvel an maya et lors des cérémonies de sculpture des statues. ACAT Dieu des tatouages. AH CHICUM EK Autre nom de Xamen Ek. AH CHUY KAKA Dieu de la guerre connu sous le nom du "destructeur de feu". AH CUN CAN Dieu de la guerre connu comme le "charmeur de serpents". AH KINCHIL Dieu solaire (voir Kinich Ahau). AHAU CHAMAHEZ Un des deux dieux de la médecine. AHMAKIQ Dieu de l'agriculture qui enferma le vent quand il menaçait de détruire les récoltes. AH MUNCEN CAB Dieu du miel et des abeilles sans dard; il est patron des apiculteurs. AH MUN Dieu du maïs et de la végétation. AH PEKU Dieu du Tonnerre. AH PUCH ou AH CIMI ou AH CIZIN Dieu de la Mort qui régnait sur le Metnal, le neuvième niveau de l'inframonde. AH RAXA LAC DMieu de lYa Terre.THOLOGICA.FR AH RAXA TZEL Dieu du ciel AH TABAI Dieu de la Chasse. AH UUC TICAB Dieu de la Terre. 1 AHAU CHAMAHEZ Dieu de la Médecine et de la Guérison. AHAU KIN voir Kinich Ahau. AHOACATI Dieu de la Fertilité AHTOLTECAT Dieu des orfèvres. -
The Rulers of Palenque a Beginner’S Guide
The Rulers of Palenque A Beginner’s Guide By Joel Skidmore With illustrations by Merle Greene Robertson Citation: 2008 The Rulers of Palenque: A Beginner’s Guide. Third edition. Mesoweb: www. mesoweb.com/palenque/resources/rulers/PalenqueRulers-03.pdf. Publication history: The first edition of this work, in html format, was published in 2000. The second was published in 2007, when the revised edition of Martin and Grube’s Chronicle of the Maya Kings and Queens was still in press, and this third conforms to the final publica- tion (Martin and Grube 2008). To check for a more recent edition, see: www.mesoweb.com/palenque/resources/rulers/rulers.html. Copyright notice: All drawings by Merle Greene Robertson unless otherwise noted. Mesoweb Publications The Rulers of Palenque INTRODUCTION The unsung pioneer in the study of Palenque’s dynastic history is Heinrich Berlin, who in three seminal studies (Berlin 1959, 1965, 1968) provided the essential outline of the dynasty and explicitly identified the name glyphs and likely accession dates of the major Early and Late Classic rulers (Stuart 2005:148-149). More prominent and well deserved credit has gone to Linda Schele and Peter Mathews (1974), who summarized the rulers of Palenque’s Late Classic and gave them working names in Ch’ol Mayan (Stuart 2005:149). The present work is partly based on the transcript by Phil Wanyerka of a hieroglyphic workshop presented by Schele and Mathews at the 1993 Maya Meet- ings at Texas (Schele and Mathews 1993). Essential recourse has also been made to the insights and decipherments of David Stuart, who made his first Palenque Round Table presentation in 1978 at the age of twelve (Stuart 1979) and has recently advanced our understanding of Palenque and its rulers immeasurably (Stuart 2005). -
What Maya Collapse? Terminal Classic Variation in the Maya Lowlands
J Archaeol Res (2007) 15:329–377 DOI 10.1007/s10814-007-9015-x ORIGINAL PAPER What Maya Collapse? Terminal Classic Variation in the Maya Lowlands James J. Aimers Published online: 17 August 2007 Ó Springer Science+Business Media, LLC 2007 Abstract Interest in the lowland Maya collapse is stronger than ever, and there are now hundreds of studies that focus on the era from approximately A.D. 750 to A.D. 1050. In the past, scholars have tended to generalize explanations of the collapse from individual sites and regions to the lowlands as a whole. More recent approaches stress the great diversity of changes that occurred across the lowlands during the Terminal Classic and Early Postclassic periods. Thus, there is now a consensus that Maya civilization as a whole did not collapse, although many zones did experience profound change. Keywords Maya Á Collapse Á Terminal Classic–Early Postclassic Introduction ‘‘Much has been published in recent years about the collapse of Maya civilization and its causes. It might be wise to preface this chapter with a simple statement that in my belief no such thing happened’’ (Andrews IV 1973, p. 243). More than three decades after Andrews made this statement, interest in the lowland Maya collapse is more intense than ever. Of the more than 400 books, chapters, or articles of which I am aware, over half were published in the last ten years. As always, speculation about the collapse follows contemporary trends (Wilk 1985), and widespread concern over war and the physical environment have made the lowland Maya into a cautionary tale for many (Diamond 2005; Gibson 2006; J. -
The Investigation of Classic Period Maya Warfare at Caracol, Belice
The Investigation of Classic Period Maya Warfare at Caracol, Belice ARLEN F. CHASE DIANE Z. CHASE University of Central Florida Prior to the 1950s the prevalent view of the like rulers who were concerned whith preserving ancient Maya was as a peaceful people. ln 1952, their histories in hieroglyphic texts on stone and Robert Rands completed his Ph. D. thesis on the stucco; investigations at the site have thus far evidences of warfare in Classic Maya art, following uncovered some 40 carved monuments (Beetz and up on the important work just completed by Tatia- Satterthwaite 1981; A. Chase and D. Chase na Proskouriakoff (1950). Since then, research has 1987b). Caracol is unusual, however, in having rapidly accumulated substantial documentation left us written records that it successfully waged that the Maya were in fact warlike (cf. Marcus warfare against two of its neighboring polities at 1974; Repetto Tio 1985). There is now evidence different times within the early part of the Late for the existence of wars between major political Classic Period. units in the Maya area and, importantly, Maya There are two wars documented in the hiero- kingship has also been shown to be inextricably glyphic texts: Caracol defeats Tikal in 9.6.8.4.2 or joined with concepts of war, captives, and sacrifice A. D. 562 (A. Chase and D. Chase 1987a:6, (Demarest 1978; Schele and Miller 1986; Freidel 1987b:33,60; S. Houston in press) and Naranjo in 1986). Warfare also has been utilized as a power- 9.9.18.16.3 or A. D. 631 (Sosa and Reents 1980). -
Who Were the Maya? by Robert Sharer
Who Were the Maya? BY ROBERT SHARER he ancient maya created one of the Belize, Honduras, and El Salvador until the Spanish Conquest. world’s most brilliant and successful The brutal subjugation of the Maya people by the Spanish ca. 1470 CE civilizations. But 500 years ago, after the extinguished a series of independent Maya states with roots The Kaqchikel Maya establish a new Spaniards “discovered” the Maya, many as far back as 1000 BCE. Over the following 2,500 years scores highland kingdom with a capital at Iximche. could not believe that Native Americans of Maya polities rose and fell, some larger and more powerful had developed cities, writing, art, and than others. Most of these kingdoms existed for hundreds of ca. 1185–1204 CE otherT hallmarks of civilization. Consequently, 16th century years; a few endured for a thousand years or more. K’atun 8 Ajaw Europeans readily accepted the myth that the Maya and other To understand and follow this long development, Maya Founding of the city of Mayapan. indigenous civilizations were transplanted to the Americas by civilization is divided into three periods: the Preclassic, the “lost” Old World migrations before 1492. Of course archaeol- Classic, and the Postclassic. The Preclassic includes the ori- ogy has found no evidence to suggest that Old World intru- gins and apogee of the first Maya kingdoms from about 1000 sions brought civilization to the Maya or to any other Pre- BCE to 250 CE. The Early Preclassic (ca. 2000–1000 BCE) Columbian society. In fact, the evidence clearly shows that pre-dates the rise of the first kingdoms, so the span that civilization evolved in the Americas due to the efforts of the began by ca. -
Baj “Hammer” and Related Affective Verbs in Classic Mayan
ThePARIJournal A quarterly publication of the Pre-Columbian Art Research Institute Volume XI, No. 2, Fall 2010 In This Issue: Baj “Hammer”and Related Affective Baj “Hammer” and Verbsin Classic Mayan Related Affective Marc Zender Verbs in Classic Peabody Museum, Harvard University Mayan by Some years ago now, I proposed a deci- Marc Zender pherment of the Classic Maya logograph PAGES 1-16 BAJ (Figure 1)—clearly representing a • stone object wielded as some kind of tool or weapon, most likely a hammer, The Western 1 b Sun: An Unusual chisel, or celt. Although some of the epigraphic evidence for this value Tzolk'in–Haab a Correlation in was complicated by the abbreviations Classic Maya characteristic of nominal contexts in Inscriptions Maya writing, the linguistic evidence was strongly supportive, with several relevant by c Alexandre Tokovinine languages providing evidence of a root PAGES 17-21 baj “to hammer” of appropriate form Figure 1. The BAJ “hammer” sign: (a) Dos Pilas and meaning. More encouraging still, Panel 7, A5a; (b) ‘Ocosingo Jade,’ American • modern Mayan languages suggested that Museum of Natural History, New York (after Squier A New Look at the the root pertained to a class of affective 1869:Fig. 9); (c) Dos Pilas HS 2, East, Step 1, E2a (all drawings by the author unless otherwise noted). Inscription of Copan verbs which had hitherto escaped notice Altar K in Maya writing. However, while the has been well received by my colleagues,2 by decipherment and its implications have the full extent of the evidence has not Péter Bíró been presented in several forums (e.g., yet been made generally available. -
The PARI Journal Vol. XVI, No. 2
ThePARIJournal A quarterly publication of the Ancient Cultures Institute Volume XVI, No. 2, Fall 2015 In This Issue: For Love of the Game: For Love of the The Ballplayer Panels of Tipan Chen Uitz Game: The Ballplayer Panels of in Light of Late Classic Athletic Hegemony Tipan Chen Uitz in Light of Late Classic CHRISTOPHE HELMKE Athletic Hegemony University of Copenhagen by CHRISTOPHER R. ANDRES Christophe Helmke Michigan State University Christopher R. Andres Shawn G. Morton and SHAWN G. MORTON University of Calgary Gabriel D. Wrobel PAGES 1-30 GABRIEL D. WROBEL Michigan State University • The Maya Goddess One of the principal motifs of ancient Maya ballplayers are found preferentially at of Painting, iconography concerns the ballgame that sites that show some kind of interconnec- Writing, and was practiced both locally and through- tion and a greater degree of affinity to the Decorated Textiles out Mesoamerica. The pervasiveness of kings of the Snake-head dynasty that had ballgame iconography in the Maya area its seat at Calakmul in the Late Classic (see by has been recognized for some time and Martin 2005). This then is the idea that is Timothy W. Knowlton has been the subject of several pioneering proposed in this paper, and by reviewing PAGES 31-41 and insightful studies, including those some salient examples from a selection • of Stephen Houston (1983), Linda Schele of sites in the Maya lowlands, we hope The Further and Mary Miller (1986:241-264), Nicholas to make it clear that the commemoration Adventures of Merle Hellmuth (1987), Mary Miller and Stephen of ballgame engagements wherein local (continued) Houston (1987; see also Miller 1989), rulers confront their overlord are charac- by Marvin Cohodas (1991), Linda Schele and teristic of the political rhetoric that was Merle Greene David Freidel (1991; see also Freidel et al. -
Last-Ditch Warfare in Ancient Mesoamerica Recalls the Book of Mormon
Journal of Book of Mormon Studies Volume 9 Number 2 Article 8 7-31-2000 Last-Ditch Warfare in Ancient Mesoamerica Recalls the Book of Mormon John L. Sorenson Follow this and additional works at: https://scholarsarchive.byu.edu/jbms BYU ScholarsArchive Citation Sorenson, John L. (2000) "Last-Ditch Warfare in Ancient Mesoamerica Recalls the Book of Mormon," Journal of Book of Mormon Studies: Vol. 9 : No. 2 , Article 8. Available at: https://scholarsarchive.byu.edu/jbms/vol9/iss2/8 This Feature Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of Book of Mormon Studies by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Title Last-Ditch Warfare in Ancient Mesoamerica Recalls the Book of Mormon Author(s) John L. Sorenson Reference Journal of Book of Mormon Studies 9/2 (2000): 44–53, 82–83. ISSN 1065-9366 (print), 2168-3158 (online) Abstract Warfare is a constant theme in the Book of Mormon. Conflicts with varying motivations erupted between the Nephites and Lamanites from the beginning of their sojourn in the New World. Ultimately, the Nephites as a sociopolitical group were exterminated in one climactic battle when hundreds of thousands died in a single day. Have Mesoamerican archaeologists detected an inten- sity and scale of warfare great enough to account for the extermination of a people like the Nephites? Yes, there is now good reason to believe that the period when the Nephites were being destroyed by their enemies was characterized in southern Mexico and Guatemala by widespread disruption rather than an orderly evolution in the Classic era that once was the standard claim of archaeologists. -
The Quadripartite Badge: Narratives of Power and Resurrection in Maya Iconography
THE QUADRIPARTITE BADGE: NARRATIVES OF POWER AND RESURRECTION IN MAYA ICONOGRAPHY by VICTORIA ANN INGALLS B.S. Texas State University, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Fall Term 2012 © 2012 Victoria A. Ingalls ii ABSTRACT Ancient Maya iconography primarily depicted elite individuals in idealized states of being and rationalized their power and authority through ideological concepts and otherworld beings. This study aims to reexamine previous assumptions made concerning the Quadripartite Badge. This motif is examined based on iconographic associations and contexts, as well as temporal and spatial distributions. The dataset was created from currently identified examples of the Quadripartite Badge, although only a select group is extensively examined. The spread of this motif is demonstrated through time and its spatial dispersals are noted for their political consequences. Indicating the liminal status of its user, the Badge is frequently placed in scenes of transformation, accompanying rites of passage. It is also established that as elite women became more prominent, women from Tikal and Calakmul circulated this iconography through marriage alliances, as seen in the number of newly ‘arrived’ women carrying the Badge. Other iconographic associations of the Badge revealed strong ties with the Maize God and the cyclical nature of agriculture. For the continuation of the maize cycle and renewal of universal forces, sacrifice was required; the completion of ritual sacrifice was demonstrated through the depiction of the Quadripartite Badge. This one expression of power simultaneously validated earthly and otherworldy authority, ensuring the continuation of the cosmos and the perpetuation of the sun and maize cycles. -
Mythological Emblem Glyphs of Ancient Maya Kings
Contributions in New World Archaeology 3: 91–126 MYTHOLOGICAL EMBLEM GlyPHS OF Ancient Maya KINGS CHristopHe Helmke University of Copenhagen, Denmark Abstract Heinrich Berlin’s identification of Emblem Glyphs in 1958 has rightly been hailed as one of the major breakthroughs in the decipherment of ancient Maya writing. Although their exact function and meaning was unclear at the time, these are now recognized to serve as exalted regal titles that incorporate toponyms, or place names. However, what interests me here is not so much the geo-political importance of Emblem Glyphs, but the toponyms that are used to form these. Many of the toponyms that are the basis of Emblem Glyphs can now be read and can be matched up with corresponding places. In pairing off the Emblem Glyphs with their earthly referents, one is left with a peculiar group of toponyms that are clearly otherworldly. It is these supernatural Emblem Glyphs that I would like to discuss here and the role they played in legitimizing the monarchs that bore these, as titles that hark back to great antiquity in deep mythic time. The importance of these place names stems from the pivotal mythological events that are said to have transpired there, which sheds light not only on the origin of these titles, but also on the permanence and legacy of emic conceptions of deep-time. Resumen La identificación de los glifos emblema efectuada por Heinrich Berlin en 1958 ha sido justamente aclamada como uno de los mayores progresos en el desciframiento de la escritura maya. A pesar de que en aquel entonces su función y significado exacto no eran del todo claros, se ha reconocido que estos funcionaron como títulos reales exaltados que incorporaron topónimos o nombres de lugares. -
Maya Ruins of Tikal & Copan
PREVIEWCOPY Introduction Note to customers previewing this guidebook If you are previewing this guidebook in advance of purchase, please check out our enhanced preview, which will give you a deeper look at this guidebook. Travel guidebooks for the ultra curious, Approach Guides reveal a destination’s essence by exploring a compelling aspect of its cultural heritage: art, architecture, history, food or wine. The Maya religious centers of Tikal and Copán are one of Mesoamerica’s cultural treasures, the re- mains of a great civilization that prospered for 2,000 years (peaking from 600-800 CE) and created some of the most impressive art and architecture in the New World. Still infused with their historical magic, they are yours to discover. What’s in this guidebook • Background. We start off by providing some critical background information — focusing on cosmology and the role of the dynastic ruler — that makes sense of the forms and symbols of the unique Maya aesthetic. • Tours of Tikal and Copán. Following our tradition of being the most valuable resource for culture-focused travelers, we then turn our attention to two of the most spectacular Maya cities: Guatemala’s Tikal and Honduras’ Copán. For each city, we start by introducing the dis- tinctive features of its art and architecture, isolating key features and concepts that you will see again and again as you make your way through the site. The tours walk you through the highlights, aided by high-resolution images and a discussion that ties it all together. • Bonus site: Quiriguá. As a special bonus, we also profile the smaller Maya site of Quiriguá, an ideal addition to your existing Tikal and/or Copán itinerary.