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Don Martin Dies, Maddest of Mad Magazine Cartoonists
The Miami Herald January 8, 2000 Saturday DON MARTIN DIES, MADDEST OF MAD MAGAZINE CARTOONISTS BY DANIEL de VISE AND JASMINE KRIPALANI Don Martin was the man who put the Mad in Mad magazine. He drew edgy cartoons about hapless goofs with anvil jaws and hinged feet who usually met violent fates, sometimes with a nerve-shredding SHTOINK! His absurdist vignettes inspired two or three generations of rebellious teenage boys to hoard dog-eared Mads in closets and beneath beds. He was their secret. Martin died Thursday at Baptist Hospital after battling cancer at his South Dade home. He was 68. Colleagues considered him a genius in the same rank as Robert Crumb (Keep on Truckin') and Gary Larson (The Far Side). But adults seldom saw his work. And Don Martin's slack-jawed goofballs weren't about to pop up on calendars or mugs. The son of a New Jersey school supply salesman, Martin joined the fledgling Mad magazine in 1956 and stayed with the irreverent publication for 31 years. Editors billed him as "Mad's Maddest Cartoonist." "He was a hard-edged Charles Schulz," said Nick Meglin, co-editor of Mad. "It's no surprise that Snoopy got to the moon. And it's no surprise that Don Martin characters would wind up on the wall in some coffeehouse in San Francisco." COUNTERCULTURE HERO If Peanuts was the cartoon of mainstream America - embraced even by Apollo astronauts - then Martin's crazy-haired, oval-nosed boobs were heroes of the counterculture. Gilbert Shelton, an underground cartoonist who penned the Fabulous Furry Freak Brothers, said Martin was the reason he first picked up the pencil. -
I ABBREVIATIONS
SPECIAL SUMMER TRAVEL ISSUE • I ftr«*; '-^iisI I 'i N •' A / t? \ **4 '"'•mawmmiw :LLY FREAS -^ Even this much can cause plenty trouble Mainly for us! If you think carbon makes Gulp is all we can say when we think trouble for You, just wait till you see of how profits will shrink. Because just how much trouble this tiny little bit of this much will run your car for a year! fissionable material will make for Us! GULP SAYS THE OIL CORPORATIONS Gasoline Companies Against Nuclear Fuels NUMBER 65 SEPTEMBER 1961 VITAL FEATURES REALISTIC CHILDREN'S BOOKS 4 Our satire of those basic definitions in children's books (i.e. "A hole is to dig!") will convince you "A MAD is to throw out!" "Some people are like blisters, they show up right after the work is done!" —Alfred E. Neuman TV FOR LATE, LATE AUDIENCES 14 PUBLISHER: William M. Gaines EDITOR: Albert B. Feldstein The best TV can be seen from 2 to 6 A.M., mainly ART DIRECTOR: John Putnam PRODUCTION: Leonard Brenner because there's nothing EDITORIAL ASSOCIATES: Jerry De Fuccio, Nick Meglin on! However, here's what LAWSUITS: Martin J. Scheiman PROPAGANDA MINISTER: Larry Gore can be done to fix that! SUBSCRIPTIONS: Gloria Orlando, Celia Morelli, Anthony Giordano CONTRIBUTING ARTISTS AND WRITERS: The Usual Gang of Idiots A MAD LOOK AT THE BEACH 18 You won't starve on the beach because of "sand- DEPARTMENTS which-is" there, but you BRAND X MARKS THE SPOT DEPARTMENT can die laughing because TV Commercials With Suspense 28 of clods which are there. -
Exposing Social Values Through Satire
UNLV Retrospective Theses & Dissertations 1-1-2008 When news breaks, "The Daily Show" fixes it: Exposing social values through satire Daniel Brandon McCue University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation McCue, Daniel Brandon, "When news breaks, "The Daily Show" fixes it: Exposing social values through satire" (2008). UNLV Retrospective Theses & Dissertations. 2305. http://dx.doi.org/10.25669/fmm8-vjo2 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. WHEN NEWS BREAKS, THE DAILY SHOW IT: EXPOSING SOCIAL VALUES THROUGH SATIRE by Daniel Brandon McCue Bachelor of Arts Hope College 2001 A thesis submitted in partial fulfillment of the requirements for the Master of Arts Degree in Journalism and Media Studies Hank Greenspun School of Journalism and Media Studies Greenspun College of Urban Affairs Graduate College University of Nevada, Las Vegas May 2008 UMI Number: 1456354 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
JUDGE of BEAUTY Estate of the Honorable Paul H
STEPHEN GEPPI DIXIE CARTER SANDY KOUFAX MAGAZINE FOR THE INTELLIGENT COLLECTOR SPRing 2009 $9.95 JUDGE OF BEAUTY Estate of the Honorable Paul H. Buchanan Jr. includes works by landmark figures in the canon of American Art CONTENTS HIGHLIGHTS JUDGE OF BEAUTY Estate of the Honorable Paul H. 30 Buchanan Jr. includes works by landmark figures in the canon of American art SUPER COLLectoR A relentless passion for classic American 42 pop culture has turned Stephen Geppi into one of the world’s top collectors IT’S A Mad, Mad, Mad, Mad (MagaZINE) WORLD 50 Demand for original cover art reflects iconic status of humor magazine SIX THINgs I LeaRNed FRom WARREN Buffett 56 Using the legendary investor’s secrets of success in today’s rare-coins market IN EVERY ISSUE 4 Staff & Contributors 6 Auction Calendar 8 Looking Back … 1934 10 News 62 Receptions 63 Events Calendar 64 Experts 65 Consignment Deadlines On the cover: McGregor Paxton’s Rose and Blue from the Paul H. Buchanan Jr. Collection (page 30) Movie poster for the Mickey Mouse short The Mad Doctor, considered one of the rarest of all Disney posters, from the Stephen Geppi collection (page 42) HERITAGE MAGAZINE — SPRING 2009 1 CONTENTS TREAsures 12 MOVIE POSTER: One sheet for 1933’s Flying Down to Rio, which introduced Fred Astaire and Ginger Rogers to the world 14 COI N S: New Orleans issued 1854-O Double Eagle among rarest in Liberty series 16 FINE ART: Julian Onderdonk considered the father of Texas painting Batman #1 DC, 1940 CGC FN/VF 7.0, off-white to white pages Estimate: $50,000+ From the Chicorel Collection Vintage Comics & Comic Art Signature® Auction #7007 (page 35) Sandy Koufax Game-Worn Fielder’s Glove, 1966 Estimate: $60,000+ Sports Memorabilia Signature® Auction #714 (page 26) 2 HERITAGE MAGAZINE — SPRING 2009 CONTENTS AUCTION PrevieWS 18 ENTERTAINMENT: Ernie Kovacs and Edie Adams left their mark on the entertainment industry 23 CURRENCY: Legendary Deadwood sheriff Seth Bullock signed note as bank officer 24 MILITARIA: Franklin Pierce went from battlefields of war to the U.S. -
A M E R I C a N C H R O N I C L E S the by JOHN WELLS 1960-1964
AMERICAN CHRONICLES THE 1960-1964 byby JOHN JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chroncles ........ 4 Note on Comic Book Sales and Circulation Data......................................................... 5 Introduction & Acknowlegments................................. 6 Chapter One: 1960 Pride and Prejudice ................................................................... 8 Chapter Two: 1961 The Shape of Things to Come ..................................................40 Chapter Three: 1962 Gains and Losses .....................................................................74 Chapter Four: 1963 Triumph and Tragedy ...........................................................114 Chapter Five: 1964 Don’t Get Comfortable ..........................................................160 Works Cited ......................................................................214 Index ..................................................................................220 Notes Introductory Note about the Chronological Structure of American Comic Book Chronicles The monthly date that appears on a comic book head as most Direct Market-exclusive publishers cover doesn’t usually indicate the exact month chose not to put cover dates on their comic books the comic book arrived at the newsstand or at the while some put cover dates that matched the comic book store. Since their inception, American issue’s release date. periodical publishers—including but not limited to comic book publishers—postdated -
Many Years Ago Al Jaffee Came in with a Piece That Used
I Ma ha! wa anI thE SUI thl ilf "Many years ago Al Jaffee n C came in with a piece that h' used the word 'schmuck: and there was a big debate about whether the magazine should include that word. Today it would be nothing. rr 072 Desmond Devlin, who has contributed to Mad since 1984, agrees. "Culturally, Mad's impact has been immense, especially back when it was the foremost one-stop source of mockery and criticism;' he says."Mad synthesized the nagging doubts that millions of Americans had about their society, and it demonstrated that iconoclasm would sell to a mass audience. Readers had their suspicions confirmed, and were introduced to new suspicions. "It isn't as if presidents had never betrayed their oaths before, and it isn't as if advertising suddenly got amoral in 1955;' Devlin adds. "But the package Mad has put out, and the attitude it promoted, has long since become a norm:' Mad entered this world in 1952 as a comic book. conceived, written and edited by Harvey Kurtzman and published by ECComics. The first few issues of Mad satirized the era's most popular comic books and comic strips, then Kurtzman started expanding his focus to include other aspects of popular culture, such as supermarkets, restaurant dining, motion pictures and television. Kurtzman delighted in experimenting with style and design, especially on Mad's covers. The cover for issue 19, for example, looks just like a horse-racing form, while the cover of issue 20 is an exact replica of a black composition notebook. -
Newfangles 36 1970-06
Number 36, June ±970, from Don & Maggie Thompson, 8786 Hendricks Rd., Mentor, C 44060. 100 a copy. (We hope to set up overseas agents soon.) We also give free r\ copies for logos (such as the one above by Ash^tosh Chowdhury), art (such as the cartoon to the left by Tim Kirk) and news Back issues (24 27 29 30 33 35) @100. Our circulation is 337, as this is typed. This time, the number after your name on the address page is the last left on your subscription. If there’s no number, you must have our number... QUOTE OF THE MONTH (from a pro who shall not be identified here): "The problem with comic books is summed up by the fact that you have to stoop to buy them." The Academy of Comic Book Arts elected officers June 4. President is Stan Lee. Neal Adams is vice president; Mimi C-old, secretary; Allyn Brodsky, treasurer; Exec utive Board members are Roy Thomas. Gray Morrow, Dick Giordano, Archie Goodwin and Denny O’Neil. There are members from DG in the group; apparently they voted I ‘.ML for the Marvel crew, too. Constitution of the Academy was drafted by Allyn Brodsky and Jim Warren. We are running partial results on Alley Awards because (a) Mark Hanerfeld apparently is not going to do so, and (b) we feel these results belong to the voters and are not the property of OTDB/TCR or Mark. We are running only items we got from more than one source, to reduce the possibility of error; most of the top winners are Marvel, you will note. -
The Art of Gris Grimly
SCB DISTRIBUTORS IS Arrested Publications PROUD TO INTRODUCE Buenaventura Press Channel Trade Books Flesk Publications Hungry? City Guides Jet Books Koa Books Stark House Press Suspect Tots Wavefinder Limited Wisdom Tree Publishers SCB: TRULY INDEPENDENT Cover & Catalog Design by Rama Crouch-Wong Cover design from a painting, Reading Nick Cave, by David Anderle Courtesy of the artist and Billy Shire Fine Arts Layout by Dan Nolte Dark Friday By Jeffrey Leever “A new talent to be reckoned with.” – Midwest Book Review “Quick, tight, fast, and frightening…” – Phillip Tomasso III, Third Ring, Adverse Impact, Johnny Blade A masked killer is loose in a small Indiana town: five high-school students are dead, one’s in critical condition, and the Chief of Police is wounded. A local high school boy is quickly arrested, but the Chief can’t shake his nagging feeling that another explanation lurks in the shadows of his quiet little town. Joining forces with a once-respected investigative journalist, they start digging beneath the surface. They find that the deep motivation for these awful crimes is more disturbing than they ever could have imagined – and to uncover the truth, they’ll have to convince high school friends to turn against each other and In Cold Blood meets Columbine put their own lives on the line. Jeffrey Leever writes plays and novels, and is a marketing writer as well as a political and sports journalist: he writes the college football column The Scarlet Commentary. With a degree in English, he is a member of Rocky Mountain Fiction Writers and Pikes Peak Dark Friday Writers. -
Give Em a Licking!
GIVE EM A LICKING! HERE ARE A FEW IDIOTIC SAMPLES OF THE "MORE MAD MISCHIEF STICKERS" YOU'LL BE GETTING... ...ALONG WITH THE USUAL ARTICLES, AD SATIRES AND OTHER GARBAGE FROM PAST ISSUES IN... THE NINTH ANNUAL EDITION OF MORE TRASH FROM MAD ON SALE NOW AT YOUR FRIENDLY NEWSDEALER'S-AND ALSO AT SOME OBNOXIOUS ONES! NUMBER 106 OCTOBER 1966 VITAL FEATURES 'THE BUNCH" "Whether a man winds up with a nest egg or a goose egg often (A MAD depends upon the chick he marries!"—Alfred E. Neuman MOVIE SATIRE) WILLIAM M. GAINES publisher ALBERT B. FELDSTEIN editor Pg. 4 JOHN PUTNAM art director LEONARD BRENNER production JERRY DE FUCCIO, NICK MEGLiN associate editors MARTIN J. SCHEIMAN lawsuits GLORIA ORLANDO, CELIA MORELLI, RICHARD GRILLO Subscriptions CONTRIBUTING ARTISTS AND WRITERS the usual gang of idiots THE DEPARTMENTS LIGHTER BERG'S-EYE VIEW DEPARTMENT SIDE OF MUSIC LOVERS The Lighter Side Of Music Lovers 16 Pg. 16 BOMBS AWAY DEPARTMENT "Twelve O'Crocked High" (A MAD TV Satire) 41 BRANDING IRONY DEPARTMENT A MAD Look At Trademarks 10 J=£ COURSE HUMOR DEPARTMENT THE Golf Foto-Plays 14 MAD AIR TRAVEL DON MARTIN DEPARTMENT PRIMER Late One Night 13 Pg. 21 Spy Stuff 24 The Bricklayers 48 GLUB-GLUB DEPARTMENT Scuba Diving (A Study In Depth) 25 GROUP THERAPY DEPARTMENT SCUBA "The Bunch" (A MAD Movie Satire) 4 DIVING (A STUDY JOKE AND DAGGER DEPARTMENT IN DEPTH) Spy Vs. Spy 20, 32 Pg. 25 LETTERS DEPARTMENT Random Samplings Of Reader Mail 2 MARGINAL THINKING DEPARTMENT Drawn-Out Dramas by Sergio Aragones ** A ONE FOR THE ROADHOGS DEPARTMENT MAD MAD Visits A Typical Johnson Howard's 33 LOOK AT BATMAN R.I.P. -
MAD's Al Jaffee SPEWS
fe IS tori V6S \ VV3'^*T' WE'RE MAKING A SIGNET BOOK AN EXCITING MADs COMEBACK! -Al ©)axfee Spews Out IN FACT, WE'RE MAKING A SNAPPY ANSWERS TO WHOLE BOOK OF THEM -AS- STUPID QUESTIONSIt's about moronic I I questions like that MAD'S I /£-t one... and clever I answers like these: It's about 7 inches . tall, 4 inches wide Al Jaffee and 192 pages thick It's about the most , ridiculous idea for SPEWS OUT Na book ever conceived! It's about time that ' idiot out there ) stopped reading this "Snappy cover and bought it. Answers To Stupid Questions" ON SALE AT YOUR FAVORITE BOOKSTAND — OR YOURS BY MAIL use coupon or duplicate ..... NAME- A i\m ADDRESS. 485 MAD is on Avenue CITY New York, N.Y. STATE Zip-Code. 10022 ABSOLUTELY NECESSARYI PLEASE SEND ME: ALSO PLEASE SEND ME THE BOOKS CHECKED BELOW: MAD's • The MAD Reader p The MAD Frontier Questionable MAD • MAD Strikes Back P MAD in Orbit Howling MAD Snappy Answers p Inside MAD P The Voodoo MAD DON MARTIN Steps Out • Utterly MAD p Greasy MAD Stuff DON MARTIN Bounces Back To P The Brothers MAD P Three Ring MAD DON MARTIN Drops 13 Stories Stupid Questions P The Bedside MAD P Self-Made MAD MAD's Captain Klutz • Son of MAD P The MAD Sampler DAVE BERG Looks At The U.S.A. P The Organization MAD p World, World, etc. MAD DAVE BERG Looks At People P Like MAD p Raving MAD DAVE BERG Looks At Things • p The Ides of MAD P Boiling MAD The All-New SPY vs. -
My Friend Dave | the Comics Journal
Archived version from NCDOCKS Institutional Repository http://libres.uncg.edu/ir/asu/ Column -- "My Friend Dave" By: Craig Fischer Fischer, C. (2013). “My Friend Dave." The Comics Journal, October 25, 2013. Version of record available at: http:// www.tcj.com/my-friend-dave/ My Friend Dave | The Comics Journal Blog Features Columns Reviews Listings TCJ Archive ← Modern Thinking Morning Becomes Renee → The Spain Interview In this two-part interview, Gary Groth talks to Spain about Catholicism, working in a factory, rebelling against Monsters Eat Critics authority, teaching, the underground comix movement and Zap, and Nightmare Alley. Continue reading → My Friend Dave BY CRAIG FISCHER OCT 25, 2013 Alphabet In his book The Avant-Garde Finds Andy Hardy (1995), Robert Ray argues that film studies has fallen into a rut where most writing follows “the routinized procedures of any academic field,” and where the typical title for a publication or conference presentation is “Barthes, Brecht, Bakhtin, Baudrillard, and all those other people, and Robocop” (5). Ray then suggests that we rouse film studies out of stagnation by abandoning traditional scholarship, at least for a while, in favor of playing surrealistic games with our subject. Movies surprise, infuriate, delight us: unconventional forms of criticism might do the same. One of Ray’s games involves the alphabet. Borrowing a method from Roland Barthes’ eponymous biography, Ray suggests writing criticism in a series of short, “alphabetized fragments, including at least one for every letter” (120). These “alphabetized fragments” can be epigrams (à la Nietzsche), metaphors, anecdotes, lyrical descriptions, short bursts of analysis: what they won’t be is a predictable elaboration of an over-determined thesis. -
Comic-Con ‘18 1 CAPS Invades 0 San Diego
Summer 2018 CON SEASON THE COMIC ART PROFESSIONAL SOCIETY President’s Message Greetings, CAPSers! Before I accepted the position of President, I sought advice from a number of my predecessors and other long-term CAPS members. One of the suggestions I heard was that CAPS may have outlived its usefulness, that all the things it was created to do are now done online. I don’t believe that’s entirely true. Yes, the Internet allows us to continue that mission and broaden our reach beyond the geographic boundaries of Southern California. While our local group is always the center of CAPS, there’s no reason why we can’t or shouldn’t increase our Associate Membership, and the internet can facilitate that. Social Media offers incredible opportunities for networking, sharing information, and socializing among cartoonists, but I believe that this merely alters the methods and priorities of CAPS, but it doesn’t eliminate our purpose. In fact, one aspect of our mission is now more important than ever: actual face-to-face interaction, getting to know each other in real life. This is why we are experimenting with involvement with conventions. In the past, it never made sense for us to have a table at cons, because we are not a “consumer facing” organization; apart from hosting members at a booth for sales, sketches and signings, we don’t have a lot to offer the public as an organization. Handing out brochures at a table is not going to reach many people who are eligible for membership. But as conventions become more expensive to table at, and as the number of conventions continues to multiply, it seems that a CAPS table is a good way to provide our members with space that they might not otherwise have.