The Art of Gris Grimly
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Volume 1 : Subject Catalogue
Volume 1 : Subject Catalogue 1 JAMAICAN NATIONAL BIBLIOGRAPHY 1962 - 2012 NATIONAL LIBRARY OF JAMAICA KINGSTON, JAMAICA 2013 i Published by: National Library of Jamaica P.O. Box 823 12 – 14 East Street Kingston Jamaica National Library of Jamaica Cataloguing in Publication Data Jamaican national bibliography 1962 -2012 p. ; cm. 1. Bibliography, National – Jamaica ISBN 978-976-8020-08-6 015.7292 – dc22 Copyright 2013by National Library of Jamaica ii T A B L E OF C O N T E N T S Preface………………………………………………………………………… iv Abbreviations and Terms……………………………………………………… v Sample Entries…………………………………………………………………. vi Outline of Dewey decimal classification……………………………….............. vii Classified Subject Listing………………………………………………………. 1 - 1014 iii PREFACE The mandate of the National Library of Jamaica is to collect, catalogue and preserve the nation’s publications and to make these items available for study and research. A related mandate is to compile and publish the national bibliography which is the list of material published in the country, authored by its citizens and about the country, regardless of place of publication. The occasion of Jamaica’s 50th anniversary was seen as an opportunity to fill in the gaps in the national bibliography which had been prepared sporadically: 1964 – 1969; 1975 – 1986; 1998- 2003; and so the Jamaican National Bibliography 1962-2012 (JNB 50) Volume 1 was created. Arrangement This volume of the bibliography is arranged according to the Dewey Decimal Classification (DDC) and catalogued using the Anglo-American Cataloguing Rules. The information about an item includes the name the author uses in his/her works, the full title, edition, publisher, date of publication, number of pages, types of illustrations, series, size, notes, ISBN, price and binding. -
Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109 -
HOW BLACK IS BLACK METAL [JOURNALISMUS] Nachrichten Von Heute
HOW BLACK IS BLACK METAL [JOURNALISMUS] nachrichten von heute Kevin Coogan - Lords of Chaos (LOC), a recent book-length examination of the “Satanic” black metal music scene, is less concerned with sound than fury. Authors Michael Moynihan and Didrik Sederlind zero in on Norway, where a tiny clique of black metal musicians torched some churches in 1992. The church burners’ own place of worship was a small Oslo record store called Helvete (Hell). Helvete was run by the godfather of Norwegian black metal, 0ystein Aarseth (“Euronymous”, or “Prince of Death”), who first brought black metal to Norway with his group Mayhem and his Deathlike Silence record label. One early member of the movement, “Frost” from the band Satyricon, recalled his first visit to Helvete: I felt like this was the place I had always dreamed about being in. It was a kick in the back. The black painted walls, the bizarre fitted out with inverted crosses, weapons, candelabra etc. And then just the downright evil atmosphere...it was just perfect. Frost was also impressed at how talented Euronymous was in “bringing forth the evil in people – and bringing the right people together” and then dominating them. “With a scene ruled by the firm hand of Euronymous,” Frost reminisced, “one could not avoid a certain herd-mentality. There were strict codes for what was accept- ed.” Euronymous may have honed his dictatorial skills while a member of Red Ungdom (Red Youth), the youth wing of the Marxist/Leninist Communist Workers Party, a Stalinist/Maoist outfit that idolized Pol Pot. All who wanted to be part of black metal’s inner core “had to please the leader in one way or the other.” Yet to Frost, Euronymous’s control over the scene was precisely “what made it so special and obscure, creating a center of dark, evil energies and inspiration.” Lords of Chaos, however, is far less interested in Euronymous than in the man who killed him, Varg Vikemes from the one-man group Burzum. -
Press Release
20 Years Under the Influence of Juxtapoz Guest Curators: Andrew Hosner (Thinkspace) & Gary Pressman (Copro Gallery) February 22nd - April 19th, 2015 Invitation Only Reception: Saturday, February 21st from 6-11PM *RSVP TO: [email protected] Public First View: Sunday, February 22nd 2-5PM On view: Sunday, February 22nd – April 19th, 2015 Gallery Hours 12-5PM, Thursday – Sunday ADDITIONAL PROGRAMMING: Saturday, March 14th 2PM: Curator / Juxtapoz Talk (with Andrew Hosner, Gary Pressman, Greg Escalante, Robert Williams, Suzanne Williams, Gwynn Vitello, Evan Pricco, and Jeff Soto) (Los Angeles) - The Los Angeles Municipal Art Gallery and Juxtapoz magazine are pleased to present 20 Years Under the Influence of Juxtapoz, a group exhibition to commemorate two decades of the magazine’s influential contribution to contemporary art and culture. On view at the Los Angeles Municipal Art Gallery, and curated by Andrew Hosner of Thinkspace Gallery and Gary Pressman of Copro Gallery, the exhibition features close to one hundred artists who have graced the publication’s pages and website, and showcases the diversity and breadth of the New Contemporary movement Juxtapoz has championed and helped to uphold. In 1994 in San Francisco, Robert Williams, Craig Stecyk, Greg Escalante, Eric Swenson and Fausto Vitello founded Juxtapoz with the intent of fostering the art and culture of the underground. Providing an alternative voice and narrative as a counterpart to the dominant New York-centric discourse of contemporary art, it featured artists who straddled “high” and “low” culture. Aligning itself with the aesthetics of contemporary street culture, figurative art, California car culture, gig posters, tattoos, graphics, psychedelia and comics, the publication became a conduit and forum for an entirely new generation of artists who were latching on to the visual vernacular of powerfully populist themes. -
SECONDS #33, 1995 • Sby George Petros & Steven Blush
MAGAZINE ECONDS SECONDS #33, 1995 • Sby George Petros & Steven Blush So much has already been said about DAVID BOWIE: “He was the first Rock Star who…” — “Before him, no one had dared to…” — He single-handedly started the…” — “Every one of his albums was…” — “Everything he said was…” — so what can we say? That he was the first Rock Star who was Gay and Straight at the same time? Good and bad at the same time? Cutting-edge and over with? That he was the most flaming and focused and stayed cool the longest? That he is one of the handful of all-time world-class Rock Stars? How about this — before him, no one had ever blown your mind quite like David Bowie. 78 “It’s entirely possible that the idea of murder as art is an option for some people.” SECONDS: In terms of your writing, are together. He taught me a wonderful riff hits a formula or a by-product? which became “The Supermen.” BOWIE: I don’t know, I don’t have too SECONDS: We hear about your many. You’re speaking to fascination with the New the wrong artist; I think you York stuff, Lou Reed, should ask Elton John. Andy Warhol, even Wayne SECONDS: Bowie County — impersonators over the years BOWIE: Wayne County I — do you see them as a met twice in my life and I compliment or an insult? couldn’t stand him. I had BOWIE: I don’t know. absolutely no fascination They’re glitches in music for him at all. -
ART THAT KILLS 04 Introduction by CARLO Mccormick 04 06 a Beginning, and an End 06 10 the Precursors: WILLIAM S
ART THAT KILLS 04 Introduction by CARLO McCORMICK 04 06 A Beginning, and an End 06 10 The Precursors: WILLIAM S. BURROUGHS 10 14 The Precursors: ANTON LaVEY 14 20 The Precursors: KENNETH ANGER 20 22 The Precursors: ROBERT WILLIAMS 22 30 The Precursors: CHARLES MANSON 30 38 The Precursors: GENESIS P-ORRIDGE 38 46 The Precursors: MONTE CAZAZZA 46 50 The Precursors: HARLEY FLANNAGAN / CRO-MAGS 50 54 Soundtrack to 1984: Rev. Jim Jones — The Last Supper 54 55 Soundtrack to 1984: PSYCHIC TV 55 56 Soundtrack to 1984: ANTON LaVEY et al - The Satanic Mass 56 57 Soundtrack to 1984: CHARLES MANSON - Lie 57 58 Soundtrack to 1984: LYDIA LUNCH 58 59 Soundtrack to 1984: FOETUS 59 60 Soundtrack to 1984: NON 60 61 Soundtrack to 1984: RADIO WEREWOLF 61 62 Soundtrack to 1984: WHITEHOUSE 62 63 Soundtrack to 1984: Skinned Alive 63 64 Soundtrack to 1984: MICHAEL MOYNIHAN 64 65 Soundtrack to 1984: GG ALLIN 65 66 Soundtrack to 1984: KING DIAMOND / CRO-MAGS show 66 67 Soundtrack to 1984: SWANS 67 68 JOE COLEMAN 68 76 LYDIA LUNCH 76 82 NICK ZEDD / THE UNDERGROUND FILM BULLETIN 82 88 RICHARD KERN / DEATHTRIP FILMS 88 94 J.G. THIRLWELL a.k.a. FOETUS 94 98 FRED BERGER / PROPAGANDA 98 106 JONATHAN SHAW 106 112 Killer Clowns 112 124 BOYD RICE/NON . 124 132 JOHN AES-NIHIL 132 138 NICKBOUGAS 138 144 ZEENA SCHRECK nee LaVEY 144 148 NIKOLAS SCHRECK / RADIO WEREWOLF 148 154 ADAM PARFREY / FERAL HOUSE 154 162 Your host, GEORGE PETROS 162 170 MICHAEL ANDROS 170 174 ROBERT N. -
Don Martin Dies, Maddest of Mad Magazine Cartoonists
The Miami Herald January 8, 2000 Saturday DON MARTIN DIES, MADDEST OF MAD MAGAZINE CARTOONISTS BY DANIEL de VISE AND JASMINE KRIPALANI Don Martin was the man who put the Mad in Mad magazine. He drew edgy cartoons about hapless goofs with anvil jaws and hinged feet who usually met violent fates, sometimes with a nerve-shredding SHTOINK! His absurdist vignettes inspired two or three generations of rebellious teenage boys to hoard dog-eared Mads in closets and beneath beds. He was their secret. Martin died Thursday at Baptist Hospital after battling cancer at his South Dade home. He was 68. Colleagues considered him a genius in the same rank as Robert Crumb (Keep on Truckin') and Gary Larson (The Far Side). But adults seldom saw his work. And Don Martin's slack-jawed goofballs weren't about to pop up on calendars or mugs. The son of a New Jersey school supply salesman, Martin joined the fledgling Mad magazine in 1956 and stayed with the irreverent publication for 31 years. Editors billed him as "Mad's Maddest Cartoonist." "He was a hard-edged Charles Schulz," said Nick Meglin, co-editor of Mad. "It's no surprise that Snoopy got to the moon. And it's no surprise that Don Martin characters would wind up on the wall in some coffeehouse in San Francisco." COUNTERCULTURE HERO If Peanuts was the cartoon of mainstream America - embraced even by Apollo astronauts - then Martin's crazy-haired, oval-nosed boobs were heroes of the counterculture. Gilbert Shelton, an underground cartoonist who penned the Fabulous Furry Freak Brothers, said Martin was the reason he first picked up the pencil. -
I ABBREVIATIONS
SPECIAL SUMMER TRAVEL ISSUE • I ftr«*; '-^iisI I 'i N •' A / t? \ **4 '"'•mawmmiw :LLY FREAS -^ Even this much can cause plenty trouble Mainly for us! If you think carbon makes Gulp is all we can say when we think trouble for You, just wait till you see of how profits will shrink. Because just how much trouble this tiny little bit of this much will run your car for a year! fissionable material will make for Us! GULP SAYS THE OIL CORPORATIONS Gasoline Companies Against Nuclear Fuels NUMBER 65 SEPTEMBER 1961 VITAL FEATURES REALISTIC CHILDREN'S BOOKS 4 Our satire of those basic definitions in children's books (i.e. "A hole is to dig!") will convince you "A MAD is to throw out!" "Some people are like blisters, they show up right after the work is done!" —Alfred E. Neuman TV FOR LATE, LATE AUDIENCES 14 PUBLISHER: William M. Gaines EDITOR: Albert B. Feldstein The best TV can be seen from 2 to 6 A.M., mainly ART DIRECTOR: John Putnam PRODUCTION: Leonard Brenner because there's nothing EDITORIAL ASSOCIATES: Jerry De Fuccio, Nick Meglin on! However, here's what LAWSUITS: Martin J. Scheiman PROPAGANDA MINISTER: Larry Gore can be done to fix that! SUBSCRIPTIONS: Gloria Orlando, Celia Morelli, Anthony Giordano CONTRIBUTING ARTISTS AND WRITERS: The Usual Gang of Idiots A MAD LOOK AT THE BEACH 18 You won't starve on the beach because of "sand- DEPARTMENTS which-is" there, but you BRAND X MARKS THE SPOT DEPARTMENT can die laughing because TV Commercials With Suspense 28 of clods which are there. -
Exposing Social Values Through Satire
UNLV Retrospective Theses & Dissertations 1-1-2008 When news breaks, "The Daily Show" fixes it: Exposing social values through satire Daniel Brandon McCue University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation McCue, Daniel Brandon, "When news breaks, "The Daily Show" fixes it: Exposing social values through satire" (2008). UNLV Retrospective Theses & Dissertations. 2305. http://dx.doi.org/10.25669/fmm8-vjo2 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. WHEN NEWS BREAKS, THE DAILY SHOW IT: EXPOSING SOCIAL VALUES THROUGH SATIRE by Daniel Brandon McCue Bachelor of Arts Hope College 2001 A thesis submitted in partial fulfillment of the requirements for the Master of Arts Degree in Journalism and Media Studies Hank Greenspun School of Journalism and Media Studies Greenspun College of Urban Affairs Graduate College University of Nevada, Las Vegas May 2008 UMI Number: 1456354 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
New Books on Women & Feminism
NEW BOOKS ON WOMEN & FEMINISM No. 50, Spring 2007 CONTENTS Scope Statement .................. 1 Politics/ Political Theory . 31 Anthropology...................... 1 Psychology ...................... 32 Art/ Architecture/ Photography . 2 Reference/ Bibliography . 33 Biography ........................ 3 Religion/ Spirituality . 34 Economics/ Business/ Work . 6 Science/ Mathematics/ Technology . 37 Education ........................ 8 Sexuality ........................ 37 Film/ Theater...................... 9 Sociology/ Social Issues . 38 Health/ Medicine/ Biology . 10 Sports & Recreation . 44 History.......................... 12 Women’s Movement/ General Women's Studies . 44 Humor.......................... 18 Periodicals ...................... 46 Language/ Linguistics . 18 Index: Authors, Editors, & Translators . 47 Law ............................ 19 Index: Subjects ................... 58 Lesbian Studies .................. 20 Citation Abbreviations . 75 Literature: Drama ................. 20 Literature: Fiction . 21 New Books on Women & Feminism is published by Phyllis Hol- man Weisbard, Women's Studies Librarian for the University of Literature: History & Criticism . 22 Wisconsin System, 430 Memorial Library, 728 State Street, Madi- son, WI 53706. Phone: (608) 263-5754. Email: wiswsl @library.wisc.edu. Editor: Linda Fain. Compilers: Amy Dachen- Literature: Mixed Genres . 25 bach, Nicole Grapentine-Benton, Christine Kuenzle, JoAnne Leh- man, Heather Shimon, Phyllis Holman Weisbard. Graphics: Dan- iel Joe. ISSN 0742-7123. Annual subscriptions are $8.25 for indi- Literature: Poetry . 26 viduals and $15.00 for organizations affiliated with the UW Sys- tem; $16.00 for non-UW individuals and non-profit women's pro- grams in Wisconsin ($30.00 outside the state); and $22.50 for Media .......................... 28 libraries and other organizations in Wisconsin ($55.00 outside the state). Outside the U.S., add $13.00 for surface mail to Canada, Music/ Dance .................... 29 $15.00 elsewhere; or $25.00 for air mail to Canada, $55.00 else- where. -
Court Green Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Court Green Publications 3-1-2013 Court Green: Dossier: Sex Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/courtgreen Part of the Poetry Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Court Green: Dossier: Sex" (2013). Court Green. 10. https://digitalcommons.colum.edu/courtgreen/10 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Court Green by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. “Read good poetry!” —William Carlos Williams COURT GREEN 10 COURT 10 EDITORS Tony Trigilio and David Trinidad MANAGING EDITOR Cora Jacobs SENIOR EDITORIAL ASSISTANT Jessica Dyer EDITORIAL ASSISTANTS S’Marie Clay, Abby Hagler, Jordan Hill, and Eugene Sampson Court Green is published annually in association with Columbia College Chicago, Department of English. Our thanks to Ken Daley, Chair, Department of English; Deborah H. Holdstein, Dean, School of Liberal Arts and Sciences; Louise Love, Interim Provost; and Dr. Warrick Carter, President of Columbia College Chicago. Our submission period is March 1-June 30 of each year. Please send no more than five pages of poetry. We will respond by August 31. Each issue features a dossier on a particular theme; a call for work for the dossier for Court Green 11 is at the back of this issue. Submissions should be sent to the editors at Court Green, Columbia College Chicago, Department of English, 600 South Michigan Avenue, Chicago, IL 60605. -
Marketing Urban Art: a Case Analysis of the Exchange Project
Marketing Urban Art: A Case Analysis of the Exchange Project Submitted in partial fulfillment of the Master of Science degree in Arts Administration Philip Asbury Candidate for Master’s in Arts Administration Drexel University June 2009 i Table of Contents Section Page Abstract i Problem Statement 1 Literature and Background 3 Definitions 7 Procedure 10 Limitations 10 Body-Marketing Urban Art: The Exchange Project 12 Figure1: List of Participating Artists 18 Case Study: The Exchange Project and Tour 19 Summary 29 Conclusion 33 Bibliography 36 ii Abstract The Exchange is an interactive project that promotes a sharing of stylistic influences amongst a select group of urban artists. The project is web-based but it also mounted a four city tour in 2007. As scholarly research is very limited in the genre, this study was an attempt to gather the few existing sources, general information, and first hand knowledge of the author, a participant in the Exchange. The result is a look at the best practices in marketing urban art. The financial details of the Exchange were unable to be included. The author recommends that urban artists partner with organizations that share a similar mission and to focus on viral marketing. i Problem Statement Urban art is a new genre of art that is still in its developing stages. Though the market for urban art is growing rapidly, how to market urban art work has largely gone unstudied and undocumented. This study will document the Exchange, a collaborative visual art project involving 13 international “urban artists”. In this process, special attention will be focused on the marketing tools and strategies employed by the Exchange as well as their effectiveness.