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Volume 1 : Subject Catalogue
Volume 1 : Subject Catalogue 1 JAMAICAN NATIONAL BIBLIOGRAPHY 1962 - 2012 NATIONAL LIBRARY OF JAMAICA KINGSTON, JAMAICA 2013 i Published by: National Library of Jamaica P.O. Box 823 12 – 14 East Street Kingston Jamaica National Library of Jamaica Cataloguing in Publication Data Jamaican national bibliography 1962 -2012 p. ; cm. 1. Bibliography, National – Jamaica ISBN 978-976-8020-08-6 015.7292 – dc22 Copyright 2013by National Library of Jamaica ii T A B L E OF C O N T E N T S Preface………………………………………………………………………… iv Abbreviations and Terms……………………………………………………… v Sample Entries…………………………………………………………………. vi Outline of Dewey decimal classification……………………………….............. vii Classified Subject Listing………………………………………………………. 1 - 1014 iii PREFACE The mandate of the National Library of Jamaica is to collect, catalogue and preserve the nation’s publications and to make these items available for study and research. A related mandate is to compile and publish the national bibliography which is the list of material published in the country, authored by its citizens and about the country, regardless of place of publication. The occasion of Jamaica’s 50th anniversary was seen as an opportunity to fill in the gaps in the national bibliography which had been prepared sporadically: 1964 – 1969; 1975 – 1986; 1998- 2003; and so the Jamaican National Bibliography 1962-2012 (JNB 50) Volume 1 was created. Arrangement This volume of the bibliography is arranged according to the Dewey Decimal Classification (DDC) and catalogued using the Anglo-American Cataloguing Rules. The information about an item includes the name the author uses in his/her works, the full title, edition, publisher, date of publication, number of pages, types of illustrations, series, size, notes, ISBN, price and binding. -
RADICAL ARCHIVES Presented by the Asian/Pacific/American Institute at NYU Curated by Mariam Ghani and Chitra Ganesh
a/p/a RADICAL ARCHIVES presented by the Asian/Pacific/American Institute at NYU curated by Mariam Ghani and Chitra Ganesh Friday, April 11 – Saturday, April 12, 2014 radicalarchives.net Co-sponsored by Asia Art Archive, Hemispheric Institute, NYU History Department, NYU Moving Image Archive Program, and NYU Archives and Public History Program. Access the Internet with NYU WiFi SSID nyuguest login guest2 password erspasta RADICAL ARCHIVES is a two-day conference organized around the notion of archiving as a radical practice, including: archives of radical politics and practices; archives that are radical in form or function; moments or contexts in which archiving in itself becomes a radical act; and considerations of how archives can be active in the present, as well as documents of the past and scripts for the future. The conference is organized around four threads of radical archival practice: Archive and Affect, or the embodied archive; Archiving Around Absence, or reading for the shadows; Archives and Ethics, or stealing from and for archives; and Archive as Constellation, or archive as method, medium, and interface. Advisory Committee Diana Taylor John Kuo Wei Tchen Peter Wosh Performances curated Helaine Gawlica (Hemispheric Institute) with assistance from Marlène Ramírez-Cancio (Hemispheric Institute) RADICAL ARCHIVES SITE MAP Friday, April 11 – Saturday, April 12 KEY 1 NYU Cantor Film Center 36 E. 8th St Restaurants Coffee & Tea 2 Asian/Pacific/American Institute at NYU 8 Washington Mews Cafetasia Cafe Nadery Oren’s 3 NYU Bobst -
New York University Bulletin
New York University Bulletin Steinhardt School of Culture, Education and Human Development New York University Washington Square New York, New York 10003 NOTICES About this Bulletin The policies, requirements, course offerings, schedules, activities, tuition, fees, and calendar of the school and its departments and programs set forth in this bulletin are subject to change without notice at any time at the sole discretion of the administration. Such changes may be of any nature, including, but not limited to, the elimination of the school or college, programs, classes, or activities; the relocation of or modification of the content of any of the foregoing; and the cancellation of scheduled classes or other academic activities. Payment of tuition or attendance at any classes shall constitute a student’s acceptance of the administration ‘s rights as set forth herein. Fieldwork Placement Advisory Be advised that fieldwork placement facilities that provide training required for your program degree, and agencies that issue licenses for practice in your field of study, each may require you to undergo general and criminal background checks, the results of which the facility or agency must find accept able before it will allow you to train at its facility or issue you a license. You should inform yourself of offenses or other facts that may prevent you from obtaining a license to practice in your field of study. NYU Steinhardt will not be responsible if you are unable to complete program requirements or cannot obtain a license to practice in your field because of the results of such background checks. Some fieldwork placement facilities in your field of study may not be available to you in some states due to local legal prohibitions. -
Pearl Boy Vibrator
Pearl Boy Vibrator This is our biggest selling model in the vibrators. It is a multi-speed vibrator with rabbit clitoris stimulator and rotating pearls for internal stimulation. Ensuring your ultimate PLEASURE! The most popular and famous “orgasm machine” on the market for its price range is the Pearl Boy. Manufactured in Japan, this vibrator has durability and quality written all over it. Its functionality is very diverse and has a few functions available, making it a real favourite. The device is quiet, powerful and smooth, filling the top qualities looked for by women. The Pearl Boy has 2 slide controllers allowing you to increase or decrease intensity for your own personal pleasure. One is for the pearl rotation of the vibrators shaft giving you a stimulating internal sensation! The movement of the pearls rotating inside is very pleasurable, and for some, very stimulating for the G-Spot. The other slide control is for the clit tickler. The tickler on the Pearl Boy is purrrrfection! They have mastered the right balance of firmness in the V-shaped tickler which also, unlike many others, vibrates slightly from side to side giving you double the stimulation while speed adjustable. Due to the side to side motion of the tickler, this makes the Pearl Boy also an excellent vibrator to be used with a partner, giving them more ability to please you with this toy! Operates on 3 AA Batteries. Not Included Companion Products LUBE AA Batteries Helmet Hammer ©Intimate Whispers 2014-17 Gigi – The Rechargeable Silicone Toy When your GiGi arrives you will find it to be luxuriously packaged! The outside packaging will match the colour of the product inside. -
Nancy Morrow Resume
A.I.R. NANCY MORROW RESUME EDUCATION University of Washington, M.F.A., 1991 Summer Resident, Skowhegan School of Painting and Sculpture, 1990 University of Washington, BFA, mcl, 1983 SOLO EXHIBITIONS 2013 Plunge, Grand View University, Des Moines, IA 2012 “Shift,” A.I.R. Gallery, Brooklyn, NY, Oct. 4-28 2010 "Parable,” Eastern Washington University Gallery of Art, Cheney, WA 2009 "Drawn Conclusions,” Kansas Wesleyan University Gallery, Salina, KS 2008 “Self-fulfilling Prophecies,” University of Nebraska-Omaha Art Gallery, Omaha, NE 2007 “New Paintings,” Bethany College Gallery, Lindsborg, KS “Signs of Desire,” A.I.R. Gallery, NYC “Recent Work,” Harper College, Palatine, IL 2006 “Modern Myths,” Dickinson State University Gallery, Dickinson, ND 2005 “Heartland,” Mallin Gallery, KCAC, Kansas City, MO 1997 “Guaranteed Mileage,” Linda Cannon Gallery, Seattle, WA 1995 “Contemplations,” King County Arts Commission Gallery, Seattle, WA 1994 “Deep Breathing,” A.R.C. Gallery, Chicago, IL GROUP EXHIBITIONS 2013 “Studio Visit Magazine”, v. 23-24/ Barbara O’Brien, juror. Open Studio Press, Boston, MA “Visual Inquiry: Kansas State University Art Faculty Biennial”, Beach Museum of Art, Manhattan, KS (catalog), also 2011, 2009 2012 “What Now?” KCAC, Kansas City, MO/ Janet Simpson, curator (catalog) “Celebrating Kindred Spirits and Strange Bedfellows”, A.I.R. Gallery/ Catherine J. Morris, curator (catalog) "Alice: Into the Looking Glass," The Noyes Museum of Art, Stockton College, Oceanville, NJ, Feb 3 - May 20 2011 “Studio Visit Magazine”, v.15-16/ Ian Berry, juror. Open Studios Press, Boston, MA “Generations 8,” A.I.R. Gallery, Brooklyn, NY, Dec 1-18 “River Market Regional Exhibition,” KCAC, Mallin/Charno Galleries, Kansas City, MO/curated by Dr. -
Quidditch, Zombies and the Cheese Club: a Case Study in Archiving Web Presence of Student Groups at New York University Aleksandr Gelfand Unaffiliated, [email protected]
Journal of Contemporary Archival Studies Volume 2 Article 5 2015 Quidditch, Zombies and the Cheese Club: A Case Study in Archiving Web Presence of Student Groups at New York University Aleksandr Gelfand Unaffiliated, [email protected] Follow this and additional works at: http://elischolar.library.yale.edu/jcas Part of the Archival Science Commons Recommended Citation Gelfand, Aleksandr (2015) "Quidditch, Zombies and the Cheese Club: A Case Study in Archiving Web Presence of Student Groups at New York University," Journal of Contemporary Archival Studies: Vol. 2, Article 5. Available at: http://elischolar.library.yale.edu/jcas/vol2/iss1/5 This Case Study is brought to you for free and open access by EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in Journal of Contemporary Archival Studies by an authorized administrator of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact [email protected]. Quidditch, Zombies and the Cheese Club: A Case Study in Archiving Web Presence of Student Groups at New York University Cover Page Footnote Dedicated to Nancy Cricco (1953-2015) - Colleague, Mentor, and Friend. This case study is available in Journal of Contemporary Archival Studies: http://elischolar.library.yale.edu/jcas/vol2/iss1/5 Gelfand: A Case Study in Archiving Web Presence of Student Groups at New York University Quidditch, Zombies, and the Cheese Club: A Case Study in Archiving Web Presence of Student Groups at New York University Colleges and universities have widely acknowledged participation in student groups, organizations whose activities foster socialization, as an essential element of the learning process. -
Major Exhibition Poses Tough Questions and Reasserts Fluxus Attitude
Contact: Alyson Cluck 212/998-6782 or [email protected] Major Exhibition Poses Tough Questions And Reasserts Fluxus Attitude Fluxus and the Essential Questions of Life and Fluxus at NYU: Before and Beyond open at NYU’s Grey Art Gallery on September 9, 2011 New York City (July 21, 2011)—On view from September 9 through December 3, 2011, at New York University’s Grey Art Gallery, Fluxus and the Essential Questions of Life features over 100 works dating primarily from the 1960s and ’70s by artists such as George Brecht, Robert Filliou, Ken Friedman, George Maciunas, Yoko Ono, Nam June Paik, Mieko Shiomi, Ben Vautier, and La Monte Young. Curated by art historian Jacquelynn Baas and organized by Dartmouth College’s Hood Museum of Art, the exhibition draws heavily on the Hood’s George Maciunas Memorial Collection, and includes art objects, documents, videos, event scores, and Fluxkits. Fluxus and the Essential Questions of Life is accompanied by a second installation, Fluxus at NYU: Before and Beyond, in the Grey’s Lower Level Gallery. Fluxus—which began in the 1960s as an international network of artists, composers, and designers―resists categorization as an art movement, collective, or group. It also defies traditional geographical, chronological, and medium-based approaches. Instead, Fluxus participants employ a “do-it-yourself” attitude, relating their activities to everyday life and to viewers’ experiences, often blurring the boundaries between art and life. Offering a fresh look at Fluxus, the show and its installation are George Maciunas, Burglary Fluxkit, 1971. Hood designed to spark multiple interpretations, exploring Museum of Art, Dartmouth College, George Maciunas Memorial Collection: Gift of the Friedman Family; the works’ relationships to key themes of human GM.986.80.164. -
B R E a S T W O
BREASTWORK ALISON BARTLETT ‘BREASTWORK is a beautifully written and accessible guide to the many unexplored cultural meanings of breastfeeding in contemporary society. Of all our bodily functions, lactation is perhaps the most mysterious and least understood. Promoted primarily in terms of its nutritional benefi ts to babies, its place – or lack of it – in Western culture remains virtually unexplored. Bartlett’s travels through this neglected maternal terrain are both intriguing and inspiring, as she shows how breastfeeding can be a transformative act, rather than a moral duty. Looking at breastfeeding in relation to medicine, the media, sexuality, maternity and race, Bartlett’s study BREASTWORK provides a uniquely comprehensive overview of the ways in which we represent breastfeeding to ourselves and the many arbitrary limits we place around it. BREASTWORK makes a fresh, thoughtful and important contribution BARTLETT to the new area of breastfeeding and cultural studies. It is essential reading for ‘Bartlett’s travels through this neglected all students of the body, whether in the health professions, the social sciences, maternal terrain are both intriguing or gender and cultural studies – and for and inspiring . ’ F IONA GILES all mothers who have pondered the secrets of their own breastly intelligence.’ FIONA GILES author of Fresh Milk: The Secret Life of Breasts UNSW PRESS ISBN 0-86840-969-3 � UNSW RETHINKIN G BREASTFEEDING 9 780868 409696 � PRESS BreastfeedingCover2print.indd 1 29/7/05 11:44:52 AM BreastWork04 28/7/05 11:30 AM Page i BREASTWORK ALISON BARTLETT is the Director of the Centre for Women’s Studies at the University of Western Australia. -
Judson Dance Theater: the Work Is Never Done
Judson Dance Theater: The Work is Never Done Judson Dance Theater: The Work Is Never Done The Museum of Modern Art, New York September 16, 2018-February 03, 2019 MoMA, 11w53, On View, 2nd Floor, Atrium MoMA, 11w53, On View, 2nd Floor, Contemporary Galleries Gallery 0: Atrium Complete Charles Atlas video installation checklist can be found in the brochure Posters CAROL SUMMERS Poster for Elaine Summers’ Fantastic Gardens 1964 Exhibition copy 24 × 36" (61 × 91.4 cm) Jerome Robbins Dance Division, New York Public Library, GIft of Elaine Summers Gallery 0: Atrium Posters Poster for an Evening of Dance 1963 Exhibition copy Yvonne Rainer Papers, The Getty Research Institute, Los Angeles Gallery 0: Atrium Posters Poster for Concert of Dance #13, Judson Memorial Church, New York (November 19– 20, 1963) 1963 11 × 8 1/2" (28 × 21.6 cm) Judson Memorial Church Archive, Fales Library & Special Collections, New York University Libraries Gallery 0: Atrium Posters Judson Dance Theater: The Work Is Never Done Gallery 0: Atrium Posters Poster for Concert of Dance #5, America on Wheels, Washington, DC (May 9, 1963) 1963 8 1/2 × 11" (21.6 × 28 cm) Judson Memorial Church Archive, Fales Library & Special Collections, New York University Libraries Gallery 0: Atrium Posters Poster for Steve Paxton’s Afternoon (a forest concert), 101 Appletree Row, Berkeley Heights, New Jersey (October 6, 1963) 1963 8 1/2 × 11" (21.6 × 28 cm) Judson Memorial Church Archive, Fales Library & Special Collections, New York University Libraries Gallery 0: Atrium Posters Flyer for -
New Books on Women & Feminism
NEW BOOKS ON WOMEN & FEMINISM No. 50, Spring 2007 CONTENTS Scope Statement .................. 1 Politics/ Political Theory . 31 Anthropology...................... 1 Psychology ...................... 32 Art/ Architecture/ Photography . 2 Reference/ Bibliography . 33 Biography ........................ 3 Religion/ Spirituality . 34 Economics/ Business/ Work . 6 Science/ Mathematics/ Technology . 37 Education ........................ 8 Sexuality ........................ 37 Film/ Theater...................... 9 Sociology/ Social Issues . 38 Health/ Medicine/ Biology . 10 Sports & Recreation . 44 History.......................... 12 Women’s Movement/ General Women's Studies . 44 Humor.......................... 18 Periodicals ...................... 46 Language/ Linguistics . 18 Index: Authors, Editors, & Translators . 47 Law ............................ 19 Index: Subjects ................... 58 Lesbian Studies .................. 20 Citation Abbreviations . 75 Literature: Drama ................. 20 Literature: Fiction . 21 New Books on Women & Feminism is published by Phyllis Hol- man Weisbard, Women's Studies Librarian for the University of Literature: History & Criticism . 22 Wisconsin System, 430 Memorial Library, 728 State Street, Madi- son, WI 53706. Phone: (608) 263-5754. Email: wiswsl @library.wisc.edu. Editor: Linda Fain. Compilers: Amy Dachen- Literature: Mixed Genres . 25 bach, Nicole Grapentine-Benton, Christine Kuenzle, JoAnne Leh- man, Heather Shimon, Phyllis Holman Weisbard. Graphics: Dan- iel Joe. ISSN 0742-7123. Annual subscriptions are $8.25 for indi- Literature: Poetry . 26 viduals and $15.00 for organizations affiliated with the UW Sys- tem; $16.00 for non-UW individuals and non-profit women's pro- grams in Wisconsin ($30.00 outside the state); and $22.50 for Media .......................... 28 libraries and other organizations in Wisconsin ($55.00 outside the state). Outside the U.S., add $13.00 for surface mail to Canada, Music/ Dance .................... 29 $15.00 elsewhere; or $25.00 for air mail to Canada, $55.00 else- where. -
New York University Bulletin 2018–2020 New York University Bulletin 2018–2020
New York University Bulletin 2018–2020 New York University Bulletin 2018–2020 College of Arts and Science Announcement for the 186th and 187th Sessions New York University Washington Square New York, New York 10003 Notice: The online version of the CAS Bulletin (at bulletin.cas.nyu.edu) contains revisions and updates in courses, programs, requirements, and staffing that occurred after the publication of the PDF and print version. The online Bulletin is subject to change and will be revised and updated as necessary. Students who require a printed copy of any portion of the updated online Bulletin but do not have Internet access should see a College of Arts and Science adviser or administrator for assistance. The policies, requirements, course offerings, schedules, activities, tuition, fees, and calendar of the school and its departments and programs set forth in this bulletin are subject to change without notice at any time at the sole discretion of the administration. Such changes may be of any nature, including, but not limited to, the elimination of the school or college, programs, classes, or activities; the relocation of or modification of the content of any of the foregoing; and the cancellation of scheduled classes or other academic activities. Payment of tuition or attendance at any classes shall constitute a student’s acceptance of the administration’s rights as set forth in the above paragraph. Contents An Introduction to New York University . 5 English, Department of..............178 Philosophy, Department of . 362 The Schools, Colleges, Institutes, and Environmental Studies, Physics, Department of . .370 Programs of the University ..............6 Department of . -
VAGINA Vagina, Pussy, Bearded Clam, Vertical Smile, Beaver, Cunt, Trim, Hair Pie, Bearded Ax Wound, Tuna Taco, Fur Burger, Cooch
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