Shapes & Symbols

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❧ Book of Traceable Heraldic Art ❧ Jul 10, 2020 ❧ Artists’ copyrights & terms of use on credits page ❧ Ermine Spot (7) 5.104 Knot, Heneage (1) 5.138 Mascle (1) 5.171 Ermine Spot (8) 5.105 Knot, Heneage (2) 5.139 Mascle (2) 5.172 Ermine Spot (9) 5.106 Knot, Hungerford 5.140 Mascle (3) 5.173 Ermine Spot (10) 5.107 Knot, Lacy (1) 5.141 Mascle Ployé (1) 5.174 Ermine Spot (11) 5.108 Knot, Lacy (2) 5.142 Mascle Ployé (2) 5.175 Ermine Spot (12) 5.109 Knot, Quatrefoil 5.143 Masculyn 5.176 Ermine Spot (13) 5.110 Knot, Stafford (1) 5.144 Mitsutomoe (1) 5.177 Ermine Spot (14) 5.111 Knot, Stafford (2) 5.145 Mitsutomoe (2) 5.178 Ermine Spot (15) 5.112 Knot, Stafford (3) 5.146 Mitsutomoe (3) 5.179 Ermine Spot (16) 5.113 Knot, Suffolk 5.147 Mullet of 4 Points 5.180 Ermine Spots, Cross Of Four (1) 5.114 Knot, Trefoil (1) 5.148 Mullet (of 5 Points, 1) 5.181 Ermine Spots, Cross Of Four (2) 5.115 Knot, Trefoil (2) 5.149 Mullet (of 5 Points, 2) 5.182 Escutcheon 5.116 Knot of Two Hearts Voided and Braced Mullet Pierced 5.183 Escarbuncle 5.117 5.150 Mullet Voided 5.184 Escarbuncle of 6 Points 5.118 Knot, Wake, or Ormonde Knot (1) 5.151 Mullet Voided and Interlaced 5.185 Fer-a-loup (1) 5.119 Knot, Wake, or Ormonde Knot (2) 5.152 Mullet of 6 Points (1) 5.186 Fer-a-loup (2) 5.120 Label (1) 5.153 Mullet of 6 Points (2) 5.187 Fleam (1) 5.121 Label (2) 5.154 Mullet of 6 Points (3) 5.188 Fleam (2) 5.122 Label (3) 5.155 Mullet of 6 Points Voided 5.189 Fret (Throughout) 5.123 Label of Five Points 5.156 Mullet of 7 Points 5.190 Fret Couped 5.124 Label Dovetailed (1) 5.157 Mullet of 7 Points Voided and Interl... 5.191 Fret Engrailed (1) 5.125 Label Dovetailed (2) 5.158 Mullet of 8 Points (1) 5.192 Fret Engrailed (2) 5.126 Label of 1 Point Throughout 5.159 Mullet of 8 Points (2) 5.193 Heart (1) 5.127 Label of 3 Points Throughout 5.160 Mullet of 8 Points (3) 5.194 Heart (2) 5.128 Label of 5 Points Throughout (1) 5.161 Mullet of 8 Points Voided and Interl... 5.195 Heart (3) 5.129 Label of 5 Points Throughout (2) 5.162 Mullet of 8 Mascles Interlaced 5.196 Heart (4) 5.130 Labyrinth (1) 5.163 Mullet of 9 Points 5.197 Heart Enﬂamed 5.131 Labyrinth (2) 5.164 Mullet of 10 Points 5.198 Hexagon 5.132 Lozenge (1) 5.165 Mullet of 5 Greater and 5 Lesser Poi...5.199 Knot, Bourchier 5.133 Lozenge (2) 5.166 Musical Note 5.200 Knot, Bowen (1) 5.134 Lozenge Ployé (1) 5.167 Nailpuller, Japanese 5.201 Knot, Bowen (2) 5.135 Lozenge Ployé (2) 5.168 Nailpullers, Four Japanese, Two ... 5.202 Knot, Bowen (3) 5.136 Lozenge Ployé (3) 5.169 Octagon 5.203 Knot, Cavendish, or Savoy Knot 5.137 Lozenge Pometty 5.170 Pall Bottony 5.204 Contents of Volume 5: Shapes & Symbols (2).

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ÆTHELMEARC Ásta Vagnsdóttir. Name and Device. Azure, Two Bars
ACCEPTANCES Page 1 of 19 January 2007 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Ásta Vagnsdóttir. Name and device. Azure, two bars Or, overall an owl displayed argent. The use of an owl displayed is a step from period practice. Creature Twyne Dragon. Device. Per pale argent and sable all semy of fishhooks bendwise counterchanged. Please see the Cover Letter for a discussion on fishhooks. Desiderata Drake. Name. Maol Duín Ó Duinn. Name. Submitted as Máel-dúin O’Duinn, the submitter requested a name authentic for 15th C Ireland. As submitted, the name is unregisterable since the byname mixes the English patronymic marker O’ with the Irish patronym Duinn in violation of RfS III.1.a. This can be fixed by changing the marker to the Irish Ó. This change was specifically allowed by the submitter. The given name Máel-dúin is documented to before the 13th C; it is a Middle Irish form of the name inappropriate for use in the 15th C. The Annals of the Four Masters has a Magnus mac Maoile Duin in an entry for 1486. Irish bynames that use mac in this period are typically true patronymics; Magnus’s father almost certainly bore the given name Maol Duin. The normalized Early Modern Irish form of this name is Maol Duín; precedent holds that accents in Gaelic names must either be used consistently or dropped consistently. We have changed the name to Maol_Duín Ó Duinn, a fully Early Modern Irish form appropriate for the 15th C, in order to register it and to fulfill the submitter’s request for authenticity.
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Shapes & Symbols
❧ Book of Traceable Heraldic Art ❧ Sep 13, 2021 ❧ Artists’ copyrights & terms of use on credits page ❧ Cross Swallowtailed 5.104 Heart (1) 5.138 Label Dovetailed (2) 5.172 Cross Of Four Lozenges 5.105 Heart (2) 5.139 Label of 1 Point Throughout 5.173 Cross of St. Brigid 5.106 Heart (3) 5.140 Label of 3 Points Throughout 5.174 Cross of St. Julian 5.107 Heart (4) 5.141 Label of 5 Points Throughout (1) 5.175 Cross, Tau (1) 5.108 Heart Enﬂamed to Chief 5.142 Label of 5 Points Throughout (2) 5.176 Cross, Tau (2) 5.109 Hexagon 5.143 Labyrinth (1) 5.177 Delf 5.110 Hexagon Voided 5.144 Labyrinth (2) 5.178 Ermine Spot (1) 5.111 Knot, Bourchier 5.145 Labyrinth (3) 5.179 Ermine Spot (2) 5.112 Knot, Bowen (1) 5.146 Labyrinth (4) 5.180 Ermine Spot (3) 5.113 Knot, Bowen (2) 5.147 Labyrinth (5) 5.181 Ermine Spot (4) 5.114 Knot, Bowen (3) 5.148 Labyrinth (6) 5.182 Ermine Spot (5) 5.115 Knot, Cavendish, or Savoy Knot 5.149 Lozenge (1) 5.183 Ermine Spot (6) 5.116 Knot, Heneage (1) 5.150 Lozenge (2) 5.184 Ermine Spot (7) 5.117 Knot, Heneage (2) 5.151 Lozenges, Three, Conjoined In Pall 5.185 Ermine Spot (8) 5.118 Knot, Hungerford 5.152 Lozenge Ployé (1) 5.186 Ermine Spot (9) 5.119 Knot, Lacy (1) 5.153 Lozenge Ployé (2) 5.187 Ermine Spot (10) 5.120 Knot, Lacy (2) 5.154 Lozenge Ployé (3) 5.188 Ermine Spot (11) 5.121 Knot, Quatrefoil 5.155 Lozenge Pometty (1) 5.189 Ermine Spot (12) 5.122 Knot, Solomon's 5.156 Lozenge Pometty (2) 5.190 Ermine Spot (13) 5.123 Knot, Stafford (1) 5.157 Lozenge Pometty (3) 5.191 Ermine Spot (14) 5.124 Knot, Stafford (2) 5.158 Mascle
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THE SALTON COLLECTION RENAISSANCE 6- BAROQUE MEDALS & PLAQUETTES BOWDOIN COLLEGE MUSEUM OF ART MCMLXV THE SALTON COLLECTION Digitized by the Internet Archive in 2015 https://archive.org/details/saltoncollectionOObowd THE SALTON COLLECTION RENAISSANCE & BAROQUE MEDALS & PLAQUETTES BOWDOIN COLLEGE MUSEUM OF ART BRUNSWICK, MAINE MCMLXV COPYRIGHT 1965 THE PRESIDENT & TRUSTEES OF BOWDOIN COLLEGE, BRUNSWICK, MAINE PREFACE Few artifacts of any age have come down to us charged with the meaning of so many facets of their time as the Renaissance medal. Though relatively diminutive in size, they embody to an exceptional degree that fusion of art and thought which is one of the chief glories of the Renais- sance. Indeed, in their beauty and their learning, these medals are a reflection in microcosm of the civilization which produced them. They represent a world which celebrated not only princes and prelates but poets and scholars as well, and they have been preserved down through the years by those who have cherished them as enduring expressions of the Humanistic tradition. ^ The present collection, one of the finest of its kind in private hands, belongs to Mr. and Mrs. Mark Salton of New York. The Salton Collection is particularly distinguished for the extremely high level of quality of the specimens in it; many of them, indeed, have come from the illustrious collections of the past. No fewer than seventeen examples are unique. While the origins of the Salton Collection date from before World War II, most of the pieces it now contains were col- lected since that time. Mrs. Salton has taken as great an interest as her husband in the formation of the collection, and her enthusiasm for, and knowledge of, medals is evident in her Introduc- tion to the Catalogue.
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Depliant Guide
History Visit The early Renaissance Information History Visit The early Renaissance Information History Visit The early Renaissance Information L L L English The early Renaissance in the Périgord Glossary Puyguilhem Persisting Gothic influences Bonnivet : castle belonging to Guillaume Gouffier, a favourite of François I. Built in the Château A first phase of building ran from 1510 to 1517, . Poitou between 1516 and 1525 but no longer 5 1 0 2 during which the round tower topped with r stands today. e An early Renaissance creation i v n a j machicolations was built. The windows are , * Hercules : the Roman name of the Greek hero a p i t S aligned at irregular intervals along the façade Heracles, embodying strength. He was n o i Construction s s of the buildings. e compelled to complete twelve labours to atone r p m i The spiral staircase is in an out-built polygonal . for the murder of his wife and children; the first e * l Mondot de La Marthonie, President of the z z u tower. These volumes still hark back to the P of these was to strangle the Nemean lion. n I Guyenne parliament in Bordeaux, bought the n * o i medieval tradition, and have low-relief rinceau Out-built : built up against another building. t c title of Puyguilhem at some stage before 1510. u d a decorations and letter friezes, the meaning of Machicolation : a stone gallery overhanging a wall r t He was a nobleman from the Perigord and legal . r e i which is obscure. There are also other patterns t enabling missiles to be dropped vertically.
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Not Just Knots 540 Summer2020.Pdf
FOR SUMMER 2020 For an accessible format of this publication, visit cfaes.osu.edu/accessibility. Name: __________________________________________________________________ Age (as of January 1 of the current year): ______ County: __________________________ Club Name: __________________________ Advisor: __________________________ SUMMER 2020 AUTHORS Glenn Dickey, Member, International Guild of Knot Tyers, North American Branch; and Volunteer, 4-H Youth Development, Ohio State University Extension John Dickey, Member, International Guild of Knot Tyers, North American Branch; and Volunteer, 4-H Youth Development, Ohio State University Extension Kathy Mann, former Program Coordinator, Department of Food, Agricultural and Biological Engineering, The Ohio State University REVIEWERS Monroe Harbage, Vocational Agriculture Teacher and Extension Educator (Retired), Agriculture and Natural Resources, Ohio State University Extension Randall Reeder, Faculty Emeritus; Department of Food, Agricultural and Biological Engineering; College of Food, Agricultural and Environmental Sciences, The Ohio State University Kameron Rinehart, Member, Youth Curriculum Committee, 4-H Youth Development, Ohio State University Extension PRODUCTION TEAM Brian Deep Art & Design LLC, designer Heather Gates, Technical Editor, Marketing and Communications, The Ohio State University, College of Food, Agricultural and Environmental Sciences Kelly Tomkies, Freelance Editor Jane Wright, Curriculum Manager, 4-H Youth Development, Ohio State University Extension Susie Young, Assistant Editor, 4-H Youth Development, Ohio State University Extension For more knot knowledge from author Glenn Dickey, including links to helpful websites, please visit morethanknots.com. Photo credits: Glenn Dickey: pages 10, 11, 17 (top), 19 (top and bottom), 21 (left), 35, 37 (completed fisherman’s knot), 41 (A, B, C, and D), 51 (knotboard), 52 This project book (knotboard). demonstrates adherence Tim Bowman: pages 13, 16, 18, 20, 22, 24, 28, 30, 32, 34, 36, 40, 42, 44, 46.
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Iniezione in This Issue: * Driver’S School …
The newsletter of the Northwest Alfa Romeo Club December 2011 Iniezione In This Issue: * Driver’s School …..... pg 1 * Elections ……….…..... pg 2 Driver’s School * Presidents Column .. pg 3 * News …………………..….. pg 4 * Alfa Romeo Furia ... pg 5 On Saturday, Nov. 12 the NWARC hosted its final * Holiday Gala ……...... pg 6 novice driver's school of the year, barely! Pre- * New Year’s Drive .... pg 6 Kim Christiansen on the handling oval with Ray Sinclair registration was very light for this event and we * Books and Fun …..... pg 7 discussed calling it off, but the numbers picked * Logo History ……...… pg 8 up just before the event. It was enough for us to * Alfa MX-5 ……….....… pg 9 decide to move forward. Thank goodness for * Membership ………. pg 11 that, because we ended the year on a very high * Classified Ads …pg 14,15 note. We put 11 or 12 students through the * Calendar ………...…. pg 16 paces. Our A-team of workers and instructors was there, giving it their best. 'A' stands for Alfa Next club events... team, we don't have a B team! We always give * Holiday Gala …….….... Dec 3 our best. * New Year Drive ….….. Jan 2 * Club Meeting ……...… Jan 10 It's a lot of work to set up a driver's school. Thanks to Kathleen and the Corsa committee of course, for organiz- ing everything. A special thanks to Bob Bundy for arriving so early and setting up the autocross. The rest of the workers and instructors, thanks for showing up and giving your best, even on a cold, rainy, and windy day.
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May 2020 Volume 7 Issue 5
May 2020 Volume 7 Issue 5 Editorial Comments: Spring is here and so is the Virus. Stay safe and we will all get through this. Alfa Romeo Selection of the Month: May 2020 Car Name: A Newly designed GTV body for an all new Electric version News and Updates: New AROC Board of Directors One of our Florida Alfa Club Members is now on the AROC Board of Directors – Chip Denyko. Let’s all congratulate Chip for his new position. A brief Bio of Chip is listed in this month’s Alfa Owner Magazine A Brief History of the Alfa Romeo Logo With Alfa Romeo's 110th birthday coming on June 24th, the company is rolling out images and archive material that looks back on a storied history. There's a lot of it, so much so that we decided to break it up into several articles that take a closer look at the individual eras and themes. First up in our own celebration of Alfa Romeo history is the evolution of the badge. As the headline suggests, yes, that's a serpent eating a man. Alfa Logo (1910-1915) The official origin story goes back to company's first days in 1910, when Alfa was spelled in capital letters as an acronym for Anonima Lombarda Fabbrica Automobili (Lombard Automobile Factory, Public Company). According to Alfa Romeo's press materials: Romano Cattaneo, one of A.L.F.A.’s designers, was in Piazza Castello waiting for tram number 14. While looking at the iconic Filarete Tower, Cattaneo’s eye was caught by the “Biscione Visconteo,” the coat of arms of the Visconti family, which had dominated medieval Milan.
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View the Terms of the Source Material Or Contact the Creators of the Pierre, and Cormac Mór
Book Of Traceable Heraldic Art ❧ Book of Traceable Heraldic Art ❧ Sep 13, 2021 ❧ Artists’ copyrights & terms of use on credits page ❧ Welcome Scaled For Submission Forms Welcome to the Book of Traceable Heraldic Art, a compilation of The fields and ordinaries are scaled to match the SCA’s standard armorial illustrations intended to facilitate the design of devices and armory submission forms. badges within the Society for Creative Anachronism. The complex lines have been scaled to multiple sizes that should This collection was initally meant to facilitate submissions at Pennsic allow their use with most field divisions or ordinaries. Some Heralds’ Point, but it has since proven useful in other contexts. combinations of divisions and ordinaries using those lines are included, but in other cases you may need to construct them yourself. Work In Progress The mobile charges have been scaled to multiple sizes that should be This is a snapshot of an ongoing project, incomplete and subject to traceable in most possible positions on the field. The largest size revision. It may — nay, most certainly does — contain errors. should fit comfortably on the SCA’s standard armory submission It is not complete, but the common field divisions and ordinaries are forms as a sole primary device, while the smaller sizes can be used in included, along with a fair number of complex line variations, and a combination with other charges. growing collection of mobile charges. There are also a number of other supporting documents and worksheets that may be useful to Printing & Tracing heralds which are available as part of the broader collection.
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