View the Terms of the Source Material Or Contact the Creators of the Pierre, and Cormac Mór

Total Page:16

File Type:pdf, Size:1020Kb

View the Terms of the Source Material Or Contact the Creators of the Pierre, and Cormac Mór Book Of Traceable Heraldic Art ❧ Book of Traceable Heraldic Art ❧ Sep 13, 2021 ❧ Artists’ copyrights & terms of use on credits page ❧ Welcome Scaled For Submission Forms Welcome to the Book of Traceable Heraldic Art, a compilation of The fields and ordinaries are scaled to match the SCA’s standard armorial illustrations intended to facilitate the design of devices and armory submission forms. badges within the Society for Creative Anachronism. The complex lines have been scaled to multiple sizes that should This collection was initally meant to facilitate submissions at Pennsic allow their use with most field divisions or ordinaries. Some Heralds’ Point, but it has since proven useful in other contexts. combinations of divisions and ordinaries using those lines are included, but in other cases you may need to construct them yourself. Work In Progress The mobile charges have been scaled to multiple sizes that should be This is a snapshot of an ongoing project, incomplete and subject to traceable in most possible positions on the field. The largest size revision. It may — nay, most certainly does — contain errors. should fit comfortably on the SCA’s standard armory submission It is not complete, but the common field divisions and ordinaries are forms as a sole primary device, while the smaller sizes can be used in included, along with a fair number of complex line variations, and a combination with other charges. growing collection of mobile charges. There are also a number of other supporting documents and worksheets that may be useful to Printing & Tracing heralds which are available as part of the broader collection. If you print single-sided copies of these pages you should be able to lay a submission form over them to trace the desired elements. Important: Note that the inclusion of a charge or illustration in this collection does not guarantee that it is registrable. Always check with A light table or light box will make the job of tracing easier; a simple knowledgable heralds before submitting your armorial design. one can be purchased online for $15-25, or you may be able to improvise one with a desk lamp under a glass table, or by placing a If you spot problems or have suggestions for improvements, I would string of holiday lights inside a clear plastic storage tote, or by taping love to hear about them! the pages to a sunny window. Multiple Sources & Alternative Depictions Web Downloads This collection has been assembled from multiple sources, with The latest version of this document is online at http://heraldicart.org/. illustrations by different artists, as shown on the credits pages. In addition to printable PDFs, the web site also includes files for each There are multiple variations included for some elements, reflecting a charge in PNG and SVG formats, as well as the original source files range of proportions or styles or artistic options, indicated by page in OmniGraffle format, any of which may be used to assemble digital titles containing (1), (2), etc. In some cases the choice of variation images of armory for submission or display. may be constrained by other elements of the design; in others any option will work, and the choice of which to use is up to the These images use a gray background to indicate charge areas. submitter, herald, or scribe. Convert these to black-and-white or fill with the appropriate color. Preface ❧ Book of Traceable Heraldic Art ❧ Sep 13, 2021 ❧ Artists’ copyrights & terms of use on credits page ❧ Editor’s Acknowledgements Artists’ Copyrights & Terms Of Use Assembling and refining this collection has been an ever-growing This collection includes elements created by many different people, project over the last three years. some specifically for this edition and some as part of other projects. Thank you to each of the artists who contributed illustrations to this Each page containing third-party material identifies the source and effort, and to those who posted their creations online under licenses original illustrator, if known, and more information about these that allowed them to be collected here. Their names are catalogued in sources is provided on this and the following pages. the Sources section, and this collection would not exist without them. Some items are drawn from historical works which were never I am very grateful to the Pennsic Traceable Art project, led by Ailis copyrighted, or whose term of copyright has since expired. Those Linne, which provided the inspiration for this collection, and was items are in the public domain and may be adapted and used freely. initially the primary source of material. A special thanks to Þórý For all other material, the original creators each retain their copyright Veðardóttir for recruiting me to work on updating that resource, and in the individual elements contained herein, but have agreed to share for providing feedback during the first year. them under terms that allow their free use within the Society for Many thanks to the heralds of the SCA for the years of research and Creative Anachronism (SCA). the reference material which informed this work. Notable among This means that you may trace, copy, modify, combine, and otherwise these is Bruce Draconarius of Mistholme, creator of the Pictorial use any of these elements to submit armory registrations, for heraldic Dictionary of Heraldry, aka the “PicDic,” a truly invaluable resource. display, or for any other non-commercial purposes related to the Particular thanks for the helpful feedback received from Beatrice SCA, for free, without requesting individual permission to do so. Domenici della Campana, Kryss Kostarev, Muirenn ingen Dúnadaig, No attribution is required for heraldic or artistic use of these elements Tanczos Istvan, Thóra Róarsdóttir, Yehuda ben Moshe, and the within the SCA, so you may use these illustrations without a need to members of the SCA Heraldry Unofficial Chat group on Facebook. credit the original artists (although that is always welcome). My sincere appreciation to folks who have contacted me with corrections, including Basil Dragonstrike, Konrad Mailander, For commercial or non-SCA use of these images, you must carefully Michael Gerard Curtememoire, Amy Hanson, Alexandre Saint review the terms of the source material or contact the creators of the Pierre, and Cormac Mór. elements you wish to use for permission, as some sources require attribution for use outside of the SCA, require relicensing of — Mathghamhain Ua Ruadháin derivative works, or limit their work’s use in commercial contexts. Editor, Book of Traceable Heraldic Art mka Matthew Simon Ryan Cavalletto You may distribute this book as a whole, or portions of it, or New York City, Spring 2020 incorporate its contents into other material, provided that you acknowledge the source(s) and allow everyone to share the resulting material under the same terms. Contact the author for details. Acknowledgements & Terms Of Use ❧ Book of Traceable Heraldic Art ❧ Sep 13, 2021 ❧ Artists’ copyrights & terms of use on credits page ❧ Add Your Art to This Book Licensing & Copyright If you are an armory illustrator, or a "herald painter" as folks would Any images you contribute remain yours, but by submitting them you have said in period, and you're willing to share your images with the grant me an license to adapt and distribute them for heraldic and SCA community, I would welcome your contribution to this artistic use within the Society for Creative Anachronism. collection. You can send me images you’ve already created, or In order to ensure that people who use this collection to create their identify something I’m missing and draw something new to share. device or badge can do so with a minimum of complication, I'm only Illustrations should be drawn with a solid outline, and not filled or including images which members of the SCA community can excessively shaded, so that they may be easily traced and colored in combine with other elements to create their own armory, without whichever tinctures a client selects — just as you would draw them requesting special permission, paying a fee, or providing attribution for the black-and-white outline version of an SCA heraldic every time they paint their device on their shield or display a banner. submission. Our standard license for contributions is the Creative Commons I'm including multiple styles for common charges, representing Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) license, different regional traditions, varying historical periods, and assorted with an additional grant that no attribution is required for heraldic or illustration styles, so if there's already a lion rampant in the collection artistic use by members of the SCA community. These terms will be that doesn't mean you can't send me another. used for any art you contribute without specifying another license. If you want to ensure that your art is not used by a business you can Formats and Addresses opt for the Creative Commons Attribution-NonCommercial- You can send me your art in whichever way is most convenient to ShareAlike 4.0 International (CC BY-NC-SA 4.0) license, with the you, and I'll do our best to convert it as necessary. same grant of non-attribution within the SCA community. This Illustrations may be uploaded to my web site at indicates that a business may not use your art as part of their logo or http://blog.heraldicart.org/upload-art/. signage, and may not sell products that incorporate your design, unless they first contact you to negotiate special permission. If you have vector files, you can send those in any standard format (PDF, EPS, SVG), or I can accept bitmapped drawings or scanned Alternately, if you’re willing to make your art freely available to images (PNG, TIFF, GIF, JPEG) as long as the resolution is sufficient anyone with no restrictions at all, you may place it in the public to preserve the details.
Recommended publications
  • Lord Lyon King of Arms
    VI. E FEUDAE BOBETH TH F O LS BABONAG F SCOTLANDO E . BY THOMAS INNES OP LEABNEY AND KINNAIRDY, F.S.A.ScoT., LORD LYON KIN ARMSF GO . Read October 27, 1945. The Baronage is an Order derived partly from the allodial system of territorial tribalis whicn mi patriarce hth h hel s countrydhi "under God", d partlan y froe latemth r feudal system—whic e shale wasw hse n li , Western Europe at any rate, itself a developed form of tribalism—in which the territory came to be held "of and under" the King (i.e. "head of the kindred") in an organised parental realm. The robes and insignia of the Baronage will be found to trace back to both these forms of tenure, which first require some examination from angle t usuallno s y co-ordinatedf i , the later insignia (not to add, the writer thinks, some of even the earlier understoode symbolsb o t e )ar . Feudalism has aptly been described as "the development, the extension organisatione th y sa y e Family",o familyth fma e oe th f on n r i upon,2o d an Scotlandrelationn i Land;e d th , an to fundamentall o s , tribaa y l country, wher e predominanth e t influences have consistently been Tribality and Inheritance,3 the feudal system was immensely popular, took root as a means of consolidating and preserving the earlier clannish institutions,4 e clan-systeth d an m itself was s modera , n historian recognisew no s t no , only closely intermingled with feudalism, but that clan-system was "feudal in the strictly historical sense".5 1 Stavanger Museums Aarshefle, 1016.
    [Show full text]
  • Ing Items Have Been Registered
    ACCEPTANCES Page 1 of 37 June 2017 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Alrekr Bergsson. Device. Per saltire gules and sable, in pale two wolf’s heads erased and in fess two sheaves of arrows Or. Brahen Lapidario. Name and device. Argent, a lozenge gules between six French-cut gemstones in profile, two, two and two azure, a base gules. The ’French-cut’ is a variant form of the table cut, a precursor to the modern brilliant cut. It dates to the early 15th Century, according to "Diamond Cuts in Historic Jewelry" by Herbert Tillander. There is a step from period practice for gemstones depicted in profile. Hrólfr á Fjárfelli. Device. Argent estencely sable, an ash tree proper issuant from a mountain sable. Isabel Johnston. Device. Per saltire sable and purpure, a saltire argent and overall a winged spur leathered Or. Lisabetta Rossi. Name and device. Per fess vert and chevronelly vert and Or, on a fess Or three apples gules, in chief a bee Or. Nice early 15th century Florentine name! Símon á Fjárfelli. Device. Azure, a drakkar argent and a mountain Or, a chief argent. AN TIR Akornebir, Canton of. Badge for Populace. (Fieldless) A squirrel gules maintaining a stringless hunting horn argent garnished Or. An Tir, Kingdom of. Order name Order of Lions Mane. Submitted as Order of the Lion’s Mane, we found no evidence for a lion’s mane as an independent heraldic charge. We therefore changed the name to Order of _ Lions Mane to follow the pattern of Saint’s Name + Object of Veneration.
    [Show full text]
  • Ancient Greece. ¡ the Basilisc Was an Extremely Deadly Serpent, Whose Touch Alone Could Wither Plants and Kill a Man
    Ancient Greece. ¡ The Basilisc was an extremely deadly serpent, whose touch alone could wither plants and kill a man. ¡ The creature is later shown in the form of a serpent- tailed bird. ¡ Cerberus was the gigantic hound which guarded the gates of Haides. ¡ He was posted to prevent ghosts of the dead from leaving the underworld. ¡ Cerberus was described as a three- headed dog with a serpent's tail, a mane of snakes, and a lion's claws. The Chimera The Chimera was a monstrous beast with the body and maned head of a lion, a goat's head rising from its back, a set of goat-udders, and a serpents tail. It could also breath fire. The hero Bellerophon rode into battle to kill it on the back of the winged horse Pegasus. ¡ The Gryphon or Griffin was a beast with the head and wings of an eagle and the body of a lion. ¡ A tribe of the beasts guarded rich gold deposits in certain mountains. HYDRA was a gigantic, nine-headed water-serpent. Hercules was sent to destroy her as one of his twelve labours, but for each of her heads that he decapitated, two more sprang forth. So he used burning brands to stop the heads regenerating. The Gorgons The Gorgons were three powerful, winged daemons named Medusa, Sthenno and Euryale. Of the three sisters only Medousa was mortal, and so it was her head which the King commanded the young hero Perseus to fetch. He accomplished this with the help of the gods who equipped him with a reflective shield, curved sword, winged boots and helm of invisibility.
    [Show full text]
  • Pegasus Back from Kenya Sgt
    Hawaii Marine CCE Graduates Bodybuilder A-5 Volume 29, Number 23 Serving Marine Corps Base Hawaii June 8, 2000 B-1 A1111111111111111W 1111111111- .111111111111164 Pegasus back from Kenya Sgt. Robert Carlson Natural Fire provided valuable training for "Communications with the JTF headquar- Press Chief the detachment, according to Capt. ters was difficult at times, as was getting Christopher T. Cable, detachment mainte- maintenance parts here all the way from The Marines of Marine Heavy Helicopter nance officer. They not only experienced Hawaii," Cable explained. "Everyone did a Squadron 463 returned to Hawaii Saturday breaking down and deploying their CH-53D great job though, and we were able to get our after their month-long deployment to Kenya "Sea Stallions," they gained the experience of job done without any problems." in support of Operation Natural Fire. overcoming challenges inherent while con- Cable said the Marines in the detachment Working side-by-side with the U.S. Army, ducting operations in a foreign country. are happy to be back in Hawaii. Navy, and Air Force, Pegasus provided airlift "We were located on an airfield in the city "There are a lot of experienced Marines support for medical assistance and humanitar- of Mombasa, Kenya, about 70 miles south of here, but there are also many who are new to ian operations during the joint-combined the Joint Task Force headquarters in Malindi," the squadron," he said. "This evolution operation. said Cable. "The crew had the chance to see allowed the newer members of the squadron a The detachment of Hawaii Marines assist- what it takes to have two helicopters on-call chance to experience everything involved in ed in training Kenyan, Ugandan and 24 hours a day." deploying to a foreign country.
    [Show full text]
  • Heraldry Examples Booklet.Cdr
    Book Heraldry Examples By Khevron No color on color or metal on metal. Try to keep it simple. Make it easy to paint, applique’ or embroider. Blazon in layers from the deepest layer Per pale vert and sable all semy of caltrops e a talbot passant argent. c up to the surface: i v Field (color or division & colors), e Primary charge (charge or ordinary), Basic Book Heraldry d Secondary charges close to the primary, by Khevron a Tertiary charges on the primary or secondary, Device: An heraldic representation of youself. g Peripheral secondary charges (Chief,Canton,Border), Arms: A device of someone with an Award of Arms. n i Tertiary charges on the peropheral. Badge: An heraldic representation of what you own. z a Name field tinctures chief/dexter first. l Only the first word, the metal Or, B and proper nouns are capitalized. 12 2 Tinctures, Furs & Heraldic 11 Field Treatments Cross Examples By Khevron By Khevron Crosses have unique characteristics and specific names. Tinctures: Metals and Colors Chief Rule #1: No color upon another color, or metal on metal! Canton r r e e t t s i x e n - Fess - i D Or Argent Sable Azure Vert Gules Purpure S Furs Base Cross Latin Cross Cross Crosslet Maltese Potent Latin Cross Floury Counter-Vair Vair Vair in PaleVair-en-pointe Vair Ancient Ermine Celtic Cross Cross Gurgity Crosslet Fitchy Cross Moline Cross of Bottony Jerusalem A saltire vair in saltire Vair Ermines or Counter- Counter Potent Potent-en-pointe ermine Cross Quarterly in Saltire Ankh Patonce Voided Cross Barby Cross of Cerdana Erminois Field
    [Show full text]
  • Daphne & Talia, Part II: the Manticore's Misadventure
    Daphne & Talia, Part II: The Manticore's Misadventure by Doombeez, Forget everything that you think you know about myths and monsters. ...No, that sounds horribly grandiose. I need to dial it back a little. There comes a time in every person’s life when they see their path set forward for them, illuminated by a glorious light of… glory… No. That isn’t better. Take heed and bear witness, mortals, for you are about to behold a tale like no other! A tale of tragedy, romance, and… um… Oh, hells with it. My name is Talia. I am a manticore and this is the story of how I met the love of my life. Somewhere in all of the world, we manticores have our Prey, the one we are destined to hunt. We do not know how they are chosen or where they come from, but that has always been the way of things. Typically a human—though I did have a cousin who bonded with one of Fae heritage. I’m not sure how different it was; we don’t talk much. I hope she’s doing okay. I’m getting side-tracked, though. I’m trying to collect my thoughts here, and sometimes I just have too many of them! There is no way of knowing when or where you will find your Prey. It will happen when the fates decree that it’s time for you to cross paths. That’s what my mother always told me. My sire was her Prey ages ago, just as it was with her mother and sire, and so on and so forth.
    [Show full text]
  • Conservation of Asian Honey Bees Benjamin P
    Conservation of Asian honey bees Benjamin P. Oldroyd, Piyamas Nanork To cite this version: Benjamin P. Oldroyd, Piyamas Nanork. Conservation of Asian honey bees. Apidologie, Springer Verlag, 2009, 40 (3), 10.1051/apido/2009021. hal-00892024 HAL Id: hal-00892024 https://hal.archives-ouvertes.fr/hal-00892024 Submitted on 1 Jan 2009 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Apidologie 40 (2009) 296–312 Available online at: c INRA/DIB-AGIB/EDP Sciences, 2009 www.apidologie.org DOI: 10.1051/apido/2009021 Review article Conservation of Asian honey bees* Benjamin P. Oldroyd1, Piyamas Nanork2 1 Behaviour and Genetics of Social Insects Lab, School of Biological Sciences A12, University of Sydney, NSW 2006, Australia 2 Department of Biology, Mahasarakham University, Mahasarakham, Thailand Received 26 June 2008 – Revised 14 October 2008 – Accepted 29 October 2008 Abstract – East Asia is home to at least 9 indigenous species of honey bee. These bees are extremely valu- able because they are key pollinators of about 1/3 of crop species, provide significant income to some of the world’s poorest people, and are prey items for some endemic vertebrates.
    [Show full text]
  • The Unicorn, the Gorgon the Manticore La Boheme
    UNIVERSITY OF WASHINGTON OPERA THEATRE PRESENTS gian . .. carlo ~ ~ . menotti THE UNICORN, THE GORGON and " ."" . THE MANTICORE or The Three Sundays of A Poet (A Madrigal Fable) giacomo (third act only) puccini LA BOHEME (in commemoration of the centennial of the composers birth) Jun 3 4, 1958 • 8:00 p.m. • Meany H.II R-III (/2 77) 2< K # 2- (If 7g) The Unicorn, The Gorgon and The Manticore OR THE THREE SUNDAYS OF A POET (A Madrigal Fable for Chorus, Dancers and Nine Instruments) Music and Libretto by Gian Carlo Menotti Choreography by Martha Nishi/ani THE SCHOOL OF MUSIC OPERA STAFF DANCERS: Conductor and Director." . " Stanley Chappie The Count and Countess" ,. .. Louis Roedel and Carolyn Peterson Stage Director" Ralph Rosinbwn Their Son.. .. ... , .. ,. Susan L),) Choreographer "" " ,Martha Nishitani The Mayor and His Wife, ",Linden Chlarson and Barbara Lacy ­ Stage Manager. , '" ,,, Howa,rd Nelson The Doctor and His Wife.. ,William Sohns and Marjorie Carrigan Repeoteur "" ... , ., Bill Clarke Man in the Castle (The Poet). , ,.,. , John P. Stipanela The Virgin ",.'., . Midge Bowman The Unicorn. '" ,Ron Galbreath The Gorgon, ",. ,.Robert Kingston THE SCHOOL OF DRAMA PRODUCTION STAFF The Manticore. .. .. '. .. .. Midge Bowman Courtesy of Glenn Hughes, Executive Director The Dwarf ..Carol Lynn Chong Art Director and Tem.nica1 Supervisor" ... ...... , .. ".John Ashby Conway The Nursemaids and Pages , ,Mary Capps and Irene Johnston Assistant Art Director". """""'"'' " "" .. " .. ".. .. ""." "",, ""..Alanson Davis Technical Director,." .... , ......... " .. " " ,Warren C. Lounsbury Costumier Crider CHAMBER CHOIR DIRECTED BY MIRIAM TERRY • Assistant Costumier, . " .. .Larry Zirkle Wayne Aller W jJliam Marvin Properties , , .... ,,, .,,. Don Adams Lora Lee Brown Donald Moynan Electrician ,Norman Boulanger Gloria Bryson Vera Neufeld Scene Technicians .
    [Show full text]
  • Chaotic Descriptor Table
    Castle Oldskull Supplement CDT1: Chaotic Descriptor Table These ideas would require a few hours’ the players back to the temple of the more development to become truly useful, serpent people, I decide that she has some but I like the direction that things are going backstory. She’s an old jester-bard so I’d probably run with it. Maybe I’d even treasure hunter who got to the island by redesign dungeon level 4 to feature some magical means. This is simply because old gnome vaults and some deep gnome she’s so far from land and trade routes that lore too. I might even tie the whole it’s hard to justify any other reason for her situation to the gnome caves of C. S. Lewis, to be marooned here. She was captured by or the Nome King from L. Frank Baum’s the serpent people, who treated her as Ozma of Oz. Who knows? chattel, but she barely escaped. She’s delirious, trying to keep herself fed while she struggles to remember the command Example #13: word for her magical carpet. Malamhin of the Smooth Brow has some NPC in the Wilderness magical treasures, including a carpet of flying, a sword, some protection from serpents thingies (scrolls, amulets?) and a The PCs land on a deadly magical island of few other cool things. Talking to the PCs the serpent people, which they were meant and seeing their map will slowly bring her to explore years ago and the GM promptly back to her senses … and she wants forgot about it.
    [Show full text]
  • Heraldic Terms
    HERALDIC TERMS The following terms, and their definitions, are used in heraldry. Some terms and practices were used in period real-world heraldry only. Some terms and practices are used in modern real-world heraldry only. Other terms and practices are used in SCA heraldry only. Most are used in both real-world and SCA heraldry. All are presented here as an aid to heraldic research and education. A LA CUISSE, A LA QUISE - at the thigh ABAISED, ABAISSÉ, ABASED - a charge or element depicted lower than its normal position ABATEMENTS - marks of disgrace placed on the shield of an offender of the law. There are extreme few records of such being employed, and then only noted in rolls. (As who would display their device if it had an abatement on it?) ABISME - a minor charge in the center of the shield drawn smaller than usual ABOUTÉ - end to end ABOVE - an ambiguous term which should be avoided in blazon. Generally, two charges one of which is above the other on the field can be blazoned better as "in pale an X and a Y" or "an A and in chief a B". See atop, ensigned. ABYSS - a minor charge in the center of the shield drawn smaller than usual ACCOLLÉ - (1) two shields side-by-side, sometimes united by their bottom tips overlapping or being connected to each other by their sides; (2) an animal with a crown, collar or other item around its neck; (3) keys, weapons or other implements placed saltirewise behind the shield in a heraldic display.
    [Show full text]
  • ÆTHELMEARC Ásta Vagnsdóttir. Name and Device. Azure, Two Bars
    ACCEPTANCES Page 1 of 19 January 2007 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Ásta Vagnsdóttir. Name and device. Azure, two bars Or, overall an owl displayed argent. The use of an owl displayed is a step from period practice. Creature Twyne Dragon. Device. Per pale argent and sable all semy of fishhooks bendwise counterchanged. Please see the Cover Letter for a discussion on fishhooks. Desiderata Drake. Name. Maol Duín Ó Duinn. Name. Submitted as Máel-dúin O’Duinn, the submitter requested a name authentic for 15th C Ireland. As submitted, the name is unregisterable since the byname mixes the English patronymic marker O’ with the Irish patronym Duinn in violation of RfS III.1.a. This can be fixed by changing the marker to the Irish Ó. This change was specifically allowed by the submitter. The given name Máel-dúin is documented to before the 13th C; it is a Middle Irish form of the name inappropriate for use in the 15th C. The Annals of the Four Masters has a Magnus mac Maoile Duin in an entry for 1486. Irish bynames that use mac in this period are typically true patronymics; Magnus’s father almost certainly bore the given name Maol Duin. The normalized Early Modern Irish form of this name is Maol Duín; precedent holds that accents in Gaelic names must either be used consistently or dropped consistently. We have changed the name to Maol_Duín Ó Duinn, a fully Early Modern Irish form appropriate for the 15th C, in order to register it and to fulfill the submitter’s request for authenticity.
    [Show full text]
  • Heraldry Act: Application for Registration of Heraldic
    STAATSKOERANT, 15 JULIE 2011 No.34447 7 GOVERNMENT NOTICES GOEWERMENTSKENNISGEWINGS DEPARTMENT OF ARTS AND CULTURE DEPARTEMENT VAN KUNS EN KULTUUR No. 568 15 July 2011 BUREAU OF HERALDRY APPLICATION FOR REGISTRATION OF HERALDIC REPRESENTATIONS AND A NAME AND OBJECTIONS THERETO SECTIONS 7, 7A AND 7B OF THE HERALDRY ACT, 1962 (ACT NO. 18 OF 1962) The undermentioned bodies and persons have applied in terms of section 7 of the Heraldry Act, 1962 (Act No. 18 of 1962), for the registration of their heraldic representations and a name. Anyone wishing to object to the registration of these heraldic representations and a name on the grounds that such registrations will encroach upon rights to which he or she is legally entitled should do so within one month of the date of publication of this notice upon a form obtainable from the State Herald, Private Bag X236, Pretoria, 0001. 1. APPLICANT: Emmanuel Nursing School H4/3/1/4118) BADGE: On a roundle Murray a nurse's lamp Or, between in Chief an open book Argent bot.tnd Sable, and in base an open laurel wreath Argenf. MOTTO: ONS GLO DAAROM KAN ONS 2. APPLICANT: lnkomati Catchment Management AgencyH4/3/1/4111} BADGE: On a ·background Argent, issuant from two wavy bats AZure, dexter a demi­ sun Tenne. 3. APPLICANT: Lekwa-Teemane Local Municipality• H4/3/2/823} BADGE: In front of a pile inverted embowed Vert, a traditional clay pot abaisse proper, ensigned of a sunburst Or, surmounted of a facetted diamond of Argent and Azure. MOTTO: (above the badge) SHARED BENEFITS FOR ALL 8 No.34447 GOVERNMENT GAZETTE, 15 JULY 2011 4.
    [Show full text]