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The Unicorn, the Gorgon the Manticore La Boheme

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The Unicorn, the Gorgon the Manticore La Boheme UNIVERSITY OF WASHINGTON OPERA THEATRE PRESENTS gian . .. carlo ~ ~ . menotti THE UNICORN, THE GORGON and " ."" . THE MANTICORE or The Three Sundays of A Poet (A Madrigal Fable) giacomo (third act only) puccini LA BOHEME (in commemoration of the centennial of the composers birth) Jun 3 4, 1958 • 8:00 p.m. • Meany H.II R-III (/2 77) 2< K # 2- (If 7g) The Unicorn, The Gorgon and The Manticore OR THE THREE SUNDAYS OF A POET (A Madrigal Fable for Chorus, Dancers and Nine Instruments) Music and Libretto by Gian Carlo Menotti Choreography by Martha Nishi/ani THE SCHOOL OF MUSIC OPERA STAFF DANCERS: Conductor and Director." . " Stanley Chappie The Count and Countess" ,. .. Louis Roedel and Carolyn Peterson Stage Director" Ralph Rosinbwn Their Son.. .. ... , .. ,. Susan L),) Choreographer "" " ,Martha Nishitani The Mayor and His Wife, ",Linden Chlarson and Barbara Lacy ­ Stage Manager. , '" ,,, Howa,rd Nelson The Doctor and His Wife.. ,William Sohns and Marjorie Carrigan Repeoteur "" ... , ., Bill Clarke Man in the Castle (The Poet). , ,.,. , John P. Stipanela The Virgin ",.'., . Midge Bowman The Unicorn. '" ,Ron Galbreath The Gorgon, ",. ,.Robert Kingston THE SCHOOL OF DRAMA PRODUCTION STAFF The Manticore. .. .. '. .. .. Midge Bowman Courtesy of Glenn Hughes, Executive Director The Dwarf ..Carol Lynn Chong Art Director and Tem.nica1 Supervisor" ... ...... , .. ".John Ashby Conway The Nursemaids and Pages , ,Mary Capps and Irene Johnston Assistant Art Director". """""'"'' " "" .. " .. ".. .. ""." "",, ""..Alanson Davis Technical Director,." .... , ......... " .. " " ,Warren C. Lounsbury Costumier Crider CHAMBER CHOIR DIRECTED BY MIRIAM TERRY • Assistant Costumier, . " .. .Larry Zirkle Wayne Aller W jJliam Marvin Properties , , .... ,,, .,,. Don Adams Lora Lee Brown Donald Moynan Electrician ,Norman Boulanger Gloria Bryson Vera Neufeld Scene Technicians .. " " . .. ... .. ' ,. John Cll5ter, Nolan Dehner, and Dale Palmer Joan Catoni Claudia Reimer Janet Day Glenna Jean Rust Ann Erickson Dave Sannerud Sharon Feetham Donald Sayre Spomored by the University of WdshingtQn School of Musk dnJ, Annette Gerry Patricia Schwartte the Office of Lectures dnd Ctmcerts, Division of Adult EductUitm. Tommy Goleeke Sally Stenerson Wallace Goleeke Lorna Stern James Impett Thomas Tavener John Iverson Donald Turner Marll Janssen Phyllis Unosawa f2 #J; (/279) rlyhis Madrigal Fable tells the story of a strange Man in the La Boheme by Giacomo Puccini Castle (the poet) who 'shunned the Countess' parties . .. yawned at town meetings, and would not let the Doctor take his pulse (Sung in Italian) • Libretto by Giuseppe Giacosa and Luigi mica and did not go to church on Sundays.' Cast, in order of appearance IfWhen he is seen on Sunday 'leading by a silver chain a cap­ tive Unicorn,' he is mocked by the Townsfolk and tempted Mimi... .. Peggy Nessel, soprano by the virgin. Soon, following the lead of the Count and Marcello Howard Nelson, bass Countess, all imitate him and every respectable couple is seen Rodolfo . ........Robert McGrath, tenor promenading a Unicorn. Musetta Sharon Feetbam, soprano "On the second Sunday, the poet appears with a Gorgon Customs Officials, scavengers, and townspeople: 'statp.ly and proud.' As to the fate of the U71icorn, he answers Allan Lund, Joseph La Rocque, Joan Falskow, Donna Mathews, Emilie Berendsen, r. _ queries of Towmfolk by saying that since the Unicorn Eleanor Feetham. 0111y liked to gambol and tease' he 'quickly grew tired of the fun' and 'peppered and grilled him.' SOO11- shocked surprise Act III A gate to the City of Paris (the Barriere d'Enfer) The scene is a bleak, Whll1'y dawrz at one of tbe toll gates to tbe city. At turns to e1IVY and Gorgom are the rage. orle side of the s,tow-blanketed square starlds a tavern, OfJe1' tbe entrance liOn the third Sunday, the poet appears at a picnic with the of which, as a sig1lboard, bangs MarceUo's picture of the Red Sea. From 'lonely Manticore.' He tells the scandalized Townsfolk that within tbe tavern come sounds of revelry. Outside the barrier a motley the Gm'gon 'died of murder.' Although at first everyone de­ crowd of scavengers, dairy women and peasa1zts bave gathered demand­ ing to be let tbrougb. A customs officer warming himself at a brazier clares that 'the man mmt be 011t of his mind,' the T ownsfolk saunters over to the barrier and admits tbem. From a side street leading again bow to his influence.: an4 having secretly disposed of out of the Latitt Quarter comes Mimi, shivering witb cold. A fit of their Gorgons, they bring the Manticore into fashion. violent coughing seizes her as she asks one of tbe officers wbere she "When the poet 'is seen no more walki11g on Sundays his cart find Marcello. Tbe officer POi'Ilts to tbe laver1t and Mimi sends a woman to call bim. Marcello rusbes to Mimi's side pleased to see ber ManticO're' the Townsfolk, S11re that the beast has met the same and tells her tbat be and Musetta now live at tbe tavern: be bas found fate as the Unicorn and the Gm'gon, form a committee and sig1l--pailltir~g more profitable tban art, and Musetta gives music lessons. march on the Castle to 'stop all these crimes.' Mimi tells Marcello she needs his help desperately, for Rodo/fo bas "There they find the poet dying in the 'faithful and harmo­ grown insanely jealous and tbe constant bickeri1/,g has made life un­ bearable, In a tender duet witb Mimi, Marcello expresses his sympatby, nious company' of the three animals, 'pain-wrought children of tmJ her frequent cougbing only deepens his concem. a poet's fancy.' They are the dreams of youth (the Unicorn), When Rodolfo comes from the tavem to call Marcello, Mimi bides and manhood (the Gorgon), and old age (the Manticore). These oved,ears himz complain to Marcello about tbeir quarreling. Just as be creatio1lS were easily discarded by his imitators (IS they were anttoll1tceS bis decisi011 to give be·r tip, Mimi reveals ber presence by adopted by them only as passing whims. But in the poet's heart atlother C01Jghi1zg fit, a,1d Rodolfo rusbes to embrace ber, his love they remain intact, for they were the very essence of his life. retllrning at the sight of her pale, fragile beallty. But she breaks away, and sings a touching little farewell S01lg, hz whicb she says she bears "The etllire meaning of the fable is contained in the final him no ill will, tbat she will be grateful if be will wrap tJp ber few w ords of the dying poet." tbilzgs a11d send tbem to ber. * * * * Meanwhile Marcello has re·entered the tavern and caught Musetta in ommissioned by the Elizabeth Sprague Coolidge Foundation tbe act of jiirtirJ.g. Tbis brings on a quarrel, wbicb tbe couple continlle in tbe street. As Mimi and Rodolfo bid eacb other good-by tbeir friellds ~n the Library of Congress and first performed in the Coolidge almost reach the POil1-t of blows in their quarrel. Tbe curtain closes Auditorittm Octobet· 21,1956. with Rodolfo and Mimi resolving to wait for a11-otber sprit~g before INTERMISSION partitlg. .
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