Daphne & Talia, Part II: the Manticore's Misadventure

Total Page:16

File Type:pdf, Size:1020Kb

Daphne & Talia, Part II: the Manticore's Misadventure Daphne & Talia, Part II: The Manticore's Misadventure by Doombeez, Forget everything that you think you know about myths and monsters. ...No, that sounds horribly grandiose. I need to dial it back a little. There comes a time in every person’s life when they see their path set forward for them, illuminated by a glorious light of… glory… No. That isn’t better. Take heed and bear witness, mortals, for you are about to behold a tale like no other! A tale of tragedy, romance, and… um… Oh, hells with it. My name is Talia. I am a manticore and this is the story of how I met the love of my life. Somewhere in all of the world, we manticores have our Prey, the one we are destined to hunt. We do not know how they are chosen or where they come from, but that has always been the way of things. Typically a human—though I did have a cousin who bonded with one of Fae heritage. I’m not sure how different it was; we don’t talk much. I hope she’s doing okay. I’m getting side-tracked, though. I’m trying to collect my thoughts here, and sometimes I just have too many of them! There is no way of knowing when or where you will find your Prey. It will happen when the fates decree that it’s time for you to cross paths. That’s what my mother always told me. My sire was her Prey ages ago, just as it was with her mother and sire, and so on and so forth. But of course, whether they be man or monster, there is a constant among all people everywhere: nobody listens to their mother. When I came of age, I decided that the whole Prey deal was a load of minotaur crap, and decided to go off and live my own life, which is how I ended up living in an apartment in Toronto. And it was pretty great! At least, I thought so at the time. And then, of course, I found my Prey. To say that our first meeting did not go well would be an understatement. Look, in my defense, I didn’t interact with many humans, and their social systems are hard! How was I supposed to know that she was going to react badly to my attempt to form a bond with her? Okay, so it might have looked, to an outside observer, like I was going to swallow her alive. In retrospect, I can see how she might have thought that. I thought the story was going to end there, but by the grace of the gods, she decided to give me another chance. We got to talking, and as the humans say, one thing led to another! We ended up bonding, as I took her into my body and we became one, if only temporarily. I was hoping that would be the happy ending of our story. But it turned out that it was only the beginning of a new chapter, and that chapter began with her screaming and hitting me with a pillow. ~*~ Daphne let out a string of multicultural profanities as she assaulted the large monster-woman whose body she was wholly inside of about ten minutes prior. She was naked, glistening with various fluids, and—most pressingly—still attached to said monster-woman, by means of a fleshy cord that ran from Daphne’s navel to her tail. “What! The hell! Do you mean! A week!?” shouted Daphne, each pause punctuated with a swing of the pillow she had grasped. “Give or take a couple of days?” said Talia, who was weathering the downy assault with good humor. “It’s not an exact sort of thing!” Daphne growled as the onslaught continued. “How the hell am I supposed to explain this to my manager!” she shrieked. “Oh, sorry, I can’t come in for the next week, I’m tied to a manticore who I just had a one night stand with! You know how it is!” “Yes, I can see how that would sound bad,” said Talia, who was twiddling her fingers together, her eyes wide and watery. “I’m so sorry! I didn’t think this through! I was just so excited to bond with you!” Daphne paused mid-swing, looking into those deep golden eyes, which were doing their best impression of a puppy seeking forgiveness for soiling the carpet. Despite her monstrous features, there was something undeniably soft about her. Daphne sighed and tossed the pillow aside. “I can’t believe you,” she said. “How could you just… just do… do the… woo…” She put a hand to her temple and started to wobble from side to side before falling forward, into Talia’s waiting arms. The manticore proceeded to clutch Daphne to her incredibly fluffy ruff. “Why do I feel so dizzy?” murmured Daphne. “I was always told that the first bond takes a lot out of the Prey,” said Talia, running a hand over Daphne’s back. “Especially when we’re separated. You will feel better if I let you back inside for a spell.” “Back inside?” said Daphne. “You mean… inside of your—” “My tail, yes.” Daphne groaned. “So this is how it’s gonna be, huh?” she murmured. “This is my life now? Fine, let me in, I’m cold anyway.” Talia let out a delighted little squeak. “Just relax, my Prey.” “Still not crazy about being called that, just FYI.” “Sorry!” Laying back, Talia relaxed and let her tail open up, and Daphne felt herself being reeled back in, the inhuman appendage swallowing her feet and legs first. She had to admit, it did feel rather nice, like a strange combination of a tight sleeping bag and a warm bath. When she was just about chest deep, an electronic chirp rang out. “Oh crap, that’s my phone,” said Daphne, trying and failing to wriggle out. “I told a friend to check on me if she didn’t hear back from me after last night!” Talia looked over to where Daphne’s jeans had landed. Carefully - and somewhat clumsily, with Daphne’s head and shoulders still protruding from her tail - Talia got up and inched over to the pile, gingerly extracting her smartphone from a pocket. The messaging app was open, and a message could be seen. GOATMOM44: so how did ya date go?? GOATMOM44: u there? GOATMOM44: gurl??? GOATMOM44: if I dont hear back from u in an hour im callin the cops “Who is this mother of goats?” asked Talia, cocking her head. Daphne’s phone looked comically small in her enormous, clawed hands. “My friend from the cryptid forum,” said Daphne, still wiggling. “Come on, let me—” “What is a cryptid?” “You know, like, creatures that people don’t think exist? Like the chupacabra, the Jersey Devil, the Mothman…” “... But all of those things do exist.” Daphne stopped struggling for a moment. “What, seriously?” she said. “Holy shit. Not important right now, though!” “Oh, yes! Do not worry, I shall reassure your friend!” said Talia, looking back down at the phone. z0inksdaph: hellloo! i m fime! GOATMOM44: ...u feelin ok there? z0inksdaph: Hahaha pefrvect as alwasy just tlkin w my bestiiie on tis tiny keybrd abut creetues thst don't exist GOATMOM44: ...gurl how wasted r u?? “Give me that!” said Daphne, who had finally managed to work an arm free and retrieved the phone. z0inksdaph: whoo yeah sorry, date went well, partied a lil bit too hard, wooooo, ill tell u all about it l8r! GOATMOM44: you sure ur ok? z0inksdaph: GOATMOM44: k cool but i want deets when ur up to it Daphne let out a sigh of relief as Goatmom signed off. “Dodged a bullet there,” she said. “Do you mind if I finish taking you inside of me?” said Talia, who was starting to fidget. “It is somewhat uncomfortable keeping you halfway like this.” “Oh, uh, sure,” said Daphne. “Can’t you just, like, leave my head out? It was fine when I was sleeping, but I don’t know how I feel about spending my day in a biological sensory deprivation tank.” Talia smiled, reaching up to give Daphne’s cheek a stroke. “That will not be a problem, my… Daphne. The bond has many benefits to it, after all. Now relax, please.” Having no real choice but to take her word for it, Daphne relaxed, and she felt Talia’s inner muscles begin to undulate, sucking her chest and shoulders and finally her head inside. As her tail mouth… pussy… thing closed up over the top of her head, darkness fell over her once again, and she wondered what, exactly, the ‘benefits’ were that Talia was talking about. Then, suddenly, Daphne felt a strong tingle in her belly, right about in the spot where the cord was bound to her navel. It almost felt like pins and needles. Then there was a flash of light in Daphne’s vision, and she was momentarily blinded, until an image coalesced before her eyes. It was… Talia’s bedroom. ‘How do you feel, my pr…. etty girl?’ ‘Nice save,’ Daphne replied. Wait, how did she reply? ‘Are you talking into my mind?’ ‘I am communicating with you through our bond, yes,’ echoed Talia’s voice in her mind. It had a strange reverb to it, like she was speaking through a cardboard tube, but it was clear as a bell. ‘And through our bond, I am letting my senses be your senses,’ Talia went on.
Recommended publications
  • The Unicorn, the Gorgon the Manticore La Boheme
    UNIVERSITY OF WASHINGTON OPERA THEATRE PRESENTS gian . .. carlo ~ ~ . menotti THE UNICORN, THE GORGON and " ."" . THE MANTICORE or The Three Sundays of A Poet (A Madrigal Fable) giacomo (third act only) puccini LA BOHEME (in commemoration of the centennial of the composers birth) Jun 3 4, 1958 • 8:00 p.m. • Meany H.II R-III (/2 77) 2< K # 2- (If 7g) The Unicorn, The Gorgon and The Manticore OR THE THREE SUNDAYS OF A POET (A Madrigal Fable for Chorus, Dancers and Nine Instruments) Music and Libretto by Gian Carlo Menotti Choreography by Martha Nishi/ani THE SCHOOL OF MUSIC OPERA STAFF DANCERS: Conductor and Director." . " Stanley Chappie The Count and Countess" ,. .. Louis Roedel and Carolyn Peterson Stage Director" Ralph Rosinbwn Their Son.. .. ... , .. ,. Susan L),) Choreographer "" " ,Martha Nishitani The Mayor and His Wife, ",Linden Chlarson and Barbara Lacy ­ Stage Manager. , '" ,,, Howa,rd Nelson The Doctor and His Wife.. ,William Sohns and Marjorie Carrigan Repeoteur "" ... , ., Bill Clarke Man in the Castle (The Poet). , ,.,. , John P. Stipanela The Virgin ",.'., . Midge Bowman The Unicorn. '" ,Ron Galbreath The Gorgon, ",. ,.Robert Kingston THE SCHOOL OF DRAMA PRODUCTION STAFF The Manticore. .. .. '. .. .. Midge Bowman Courtesy of Glenn Hughes, Executive Director The Dwarf ..Carol Lynn Chong Art Director and Tem.nica1 Supervisor" ... ...... , .. ".John Ashby Conway The Nursemaids and Pages , ,Mary Capps and Irene Johnston Assistant Art Director". """""'"'' " "" .. " .. ".. .. ""." "",, ""..Alanson Davis Technical Director,." .... , ......... " .. " " ,Warren C. Lounsbury Costumier Crider CHAMBER CHOIR DIRECTED BY MIRIAM TERRY • Assistant Costumier, . " .. .Larry Zirkle Wayne Aller W jJliam Marvin Properties , , .... ,,, .,,. Don Adams Lora Lee Brown Donald Moynan Electrician ,Norman Boulanger Gloria Bryson Vera Neufeld Scene Technicians .
    [Show full text]
  • Heraldic Terms
    HERALDIC TERMS The following terms, and their definitions, are used in heraldry. Some terms and practices were used in period real-world heraldry only. Some terms and practices are used in modern real-world heraldry only. Other terms and practices are used in SCA heraldry only. Most are used in both real-world and SCA heraldry. All are presented here as an aid to heraldic research and education. A LA CUISSE, A LA QUISE - at the thigh ABAISED, ABAISSÉ, ABASED - a charge or element depicted lower than its normal position ABATEMENTS - marks of disgrace placed on the shield of an offender of the law. There are extreme few records of such being employed, and then only noted in rolls. (As who would display their device if it had an abatement on it?) ABISME - a minor charge in the center of the shield drawn smaller than usual ABOUTÉ - end to end ABOVE - an ambiguous term which should be avoided in blazon. Generally, two charges one of which is above the other on the field can be blazoned better as "in pale an X and a Y" or "an A and in chief a B". See atop, ensigned. ABYSS - a minor charge in the center of the shield drawn smaller than usual ACCOLLÉ - (1) two shields side-by-side, sometimes united by their bottom tips overlapping or being connected to each other by their sides; (2) an animal with a crown, collar or other item around its neck; (3) keys, weapons or other implements placed saltirewise behind the shield in a heraldic display.
    [Show full text]
  • Manticore: a 4096-Core RISC-V Chiplet Architecture for Ultra-Efficient Floating-Point Computing
    Department: Head Editor: Name, xxxx@email Manticore: A 4096-core RISC-V Chiplet Architecture for Ultra-efficient Floating-point Computing Florian Zaruba∗†, Fabian Schuiki∗†, Luca Beniniyz yIntegrated Systems Laboratory, ETH Zürich zDEI, University of Bologna ∗equal contribution Abstract—Data-parallel problems demand ever growing floating-point (FP) operations per second under tight area- and energy-efficiency constraints. In this work we present Manticore, a general-purpose, ultra-efficient chiplet-based architecture for data-parallel FP workloads. We have manufactured a prototype of the chiplet’s computational core in Globalfoundries 22FDX process and demonstrate more than 5x improvement in energy efficiency on FP intensive workloads compared to CPUs and GPUs. The compute capability at high energy and area efficiency is provided by Snitch clusters [1] containing eight small integer cores, each controlling a large floating-point unit (FPU). The core supports two custom ISA extensions: The Stream Semantic Register (SSR) extension elides explicit load and store instructions by encoding them as register reads and writes [2]. The Floating-point Repetition (FREP) extension decouples the integer core from the FPU allowing floating-point instructions to be issued independently. These two extensions allow the single-issue core to minimize its instruction fetch bandwidth and saturate the instruction bandwidth of the FPU, achieving FPU utilization above arXiv:2008.06502v2 [cs.AR] 20 Nov 2020 90%, with more than 40% of core area dedicated to the FPU. INTRODUCTION efficient architectures. While many emerging ar- Domains such as data-analytics, machine chitectures [4], especially in the machine learning learning and scientific computing are dependent domain, trade-off floating-point (FP) precision for on increasing compute resources [3].
    [Show full text]
  • Animal, Vegetal and Mythological Symbols In
    Scientific Papers, UASVM Bucharest, Series A, Vol. LIV, 2011, ISSN 1222-5339 ANIMAL, VEGETAL AND MYTHOLOGICAL SYMBOLS IN THE COAT OF ARMS OF ROMANIAN ADMINISTRATIVE DIVISIONS - A BIOLOGICAL INVENTORY MALA-MARIA STAVRESCU-BEDIVAN, EMILIA BRÎNDUŞA ŞCHIOPU University of Agronomic Sciences and Veterinary Medicine of Bucharest Keywords: coat of arms, heraldry, administrative divisions, Romania Abstract The paper presents a list of 120 symbols (animal, vegetal, mythological) drawn up in the coat of arms of some Romanian administrative divisions (36 counties, 83 municipalities, 90 cities and other towns and 351 communes). We also discuss which of those elements are more frequent related to a certain macroregion. INTRODUCTION According to the Constitution of Romania, Romanian territory is organized administratively into communes, towns and counties: at the county level – 41 counties (CO), and one city with special status (Bucharest, the national capital); at the town/commune level – 103 municipalities (M), 217 other towns (T) (for urban areas), and 2854 communes (C) (for rural areas) [1]. Elaboration of these administrative divisions coat of arms is made according to strict rules of science and heraldry art, taking into account the local traditions. These rules are stipulated in the methodology established by the National Committee of Heraldry, Genealogy and Sigillography subordinated to the Romanian Academy [2]. Heraldry purpose is to establish the theoretical principles, research, interpretation and development of the coat of arms of a state, city, family, corporation etc. [3]. The shield, as the main element of the coat of arms, represents the field that sits other heraldic elements, such as natural, artificial, chimerical figures. Natural figures can be taken from the stars, can be part of the human body, or may belong to the animal world, plants, etc.
    [Show full text]
  • Manticore 01
    A set of homemade expansions for Talisman 3rd Edition These expansions work on the assumption that all the official expansions are already in place - City of Adventure, Dungeon of Doom and the Dragon’s Tower. A selection of dice will be required. You will need - · Normal D6 (three per player is useful) · The Realm Dice · D8 · D12 · D20 · Compass Dice (N, S, E, W, NE, NW, SE, SW) Models or counters will be required to represent - The Ghost in the Haunted Castle The Genie in the Lair of the Manticore The Hideous Slime Monster in the Lair of the Manticore The Evil Pumpkin Head in the Lair of the Manticore The Trap Door into the Lair of the Manticore Cards, boards and counters will have to be printed and glued together for the new expansions. Board sections need to be mounted on stiff cardboard. Cards are double sided (a front and a back). I use glossy photo paper and 3M Photomount glue spray. Counters have only one face. Photo paper again… mounted on stiff cardboard. The rules booklets are designed to be printed on normal A4 paper and then folded in half for an A5 booklet. The larger booklets (Endgame in particular) are specifically designed to fit together in a certain way. Text should be printed on both sides of the pages. ------------------------------------------------------------ In this game of Talisman there are certain rule changes as outlined below. Characters may never have more than 4 Lives. The Adventure card deck has been expanded by using selected cards from a second Talisman set. The Ferryman and the Arena cards have been removed from the Adventure deck.
    [Show full text]
  • Gian Carlo Menotti's the Unicorn, the Gorgon, and the Manticore
    University of Richmond UR Scholarship Repository Music Department Concert Programs Music 4-6-2012 Gian Carlo Menotti's The nicorU n, the Gorgon, and the Manticore Department of Music, University of Richmond Follow this and additional works at: http://scholarship.richmond.edu/all-music-programs Part of the Dance Commons, and the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Gian Carlo Menotti's The nicU orn, the Gorgon, and the Manticore" (2012). Music Department Concert Programs. 36. http://scholarship.richmond.edu/all-music-programs/36 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. THE UNIVERSITY OF RICHMOND DEPARTMENT OF MUSIC UNIVERSITY OF RICHMOND LIBRARIES llllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll 3 3082 01 080 8292 SCHOLA CANTORUM UNIVERSITY DANCERS ENSEMBLE An Hoc Gian Carlo Menotti's 7he Unicorn, 7he (Jof'_Jon ani7!Je Manficore Joseph Flutn1nerfelt, guest conductor Jeffrey Riehl, artistic director Anne van Gelder and Darby Harris, choreography anlin concert WOMEN'S CHORALE David Pedersen, conductor Mary Beth Bennett, accompanist Friday, April6, 2012 7:30p.m. Camp Concert Hall Booker Hall of Music WOMEN'S CHORALE David Pedersen, conductor Mary Beth Bennett, accompanist Cantate Domino Guy Forbes Cantate Domino canticum novum, Sing to the Lord a new song, Cantate Domino omnis terra. Sing to the Lord all the earth. Cantate Domino et benedicite nomini ejus. Sing to the Lord and bless his name.
    [Show full text]
  • Draconic Hybrids and Other Reptilian Monstrosities
    Draconic Hybrids and Other Reptilian Monstrosities Andrew Frey Being a conversion of some creatures from the 2e accessory Cult of the Dragon along with some half-dragons and assorted conversions. Contents Introduction 3 Half-Dragons 4 Half-DragonChimera ................................. ........ 4 Half-DragonManticore. .......... 7 Half-DragonWyvern.................................. ........ 9 OtherHalf-Dragons .................................. ........ 11 Draconic Hybrids 12 Dracimera.......................................... ...... 12 Mantidrake ......................................... ...... 15 WyvernDrake ........................................ ..... 18 Dracohydra ......................................... ...... 21 OtherDraconicHybrids .. .. .. .. .. .. .. .. .. .. .. .. .. ......... 24 Other Reptilian Monstrosities 25 Ur-Histachii....................................... ........ 25 SomeOtherReptilianMonsters. ........... 29 Open Game License 30 2 Introduction Why Convert? You might wonder why I would go through the trouble of converting draconic hybrids that, at first glance, might not seem much different than half-dragons obtained through application of the template. The answer is that the old monsters just give different results, which feed directly into different flavor. (One thing you’ll notice is that the different dragon varieties have a greater impact on the hybrids than the half-dragons.) It’s also nice to see some “classics” brought back to life. Mostly, though, it’s just a labor of love. As an aside, you’ll see “designer’s
    [Show full text]
  • Pegasus 300 Moons Wyvern 314 Moons Manticore 251 Moons
    Pegasus 300 moons XF-TQL Serpentis_Prime sec -0.012 sec -0.125 12 moons 7 moons 4-EP12 YZS5-4 sec -0.048 sec -0.015 54 moons 67 moons Centaur 186 moons 3WE-KY Z9PP-H sec -0.107 sec -0.028 51 moons 14 moons A8-XBW IR-WT1 9-VO0Q 7-8S5X EI-O0O sec -0.170 sec -0.101 sec -0.121 sec -0.029 sec -0.028 40 moons 63 moons 14 moons 71 moons 7 moons Manticore Sphinx Wyvern 251 moons 470 moons 314 moons E-BWUU 5-D82P PNQY-Y J5A-IX 7X-02R sec -0.091 sec -0.092 sec -0.132 sec -0.004 sec -0.092 64 moons 30 moons 26 moons 34 moons 8 moons to Cloud Ring Y-1W01 8ESL-G RP2-OQ D2AH-Z sec -0.128 sec -0.027 sec -0.151 B-DBYQ sec -0.216 57 moons 40 moons 42 moons 51 moons 9R4-EJ JGOW-Y R3W-XU YVBE-E sec -0.104 sec -0.048 sec -0.106 sec -0.284 29 moons 10 moons 28 moons 89 moons Q-XEB3 SPLE-Y APM-6K AL8-V4 BYXF-Q sec -0.062 sec -0.111 sec -0.059 sec -0.072 sec -0.241 28 moons 51 moons 65 moons 46 moons 40 moons Taurus 351 moons K8L-X7 9O-ORX RE-C26 KCT-0A OW-TPO AC2E-3 C-C99Z P5-EFH sec -0.087 sec -0.121 sec -0.062 sec -0.021 sec -0.066 sec -0.307 sec -0.321 sec -0.321 22 moons 17 moons 50 moons 29 moons 70 moons 6 moons 37 moons 52 moons Kraken Satyr 238 moons 275 moons UAYL-F 00GD-D N2-OQG IGE-RI CL-BWB L-A5XP sec -0.034 sec -0.204 sec -0.014 sec -0.049 sec -0.285 sec -0.379 7 moons 26 moons 60 moons 53 moons 47 moons 50 moons Unicorn 188 moons ESC-RI C1XD-X B17O-R YRNJ-8 3ZTV-V D4KU-5 sec -0.024 sec -0.453 sec -0.120 sec -0.611 sec -0.280 sec -0.110 38 moons 34 moons 44 moons 55 moons 54 moons 85 moons to Aridia Chimera 373 moons H-S80W 671-ST A-HZYL G95F-H
    [Show full text]
  • Dragon Magazine #153
    SPECIAL ATTRACTIONS Issue #153 In the Hands of the Gods: Vol. XIV, No. 8 11 Just hope that they dont drop you. January 1990 The Goals of the Gods Craig Barrett, Jr. Publisher 12Just what does a deity want out of life? For starters, everything. James M. Ward As Above, So Below Craig Barrett, Jr. Editor 22As men look up to gods, so do gods look to those powers above them. Roger E. Moore Following in Their Footsteps Fraser Sherman 26Why clerics of Poseidon had better not get seasick, and other priestly Fiction editor tidbits. Barbara G. Young Your Place in the Grand Scheme Tom Little Assistant editor 36Your cleric has a role in the Cosmic Plan if he can find it. Dale A. Donovan Art director O THER FEATURES Paul Hanchette Firebearer fiction by Lois Tilton Production staff 42To save a Titan, you must defy the god who punished him. Kathleen C. MacDonald The Game Wizards Jeff Grubb Gaye OKeefe Angelika Lokotz 48In which Jeff entertains a well-known visitor from the Forgotten Realms. Subscriptions The Role of Books John C. Bunnell Janet L. Winters 51 A look at how gods (and authors) handle their worlds. U.S. advertising The Ecology of the Manticore Spike Y. Jones Sheila Gailloreto Tammy Volp 56The best way to learn about this beast is probably also the worst. Through the Looking Glass Ed Dobrianski U.K. correspondent 60Want to make your very own army of dragons? Heres how! and U.K. advertising Sue Lilley The Voyage of the Princess Ark Bruce A. Heard 68A new article series explores the D&D® Known World from above.
    [Show full text]
  • Cultures & Creatures
    Cultures & Creatures Value Chart SYMBOLS HEROES RITUALS VALUES PRACTICES Nations Reference Chart CLICK HERE TO DOWNLOAD YOUR OWN COPY Civilization Chart CLICK HERE TO DOWNLOAD YOUR OWN COPY Try It! Create at least three different cultures and answer the following questions: 1. What do they look like? 2. What do they value? 3. What does their daily life look like? 4. How do they get along with other people groups? 5. How do they clash with other people groups? Creating Fantasy Creatures Traditional Fantasy Creatures Centaur, dragon, fairy, ghost, griffon, harpy, manticore, minotaur, pegasus, phoenix, satyr, unicorn, vampire, werewolf, zombie, etc. Change Them Modified Animals Giant versions of cats, dogs, birds, or spiders. Change Them The Gorse It’s like a horse, only . pink? Make Your Own WHY DO YOU NEED THEM? Awesome Food Guardian Pet Trophy Transportation Job Domestic Plot device Bonded Predator Characters Warrior Source of magic Part of the landscape Commodity WHAT DO THEY LOOK LIKE? -Class of animal: mammal, bird, fish, amphibian, reptile, or invertebrate -Environment they live in -Emotion you want to convey CREATURE CREATION GUIDE Shape Ears Skin Hands Eyes Legs Nose/Snout Feet Mouth Tail Sound Wings Head Fins WHERE DO THEY LIVE? -Habitat: Terrestrial, freshwater, marine -Get more specific -Live? -Sleep? WHAT DO THEY EAT? Are they a: Herbivore? Omnivore? Carnivore? -or something else . ? MATING -Class of animal -Courtship rituals -Season or life? DAILY LIFE Foraging Scavenging Hunting Recreation Response to other animals? Humans? Special abilities? DEFENSE MECHANISMS Speed Smell Camouflage Venom Shell Play dead Curl Travel in groups Quills Poisonous NAMING CREATURES -Keep it simple -It should feel right -Fit the personality and genre -List describing words Creature Worksheet CLICK HERE TO DOWNLOAD YOUR OWN COPY Try It! • Write a scene from the point of view of a tourist who is visiting your world.
    [Show full text]
  • Status Report: the Manticore Project
    Status Report: The Manticore Project http://manticore.cs.uchicago.edu Matthew Fluet Nic Ford Toyota Technological Institute at Chicago Mike Rainey fl[email protected] John Reppy Adam Shaw Yingqi Xiao University of Chicago {nford,mrainey,jhr,adamshaw,xiaoyq}@cs.uchicago.edu Abstract will be ill-suited for the components of a program that demand fine- The Manticore project is an effort to design and implement a grain SIMD parallelism, such as image processing and particle sys- new functional language for parallel programming. Unlike many tems. earlier parallel languages, Manticore is a heterogeneous language Our thesis is that parallel programming languages must provide that supports parallelism at multiple levels. Specifically, we com- mechanisms for multiple levels of parallelism, both because ap- bine CML-style explicit concurrency with fine-grain, implicitly plications exhibit parallelism at multiple levels and because hard- threaded, parallel constructs. We have been working on an imple- ware requires parallelism at multiple levels to maximize perfor- mentation of Manticore for the past six months; this paper gives an mance. For example, consider a networked flight simulator. Such an overview of our design and a report on the status of the implemen- application might use data-parallel computations for particle sys- tation effort. tems [Ree83] to model natural phenomena such as rain, fog, and clouds. At the same time it might use parallel threads to preload Categories and Subject Descriptors D.3.2 [Programming Lan- terrain and compute level-of-detail refinements, and use SIMD par- guages]: Language classifications — Concurrent, distributed, and allelism in its physics simulations. The same application might also parallel languages; Applicative (functional) languages; D.3.3 use explicit concurrency for user interface and network compo- [Programming Languages]: Language Constructs and Features — nents.
    [Show full text]
  • Heraldry in Game of Thrones
    genealogy Article The Shields that Guard the Realms of Men: Heraldry in Game of Thrones Mat Hardy School of Humanities & Social Sciences, Faculty of Arts & Education, Deakin University, Burwood 3125, Australia; [email protected] Received: 12 October 2018; Accepted: 6 November 2018; Published: 12 November 2018 Abstract: The vast popularity of the Game of Thrones franchise has drawn a new and diverse audience to the fantasy genre. Within the pseudo-medieval world created by G.R.R. Martin, a great deal of detail has gone into establishing coats of arms for the characters and families that are depicted. These arms fulfill an extremely important role, both within the arc of the story and as part of the marketing collateral of this very successful series. This article examines the role of arms in the Game of Thrones universe and explores how the heraldic system transcends the usual genealogical display and functions more as a type of familial branding. An exploration of some of the practices and idiosyncrasies of heraldry in the franchise shows that whilst Martin sets his foundation firmly in the traditional, he then extends this into the fanciful; in much the same manner as he does with other faux-historical aspects of his work. This study is valuable because Game of Thrones has brought heraldry from being a niche interest to something that is now consumed by a global audience of hundreds of millions of people. Several of the fantasy blazons in the series are now arguably the most recognisable coats of arms in history. Keywords: Game of Thrones; A Song of Ice and Fire; heraldry; blazonry; fantasy; G.R.R.
    [Show full text]