Greek Myths - Creatures/Monsters Bingo Myfreebingocards.Com

Total Page:16

File Type:pdf, Size:1020Kb

Greek Myths - Creatures/Monsters Bingo Myfreebingocards.Com Greek Myths - Creatures/Monsters Bingo myfreebingocards.com Safety First! Before you print all your bingo cards, please print a test page to check they come out the right size and color. Your bingo cards start on Page 3 of this PDF. If your bingo cards have words then please check the spelling carefully. If you need to make any changes go to mfbc.us/e/xs25j Play Once you've checked they are printing correctly, print off your bingo cards and start playing! On the next page you will find the "Bingo Caller's Card" - this is used to call the bingo and keep track of which words have been called. Your bingo cards start on Page 3. Virtual Bingo Please do not try to split this PDF into individual bingo cards to send out to players. We have tools on our site to send out links to individual bingo cards. For help go to myfreebingocards.com/virtual-bingo. Help If you're having trouble printing your bingo cards or using the bingo card generator then please go to https://myfreebingocards.com/faq where you will find solutions to most common problems. Share Pin these bingo cards on Pinterest, share on Facebook, or post this link: mfbc.us/s/xs25j Edit and Create To add more words or make changes to this set of bingo cards go to mfbc.us/e/xs25j Go to myfreebingocards.com/bingo-card-generator to create a new set of bingo cards. Legal The terms of use for these printable bingo cards can be found at myfreebingocards.com/terms. Have Fun! If you have any feedback or suggestions, drop us an email on [email protected]. Bingo Caller's Card Use your Bingo Caller's Card to call the bingo and keep track of which words you have already called. Print two copies of the caller's card. Cut one copy up, fold the squares in half, and put them in a hat. To call the bingo, pull a square out of the hat, unfold it and read it out. When you have called a word/number, tick it off on the second copy of the caller's card. You can use the second copy of the caller's card to check if a player has a winning card during a game. Argus Ash Tree Ceryneian Centaur Cerberus Chimaera Panoptes Arion Nymphs Hind Cretan Erymanthian Chrysaor Cyclopes Delphyne Chiron Bull Echidna Boar Giants Gorgons Hecatoncheires Laelaps Marsyas Medusa Nessus Teumessian Pegasus Polyphemus Python Silenus Sirens Talos fox Calydonian Crommyonian Boar Campe Cetus Charybdis Sow Geryon Harpies Lernaean Mares of Nemean Khalkotauroi Minotaur Ladon Hydra Diomedes Lion Orthrus Stymphalian Sphinx Birds Bingo Card ID 001 Bingo Card ID 002 Greek Myths - Creatures/Monsters Greek Myths - Creatures/Monsters Erymanthian Ash Tree Stymphalian Cretan Laelaps Medusa Centaur Geryon Delphyne Boar Nymphs Birds Ladon Bull Lernaean Erymanthian Teumessian Chrysaor Cyclopes Hydra Sphinx Chimaera Boar fox Minotaur Cetus Chimaera Crommyonian Lernaean Talos Geryon Delphyne Marsyas Sow Python Silenus Hydra Orthrus Cerberus Silenus Giants Campe Python Arion Echidna Giants Nessus Centaur Sirens Mares of Nemean Cerberus Hecatoncheires Hecatoncheires Diomedes Harpies Cetus Sphinx Lion Laelaps Marsyas Bingo Card ID 003 Bingo Card ID 004 Greek Myths - Creatures/Monsters Greek Myths - Creatures/Monsters Mares of Crommyonian Lernaean Nemean Mares of Polyphemus Echidna Diomedes Geryon Sow Hydra Harpies Lion Diomedes Silenus Lernaean Cretan Charybdis Medusa Marsyas Polyphemus Chrysaor Campe Chiron Giants Hydra Bull Crommyonian Nessus Laelaps Ladon Centaur Gorgons Ladon Sow Arion Sphinx Minotaur Ash Tree Erymanthian Khalkotauroi Cerberus Cyclopes Hecatoncheires Harpies Silenus Nymphs Nessus Boar Geryon Cretan Erymanthian Ceryneian Delphyne Orthrus Cerberus Khalkotauroi Echidna Bull Boar Arion Hind Talos Bingo Card ID 005 Bingo Card ID 006 Greek Myths - Creatures/Monsters Greek Myths - Creatures/Monsters Lernaean Ash Tree Mares of Erymanthian Chrysaor Chrysaor Harpies Campe Orthrus Hydra Pegasus Nymphs Diomedes Boar Argus Calydonian Khalkotauroi Panoptes Cerberus Marsyas Python Pegasus Minotaur Centaur Medusa Boar Cetus Silenus Geryon Delphyne Arion Cerberus Marsyas Sirens Delphyne Geryon Ash Tree Nemean Cretan Crommyonian Argus Teumessian Gorgons Khalkotauroi Chiron Sow Python fox Nymphs Lion Bull Panoptes Calydonian Teumessian Lernaean Hecatoncheires Chimaera Centaur Boar fox Nessus Talos Silenus Echidna Hydra Bingo Card ID 007 Bingo Card ID 008 Greek Myths - Creatures/Monsters Greek Myths - Creatures/Monsters Calydonian Erymanthian Stymphalian Hecatoncheires Hecatoncheires Boar Cyclopes Giants Talos Sphinx Boar Birds Medusa Mares of Nemean Argus Khalkotauroi Sphinx Diomedes Marsyas Lion Cetus Chimaera Nessus Panoptes Python Ceryneian Teumessian Calydonian Polyphemus Pegasus Geryon Nessus Delphyne Hind fox Boar Harpies Arion Lernaean Polyphemus Medusa Laelaps Chiron Centaur Silenus Minotaur Hydra Ladon Chrysaor Crommyonian Mares of Sow Echidna Chimaera Arion Cerberus Sirens Campe Pegasus Diomedes Geryon Bingo Card ID 009 Bingo Card ID 010 Greek Myths - Creatures/Monsters Greek Myths - Creatures/Monsters Cretan Ash Tree Minotaur Orthrus Harpies Cyclopes Orthrus Cetus Ladon Bull Giants Nymphs Lernaean Calydonian Mares of Charybdis Pegasus Medusa Sirens Hydra Boar Nessus Diomedes Ladon Delphyne Ceryneian Lernaean Arion Giants Centaur Silenus Campe Hind Python Cerberus Hydra Arion Erymanthian Crommyonian Argus Cretan Chrysaor Nessus Boar Sow Sphinx Laelaps Chiron Panoptes Bull Sirens Nemean Erymanthian Teumessian Hecatoncheires Cerberus Khalkotauroi Charybdis Echidna Lion Laelaps Boar Geryon fox Bingo Card ID 011 Bingo Card ID 012 Greek Myths - Creatures/Monsters Greek Myths - Creatures/Monsters Ash Tree Crommyonian Ceryneian Minotaur Delphyne Cerberus Charybdis Nymphs Sirens Gorgons Orthrus Sow Hind Stymphalian Cretan Ash Tree Stymphalian Birds Medusa Silenus Polyphemus Birds Talos Arion Bull Nymphs Sphinx Erymanthian Teumessian Lernaean Boar fox Centaur Python Nessus Chimaera Hydra Python Medusa Pegasus Crommyonian Mares of Cretan Sow Geryon Gorgons Centaur Geryon Cetus Diomedes Bull Chiron Arion Ceryneian Khalkotauroi Khalkotauroi Hecatoncheires Hind Chrysaor Marsyas Cyclopes Silenus Sirens Minotaur Bingo Card ID 013 Bingo Card ID 014 Greek Myths - Creatures/Monsters Greek Myths - Creatures/Monsters Stymphalian Cretan Geryon Birds Polyphemus Charybdis Khalkotauroi Campe Cetus Bull Sirens Sphinx Teumessian Mares of Cretan Calydonian Charybdis fox Khalkotauroi Campe Centaur Chiron Geryon Boar Diomedes Bull Calydonian Crommyonian Crommyonian Hecatoncheires Boar Pegasus Ladon Sow Minotaur Orthrus Chimaera Sow Echidna Medusa Giants Minotaur Delphyne Talos Cerberus Nessus Python Gorgons Laelaps Erymanthian Nemean Ceryneian Argus Cerberus Polyphemus Delphyne Chrysaor Cyclopes Boar Silenus Lion Hind Panoptes Bingo Card ID 015 Bingo Card ID 016 Greek Myths - Creatures/Monsters Greek Myths - Creatures/Monsters Teumessian Ceryneian Crommyonian Polyphemus Hecatoncheires fox Nessus Hind Cetus Chrysaor Chiron Sow Arion Ash Tree Cretan Silenus Echidna Delphyne Cerberus Python Harpies Orthrus Nymphs Bull Ladon Mares of Crommyonian Nemean Mares of Harpies Arion Diomedes Sow Lion Sirens Gorgons Marsyas Sphinx Diomedes Lernaean Stymphalian Stymphalian Nemean Cretan Centaur Campe Birds Birds Geryon Laelaps Hydra Giants Lion Bull Erymanthian Argus Khalkotauroi Khalkotauroi Geryon Medusa Boar Chimaera Talos Panoptes Echidna Cyclopes Bingo Card ID 017 Bingo Card ID 018 Greek Myths - Creatures/Monsters Greek Myths - Creatures/Monsters Teumessian Nemean Crommyonian Ash Tree Argus Chrysaor Orthrus fox Lion Sow Chiron Nymphs Talos Silenus Panoptes Stymphalian Teumessian Khalkotauroi Medusa Hecatoncheires Centaur Campe Birds Pegasus fox Sphinx Campe Ceryneian Ash Tree Cretan Crommyonian Minotaur Polyphemus Polyphemus Geryon Minotaur Sow Giants Hind Nymphs Bull Mares of Argus Cretan Erymanthian Charybdis Boar Cyclopes Python Echidna Nessus Cetus Diomedes Panoptes Bull Calydonian Nemean Chimaera Delphyne Chrysaor Charybdis Chiron Boar Talos Harpies Sirens Lion Bingo Card ID 019 Bingo Card ID 020 Greek Myths - Creatures/Monsters Greek Myths - Creatures/Monsters Cretan Crommyonian Cerberus Chimaera Silenus Khalkotauroi Marsyas Cerberus Sow Ladon Bull Giants Calydonian Argus Ceryneian Lernaean Boar Charybdis Chiron Cetus Campe Sirens Delphyne Panoptes Hind Hydra Mares of Nemean Ash Tree Cyclopes Minotaur Cyclopes Khalkotauroi Chrysaor Polyphemus Diomedes Lion Sirens Nymphs Cretan Erymanthian Echidna Orthrus Laelaps Boar Nessus Laelaps Gorgons Medusa Pegasus Bull Stymphalian Hecatoncheires Delphyne Centaur Giants Arion Python Birds Geryon Chiron Chimaera Bingo Card ID 021 Bingo Card ID 022 Greek Myths - Creatures/Monsters Greek Myths - Creatures/Monsters Teumessian Mares of Crommyonian Nemean Cyclopes Stymphalian fox Diomedes Giants Sow Talos Birds Chiron Pegasus Lion Ceryneian Nemean Stymphalian Erymanthian Argus Polyphemus Chrysaor Charybdis Hind Lion Birds Boar Panoptes Campe Sphinx Teumessian Ash Tree Chrysaor Cyclopes Delphyne Echidna Harpies Arion Orthrus fox Nymphs Cetus Calydonian Hecatoncheires Campe Laelaps Ladon Sphinx Boar Geryon Arion Sirens Silenus Erymanthian Cretan Nessus Centaur Charybdis Khalkotauroi Chimaera Boar Gorgons Talos Ladon Bull Bingo Card ID 023 Bingo Card ID 024 Greek Myths - Creatures/Monsters Greek Myths - Creatures/Monsters Argus Ash Tree Charybdis Chimaera Delphyne Cerberus Polyphemus Silenus Panoptes Echidna Gorgons Nymphs Calydonian Teumessian Boar Laelaps Orthrus Giants Talos fox Sphinx Pegasus Marsyas Chimaera Crommyonian Stymphalian Nemean Hecatoncheires Cyclopes Echidna Geryon Harpies Cetus Laelaps Sow Birds Lion Marsyas
Recommended publications
  • Golden Gorgon-Medousa Artwork in Ancient Hellenic World
    SCIENTIFIC CULTURE, Vol. 5, No. 1, (2019), pp. 1-14 Open Access. Online & Print DOI: 10.5281/zenodo.1451898 GOLDEN GORGON-MEDOUSA ARTWORK IN ANCIENT HELLENIC WORLD Lazarou, Anna University of Peloponnese, Dept of History, Archaeology and Cultural Resources Management Palaeo Stratopedo, 24100 Kalamata, Greece ([email protected]; [email protected]) Received: 15/06/2018 Accepted: 25/07/2018 ABSTRACT The purpose of this research is to highlight some characteristic examples of the golden works depicting the gorgoneio and Gorgon. These works are part of the wider chronological and geographical context of the ancient Greek world. Twenty six artifacts in total, mainly jewelry, as well as plates, discs, golden bust, coins, pendant and a vial are being examined. Their age dates back to the 6th century. B.C. until the 3rd century A.D. The discussion is about making a symbol of the deceased persist for long in the antiquity and showing the evolution of this form. The earliest forms of the Gorgo of the Archaic period depict a monster demon-like bellows, with feathers, snakes in the head, tongue protruding from the mouth and tusks. Then, in classical times, the gorgonian form appears with human characteristics, while the protruded tusks and the tongue remain. Towards Hellenistic times and until late antiquity, the gorgoneion has characteristics of a beautiful woman. Snakes are the predominant element of this gorgon, which either composes the gargoyle's hairstyle or is plundered like a jewel under its chin. This female figure with the snakes is interwoven with Gorgo- Medusa and the Perseus myth that had a wide reflection throughout the ancient times.
    [Show full text]
  • Ancient Greece. ¡ the Basilisc Was an Extremely Deadly Serpent, Whose Touch Alone Could Wither Plants and Kill a Man
    Ancient Greece. ¡ The Basilisc was an extremely deadly serpent, whose touch alone could wither plants and kill a man. ¡ The creature is later shown in the form of a serpent- tailed bird. ¡ Cerberus was the gigantic hound which guarded the gates of Haides. ¡ He was posted to prevent ghosts of the dead from leaving the underworld. ¡ Cerberus was described as a three- headed dog with a serpent's tail, a mane of snakes, and a lion's claws. The Chimera The Chimera was a monstrous beast with the body and maned head of a lion, a goat's head rising from its back, a set of goat-udders, and a serpents tail. It could also breath fire. The hero Bellerophon rode into battle to kill it on the back of the winged horse Pegasus. ¡ The Gryphon or Griffin was a beast with the head and wings of an eagle and the body of a lion. ¡ A tribe of the beasts guarded rich gold deposits in certain mountains. HYDRA was a gigantic, nine-headed water-serpent. Hercules was sent to destroy her as one of his twelve labours, but for each of her heads that he decapitated, two more sprang forth. So he used burning brands to stop the heads regenerating. The Gorgons The Gorgons were three powerful, winged daemons named Medusa, Sthenno and Euryale. Of the three sisters only Medousa was mortal, and so it was her head which the King commanded the young hero Perseus to fetch. He accomplished this with the help of the gods who equipped him with a reflective shield, curved sword, winged boots and helm of invisibility.
    [Show full text]
  • Pegasus Back from Kenya Sgt
    Hawaii Marine CCE Graduates Bodybuilder A-5 Volume 29, Number 23 Serving Marine Corps Base Hawaii June 8, 2000 B-1 A1111111111111111W 1111111111- .111111111111164 Pegasus back from Kenya Sgt. Robert Carlson Natural Fire provided valuable training for "Communications with the JTF headquar- Press Chief the detachment, according to Capt. ters was difficult at times, as was getting Christopher T. Cable, detachment mainte- maintenance parts here all the way from The Marines of Marine Heavy Helicopter nance officer. They not only experienced Hawaii," Cable explained. "Everyone did a Squadron 463 returned to Hawaii Saturday breaking down and deploying their CH-53D great job though, and we were able to get our after their month-long deployment to Kenya "Sea Stallions," they gained the experience of job done without any problems." in support of Operation Natural Fire. overcoming challenges inherent while con- Cable said the Marines in the detachment Working side-by-side with the U.S. Army, ducting operations in a foreign country. are happy to be back in Hawaii. Navy, and Air Force, Pegasus provided airlift "We were located on an airfield in the city "There are a lot of experienced Marines support for medical assistance and humanitar- of Mombasa, Kenya, about 70 miles south of here, but there are also many who are new to ian operations during the joint-combined the Joint Task Force headquarters in Malindi," the squadron," he said. "This evolution operation. said Cable. "The crew had the chance to see allowed the newer members of the squadron a The detachment of Hawaii Marines assist- what it takes to have two helicopters on-call chance to experience everything involved in ed in training Kenyan, Ugandan and 24 hours a day." deploying to a foreign country.
    [Show full text]
  • Naming the Extrasolar Planets
    Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named.
    [Show full text]
  • Wjcl Certamen 2016 Advanced Division Round One
    WJCL CERTAMEN 2016 ADVANCED DIVISION ROUND ONE 1. Brontes, Steropes, and Arges were the name of these beings that helped Hephaestus in his forge under Mt. Etna. What is the name typically given to these three? CYCLOPES B1. Cottus, Briareus, and Gyges are the names of what beings with fifty heads and one hundred hands? HECATONCHEIRES B2. The Cyclopes and Hecatoncheires were siblings. Name their parents. URANUS AND GAIA 2. From what Latin verb with what meaning is the English word “tactile” derived? TANGŌ, TANGERE MEANING TO TOUCH B1. From what Latin verb with what meaning is the English word “nuptial” derived? NŪBŌ, NŪBERE MEANING TO MARRY/VEIL B2. From what Latin verb with what meaning is the English word “pensive” derived? PENDŌ, PENDERE MEANING TO HANG/WEIGH 3. Which governor of Syria declared himself emperor upon hearing a rumor that Marcus Aurelius had died and continued his revolt even after learning that Marcus Aurelius was alive? AVIDIUS CASSIUS B1. Which governor of Germania Superior led a rebellion against the emperor Domitian in 89 CE but failed due to a sudden thaw of the Rhine that prevented his allies from joining him? LUCIUS ANTONIUS SATURNINUS B2. Which governor of Syria declared himself emperor when Pertinax died and was defeated in battle, then killed while fleeing to Parthia? PESCENNIUS NIGER 4. What Latin word most nearly means “a groan”? GEMITUS, GEMITŪS B1. What Latin word most nearly means “reputation”? FĀMA, FAMAE B2. What Latin word most nearly means “fleet”? CLASSIS, CLASSIS 5. What author describes the plague of Athens in a didactic work edited by Cicero entitled De Rerum Natura? LUCRETIUS B1.
    [Show full text]
  • Hesiod Theogony.Pdf
    Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.
    [Show full text]
  • MYTHOLOGY – ALL LEVELS Ohio Junior Classical League – 2012 1
    MYTHOLOGY – ALL LEVELS Ohio Junior Classical League – 2012 1. This son of Zeus was the builder of the palaces on Mt. Olympus and the maker of Achilles’ armor. a. Apollo b. Dionysus c. Hephaestus d. Hermes 2. She was the first wife of Heracles; unfortunately, she was killed by Heracles in a fit of madness. a. Aethra b. Evadne c. Megara d. Penelope 3. He grew up as a fisherman and won fame for himself by slaying Medusa. a. Amphitryon b. Electryon c. Heracles d. Perseus 4. This girl was transformed into a sunflower after she was rejected by the Sun god. a. Arachne b. Clytie c. Leucothoe d. Myrrha 5. According to Hesiod, he was NOT a son of Cronus and Rhea. a. Brontes b. Hades c. Poseidon d. Zeus 6. He chose to die young but with great glory as opposed to dying in old age with no glory. a. Achilles b. Heracles c. Jason d. Perseus 7. This queen of the gods is often depicted as a jealous wife. a. Demeter b. Hera c. Hestia d. Thetis 8. This ruler of the Underworld had the least extra-marital affairs among the three brothers. a. Aeacus b. Hades c. Minos d. Rhadamanthys 9. He imprisoned his daughter because a prophesy said that her son would become his killer. a. Acrisius b. Heracles c. Perseus d. Theseus 10. He fled burning Troy on the shoulder of his son. a. Anchises b. Dardanus c. Laomedon d. Priam 11. He poked his eyes out after learning that he had married his own mother.
    [Show full text]
  • Department of Art History 1
    Department of Art History 1 Department of Art History Chair • TBD Professors • Darby English • Christine Mehring • William J. T. Mitchell • Richard Neer • Wu Hung Associate Professors • Niall Atkinson • Persis Berlekamp • Claudia Brittenham • Chelsea Foxwell • Matthew Jesse Jackson • Wei-Cheng Lin • Andrei Pop • Katherine Taylor • Martha Ward Assistant Professors • Seth Estrin • Tamara Golan • Megan Sullivan Harper Schmidt Collegiate Assistant Professor • Dario Donetti Emeritus Faculty • Charles Cohen • Tom Gunning • Neil Harris • Reinhold Heller • Robert S. Nelson • Linda Seidel • Joel Snyder • Barbara Stafford • Yuri Tsivian Visiting Professors • Ina Blom, Department of Philosophy, Classics, History of Art, and Ideas, University of Oslo • Jas' Elsner, Corpus Christi College, University of Oxford The department offers a program for the study of the history of art, leading to the degree of Doctor of Philosophy. Our program distinguishes itself with a combination of global scope, object-driven research, and committed interdisciplinarity. Students pursue research spanning five continents, including Asian, European, Islamic, Latin American, and North American art, as well as the relations between these and other areas traditionally treated in isolation. Object-, material-, and site-based research and teaching are often large-scale and collaborative and include annual traveling seminars, conservation classes, as well as instruction and training at the Smart Museum and Art Institute. Interdisciplinary commitments manifest in faculty’s co-teaching, cross- appointments, and involvements in other departments, centers, and initiatives across campus, in the multiple workshops faculty and students in art history sponsor and participate in, and in the coursework students are encouraged to pursue beyond art history. 2 Department of Art History Admission A student wishing to enter the graduate program should have a sound undergraduate education in the humanities and liberal arts, preferably but not necessarily with a major in the history of art.
    [Show full text]
  • Stories and Essays on Persephone and Medusa Isabelle George Rosett Scripps College
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2017 Voices of Ancient Women: Stories and Essays on Persephone and Medusa Isabelle George Rosett Scripps College Recommended Citation Rosett, Isabelle George, "Voices of Ancient Women: Stories and Essays on Persephone and Medusa" (2017). Scripps Senior Theses. 1008. http://scholarship.claremont.edu/scripps_theses/1008 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. VOICES OF ANCIENT WOMEN: STORIES AND ESSAYS ON PERSEPHONE AND MEDUSA by ISABELLE GEORGE ROSETT SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR NOVY PROFESSOR BERENFELD APRIL 21, 2017 1 2 Dedicated: To Max, Leo, and Eli, for teaching me about surviving the things that scare me and changing the things that I can’t survive. To three generations of Heuston women and my honorary sisters Krissy and Madly, for teaching me about the ways I can be strong, for valuing me exactly as I am, and for the endless excellent desserts. To my mother, for absolutely everything (but especially for fielding literally dozens of phone calls as I struggled through this thesis). To Sam, for being the voice of reason that I happily ignore, for showing up with Gatorade the day after New Year’s shenanigans, and for the tax breaks. To my father (in spite of how utterly terrible he is at carrying on a phone conversation), for the hikes and the ski days, for quoting Yeats and Blake at the dinner table, and for telling me that every single essay I’ve ever asked him to edit “looks good” even when it was a blatant lie.
    [Show full text]
  • 1 Name 2 Zeus in Myth
    Zeus For other uses, see Zeus (disambiguation). Zeus (English pronunciation: /ˈzjuːs/[3] ZEWS); Ancient Greek Ζεύς Zeús, pronounced [zdeǔ̯s] in Classical Attic; Modern Greek: Δίας Días pronounced [ˈði.as]) is the god of sky and thunder and the ruler of the Olympians of Mount Olympus. The name Zeus is cognate with the first element of Roman Jupiter, and Zeus and Jupiter became closely identified with each other. Zeus is the child of Cronus and Rhea, and the youngest of his siblings. In most traditions he is married to Hera, although, at the oracle of Dodona, his consort The Chariot of Zeus, from an 1879 Stories from the Greek is Dione: according to the Iliad, he is the father of Tragedians by Alfred Church. Aphrodite by Dione.[4] He is known for his erotic es- capades. These resulted in many godly and heroic offspring, including Athena, Apollo, Artemis, Hermes, the Proto-Indo-European god of the daytime sky, also [10][11] Persephone (by Demeter), Dionysus, Perseus, Heracles, called *Dyeus ph2tēr (“Sky Father”). The god is Helen of Troy, Minos, and the Muses (by Mnemosyne); known under this name in the Rigveda (Vedic San- by Hera, he is usually said to have fathered Ares, Hebe skrit Dyaus/Dyaus Pita), Latin (compare Jupiter, from and Hephaestus.[5] Iuppiter, deriving from the Proto-Indo-European voca- [12] tive *dyeu-ph2tēr), deriving from the root *dyeu- As Walter Burkert points out in his book, Greek Religion, (“to shine”, and in its many derivatives, “sky, heaven, “Even the gods who are not his natural children address [10] [6] god”).
    [Show full text]
  • The Twelve Labors of Herakles
    The Getty Teacher Resource Villa The Twelve Labors of Herakles Herakles was a universal hero, celebrated by the Greeks, the Etruscans (who called him Hercle), and the Romans (who knew him as 1. The Lion Hercules). He was the son of Zeus (king of the of Nemea gods) and a mortal woman, Alkmene. Ironically, his name means “the glory” (kleos) of Hera (queen of the gods), his jealous stepmother, who drove him mad and caused him to kill his wife and children. As penance, the hero was bound to serve King Eurystheus of Mycenae and Tiryns. The king sent him on a series of The Lion of Nemea had an impervious hide difficult tasks, or labors, twelve of which and could not be killed with traditional weapons. Herakles strangled it and then became standardized in art and literature. used its own claw to skin it. Afterward he wore its pelt as a talisman. 2. The Hydra of Lerna 3. The Hind of Keryneia The Hydra of Lerna was a serpentlike, multiheaded monster. Every time a head was cut off, two more grew in its place. With the aid of his nephew Education Iolaos,Educ Heraklesation killed the beast by cauterizing each wounded neck with a torch. 6/8 point The J. Paul Getty Museum The J. Paul Getty Museum at the Getty Center The Hind of Keryneia was sacred to Artemis ducation (goddess of the hunt and wild animals). Herakles E was ordered to bring the deer, or its golden The J. Paul Getty Museum horn, back to Eurystheus without harming it.
    [Show full text]
  • Reading Anne Carson's Autobiography of Red As a Modern
    There Are No Words for a World Without a Self: Reading Anne Carson’s Autobiography of Red as a Modern-Day Myth Alyssa Huisman 2362546 Leiden University First reader: Prof. P. Liebregts Second reader: Dr. M. Newton MA Thesis Literary Studies: English Literature and Culture 15 June 2020 Huisman 2 Table of Contents Introduction ......................................................................................................................................3 Chapter 1 – Theoretical Framework: Defining the Modern Myth ................................................8 1.1 Defining Mythology ...................................................................................................... 8 1.2 Transtextuality ........................................................................................................... 10 1.3 Semiotics and Mythology ............................................................................................ 14 1.4 Defining the Modern Myth .......................................................................................... 19 Chapter 2 – Reading Autobiography of Red as a Modern Myth ................................................ 22 2.1 Geryon ....................................................................................................................... 22 2.2 Geryon’s Monstrosity ................................................................................................. 26 2.3 Immortality and Time ................................................................................................
    [Show full text]