Summary of a Game Cycle
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Mark of Athena Olympic Event
The Mark of Athena OLYMPIC EVENT KIT in celebration of new york times #1 best-selling series | heroesofolympus.com Greetings, Demigods! In The Heroes of Olympus, Book Three: The Mark of Athena, the Greeks and Romans are coming together, and the results are bound to be epic! As Jason, Percy, and friends unite, they soon find themselves on a quest . and the Prophecy of Seven will begin to unfold. Bring a little Greek and Roman magic to your local bookstore or library with The Mark of Athena Olympic Event Kit! Inside this kit you’ll find party ideas, reproducible activity sheets, discussion questions, and more to make for the ultimate Heroes of Olympus celebration. So prepare your lucky laurel wreath, practice your Aphrodite charmspeak, and get ready to party with The Heroes of Olympus! Have fun, | heroesofolympus.com 2 Table of Contents Throw a Demigod Fiesta .................................................4 Getting a Proper Demigod Education .............................6 Determine Your Greek or Roman Allegiance ...................7 Uncover a New God ........................................................8 Joining the Heroes of Olympus Quest .............................9 Greek and Roman God Challenge ................................. 10 Who Did What When? .................................................. 12 Giving the Girls Their Due ............................................ 14 Who Said What Now? ................................................... 16 Great Beasts of Greek Mythology ................................. 17 What Comes -
Ancient Greece. ¡ the Basilisc Was an Extremely Deadly Serpent, Whose Touch Alone Could Wither Plants and Kill a Man
Ancient Greece. ¡ The Basilisc was an extremely deadly serpent, whose touch alone could wither plants and kill a man. ¡ The creature is later shown in the form of a serpent- tailed bird. ¡ Cerberus was the gigantic hound which guarded the gates of Haides. ¡ He was posted to prevent ghosts of the dead from leaving the underworld. ¡ Cerberus was described as a three- headed dog with a serpent's tail, a mane of snakes, and a lion's claws. The Chimera The Chimera was a monstrous beast with the body and maned head of a lion, a goat's head rising from its back, a set of goat-udders, and a serpents tail. It could also breath fire. The hero Bellerophon rode into battle to kill it on the back of the winged horse Pegasus. ¡ The Gryphon or Griffin was a beast with the head and wings of an eagle and the body of a lion. ¡ A tribe of the beasts guarded rich gold deposits in certain mountains. HYDRA was a gigantic, nine-headed water-serpent. Hercules was sent to destroy her as one of his twelve labours, but for each of her heads that he decapitated, two more sprang forth. So he used burning brands to stop the heads regenerating. The Gorgons The Gorgons were three powerful, winged daemons named Medusa, Sthenno and Euryale. Of the three sisters only Medousa was mortal, and so it was her head which the King commanded the young hero Perseus to fetch. He accomplished this with the help of the gods who equipped him with a reflective shield, curved sword, winged boots and helm of invisibility. -
Pegasus Back from Kenya Sgt
Hawaii Marine CCE Graduates Bodybuilder A-5 Volume 29, Number 23 Serving Marine Corps Base Hawaii June 8, 2000 B-1 A1111111111111111W 1111111111- .111111111111164 Pegasus back from Kenya Sgt. Robert Carlson Natural Fire provided valuable training for "Communications with the JTF headquar- Press Chief the detachment, according to Capt. ters was difficult at times, as was getting Christopher T. Cable, detachment mainte- maintenance parts here all the way from The Marines of Marine Heavy Helicopter nance officer. They not only experienced Hawaii," Cable explained. "Everyone did a Squadron 463 returned to Hawaii Saturday breaking down and deploying their CH-53D great job though, and we were able to get our after their month-long deployment to Kenya "Sea Stallions," they gained the experience of job done without any problems." in support of Operation Natural Fire. overcoming challenges inherent while con- Cable said the Marines in the detachment Working side-by-side with the U.S. Army, ducting operations in a foreign country. are happy to be back in Hawaii. Navy, and Air Force, Pegasus provided airlift "We were located on an airfield in the city "There are a lot of experienced Marines support for medical assistance and humanitar- of Mombasa, Kenya, about 70 miles south of here, but there are also many who are new to ian operations during the joint-combined the Joint Task Force headquarters in Malindi," the squadron," he said. "This evolution operation. said Cable. "The crew had the chance to see allowed the newer members of the squadron a The detachment of Hawaii Marines assist- what it takes to have two helicopters on-call chance to experience everything involved in ed in training Kenyan, Ugandan and 24 hours a day." deploying to a foreign country. -
Greek Myths - Creatures/Monsters Bingo Myfreebingocards.Com
Greek Myths - Creatures/Monsters Bingo myfreebingocards.com Safety First! Before you print all your bingo cards, please print a test page to check they come out the right size and color. Your bingo cards start on Page 3 of this PDF. If your bingo cards have words then please check the spelling carefully. If you need to make any changes go to mfbc.us/e/xs25j Play Once you've checked they are printing correctly, print off your bingo cards and start playing! On the next page you will find the "Bingo Caller's Card" - this is used to call the bingo and keep track of which words have been called. Your bingo cards start on Page 3. Virtual Bingo Please do not try to split this PDF into individual bingo cards to send out to players. We have tools on our site to send out links to individual bingo cards. For help go to myfreebingocards.com/virtual-bingo. Help If you're having trouble printing your bingo cards or using the bingo card generator then please go to https://myfreebingocards.com/faq where you will find solutions to most common problems. Share Pin these bingo cards on Pinterest, share on Facebook, or post this link: mfbc.us/s/xs25j Edit and Create To add more words or make changes to this set of bingo cards go to mfbc.us/e/xs25j Go to myfreebingocards.com/bingo-card-generator to create a new set of bingo cards. Legal The terms of use for these printable bingo cards can be found at myfreebingocards.com/terms. -
Rick Riordan ( Is the Author of fi Ve RICK RIORDAN at Sam Houston State University
This guide was created by Dr. ABOUT THE AUTHOR Rose Brock, an assistant professor Rick Riordan (www.rickriordan.com) is the author of fi ve RICK RIORDAN at Sam Houston State University. New York Times #1 best-selling series with millions of copies sold Dr. Brock holds a PhD in library throughout the world: Percy Jackson and the Olympians, the science, specializing in children’s Kane Chronicles, the Heroes of Olympus, the Trials of Apollo, and young adult literature. and Magnus Chase and the Gods of Asgard. His collections of Greek myths, Percy Jackson’s Greek Gods and Percy Jackson’s Greek Many more guides can be found Heroes, were New York Times #1 best sellers as well. His novels Michael Frost Michael on the Disney • Hyperion website for adults include the hugely popular Tres Navarre series, winner at www.disneybooks.com. of the top three awards in the mystery genre. He lives in Boston, Massachusetts, with his wife and two sons. Books by Rick Riordan The Trials of Apollo BOOK ONE BOOK TWO BOOK THREE BOOK FOUR BOOK FIVE THE HIDDEN THE DARK THE BURNING THE TYRANT’S THE TOWER ORACLE PROPHECY MAZE TOMB OF NERO Hardcover Hardcover Hardcover Hardcover Hardcover 978-1-4847-3274-8 978-1-4847-4642-4 978-1-4847-4643-1 978-1-4847-4644-8 978-1-4847-4645-5 $19.99 $19.99 $19.99 $19.99 $19.99 Paperback Paperback Paperback Paperback Paperback 978-1-4847-4641-7 978-1-4847-8064-0 978-1-4847-8065-7 978-1-4847-8066-4 978-1-4847-8067-1 $9.99 $9.99 $9.99 $9.99 $9.99 Other Series Available This guide is aligned with the College and Career Readiness (CCR) anchor standards for Literature, Writing, Language, and Speaking and Listening. -
An Analysis of Heracles As a Tragic Hero in the Trachiniae and the Heracles
The Suffering Heracles: An Analysis of Heracles as a Tragic Hero in The Trachiniae and the Heracles by Daniel Rom Thesis presented for the Master’s Degree in Ancient Cultures in the Faculty of Arts and Social Sciences, at Stellenbosch University Supervisor: Prof. Annemaré Kotzé March 2016 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Copyright © 2016 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract This thesis is an examination of the portrayals of the Ancient Greek mythological hero Heracles in two fifth century BCE tragic plays: The Trachiniae by Sophocles, and the Heracles by Euripides. Based on existing research that was examined, this thesis echoes the claim made by several sources that there is a conceptual link between both these plays in terms of how they treat Heracles as a character on stage. Fundamentally, this claim is that these two plays portray Heracles as a suffering, tragic figure in a way that other theatre portrayals of him up until the fifth century BCE had failed to do in such a notable manner. This thesis links this claim with a another point raised in modern scholarship: specifically, that Heracles‟ character and development as a mythical hero in the Ancient Greek world had given him a distinct position as a demi-god, and this in turn affected how he was approached as a character on stage. -
Classical Images – Greek Pegasus
Classical images – Greek Pegasus Red-figure kylix crater Attic Red-figure kylix Triptolemus Painter, c. 460 BC attr Skythes, c. 510 BC Edinburgh, National Museums of Scotland Boston, MFA (source: theoi.com) Faliscan black pottery kylix Athena with Pegasus on shield Black-figure water jar (Perseus on neck, Pegasus with Etrurian, attr. the Sokran Group, c. 350 BC Athenian black-figure amphora necklace of bullae (studs) and wings on feet, Centaur) London, The British Museum (1842.0407) attr. Kleophrades pntr., 5th C BC From Vulci, attr. Micali painter, c. 510-500 BC 1 New York, Metropolitan Museum of ART (07.286.79) London, The British Museum (1836.0224.159) Classical images – Greek Pegasus Pegasus Pegasus Attic, red-figure plate, c. 420 BC Source: Wikimedia (Rome, Palazzo Massimo exh) 2 Classical images – Greek Pegasus Pegasus London, The British Museum Virginia, Museum of Fine Arts exh (The Horse in Art) Pegasus Red-figure oinochoe Apulian, c. 320-10 BC 3 Boston, MFA Classical images – Greek Pegasus Silver coin (Pegasus and Athena) Silver coin (Pegasus and Lion/Bull combat) Corinth, c. 415-387 BC Lycia, c. 500-460 BC London, The British Museum (Ac RPK.p6B.30 Cor) London, The British Museum (Ac 1979.0101.697) Silver coin (Pegasus protome and Warrior (Nergal?)) Silver coin (Arethusa and Pegasus Levantine, 5th-4th C BC Graeco-Iberian, after 241 BC London, The British Museum (Ac 1983, 0533.1) London, The British Museum (Ac. 1987.0649.434) 4 Classical images – Greek (winged horses) Pegasus Helios (Sol-Apollo) in his chariot Eos in her chariot Attic kalyx-krater, c. -
The Grotesque As It Appears in Western Art History and in Ian Marley’S Creative Creatures
The grotesque as it appears in Western art history and in Ian Marley’s creative creatures Rita Swanepoel Department History of Art North-West University Potchefstroom Campus POTCHEFSTROOM E-mail: [email protected] Abstract The grotesque as it appears in Western art history and in Ian Marley’s creative creatures This article presents a theoretical exploration and reading of the notion of the grotesque in Western history of art to serve as background to the reading of the original creatures in the “Tracking creative creatures” project.1 These creatures were drawn by Marley, based on imaginary creatures narrated by his five year-old son, Joshua. The focus in this article is on the occurrence of the grotesque in paintings and drawings. Three techniques associated with the grotesque are identified: the presence of imagined fusion figures or composite creatures, the violation and exaggeration of standing categories or concepts, and the juxtaposition of the ridiculous and the horrible. The use of these techniques is illustrated in selected artworks and Mar- ley’s creatures are then read from the angle of these strategies. 1 To understand the frame within which this research has been done, reference should be made to the introductory article by Greyling and Marley. It is important to keep in mind that the articles stemming from this project are individual contributions. It was not a team project in the sense that authors responded to each other’s contributions. Literator 30(1) April 2009:31-53 ISSN 0258-2279 31 The grotesque as it appears in Western art history .. -
Press Release
Press Release German Workmanship for the USA Pegasus & Dragon at Gulfstream Park, Miami, USA: Strassacker art foundry creates largest bronze horse sculpture in the world The Strassacker art foundry has implemented the vision of numerous architects, town plan- ners and artists. The list of national and international references is just as long. After all, the complete processing of small-scale and complex art projects from conceptualisation through coordination of the artists, architects, authorities and companies involved, right through to the final assembly stage is among the core competencies of the company from Süßen. "But when the first sketches of Pegasus & Dragon arrived in Süßen for review around three years ago, even the most experienced members of staff initially looked at it in disbelief", recollect Edith Strassacker and Günter Czasny. "The bronze statue Pegasus & Dragon was already one of the greatest challenges in our company's history, which spans close to a century", report the presiding managing director and the deputy managing direc- tor of the family-owned company that employs 500 members of staff. Even motorists travelling along the busy U.S. Highway 1 in Miami, Florida, over the past few months have wondered, in astonishment, what was being constructed close to Hallandale Beach in Gulfstream Park. The 33-metre-high metal structure that gleams in the sun and that took up to 100 workers to create, all of them working in tandem, was the talk of the town on the legendary federal highway that runs the length of the East Coast of the USA. The result that emerged upon conclusion of construction in November 2014 is no less spec- tacular. -
The Arms of Achilles: Re-Exchange in the Iliad
The Arms of Achilles: Re-Exchange in the Iliad by Eirene Seiradaki A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Classics University of Toronto © Copyright by Eirene Seiradaki (2014) “The Arms of Achilles: Re-Exchange in the Iliad ” Eirene Seiradaki Doctor of Philosophy Department of Classics University of Toronto 2014 Abstract This dissertation offers an interpretation of the re-exchange of the first set of Achilles’ arms in the Iliad by gift, loan, capture, and re-capture. Each transfer of the arms is examined in relation to the poem’s dramatic action, characterisation, and representation of social institutions and ethical values. Modern anthropological and economic approaches are employed in order to elucidate standard elements surrounding certain types of exchange. Nevertheless, the study primarily involves textual analysis of the Iliadic narratives recounting the circulation-process of Achilles’ arms, with frequent reference to the general context of Homeric exchange and re-exchange. The origin of the armour as a wedding gift to Peleus for his marriage to Thetis and its consequent bequest to Achilles signifies it as the hero’s inalienable possession and marks it as the symbol of his fate in the Iliad . Similarly to the armour, the spear, a gift of Cheiron to Peleus, is later inherited by his son. Achilles’ own bond to Cheiron makes this weapon another inalienable possession of the hero. As the centaur’s legacy to his pupil, the spear symbolises Achilles’ awareness of his coming death. In the present time of the Iliad , ii Achilles lends his armour to Patroclus under conditions that indicate his continuing ownership over his panoply and ensure the safe use of the divine weapons by his friend. -
Harpy Eagle Shot a Rare Harpy Eagle, Equipped with a Transmitter Aspart of a Project to Research Habitat Use Discovered the Bird
transmittersinThe Peregrine Whistling-DuckAlert Ftmd'sHarpy Eagle program, TheWest Indian Whistling- wasbeing tracked by biologists Duck has been targeted for viasatellites and computers. conservationefforts by the TheHarpy Eagle is vulnera- RARECenter for tropical con- blebecause of its low repro- servation. The rarest antid in ductionrate, which includes North America was once com- oneof the longest rearing peri- monthroughout the Bahamas odsof any raptor. After the andGreater Antilles. Today it productionof a chick,a Harpy is reducedto small,scattered, maynot attempt to renest for relictpopulations. Efforts at upto threeyears while raising establishingprotection itsyoung. Two-year-old throughoutitsdozen-nation Harpies,such as the one killed, rangeare underway. The West arestill dependent upon adults IndianWhisding-Duck isthe for food. largestof thewodd's eight whistling-duckspecies. DivingDucks' Delight Therapid and extensive spreadof Zebra Mussels in the GreatLakes region could affect thedistribution of diving ducks,according to a studyon HarpyEagle Shot elanNational Guard troops Lake Erie in Ontario. The A rareHarpy Eagle, equipped discoveredthe bird being invasionof theEuropean mol- witha transmitteraspart of a skinnedby individuals who lusk,presumably brought to projectto research habitat use nowface charges under a new NorthAmerica in shipballast of thepowerful raptor species, environmental law in that water,has caught the eye of was shot in the mountains of country.The eagle, one of five worriedbiologists concerned Venezuelarecendy. -
Examples of Heraldic Shield Divisions Dividing Lines Colors Sample
Examples of heraldic shield divisions Military strips or Defense or protection Protection Rule and authority Faith and protection Belt of Valor Stands for military Military strength Honor Protection strength or bravery. or fortitude. Dividing lines Represents fire, or Represents represents Represents Represents the walls of a the radiation Earth & Country the sea or water clouds and air fortress the sun. symbolizes or city also fame and glory Colors Sample Suggested Meanings Or Generosity and elevation of the mind (Gold) Argent Peace and sincerity (White/Silver) Gules Warrior or martyr; Military strength and magnanimity (Red) Azure Truth and loyalty (Blue) Vert Hope, joy, and loyalty in love (Green) Sable Constancy or grief (Black) Purpure Royal majesty, sovereignty, and justice (Purple) Tenne Worthy ambition (Orange) Sanguine Patient in battle, and yet victorious (Maroon) v Charges: Suggested Meanings: Acacia Branch Eternal and affectionate remembrance both for the living and the dead. Acorn Life, immortality and perseverence Anchor Christian emblem of hope and refuge; awarded to sea warriors for special feats performed Also signifies steadfastness and stability. In seafaring nations, the anchor is a symbol of good luck, of safety, and of security Annulet Emblem of fidelity; Also a mark of Cadency of the fifth son Antelope Represents action, agility and sacrifice and a very worthy guardian that is not easily provoked, but can be fierce when challenged Antlers Strength and fortitude Anvil Honour and strength; chief emblem of the smith's trade Arrow Readiness; if with a cross it denotes affliction; a bow and arrow signifies a man resolved to abide the uttermost hazard of battle.