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The Ugly Duckling YOU Have an Important Part to Play
The Ugly Duckling STUDY GUIDE THE UGLY DUCKLING BASED ON THE S T O R Y B Y Fairy tales... HANS CHRISTIAN ANDERSEN are types of folk tales. They BY RICHARD GIERSCH usually begin with “Once upon a time...” and end with “...happily ever after.” Also, fairy tales usually have events happening in threes, and involve magic. THE UGLY DUCKLING is a musical written by Richard Giersch, based on the story by Hans Christian Andersen. This program is presented in support of the Folk tales... teaching of the Virginia English Standards of Learning. are short, with a simple plot. They Activities provided support curriculum k-5. have characters representing a characteristic like good or bad and feature events that are AT THE LIBRARY: repeated, especially in threes. Hans Christian Andersen (1805- They are based in fantasy. 1875) was a Danish author best known for writing over 150 children’s stories. Check out the following fairy tales, also by Hans Christian Andersen: The Emperor’s New Clothes Thumbelina The Princess and the Pea YOU Have an Important Part to Play The Steadfast Tin Soldier How to Play Your Part The Fir Tree The Little Mermaid A play is different than television or a movie. The actors are right in front of The Nightingale you and can see your reactions, feel your attention, and hear your laughter Little Match Girl and applause. Watch and listen carefully to understand the story. The story is told by actors and comes to life through your imagination. Page 2 VIRGINIA REPERTORY THEATRE Songs from The Ugly Duckling Plays that include songs are called musicals. -
Who's Afraid of the Brothers Grimm?: Socialization and Politization Through Fairy Tales
Who's Afraid of the Brothers Grimm?: Socialization and Politization through Fairy Tales Jack Zipes The Lion and the Unicorn, Volume 3, Number 2, Winter 1979-80, pp. 4-41 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/uni.0.0373 For additional information about this article https://muse.jhu.edu/article/247386 Access provided by University of Mary Washington & (Viva) (19 Sep 2017 17:43 GMT) Who's Afraid of the Brothers Grimm? Socialization and Politization through Fairy Tales Jack Zipes Over 170 years ago the Brothers Grimm began collecting original folk tales in Germany and stylized them into potent literary fairy tales. Since then these tales have exercised a pro- found influence on children and adults alike throughout the western world. Indeed, whatever form fairy tales in general have taken since the original publication of the Grimms' nar- ratives in 1812, the Brothers Grimm have been continually looking over our shoulders and making their presence felt. For most people this has not been so disturbing. However, during the last 15 years there has been a growing radical trend to over- throw the Grimms' benevolent rule in fairy-tale land by writers who believe that the Grimms' stories contribute to the creation of a false consciousness and reinforce an authoritarian sociali- zation process. This trend has appropriately been set by writers in the very homeland of the Grimms where literary revolutions have always been more common than real political ones.1 West German writers2 and critics have come to -
ALEX: Hello and Welcome to Another Episode of the Princess and the Podcast, the Best Hans Christian Andersen Analysis Podcast out There
ALEX: Hello and welcome to another episode of The Princess and the Podcast, the best Hans Christian Andersen analysis podcast out there. I'm Alex ANA: and I'm Ana. Today we will be talking about Anderson's rocky relationship with royalty through performance and analysis of his tales, "The Princess and the Pea" and "The Emperor's New Clothes". These are two tales that are critical of royalty, which is unusual for Anderson who usually wrote stories which celebrated princes and princesses. ALEX: But before we get to the reading of those two tales, why don't we talk a little bit about Anderson's life and relationship with royalty? ANA: Great idea. Let's start with a bit of background. Anderson grew up poor in the city of Odense, Denmark. His obsession with royalty might have even started at a young age because his father actually believed that they were long lost Royalty. ALEX: Oh, interesting. And yeah, obviously, it remained a theme throughout his life. He surrounded himself with nobility and was always almost ashamed of his poor background, and apparently his rich friends didn't shy away from reminding him of that. ANA: Oh, so that explains why he wrote all these stories like his most famous, "The Little Mermaid". That were sort of royalty positive or lifted up the idea of royalty. But he has as mentioned these two stories that seem to contradict that, which are "The Emperor's New Clothes" and "The Princess and the Pea". ALEX: Yeah, so starting with the Emperor's New Clothes, how does that criticize or make fun of royalty? ANA: Well, to start off, in the story, The emperor is a man who's literally obsessed with clothes and his outfits. -
Fairy Tale Versions~
FAIRY TALES/FOLK TALES Fairy Tales are a type of folktale in which magic plays a great part. Compiled by Sheila Kirven GENERAL Anderson, Hans Christian Steadfast Tin Soldier Juv.A544ste Armstrong, Gerry The magic bagpipe Juv. 788.9 .A735m Browne, Anthony Into the Forest Juv. B882i (Story incorporates elements of familiar tales) Casserley, Anne Roseen Juv. 398.21 .C344r Chapman, Gaynor The Luck Child Juv. 398.21.C466l 1968 De Regniers, Beatrice Little Sister and the Month Brothers Juv. D431Li Schenk The House in the Wood and Other Old Fairy Stories Juv. 398.2.G864h Little Lit: Folklore and Fairy Tale Funnies Juv.398.21.F666 Hennessy, B. G. Once Upon a Time Map Book: Take a Tour Juv.H515o of Six Enchanted Lands (Peter Pan, Wizard of Oz, Alice in Wonderland, Jack and then Beanstalk, Aladdin, Snow White) Jacobs, Joseph The buried moon; a tale told by Joseph Jacobs. Juv. 398.21 .J17b Jacobs, Joseph Indian fairy tales Juv.398.2 .J17i 1969 MacDonald, George, The golden key Juv. M135g Matsutani, Miyoko, The crane maiden. Juv. 98.21 .M434c My Storytime Collection of First Favorite tales Juv. 398.2.M995 2002 O’Malley, Kevin Once upon a cool motorcycle dude Juv. O543o (Two classmates try to tell a fairy tale to their class with some imaginative twists to some well-known fairy tale elements!) Oxenbury, Helen. Helen Oxenbury nursery story book. Juv. 398.21 .O98h San Jose, Christine Little Match Girl Juv. 398.21.A544j San Souci, Robert D. White Cat Juv.398.21.SS229w 1990 Singer, Marilyn Follow Follow: A book of Reverso poems Juv.811.54.S617f (Poems -
Andersen's Fairy Tales
Andersen’s Fairy Tales Hans Christian Andersen This eBook is designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com/. Andersen’s Fairy Tales THE EMPEROR’S NEW CLOTHES Many years ago, there was an Emperor, who was so excessively fond of new clothes, that he spent all his money in dress. He did not trouble himself in the least about his soldiers; nor did he care to go either to the theatre or the chase, except for the opportunities then afforded him for displaying his new clothes. He had a different suit for each hour of the day; and as of any other king or emperor, one is accustomed to say, ‘he is sitting in council,’ it was always said of him, ‘The Emperor is sitting in his wardrobe.’ Time passed merrily in the large town which was his capital; strangers arrived every day at the court. One day, two rogues, calling themselves weavers, made their appearance. They gave out that they knew how to weave stuffs of the most beautiful colors and elaborate patterns, the clothes manufactured from which should have the wonderful property of remaining invisible to everyone who was unfit for the office he held, or who was extraordinarily simple in character. 2 of 260 eBook brought to you by Andersen’s Fairy Tales Create, view, and edit PDF. Download the free trial version. ‘These must, indeed, be splendid clothes!’ thought the Emperor. ‘Had I such a suit, I might at once find out what men in my realms are unfit for their office, and also be able to distinguish the wise from the foolish! This stuff must be woven for me immediately.’ And he caused large sums of money to be given to both the weavers in order that they might begin their work directly. -
The Tales of the Grimm Brothers in Colombia: Introduction, Dissemination, and Reception
Wayne State University Wayne State University Dissertations 1-1-2012 The alest of the grimm brothers in colombia: introduction, dissemination, and reception Alexandra Michaelis-Vultorius Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the German Literature Commons, and the Modern Languages Commons Recommended Citation Michaelis-Vultorius, Alexandra, "The alet s of the grimm brothers in colombia: introduction, dissemination, and reception" (2012). Wayne State University Dissertations. Paper 386. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE TALES OF THE GRIMM BROTHERS IN COLOMBIA: INTRODUCTION, DISSEMINATION, AND RECEPTION by ALEXANDRA MICHAELIS-VULTORIUS DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2011 MAJOR: MODERN LANGUAGES (German Studies) Approved by: __________________________________ Advisor Date __________________________________ __________________________________ __________________________________ __________________________________ © COPYRIGHT BY ALEXANDRA MICHAELIS-VULTORIUS 2011 All Rights Reserved DEDICATION To my parents, Lucio and Clemencia, for your unconditional love and support, for instilling in me the joy of learning, and for believing in happy endings. ii ACKNOWLEDGEMENTS This journey with the Brothers Grimm was made possible through the valuable help, expertise, and kindness of a great number of people. First and foremost I want to thank my advisor and mentor, Professor Don Haase. You have been a wonderful teacher and a great inspiration for me over the past years. I am deeply grateful for your insight, guidance, dedication, and infinite patience throughout the writing of this dissertation. -
All Andersen ONLINE Summer Storytelling Schedule Hans
All Andersen ONLINE Summer Storytelling Schedule Hans Christian Andersen Story Telling Center 2020 – 64th Season Saturdays — 11:00AM-12:00PM LIVE ONLINE: https://facebook.com/HCAStoryCenter Storyteller Featured Hans Christian Andersen Story: LOCATION: May-June 30 May Sheila Arnold The Man and his Shadow Live streamed on Facebook Laura Simms, Simon Brooks The Old House, Jack, the Dullard and on YouTube – and 6 June Judith Heineman The Wild Swans Recorded sessions are Julia Della Torre The Emperor’s New Clothes available there afterwards. 13 June Regina Ress The Most Incredible Thing April Armstrong The Tea Pot If COVID-19 restrictions Rachael Harrington The Flax permit, we will move 20 June Jim Brule, Angela Halvorsen Bogo The Last Pearl, The Puppeteer performances outdoor @ Donna Jacobs Sife The Three Languages HCA Statue in Central Park (72nd & 5th) July 4 Julie Pasqual, Karen De Mauro The Goblin and the Huckster, The Princess Laura Simms and the Pea, Everything in its Right Place YouTube: 11 Joy Kelly Smith, Jean Hale The Steadfast Tin Soldier, What Father http://www.youtube.com/ Robin Bady Does is Right, The Journey of the Beetle c/HCAStoryCenter 18 Megan Wells, Angela Lloyd The Sandman, The Darning Needle Loren Niemi The Swineherd Facebook: 25 Lise Marie Nedergaard The Life of Andersen https://www.facebook. Connie Regan-Blake Five Peas in a Pod, com/HCAStoryCenter August 1 Regi Carpenter Ugly Duckling Angela Lloyd The Red Shoes 8 Ed Stivender There is a Difference For Updates, please check: Sally Pomme Clayton The Little Mermaid HCAStoryCenter.org -
Thumbelina CD Booklet
Hans Christian Andersen THUMBELINA AND OTHER FAIRY TALES JUNIOR Read by finalists of the Voice of the Year competition CLASSICS UNABRIDGED CHILDREN’S FAVOURITES NA233512D 1 Thumbelina read by Eleanor Buchan 2:56 2 One night while she lay in her pretty bed… 3:36 3 Thumbelina sailed past many towns… 3:52 4 Near the wood in which she’d been living… 4:12 5 Thumbelina said nothing… 3:26 6 Very soon the springtime came… 2:54 7 When autumn arrived… 3:06 8 At length they reached the warm countries… 4:59 9 The Brave Tin Soldier read by Bob Rollett 2:54 10 When evening came… 3:23 11 Suddenly there appeared a great water-rat… 5:00 12 The Princess and the Pea read by Helen Davies 3:10 13 The Butterfly read by Michael Head 4:32 14 Spring went by… 3:31 15 The Flea and the Professor read by Richard Cuthbertson 3:14 16 The Professor was proud of the flea… 2:54 17 The flea lived with the princess… 4:56 18 The Flying Trunk read by Paul Rew 4:22 19 Then he flew away to the town… 4:14 20 Then the saucepan went on with his story… 5:27 2 21 The Metal Pig read by Howard Wolfin 5:23 22 As they passed from hall to hall… 4:34 23 It was morning… 5:10 24 Giuseppe went out the next morning… 3:25 25 When evening came and the house door… 4:12 26 Oh what beautiful pictures these were… 5:11 27 The Storks read by Helen Davies 2:51 28 The next day when the children… 2:59 29 Time passed on and the young storks… 3:45 30 Of all the boys in the street… 3:38 31 The Silver Shilling read by Julian McDonnell 3:27 32 Now begins the story as it was afterwards… 5:38 33 A year passed… -
The Snow Queen Educational Material LEGAL NOTICE the Snow Queen Educational Material
The Snow Queen Educational Material LEGAL NOTICE The Snow Queen Educational Material Redaction Deutsche Oper am Rhein Theatergemeinschaft Düsseldorf-Duisburg gGmbH Anja Fürstenberg, Anna-Mareike Vohn, Krysztina Winkel, Eleanor Siden, Junge Oper am Rhein Heinrich-Heine-Allee 16a 40213 Düsseldorf Tel. +49 (0)211.89 25-152 Fax +49 (0)211.89 25-289 [email protected] Adaptation in English by Elisabeth Lasky for OperaVision www.operavision.eu [email protected] Bibliography Hans Christian Andersen • Mönninghoff, Wolfgang : Das große Hans Christian Andersen Buch;, Düsseldorf und Zürich 2005 • Sahr Michael: Andersen lesen. Andersen Märchen für Schüler von heute; Hohengehren 1999 • http://hans-christian-andersen.de/ Marius Felix Lange • http://www.mariuslange.de/ • http://www.sikorski.de/4459/de/lange_marius_felix.html Sheet music and quotes from the book: Original score by Marius Felix Lange Pictures Hans Christian Andersen • http://hans-christian-andersen.de/ • https://de.wikipedia.org/wiki/Hans_Christian_Andersen Production Pictures © Hans Jörg Michel © Deutsche Oper am Rhein 2018 – all rights reserved. 2 The Snow Queen Educational Material Contents Introduction – roles – the story ................................................................................................ 4 1. Context – the author, the composer and the fairy tale ............................................... 7 2. Improvisation - the characters of the opera ................................................................. 11 3. Character study- the trolls and the -
Nice to Know About Andersen in Red and Green
www.vlinders.be [email protected] ++ 32 476/33 84 03 Andersen in Red and Green. Andersen in Red and Green : nice to know - It are two fairy tales but performed not on the classical way - Figurentheater Vlinders & C° chooses for this performance a modern way of manipulation: stop motion puppets. - The prince and the princess are in both tales the same, in the original from Andersen they are not. - The prince loves green so he lives in a green world and castle. - The emperor and his daughter the princess prefer red so in their World everything has ‘something’ red. - So the performance is called: Andersen in Red and Green. - The prince and the princess have a servant, who serves them. The prince has a very joyfully optimistic servant. The princess has a reserved, rigid servant. Both servants are good friends, something our prince and princess don’t know. Special in the performance: both servants are acted by…the solo puppeteer. - The prince and the princess. - - The emperor and some princesses. - - The ladies in waiting About Andersen in Red and Green What happens when two world renowned figures players Dimitar Dimitrov (Bulgaria) and Ronny Aelbrecht (Belgium / Vlinders & C º) along step along into the magical world of the most famous Dane ever: Hans Christian Andersen? Then you will see two famous fairy tales of Andersen: The swineherd and the Princess on the Pea, merge into a story almost without words but with the same prince and princess! The solo puppeteer/servant serves this wonderful show for you in his world of red and green, supported by tingling music. -
"Hidden, but Not Forgotten": Hans Christian Andersen's Legacy in the Twentieth Century Andrea Immel
Marvels & Tales Volume 20 | Issue 2 Article 2 10-1-2006 Preface to the Special Issue: "Hidden, But Not Forgotten": Hans Christian Andersen's Legacy in the Twentieth Century Andrea Immel Recommended Citation Immel, Andrea. "Preface to the Special Issue: "Hidden, But Not Forgotten": Hans Christian Andersen's Legacy in the Twentieth Century." Marvels & Tales 20.2 (2006). Web. <http://digitalcommons.wayne.edu/marvels/vol20/iss2/2>. 004 M&T 20-2 FM (137-154) 6/11/07 2:03 PM Page 149 PREFACE TO THE SPECIAL ISSUE: “HIDDEN, BUT NOT FORGOTTEN”: HANS CHRISTIAN ANDERSEN’S LEGACY IN THE TWENTIETH CENTURY A green cloth volume of Andersen’s fairy tales in the Grosset & Dunlap Illustrated Junior Library is one of the books I remember most vividly from childhood. And when my first grade teacher discovered I could read aloud “The Ugly Duckling” without any coaching, she exempted me from regular reading instruction. But Andersen probably would not have appeared on a list of my favorite authors. Reading him was a visceral but not especially pleasant experience, because the stories that aroused a ghoulish confusion of terror and pity were the most mes- merizing. The response was triggered not so much by Andersen’s words as by Arthur Syzk’s jewel-toned illustrations in the Grosset & Dunlap edition. The upper left-hand corner of Syzk’s endpapers was dominated by the Snow Queen, whose huge, haunted yet cruel eyes compelled me to stare at its complex design. At the same time, her figure prompted an equally powerful desire to turn away. -
STUDY GUIDE for the 2010-2011 Theatre for Young Audiences Production Of
STUDY GUIDE for the 2010-2011 Theatre for Young Audiences Production of book and lyrics by Lynn Ahrens music by Stephen Flaherty based on the fairy tale by Hans Christian Andersen directed by Nick DeGruccio Prepared by Assistant Literary Manager Kimberly Colburn and Literary Intern Colby Peck Table of Contents Part I: THE PLAY The Story The Characters Once Upon a Time Father of the Fairy Tale Odense: The Fairy Tale Capital of the World “Velkommen” to Solvang Writing with Scissors Lynn Ahrens and Stephen Flaherty PART II: CLASSROOM ACTIVITIES Before the Show Fairy Tale Word Search Vocabulary Critical Thinking Activities After the Show Discussion about the Theatre Discussion about the Play Writing Activities Drawing Activities Hands-On Activities Letters of Thanks PART III: AT THE THEATRE Welcome to the Argyros Theatre Etiquette Student Tips for Theatre Trips Theatre Etiquette Quiz Programs Theatre Vocabulary PART IV: EDUCATION STATION Five Strands of Arts Education California Visual and Performing Arts Framework PART V: RESOURCES Fairy Tales by Hans Christian Andersen Other Study Guides and Lesson Plans Other Fun Links Bibliography Answer Key Part 1: The Play The Emperor's New Clothes The Story he palace is buzzing with excitement because it’s practically time for the Grand Coronation of EMPEROR MARCUS THE THIRD. WILLIAM, the Royal Advisor, and DEENA, the Royal Clothesmaker, are confident that nothing will Tgo wrong, despite the fact that their new ruler is only fourteen years old (“Emperor Marcus the Third”). But Marcus wants to cancel the coronation because he’s not ready yet—he’s only read the first chapter of How To Be a Better Emperor.