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2 the Emperor's New Clothes 3 Setting the Scene • Who's Who? 4 What's the Story?
2014–15 Season Presented by Book by Kim Esop Wylie Music by Joe Dreyer, Lyrics by Sheila Schultz Directed by Kat Singleton contents 2 The Emperor's New Clothes 3 Setting the Scene • Who’s Who? 4 What’s the Story? 5 Words to the Wise 6 Information and Activities theatre company theatre company theatre company theatre company by Kim Esop Wylie Music by Joe Dreyer, Lyrics by Sheila Schultz Directed by Kat Singleton Musical Director Larry Pry Scenic Designer Scott Loebl Costume Designer Dorothy Marshall Englis Stage Manager Mike Dowdy* Director of Education Marsha Coplon Associate Director of Education Sarah Brandt Education Programs Manager April Strelinger Study Guide Writer Laura Schlereth The Company Jason Contini* EMPEROR Alan Knoll* MINISTER OF FINANCE, PRIME MINISTER, BOY Financial assistance for this theatre has been provided by the Laurie McConnell* URLEEN, NARCISSUS National Endowment for the Arts, a federal agency; the Missouri Arts Council, a state agency; the Arts and Education Council of Greater Kristen McGuire* PACHYSANDRA St. Louis; and the St. Louis Regional Arts Commission. *Member of Actors' Equity Association, the union of professional actors and stage managers in the United States. 2 Setting the Scene Welcome to the Emperor’s palace! You’re not catching him on one of his good days–though, to be honest, he hasn’t had many of those lately anyway. Today’s specific distress is mostly about how his precious pooch, Narcissus, can’t be found. It turns out she was actually just outside enjoying nature and the outdoors, a concept totally foreign to the Emperor who is mostly concerned with decorum, etiquette, reserved manners, and most importantly, style. -
The Ugly Duckling YOU Have an Important Part to Play
The Ugly Duckling STUDY GUIDE THE UGLY DUCKLING BASED ON THE S T O R Y B Y Fairy tales... HANS CHRISTIAN ANDERSEN are types of folk tales. They BY RICHARD GIERSCH usually begin with “Once upon a time...” and end with “...happily ever after.” Also, fairy tales usually have events happening in threes, and involve magic. THE UGLY DUCKLING is a musical written by Richard Giersch, based on the story by Hans Christian Andersen. This program is presented in support of the Folk tales... teaching of the Virginia English Standards of Learning. are short, with a simple plot. They Activities provided support curriculum k-5. have characters representing a characteristic like good or bad and feature events that are AT THE LIBRARY: repeated, especially in threes. Hans Christian Andersen (1805- They are based in fantasy. 1875) was a Danish author best known for writing over 150 children’s stories. Check out the following fairy tales, also by Hans Christian Andersen: The Emperor’s New Clothes Thumbelina The Princess and the Pea YOU Have an Important Part to Play The Steadfast Tin Soldier How to Play Your Part The Fir Tree The Little Mermaid A play is different than television or a movie. The actors are right in front of The Nightingale you and can see your reactions, feel your attention, and hear your laughter Little Match Girl and applause. Watch and listen carefully to understand the story. The story is told by actors and comes to life through your imagination. Page 2 VIRGINIA REPERTORY THEATRE Songs from The Ugly Duckling Plays that include songs are called musicals. -
Building Community by Producing Honk! Jr., a Musical Based on the Glu Y Duckling Heidi Louise Jensen
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Theses Student Research 5-1-2013 Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The glU y Duckling Heidi Louise Jensen Follow this and additional works at: http://digscholarship.unco.edu/theses Recommended Citation Jensen, Heidi Louise, "Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The Ugly Duckling" (2013). Theses. Paper 38. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Theses by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2013 HEIDI LOUISE JENSEN ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School A TWO HUNDRED YEAR OLD LESSON IN BULLYING: BUILDING COMMUNITY BY PRODUCING HONK! JR., A MUSICAL BASED ON “THE UGLY DUCKLING” A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Heidi Louise Jensen College of Performing and Visual Arts School of Theatre Arts and Dance Theatre Education May 2013 This Thesis by: Heidi Louise Jensen Entitled: A Two Hundred Year Old Lesson in Bullying: Building Community by Producing HONK! Jr., A Musical Based on “The Ugly Duckling”. has been approved as meeting the requirement for the Degree of Master of Arts in College of Performing and Visual Arts in School of Theatre and Dance, Program of Theatre Educator Intensive Accepted by the Thesis Committee _______________________________________________________ Gillian McNally, Associate Professor, M.F.A., Chair, Advisor _______________________________________________________ Mary J. -
The Annotations for the Ugly Duckling Fairy Tale Are Below. Sources Have
The annotations for the Ugly Duckling fairy tale are below. Sources have been cited in parenthetical references, but I have not linked them directly to their full citations which appear on the Ugly Duckling Bibliography page. I have provided links back to the Annotated Ugly Duckling to facilitate referencing between the notes and the tale. Special thanks to Christine Ethier, an adjunct teacher of English writing at both Community College of Philadelphia and Camden County College, for providing the annotations to this tale. Ethier's annotations are designated by CE. Heidi Anne Heiner provided additional annotations designated with HAH. 1. The Ugly Duckling: Considered the most autobiographical of all his tales, Andersen first published "The Ugly Duckling" in 1844 when he was 39 years old. He admitted on many occasions that the tale mirrored his own life. The tale appeared in Nye Eventyr (New Fairy Tales). The collection was critically well-received. HAH The Franks write: It is not only among his most famous stories — the title itself has become part of several languages — but the one that readers correctly identify most closely with its author. Andersen spent his summers with aristocratic friends, going from one castle to the next; in the summer of 1842, at Gisselfeldt Castle, south of Copenhagen, he had been in a bad mood because a new play had done poorly. But he went for a walk, a diary entry notes, and “got the idea for a story about a duck. Improved my mood.” In late July — he was now a guest at the castle of Bregentved — he says, “Began the young swan yesterday” — a hint that the idea had not quite worked itself out (156). -
ALEX: Hello and Welcome to Another Episode of the Princess and the Podcast, the Best Hans Christian Andersen Analysis Podcast out There
ALEX: Hello and welcome to another episode of The Princess and the Podcast, the best Hans Christian Andersen analysis podcast out there. I'm Alex ANA: and I'm Ana. Today we will be talking about Anderson's rocky relationship with royalty through performance and analysis of his tales, "The Princess and the Pea" and "The Emperor's New Clothes". These are two tales that are critical of royalty, which is unusual for Anderson who usually wrote stories which celebrated princes and princesses. ALEX: But before we get to the reading of those two tales, why don't we talk a little bit about Anderson's life and relationship with royalty? ANA: Great idea. Let's start with a bit of background. Anderson grew up poor in the city of Odense, Denmark. His obsession with royalty might have even started at a young age because his father actually believed that they were long lost Royalty. ALEX: Oh, interesting. And yeah, obviously, it remained a theme throughout his life. He surrounded himself with nobility and was always almost ashamed of his poor background, and apparently his rich friends didn't shy away from reminding him of that. ANA: Oh, so that explains why he wrote all these stories like his most famous, "The Little Mermaid". That were sort of royalty positive or lifted up the idea of royalty. But he has as mentioned these two stories that seem to contradict that, which are "The Emperor's New Clothes" and "The Princess and the Pea". ALEX: Yeah, so starting with the Emperor's New Clothes, how does that criticize or make fun of royalty? ANA: Well, to start off, in the story, The emperor is a man who's literally obsessed with clothes and his outfits. -
Andersen's Fairy Tales
HTTPS://THEVIRTUALLIBRARY.ORG ANDERSEN’S FAIRY TALES H. C. Andersen Table of Contents 1. The Emperor’s New Clothes 2. The Swineherd 3. The Real Princess 4. The Shoes of Fortune 1. I. A Beginning 2. II. What Happened to the Councillor 3. III. The Watchman’s Adventure 4. IV. A Moment of Head Importance—an Evening’s “Dramatic Readings”—a Most Strange Journey 5. V. Metamorphosis of the Copying-clerk 6. VI. The Best That the Galoshes Gave 5. The Fir Tree 6. The Snow Queen 7. Second Story. a Little Boy and a Little Girl 8. Third Story. of the Flower-garden at the Old Woman’s Who Understood Witchcraft 9. Fourth Story. the Prince and Princess 10. Fifth Story. the Little Robber Maiden 11. Sixth Story. the Lapland Woman and the Finland Woman 12. Seventh Story. What Took Place in the Palace of the Snow Queen, and What Happened Afterward. 13. The Leap-frog 14. The Elderbush 15. The Bell 16. The Old House 17. The Happy Family 18. The Story of a Mother 19. The False Collar 20. The Shadow 21. The Little Match Girl 22. The Dream of Little Tuk 23. The Naughty Boy 24. The Red Shoes THE EMPEROR’S NEW CLOTHES Many years ago, there was an Emperor, who was so excessively fond of new clothes, that he spent all his money in dress. He did not trouble himself in the least about his soldiers; nor did he care to go either to the theatre or the chase, except for the opportunities then afforded him for displaying his new clothes. -
Tracing Fairy Tales in Popular Culture Through the Depiction of Maternity in Three “Snow White” Variants
University of Louisville ThinkIR: The University of Louisville's Institutional Repository College of Arts & Sciences Senior Honors Theses College of Arts & Sciences 5-2014 Reflective tales : tracing fairy tales in popular culture through the depiction of maternity in three “Snow White” variants. Alexandra O'Keefe University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/honors Part of the Children's and Young Adult Literature Commons, and the Comparative Literature Commons Recommended Citation O'Keefe, Alexandra, "Reflective tales : tracing fairy tales in popular culture through the depiction of maternity in three “Snow White” variants." (2014). College of Arts & Sciences Senior Honors Theses. Paper 62. http://doi.org/10.18297/honors/62 This Senior Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in College of Arts & Sciences Senior Honors Theses by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. O’Keefe 1 Reflective Tales: Tracing Fairy Tales in Popular Culture through the Depiction of Maternity in Three “Snow White” Variants By Alexandra O’Keefe Submitted in partial fulfillment of the requirements for Graduation summa cum laude University of Louisville March, 2014 O’Keefe 2 The ability to adapt to the culture they occupy as well as the two-dimensionality of literary fairy tales allows them to relate to readers on a more meaningful level. -
“The Oera Linda Book” and “The Snow Queen”: Two Destinies of One Myth
Journal of Siberian Federal University. Humanities & Social Sciences 1 (2015 8) 149-174 ~ ~ ~ УДК 304.444 “The Oera Linda Book” and “The Snow Queen”: Two Destinies of One Myth Ksenia V. Reznikova* Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia Received 12.08.2014, received in revised form 04.11.2014, accepted 11.12.2014 This article features globalization in its two forms: natural globalization and artificial globalization. The need of natural globalization becomes more obvious taking into account the growth of challenge to the humankind. Artificial globalization nowadays is provided by westernization. Influence of globalization is more obvious at the mental than at the physical level, construction of the historical past and its mythologization played major roles in the course of globalization. Different relations between ideology and myth can be traced on the example of the destinies of two works, in which almost the same idea of the world order is represented. These are “The Oera Linda Book” and “The Snow Queen”. As a part of the study, seven invariants of the fairy tale by H.C. Andersen were analyzed. The carried-out analysis is based on a hypothesis that artificial globalization influences mythology of certain cultures, distorting it for own needs, resorting to different methods for different forms of the myth representation. So, myths in their pure form, demanded by the adult representatives of culture, are subjected to criticism, they are charged of falsification. The ultimate goal of such an influence is to bury the myth in oblivion as false. The myth that is represented in the reduced art form for children’s audience has the changed plot basis and in this new form it is subjected to maximum replication to substitute the original version in a period of time. -
World Premiere of Christopher Hampson's the Snow Queen
PRESS RELEASE FOR IMMEDIATE RELEASE scottishballet.co.uk World premiere of Christopher Hampson’s The Snow Queen brings Scottish Ballet’s 50th anniversary year to a spectacular close this winter In a year of celebrations for Scotland’s national dance company, Scottish Ballet’s 50th anniversary comes to a spectacular close with the world premiere of CEO / Artistic Director Christopher Hampson’s The Snow Queen. Inspired by Hans Christian Andersen’s much-loved tale, which was also the basis for Disney’s hit film Frozen, this glittering new production opens at Edinburgh’s Festival Theatre on Saturday 7 December, before touring to Glasgow, Aberdeen, Inverness and Newcastle. Scottish Ballet’s The Snow Queen is a story of love and friendship that will delight audiences of all ages. The action is driven by three central female characters: the brave young Gerda on a quest to rescue her true love, the enigmatic pickpocket Lexi at her side, and the powerful Snow Queen at the centre of it all. Created in collaboration with multi-award-winning designer Lez Brotherston, The Snow Queen will take audiences from a bustling winter’s market, through a fairytale forest, and into the icy realms of the Snow Queen’s palace. The production will include a colourful cast of characters dressed in a total of 111 custom- made costumes, from a circus ringmaster and his troupe to dancing snowflakes and, of course, the dazzling Snow Queen herself. Set to the music of Russian composer Nicolai Rimsky-Korsakov, the specially adapted score by Richard Honner will be performed live by the full Scottish Ballet Orchestra. -
Schneewittchen Und Die Sieben Zwerge Ein Freches Würfelspiel Für 2 Zwerge Von 5 - 99 Jahren
Schneewittchen und die sieben Zwerge Ein freches Würfelspiel für 2 Zwerge von 5 - 99 Jahren. Spielidee: Wolfgang Dirscherl und Markus Nikisch Illustration: Stefan Fischer Spielinhalt 7 Zwerge 1 Würfel 1 Spielanleitung 3 Spielvorbereitung einen entsprechenden Zwerg stibitzen. Legt die sieben Zwerge in die Tischmitte und haltet den Liegen bereits alle Zwerge der gewürfelten Farbe vor dir? Würfel bereit. Dann passiert nichts! Spielablauf • Das schöne Schneewittchen? Alle Zwerge lieben Schneewittchen! Du darfst einen Ihr spielt immer abwechselnd. Wer zuletzt einen Zwerg gese- beliebigen Zwerg aus der Tischmitte oder von deinem hen hat, darf beginnen. Wenn ihr euch nicht einigen könnt, Mitspieler nehmen. Lege den Zwerg vor dir ab. beginnt der jüngere Spieler und würfelt. • Die böse Hexe? Was ist auf dem Würfel zu sehen? Oje, die Hexe hat sich etwas Böses ausgedacht! • Eine farbige Zwergenmütze? Bestimme eine beliebige Zwergenfarbe. Beide Spieler Nimm einen Zwerg der gewürfelten Farbe aus der müssen alle Zwerge dieser Farbe zurück in die Tischmitte Tischmitte und lege ihn vor dir ab. Liegt kein Zwerg dieser legen. Farbe mehr in der Tischmitte, darfst du deinem Mitspieler 4 5 Anschließend ist dein Mitspieler mit Würfeln an der Reihe. Snow White Spielende and the Seven Dwarfs Das Spiel endet, sobald kein Zwerg mehr in der Tischmitte A cheeky die game for 2 dwarfs ages 5-99. liegt. Jeder Spieler zählt seine Zwerge. Der Spieler mit den meisten Zwergen gewinnt das Spiel. Authors: Wolfgang Dirscherl and Markus Nikisch Illustrations: Stefan Fischer Contents 7 dwarfs 1 die Set of game instructions 67 Preparation of the Game center you can steal it from the other player. -
Popular Fairy Tales
Popular Fairy Tales Aladdin and the Wonderful Lamp, Author Unknown: This story follows the adventures of Aladdin from a poor boy living on the streets to becoming a prince, thanks to the help of a magic lamp. Alice's Adventure in Wonderland, by Lewis Carroll: The adventures of a young girl named Alice who falls down a rabbit hole into a surreal world filled with strange creatures. The Angel, by Hans Christian Anderson: In this tale, a child who has passed away spends time with an angel gathering flowers at various places on Earth to take to heaven. Bearskin, by the Brothers Grimm: This dark tale tells of a man who makes an agreement with the devil to live in a bearskin without bathing or praying for seven years in return for wealth and freedom. During the seven years, he finds true love that transcends outer appearance. Beauty and the Beast, Jeanne-Marie Le Prince de Beaumont: In this story, a beautiful young girl agrees to live in a castle with a hideous beast in order to save her father's life. However, she later falls in love with the beast - who is actually a handsome prince who has been cursed. The Boy who Cried Wolf, from Aesop's Fables: A cautionary tale about what happens when a child repeatedly lies and plays a prank. The Child who Came from an Egg, from the Violet Fairy Book: This is a story about a beautiful girl born from a bird's egg which was given to a childless queen. Cinderella, by the Brothers Grimm: This rags to riches fairy tale follows Cinderella from her time serving as a maid to her cruel stepmother and stepsisters to a visit from her fairy godmother, who ultimately helps her marry a prince. -
The Snow Queen Teacher Resource Guide
URBAN STAGES 259 West 30th Street Between 9 & 10th Avenues THE SNOW QUEEN TEACHER RESOURCE GUIDE Table of Contents Introduction 2 *The Life of Hans Christian Andersen 3 Class Exercise: “Getting to know Hans” 4 *The Modern Fairy Tale 5 Fairy Tale Activity/ Exercises 7 *Adaptation: Making an Old Story New 8 *Map to Color and Label 9 *Exercises in Adaptation 10 *The Mystery of Puppets 12 Q & A & Theater Etiquette 14 More to Do After you see the Play 15 *Glossary of Theater Terms 16 Post Performance Teacher Questionnaire 17 *Reproducible (Hand Outs) 1 INTRODUCTION Dear Educator, Thank you for joining us to see Urban Stage’s The Snow Queen, an adaptation of Hans Christian Anderson’s classic fairy tale The Snow Queen. This resource guide will pro- vide you with some pre and post performance classroom work that can help enrich the play going experience for your students. Along with background information on the play there are also suggested exercises and reproducible activity pages included in the Teacher Resource Guide. Please do not feel that you need to do everything in this guide. The guide provides drama and theater based teaching techniques that you can use as they are presented to you or you can adapt them to your own teaching style. Established in May 1983, Urban Stages’ mission is to discover and develop new plays by authors of diverse cultural backgrounds. Urban Stages is theater for the increasingly di- verse population of this country concerning issues relevant to their lives. It is our belief that theater has the power to dramatically change lives, offer new alternatives for the fu- ture, and be used as a teaching tool.