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2 the Emperor's New Clothes 3 Setting the Scene • Who's Who? 4 What's the Story?
2014–15 Season Presented by Book by Kim Esop Wylie Music by Joe Dreyer, Lyrics by Sheila Schultz Directed by Kat Singleton contents 2 The Emperor's New Clothes 3 Setting the Scene • Who’s Who? 4 What’s the Story? 5 Words to the Wise 6 Information and Activities theatre company theatre company theatre company theatre company by Kim Esop Wylie Music by Joe Dreyer, Lyrics by Sheila Schultz Directed by Kat Singleton Musical Director Larry Pry Scenic Designer Scott Loebl Costume Designer Dorothy Marshall Englis Stage Manager Mike Dowdy* Director of Education Marsha Coplon Associate Director of Education Sarah Brandt Education Programs Manager April Strelinger Study Guide Writer Laura Schlereth The Company Jason Contini* EMPEROR Alan Knoll* MINISTER OF FINANCE, PRIME MINISTER, BOY Financial assistance for this theatre has been provided by the Laurie McConnell* URLEEN, NARCISSUS National Endowment for the Arts, a federal agency; the Missouri Arts Council, a state agency; the Arts and Education Council of Greater Kristen McGuire* PACHYSANDRA St. Louis; and the St. Louis Regional Arts Commission. *Member of Actors' Equity Association, the union of professional actors and stage managers in the United States. 2 Setting the Scene Welcome to the Emperor’s palace! You’re not catching him on one of his good days–though, to be honest, he hasn’t had many of those lately anyway. Today’s specific distress is mostly about how his precious pooch, Narcissus, can’t be found. It turns out she was actually just outside enjoying nature and the outdoors, a concept totally foreign to the Emperor who is mostly concerned with decorum, etiquette, reserved manners, and most importantly, style. -
The Ugly Duckling YOU Have an Important Part to Play
The Ugly Duckling STUDY GUIDE THE UGLY DUCKLING BASED ON THE S T O R Y B Y Fairy tales... HANS CHRISTIAN ANDERSEN are types of folk tales. They BY RICHARD GIERSCH usually begin with “Once upon a time...” and end with “...happily ever after.” Also, fairy tales usually have events happening in threes, and involve magic. THE UGLY DUCKLING is a musical written by Richard Giersch, based on the story by Hans Christian Andersen. This program is presented in support of the Folk tales... teaching of the Virginia English Standards of Learning. are short, with a simple plot. They Activities provided support curriculum k-5. have characters representing a characteristic like good or bad and feature events that are AT THE LIBRARY: repeated, especially in threes. Hans Christian Andersen (1805- They are based in fantasy. 1875) was a Danish author best known for writing over 150 children’s stories. Check out the following fairy tales, also by Hans Christian Andersen: The Emperor’s New Clothes Thumbelina The Princess and the Pea YOU Have an Important Part to Play The Steadfast Tin Soldier How to Play Your Part The Fir Tree The Little Mermaid A play is different than television or a movie. The actors are right in front of The Nightingale you and can see your reactions, feel your attention, and hear your laughter Little Match Girl and applause. Watch and listen carefully to understand the story. The story is told by actors and comes to life through your imagination. Page 2 VIRGINIA REPERTORY THEATRE Songs from The Ugly Duckling Plays that include songs are called musicals. -
New, Old, & Unexpected Ii Robert Simon Fine
NEW, OLD, & UNEXPECTED II ROBERT SIMON FINE ART NEW, OLD, & UNEXPECTED II CATALOGUE BY Dominic Ferrante and Robert B. Simon ROBERT SIMON FINE ART Front cover: CONTENTS Gaspar Antoine de Bois-Clair, Double Portrait of King Frederik IV and Queen Louise of Mecklenburg-Güstrow of Denmark, oil on wood strips, laid on panel, 15 ½ x 12 ¾ inches (39.4 x 32.4 cm) Back cover: William Cave Thomas,The Argument, pencil and watercolor on paper, 23 ½ x 18 ½ inches (59.6 x 47 cm) INTRODUCTION 6 High-resolution digital photographs and WORKS 8 condition reports of the works included in this catalogue are available upon request. INSTALLATION 52 All prices are accurate as of October 2020 and are inclusive of the costs of packing, shipping, and ENTRIES 62 insurance to domestic destinations. ENDNOTES 120 © 2020 Robert Simon Fine Art, Inc. Photography by Glenn Castellano ROBERT SIMON FINE ART 22 EAST 80TH STREET · NEW YORK · NY · 10075 TEL: 212·288·9712 FAX: 212·202·4786 BY APPOINTMENT AT: SATIS HOUSE 53 TOWER HILL ROAD EAST · TUXEDO PARK · NY · 10987 TEL: 845·351·2339 FAX: 845·351·4332 ROBERT B. SIMON DOMINIC FERRANTE JR. [email protected] [email protected] INTRODUCTION The second edition ofNew, Old, & Unexpected expands each category. The newest of the “New” is a 2020 work by the New York artist Brendan H. Johnston—a trompe l’oeil triptych that wittily explores issues of material, craft, and illusion. The oldest of the “Old” is a predella by Miguel Alcañiz, the Valencian painter who was a key figure in the transmission of trecento Tuscan style into Spain. -
Hans Christian Andersen Between a Culture of Meaning and a Culture of Presence
Hans Christian Andersen between a culture of meaning and a culture of presence Mogens Davidsen, Associate Professor, University of Southern Denmark Abstract The article opens with questioning what kind of “community” Hans Christian Andersen as an artist can be said to have been a part of, considering that the community of Andersen’s upbringing was radically different from the one he was socialized into through his literary career. With the point of departure in Hans Ulrich Gumbrecht’s distinction between literature displaying “presence in language” and “presence achieved against language”, the article suggests that part of Andersen’s work (with Søren Kierkegaard’s critique of the novel Only a Fiddler in focus) can be seen as examples of presence achieved against language. With the two presence categories which Gumbrecht typologically distinguishes as a “presence culture” and a “meaning culture” in mind, the presence categories are ascribed to an oral culture of Andersen’s social background, and the elitist intellectual culture of the Danish Golden Age. Inspired by Kierkegaard’s characterization of Andersen’s novel in musical terms, the article further presents a possible understanding of presence, the implications of which reaches far beyond the harmonic paradigm of the Golden Age and into the musical modernism of Arnold Schönberg in the twentieth century. Introduction What kind of community can Hans Christian Andersen rightly be said to have been a part of, if such a community also has to be detectible in his work as formal or thematic aspects of his literature? This is not an altogether easy question to answer, taken into consideration that Andersen came from the very poorest part of society and was socialized into the cultural and artistic norms of the elitist circles of the Danish Golden Age of the late absolute monarchy. -
Building Community by Producing Honk! Jr., a Musical Based on the Glu Y Duckling Heidi Louise Jensen
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Theses Student Research 5-1-2013 Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The glU y Duckling Heidi Louise Jensen Follow this and additional works at: http://digscholarship.unco.edu/theses Recommended Citation Jensen, Heidi Louise, "Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The Ugly Duckling" (2013). Theses. Paper 38. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Theses by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2013 HEIDI LOUISE JENSEN ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School A TWO HUNDRED YEAR OLD LESSON IN BULLYING: BUILDING COMMUNITY BY PRODUCING HONK! JR., A MUSICAL BASED ON “THE UGLY DUCKLING” A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Heidi Louise Jensen College of Performing and Visual Arts School of Theatre Arts and Dance Theatre Education May 2013 This Thesis by: Heidi Louise Jensen Entitled: A Two Hundred Year Old Lesson in Bullying: Building Community by Producing HONK! Jr., A Musical Based on “The Ugly Duckling”. has been approved as meeting the requirement for the Degree of Master of Arts in College of Performing and Visual Arts in School of Theatre and Dance, Program of Theatre Educator Intensive Accepted by the Thesis Committee _______________________________________________________ Gillian McNally, Associate Professor, M.F.A., Chair, Advisor _______________________________________________________ Mary J. -
The Annotations for the Ugly Duckling Fairy Tale Are Below. Sources Have
The annotations for the Ugly Duckling fairy tale are below. Sources have been cited in parenthetical references, but I have not linked them directly to their full citations which appear on the Ugly Duckling Bibliography page. I have provided links back to the Annotated Ugly Duckling to facilitate referencing between the notes and the tale. Special thanks to Christine Ethier, an adjunct teacher of English writing at both Community College of Philadelphia and Camden County College, for providing the annotations to this tale. Ethier's annotations are designated by CE. Heidi Anne Heiner provided additional annotations designated with HAH. 1. The Ugly Duckling: Considered the most autobiographical of all his tales, Andersen first published "The Ugly Duckling" in 1844 when he was 39 years old. He admitted on many occasions that the tale mirrored his own life. The tale appeared in Nye Eventyr (New Fairy Tales). The collection was critically well-received. HAH The Franks write: It is not only among his most famous stories — the title itself has become part of several languages — but the one that readers correctly identify most closely with its author. Andersen spent his summers with aristocratic friends, going from one castle to the next; in the summer of 1842, at Gisselfeldt Castle, south of Copenhagen, he had been in a bad mood because a new play had done poorly. But he went for a walk, a diary entry notes, and “got the idea for a story about a duck. Improved my mood.” In late July — he was now a guest at the castle of Bregentved — he says, “Began the young swan yesterday” — a hint that the idea had not quite worked itself out (156). -
ALEX: Hello and Welcome to Another Episode of the Princess and the Podcast, the Best Hans Christian Andersen Analysis Podcast out There
ALEX: Hello and welcome to another episode of The Princess and the Podcast, the best Hans Christian Andersen analysis podcast out there. I'm Alex ANA: and I'm Ana. Today we will be talking about Anderson's rocky relationship with royalty through performance and analysis of his tales, "The Princess and the Pea" and "The Emperor's New Clothes". These are two tales that are critical of royalty, which is unusual for Anderson who usually wrote stories which celebrated princes and princesses. ALEX: But before we get to the reading of those two tales, why don't we talk a little bit about Anderson's life and relationship with royalty? ANA: Great idea. Let's start with a bit of background. Anderson grew up poor in the city of Odense, Denmark. His obsession with royalty might have even started at a young age because his father actually believed that they were long lost Royalty. ALEX: Oh, interesting. And yeah, obviously, it remained a theme throughout his life. He surrounded himself with nobility and was always almost ashamed of his poor background, and apparently his rich friends didn't shy away from reminding him of that. ANA: Oh, so that explains why he wrote all these stories like his most famous, "The Little Mermaid". That were sort of royalty positive or lifted up the idea of royalty. But he has as mentioned these two stories that seem to contradict that, which are "The Emperor's New Clothes" and "The Princess and the Pea". ALEX: Yeah, so starting with the Emperor's New Clothes, how does that criticize or make fun of royalty? ANA: Well, to start off, in the story, The emperor is a man who's literally obsessed with clothes and his outfits. -
Andersen's Fairy Tales
HTTPS://THEVIRTUALLIBRARY.ORG ANDERSEN’S FAIRY TALES H. C. Andersen Table of Contents 1. The Emperor’s New Clothes 2. The Swineherd 3. The Real Princess 4. The Shoes of Fortune 1. I. A Beginning 2. II. What Happened to the Councillor 3. III. The Watchman’s Adventure 4. IV. A Moment of Head Importance—an Evening’s “Dramatic Readings”—a Most Strange Journey 5. V. Metamorphosis of the Copying-clerk 6. VI. The Best That the Galoshes Gave 5. The Fir Tree 6. The Snow Queen 7. Second Story. a Little Boy and a Little Girl 8. Third Story. of the Flower-garden at the Old Woman’s Who Understood Witchcraft 9. Fourth Story. the Prince and Princess 10. Fifth Story. the Little Robber Maiden 11. Sixth Story. the Lapland Woman and the Finland Woman 12. Seventh Story. What Took Place in the Palace of the Snow Queen, and What Happened Afterward. 13. The Leap-frog 14. The Elderbush 15. The Bell 16. The Old House 17. The Happy Family 18. The Story of a Mother 19. The False Collar 20. The Shadow 21. The Little Match Girl 22. The Dream of Little Tuk 23. The Naughty Boy 24. The Red Shoes THE EMPEROR’S NEW CLOTHES Many years ago, there was an Emperor, who was so excessively fond of new clothes, that he spent all his money in dress. He did not trouble himself in the least about his soldiers; nor did he care to go either to the theatre or the chase, except for the opportunities then afforded him for displaying his new clothes. -
Writing Lily Huckleberry in Scandinavia
LILY HUCKLEBERRY IN SCANDINAVIA - teaching curriculum - Here are a few project ideas to help get the creativity and curiosity flowing in your little adventurers! All activities are easily adaptable to the age and size of your class. We would love to see your projects! Tag us on Instagram @lilyhuckleberry or send us an email: [email protected] WRITING Fairy Tale Fun When Lily travels to Copenhagen, many special characters are hidden in the forest. As revealed at the back of the book, these are all Hans Christian Andersen stories. The Little Mermaid was also written by Andersen, who lived in Denmark in the 1800’s. Step 1: Read a story. Find a copy of the fairy tales and have kids pick one (or more!) story to read (or read out loud to them): The Ugly Duckling, The Emperor’s New Clothes, The Snow Queen, Thumbelina, The Nightingale, The Beetle who Went on His Travels, The Butterfly, The Teapot, The Little Mermaid. Go back to the picture in the forest and see if they can find their story hidden in the pages. Step 2: Write a story. Have the kids write (or draw) fairy tales of their own, using one character from their Andersen story and one character from Lily Huckleberry to create their unique story. Step 3: Act it out. For extra fun, have kids create plays out of the different stories with costumes and props (PS: We want to see pictures and videos of these performances!) Norse Mythology Look up some of the legends about Thor, who inspired Thorsen of our story, and Bifrost, the rain- bow bridge, believed to connect the world of gods and that of humans. -
“The Oera Linda Book” and “The Snow Queen”: Two Destinies of One Myth
Journal of Siberian Federal University. Humanities & Social Sciences 1 (2015 8) 149-174 ~ ~ ~ УДК 304.444 “The Oera Linda Book” and “The Snow Queen”: Two Destinies of One Myth Ksenia V. Reznikova* Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia Received 12.08.2014, received in revised form 04.11.2014, accepted 11.12.2014 This article features globalization in its two forms: natural globalization and artificial globalization. The need of natural globalization becomes more obvious taking into account the growth of challenge to the humankind. Artificial globalization nowadays is provided by westernization. Influence of globalization is more obvious at the mental than at the physical level, construction of the historical past and its mythologization played major roles in the course of globalization. Different relations between ideology and myth can be traced on the example of the destinies of two works, in which almost the same idea of the world order is represented. These are “The Oera Linda Book” and “The Snow Queen”. As a part of the study, seven invariants of the fairy tale by H.C. Andersen were analyzed. The carried-out analysis is based on a hypothesis that artificial globalization influences mythology of certain cultures, distorting it for own needs, resorting to different methods for different forms of the myth representation. So, myths in their pure form, demanded by the adult representatives of culture, are subjected to criticism, they are charged of falsification. The ultimate goal of such an influence is to bury the myth in oblivion as false. The myth that is represented in the reduced art form for children’s audience has the changed plot basis and in this new form it is subjected to maximum replication to substitute the original version in a period of time. -
Fund Og Forskning I Det Kongelige Biblioteks Samlinger
Særtryk af FUND OG FORSKNING I DET KONGELIGE BIBLIOTEKS SAMLINGER Bind 50 2011 With summaries KØBENHAVN 2011 UDGIVET AF DET KONGELIGE BIBLIOTEK Om billedet på papiromslaget se s. 169. Det kronede monogram på kartonomslaget er tegnet af Erik Ellegaard Frederiksen efter et bind fra Frederik III’s bibliotek Om titelvignetten se s. 178. © Forfatterne og Det Kongelige Bibliotek Redaktion: John T. Lauridsen med tak til Ivan Boserup Redaktionsråd: Ivan Boserup, Grethe Jacobsen, Else Marie Kofod, Erland Kolding Nielsen, Anne Ørbæk Jensen, Stig T. Rasmussen, Marie Vest Fund og Forskning er et peer-reviewed tidsskrift. Papir: Lessebo Design Smooth Ivory 115 gr. Dette papir overholder de i ISO 9706:1994 fastsatte krav til langtidsholdbart papir. Grafisk tilrettelæggelse: Jakob Kyril Meile Nodesats: Niels Bo Foltmann Tryk og indbinding: SpecialTrykkeriet, Viborg ISSN 0060-9896 ISBN 978-87-7023-085-8 SPEAKING OF IRONY: Bournonville, Kierkegaard, H.C. Andersen and the Heibergs1 by Colin Roth t must have been exciting for the ballet historian, Knud Arne Jür Igensen, to discover a Bournonville manuscript in the Royal Library’s collection which opens with what is clearly a reference to Søren Kier ke gaard.2 Though not mentioned by name, Kierkegaard is readily identifiable because his Master’s degree dissertation on ‘The Concept of Irony’ is explicitly referred to in the first sentence. It was right that the discovery was quickly shared with researchers at the Søren Kierke gaard Research Centre at Copenhagen’s University. This article is a study of the document, its context and especially of the references con cealed within it. A complete transcription of the Danish original and a new English translation appear as appendices, one of which should, ideally, be read first. -
Popular Fairy Tales
Popular Fairy Tales Aladdin and the Wonderful Lamp, Author Unknown: This story follows the adventures of Aladdin from a poor boy living on the streets to becoming a prince, thanks to the help of a magic lamp. Alice's Adventure in Wonderland, by Lewis Carroll: The adventures of a young girl named Alice who falls down a rabbit hole into a surreal world filled with strange creatures. The Angel, by Hans Christian Anderson: In this tale, a child who has passed away spends time with an angel gathering flowers at various places on Earth to take to heaven. Bearskin, by the Brothers Grimm: This dark tale tells of a man who makes an agreement with the devil to live in a bearskin without bathing or praying for seven years in return for wealth and freedom. During the seven years, he finds true love that transcends outer appearance. Beauty and the Beast, Jeanne-Marie Le Prince de Beaumont: In this story, a beautiful young girl agrees to live in a castle with a hideous beast in order to save her father's life. However, she later falls in love with the beast - who is actually a handsome prince who has been cursed. The Boy who Cried Wolf, from Aesop's Fables: A cautionary tale about what happens when a child repeatedly lies and plays a prank. The Child who Came from an Egg, from the Violet Fairy Book: This is a story about a beautiful girl born from a bird's egg which was given to a childless queen. Cinderella, by the Brothers Grimm: This rags to riches fairy tale follows Cinderella from her time serving as a maid to her cruel stepmother and stepsisters to a visit from her fairy godmother, who ultimately helps her marry a prince.