Florida Libraries Is Published Twice a Year for the a Message from the President……
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Jacksonville Civil Rights History Timelinetimeline 1St Revision 050118
Jacksonville Civil Rights History TimelineTimeline 1st Revision 050118 Formatted: No underline REVISION CODES Formatted: Underline Formatted: Centered Strike through – delete information Yellow highlight - paragraph needs to be modified Formatted: Highlight Formatted: Centered Green highlight - additional research needed Formatted: Highlight Formatted: Highlight Grey highlight - combine paragraphs Formatted: Highlight Light blue highlight – add reference/footnote Formatted: Highlight Formatted: Highlight Grey highlight/Green underline - additional research and combine Formatted: Highlight Formatted: Highlight Red – keep as a reference or footnote only Formatted: Highlight Formatted: Thick underline, Underline color: Green, Highlight Formatted: Thick underline, Underline color: Green, Highlight Formatted: Highlight Formatted: No underline, Underline color: Auto Page 1 of 54 Jacksonville Civil Rights History TimelineTimeline 1st Revision 050118 Formatted: Font: Not Bold 1564 Fort Caroline was built by French Huguenots along St. Johns Bluff under the Formatted: Font: Not Bold, Strikethrough command of Rene Goulaine de Laudonniere. The greater majority of the settlers Formatted: Strikethrough were also Huguenots, but were accompanied by a small number of Catholics, Formatted: Font: Not Bold, Strikethrough agnostic and “infidels”. One historian identified the “infidels” as freemen from Formatted: Strikethrough Africa. Formatted: Font: Not Bold, Strikethrough Formatted: Strikethrough 1813 A naturalized American citizen of British ancestry, Zephaniah Kingsley moved to Formatted: Font: Not Bold, Strikethrough Fort George Island at the mouth of the St. Johns River. Pledging allegiance to Formatted: Strikethrough Spanish authority, Kingsley became wealthy as an importer of merchant goods, Formatted: Font: Not Bold, Strikethrough seafarer, and slave trader. He first acquired lands at what is now the City of Orange Formatted: Strikethrough Park. There he established a plantation called Laurel Grove. -
2007-2008 Fact Book
FACTBOOK 2007 Dear Jacksonville University Community: The Jacksonville University Fact Book is prepared annually by the Institutional Research Office to provide a better understanding of a variety of issues at Jacksonville University. The document is a reference guide to statistical information to assist in the planning and decision –making process. Institutional Research would like to acknowledge the efforts of the many offices in the JU community that assist in the publication of the Fact Book: Admission, Registrar, Academic Affairs, Financial Aid, Student Life, Human Resources and Finance. Carolyn M. Barnett Director of Institutional Research Page General Information Institution’s Description ……………………………………………….. 3-4 Institution’s Profile……………………………….................................. 4 History………………………………………………………..………… 5 Campus Facilities…………………………………………….………… 6-9 Governance………………………………………………….…………. 10 Fast Facts About JU…………………………………………………………... 11-14 Tuition and Fees Tuition and Fees………………………………………………………… 16 Benchmark Data………………………………………………………… Private Peer Comparisons.……………………………………………… 17 ICUF Comparisons..……………………………………………………. 18 Admissions Student Comparisons…………………………………………………… 20-21 Admission Ratios……………………………………………………….. 22 Fall 2007 New Student………………………………………………….. 23 Fall SAT/ACT Comparison…….……………………………………….. 24-25 Enrollment Fall 2007 Enrollment Summary……..………………………………….. 27 Fall 2007 Census Data……….………………………………………….. 28 Fall Enrollment by Program..........……………………………………… 29 Enrollment by Gender…………………………………………………… 30 -
2013-2014 Fact Book
2013-2014 FACT BOOK FACTBOOK 2013‐2014 Dear Jacksonville University Community The Jacksonville University Fact Book is prepared annually by the Office of Institutional Effectiveness and Research. The purpose of the Fact Book is to provide comprehensive information and easy access to the most frequently requested information about the University. It has been used for planning, decision making, policy formation, recruitment and public relations. For your convenience, an online version of the JU Fact Book is available on the Institutional Effectiveness and Research Website at www.ju.edu/departments/research.aspx. Institutional Effectiveness and Research would like to acknowledge the efforts of the many offices in the JU community that assist in the publication of the Fact Book: Admissions, Athletics, Institutional Advancement, Registrar, Academic Affairs, Financial Aid, Student Life, Human Resources, Finance and University Relations. Christina Vercruysse Coordinator of Research and Assessment JACKSONVILLE UNIVERSITY FACTBOOK TABLE OF CONTENTS 2 Fast Facts about JU 4 General Information Accreditations Mission, Values, Vision University Profile History Campus Facilities Governance Presidents of Jacksonville University Organizational Chart Strategic Plan 2010-2014 Intercollegiate Athletics 23 Admissions Statistics New Undergraduates Student Admissions Requirements Applied, Admitted, Enrolled for First-Time Freshmen Entrance Exam Scores for First-Time Freshmen Applied, Admitted, Enrolled for Traditional Undergraduates Entrance Exam Scores for -
Spittin' Truth to the Power While Light Leaping for The
1 SPITTIN’ TRUTH TO THE POWER WHILE LIGHT LEAPING FOR THE PEOPLE By Alyce Smith Cooper and Shammy Dee A La Jolla Playhouse Commission Grade Level: Middle and High School Before You Watch: ● Learn more about La Jolla Playhouse Digital Without Walls (WOW) Artists Alyce Smith Cooper and Shammy Dee and the creative team for this piece. Questions for class discussion or journal: ○ Consider the title for this piece. What do you think this title means? What do you imagine you will be seeing, hearing, and experiencing? ○ When you see the image of a person with their hand in a fist, stretched up towards the sky, what does that evoke for you? Where have you seen this symbol before and what does it mean? ○ Make a list as a class of the fairy tales and stories they have heard as children. Ask the students to consider who is the storyteller and who is the audience for these stories. Which stories did you connect to the most and why? Do you feel like the stories you heard as a kid represented who you are as a person? Why or why not? ○ What do the words sermon, communion, and fellowship mean to you, and in what context do you think of these words? Have the students share their various definitions and ask them why they think the three pieces of SPITTIN’ TRUTH TO THE POWER WHILE LIGHT LEAPING FOR THE PEOPLE may have these titles--what might they expect to see or hear in each piece? (Revisit this question after watching each piece with each term). -
Oral History: Rodney Hurst. Interviewed by the University Of
University of Florida Samuel Proctor Oral History Program Jacksonville, Florida's Civil Rights Interviewee: Rodney Hurst Interviewer: Kristin Dodek Date of Interview: February 18, 2005 D: I'm Kristin Dodek. It is February 18, 2005. I'm here in Jacksonville, Florida, with Rodney Hurst. Could you start by stating when you were born and giving me a little bit about your background in Jacksonville. H: I was born on March 2, 1944. I'm sixty-years-old, sixty-one next month. D: You look good by the way. H: Thank you. I was president of the Youth Council of the NAACP at age sixteen during the Ax Handle Saturday and the sit-in demonstrations. Do you want a lot of detail? D: Maybe just a little bit about your education, family. H: I've lived in Jacksonville all of my life. I'm a veteran, served four years in the military. [I] was the first black male they hired at the Prudential South Central Home Office here in Jacksonville. [I] received a fellowship from the Corporation for Public Broadcasting for studying journalism and broadcasting, one of the first thirteen, which also included Jim Lehrer [anchor for The NewsHour on PBS], among other people. [I] was the first black to co-host a television show here in Jacksonville on public television. [I] served two consecutive terms on the city council here in Jacksonville, wrote the youth employment programs for the city, worked in the anti-poverty program. I was the first black to be executive director of the state construction industry licensing board; I was the director for four and a half years. -
AS YOU LIKE IT, the First Production of Our 50Th Anniversary Season, and the First Show in Our Shakespearean Act
Welcome It is my pleasure to welcome you to AS YOU LIKE IT, the first production of our 50th anniversary season, and the first show in our Shakespearean act. Shakespeare’s plays have been a cornerstone of our work at CSC, and his writing continues to reflect and refract our triumphs and trials as individuals and collectively as a society. We inevitability turn to Shakespeare to express our despair, bewilderment, and delight. So, what better place to start our anniversary year than with the contemplative search for self and belonging in As You Like It. At the heart of this beautiful play is a speech that so perfectly encapsulates our mortality. All the world’s a stage, and we go through so many changes as we make our exits and our entrances. You will have noticed many changes for CSC. We have a new look, new membership opportunities, and are programming in a new way with more productions and a season that splits into what we have called “acts.” Each act focuses either on a playwright or on an era of work. It seemed appropriate to inaugurate this with a mini-season of Shakespeare, which continues with Fiasco Theater's TWELFTH NIGHT. Then there is Act II: Americans dedicated to work by American playwrights Terrence McNally (FIRE AND AIR) and Tennessee Williams (SUMMER AND SMOKE); very little of our repertoire has focused on classics written by Americans. This act also premieres a new play by Terrence McNally, as I feel that the word classic can also encapsulate the “bigger idea” and need not always be the work of a writer from the past. -
The Delta Blues His Pandemic Has Been Going Start Actively Rooting for the Coro- on for So Long Now That It Feels Navirus
The New Hampshire Gazette, Friday, August 13, 2021 — Page 1 We Put the Vol. CCLXV, No. 24 The New Hampshire Gazette Friday, August 13, 2021 The Nation’s Oldest Newspaper™ • Editor: Steven Fowle • Founded 1756 by Daniel Fowle Free! PO Box 756, Portsmouth, NH 03802 • [email protected] • www.nhgazette.com in Free Press The Fortnightly Rant The Delta Blues his pandemic has been going start actively rooting for the coro- on for so long now that it feels navirus. likeT we’re living in “Groundhog Why? Because the next step up in Day”—without Bill Murray to en- the U.S. population table is the Dis- tertain us. Worse yet, there’s a sequel trict of Columbia. Are we becoming coming: “Dumb and Dumber.” too paranoid? It’s hard to say. According to a study published Last month General Michael last month in The Lancet journal Flynn visited the Church of the EClinical Medicine, “People who had Good News in Yuba City, Arizona. recovered from COVID-19, includ- As one does when a notable par- ing those no longer reporting symp- doned felon visits, parishioner Ja- toms, exhibited significant cognitive son Parker presented Flynn with a deficits versus controls when con- suitable gift: an AR-15 rifle with a trolling for age, gender, education tasteful woodland camouflage finish. level, income, racial-ethnic group, Clearly delighted, the General said pre-existing medical disorders, “Maybe I’ll find someone in Wash- tiredness, depression and anxiety.” ington, D.C.” The congregation re- The study found that the average sponded with gales of laughter. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
The Rhetoric of Public Memory in Urban Park Revitalization in 20Th Century Jacksonville, Florida
THE RHETORIC OF PUBLIC MEMORY IN URBAN PARK REVITALIZATION IN 20TH CENTURY JACKSONVILLE, FLORIDA by MARY CATHERINE KELLEY B.A. Western Michigan University, 2006 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2016 © 2016 Mary Catherine Kelley ii ABSTRACT In recent decades the study human geography has become an increasingly enlightening mode of analysis in the historian’s repertoire. One area in which this method has proved insightful is in the exploration of the various ways that interpretations of the past in public places shape the public consciousness. Works on this topic have primarily been broad studies that look at public representations of the past regionally, nationally, or even globally. This study seeks to provide a more nuanced perspective on the complex ways in which public memory and place are created, and continually shaped, through a case study which takes an in-depth look at this process in one locale. This comparative analysis of Jacksonville, Florida’s Hemming and Memorial Parks throughout the twentieth century explores how monuments, commemorative events, and historical discourses act as rhetorical devices which promote partisan ideologies within public parks, which shape the public perception of the both the past and the present. In particular, this study explores the revitalization campaigns of Hemming and Memorial Parks in the last quarter of the century to demonstrate how the rhetoric of public memory has been used strategically to recreate the public perception of each park in an effort to control access to and behavior within each park. -
Lorida James M
RECEI. ED U F LIBR .RY ~.:P 2 4 20 3 LORIDA.., ' :'"'\ - I J HISTORICAL QUARTERLY PUBLISHED BY THE FLORIDA HISTORICAL SOCIETY VOLUME 92 SUMMER 2013 NUMBER 1 The Florida Historical Quarterly Published by the Florida Historical Society Connie L. Lester, Editor Daniel S. Murphree, Assistant Editor and Book Review Editor Robert Cassanello, Podcast Editor Scot French, Digi,tal Editor . Sponsored by the University of Central Florida Board ofEditors Jack Davis, University of Florida James M. Denham, Florida Southern College Andrew Frank, Florida State University Elna C. Green, Sanjose State University Steven Noll, University of Florida Raymond A. Mohl, University of Alabama, Birmingham Paul Ortiz, University of Florida Brian Rucker, Pensacola State College John David Smith, University of North Carolina, Charlotte Melanie Shell-Weiss, Grand Valley University Brent Weisman, University of South Florida Irvin D.S. Winsboro, Florida Gulf Coast University The Florida Historical Quarterly (ISSN 0015-4113) is published quarterly by the Florida Historical Society, 435 Brevard Avenue, Cocoa, FL 32922 in cooperation with the Department of History, University of Central Florida, Orlando. Printed by The Sheridan Press, Hanover, PA. Periodicals postage paid at Cocoa, FL and additional mailing offices. POSTMASTER: Send address changes to the Florida Historical Society, 435 Brevard Ave., Cocoa, FL 32922. Subscription accompanies membership in the Society. Annual membership is $50; student membership (with proof of status) is $30; family membership in $75; library and institution membership is $75; a contributing membership is $200 and higher; and a corporate membership is $500 and higher. Correspondence relating to membership and subscriptions, as well as orders for back copies of the Quarterly, should be addressed to Dr. -
Determining Stephen Sondheim's
“I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS BY ©2011 PETER CHARLES LANDIS PURIN Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chairperson Dr. Scott Murphy ___________________________ Dr. Deron McGee ___________________________ Dr. Paul Laird ___________________________ Dr. John Staniunas ___________________________ Dr. William Everett Date Defended: August 29, 2011 ii The Dissertation Committee for PETER PURIN Certifies that this is the approved version of the following dissertation: “I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS ___________________________ Chairperson Dr. Scott Murphy Date approved: August 29, 2011 iii Abstract This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as surveyed through his fourteen musicals that have appeared on Broadway. The analysis begins with dramatic concerns, where musico-dramatic intensity analysis graphs show the relationship between music and drama, and how one may affect the interpretation of events in the other. These graphs also show hierarchical recursion in both music and drama. The focus of the analysis then switches to how Sondheim uses traditional accompaniment schemata, but also stretches the schemata into patterns that are distinctly of his voice; particularly in the use of the waltz in four, developing accompaniment, and emerging meter. Sondheim shows his harmonic voice in how he juxtaposes treble and bass lines, creating diagonal dissonances. -
INTO the WOODS Stephen Sondheim (Music and Lyrics) and James Lapine (Book) Directed by Susi Damilano Music Director: Dave Dobrusky Choreography: Kimberly Richards
Press Release For immediate release May 2014 [email protected] Download Hi Res photos here INTO THE WOODS Stephen Sondheim (music and lyrics) and James Lapine (book) Directed by Susi Damilano Music Director: Dave Dobrusky Choreography: Kimberly Richards June 24th to September 6th Previews June 24 – June 27 at 8pm Tuesdays through Thursdays at 7pm, Fridays and Saturdays at 8pm Saturdays at 3pm and Sundays at 2pm (except 6/29) PRESS OPENING: Saturday, June 28th at 8pm San Francisco, CA (May 2014) – San Francisco Playhouse (Artistic Director Bill English & Producing Director Susi Damilano) concludes its provocative eleventh season with Into the Woods by Stephen Sondheim (music and lyrics) and James Lapine (book). What happens after “happily ever after?” Fractured fairy tales of a darker hue provide the context for Into the Woods, which deconstructs the Brothers Grimm by way of “The Twilight Zone.” While the faces and names are familiar, Cinderella, Rapunzel, Little Red Riding Hood, Jack in the Beanstalk and company inhabit a sylvan neighborhood in which witches and bakers are next-door neighbors, handsome princes from once-parallel fables are competitive (and equally vain) brothers, and all the stories intersect through unexpected new plot twists. Stephen Sondheim and James Lapine’s beloved musical intertwines classic fairytales with a contemporary edge to tell stories of wishes granted and “the price” paid. Susi Damilano (Director), Dave Dobrusky (Music Director) and Kimberly Richards (Choreographer) will team up to bring a fresh twist to this familiar tale by adding a time-travelling boy, Ian DeVaynes to the Bay Area cast that features: Louis Parnell* (Narrator), Safiya Fredericks* (Witch), El Beh (Baker’s Wife), Keith Pinto* (Baker), Tim Homsley* (Jack), Joan Mankin* (Jack’s Mom), Monique Hafen* (Cinderella), Becka Fink (Cinderella’s Stepmom), identical twins, Lily and Michelle Drexler (Cinderella’s Stepsisters), Noelani Neal (Rapunzel), Corinne Proctor (Red), Ryan McCrary and Jeffrey Adams (Princes/Wolves) and John Paul Gonzales (Steward).