Dzovig Markarian
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
IRCA FOREIGN LOG 10Th Edition +Hrd Again W/Light Inst Mx at 0456 on 1/4
IRCA FOREIGN LOG 10th Edition +Hrd again w/light Inst mx at 0456 on 1/4. Poorer than before. (PM-OR) DX World Wide – West +NRK 0244 12/29 country music occasionally coming thru clearly in domestic TRANS-ATLANTIC DX ROUNDUP slop (I've logged & QSLed this one with this early Mon morning country-music show before). First time I've had audio from this one all season. [Stewart-MO] 162 FRANCE , Allouis, 0230 3/7. Male DJ hosting a program of mainly EE pop +2/15 0503 Poor to fair signals in NN talk and oldies mx. Only TA on the MW songs. Fair signal, but much weaker than Iceland. (NP-AB) band. (VAL-DX) +0406 4/18, pop song in FF. (NP-AB*) 1467 FRANCE , Romoules TRW, 12/27 2309 Fair signals peaking w/good Choraol 189 ICELAND , Guguskalar Rikisutvarpid, 2/15 0032. Fair signals with Icelandic mx and rel mx. Het on this one was huge! New station and new Country on talk and a mix of mx some in EE. Only LW station to produce audio. MW. (SA-MB) (VAL-DX) 1512 SAUDI ARABIA , Jeddah BSKSA, 12/27 2248 poor signals w/AA mx and talk. +0227 3/7. Very good signal w/EE lang R&B pop/rock songs hosted by man in New station. (SA-MB) what I presumed was Icelandic. Ranks up there as the best signal I've hrd +12/29 seemed to sign on right at 0300 with no announcements, int signal, from them. (NP-AB) anthem, or anything, just Koranic chanting. -
Div Style="Position
È. î²ðÆ ÂÆô 01 (1451) Þ²´²Â, ÚàôÜàô²ð 23, 2010 VOLUME 30, NO. 01 (1451) SATURDAY, JANUARY 23, 2010 ÂàôðøÆ² ¸Ä¶àÐàôÂÆôÜ ÜÆÎàÈ ö²ÞÆÜº²Ü ¸²î²ä²ðîàôºò²ô 7 î²ðàô²Ú ²¼²î²¼ðÎØ²Ü ÎÀ Ú²Úîܾ вڲêî²ÜÆ Àܸ¸ÆØàôÂÆôÜÀ ¸²î²ð²ÜÆ ìÖÆèÀ Üβîºò вÞàôºÚ²ð¸²ð ê²Ðزܲ¸ð²Î²Ü ¸²î²ð²ÜÆ àðàÞàôØÆ ºñ»ùß³µÃÇ, ÚáõÝáõ³ñ 19-ÇÝ ¹³ï³õáñ ØÝ³ó³Ï³Ý سñïÇñáë- زêÆÜ »³ÝÇ ³ñÓ³Ï³Í í×Çéáí ¦Ð³ÛÏ³Ï³Ý ºñÏáõß³µÃÇ, ÚáõÝáõ³ñ 19- ijٳݳϧ ûñ³Ã»ñÃÇ ·É˳õáñ ÇÝ ÂáõñùÇáÛ ²ñï³ùÇÝ ¶áñÍáó ËÙµ³·Çñ ÜÇÏáÉ ö³ßÇÝ»³Ý Ù»- ݳ˳ñ³ñáõÃÇõÝÁ ùÝݳ¹³ïáõ- Õ³õáñ Ýϳïáõ»ó³õ 2008 Ãáõ³Ï³ÝÇ Ã»³Ý »ÝóñÏ³Í ¿ ѳÛ- ݳ˳·³Ñ³Ï³Ý ÁÝïñáõÃÇõÝÝ»ñáõÝ Ãñù³Ï³Ý ³ñӳݳ·ñáõÃÇõÝÝ»- Û³çáñ¹³Í Çñ³¹³ñÓáõÃÇõÝÝ»ñáõ ñáõ ë³Ñٳݳ¹ñ³Ï³Ýáõû³Ý í»- ÁÝóóùÇÝ ¦½³Ý·áõ³Í³ÛÇÝ ³Ý- ñ³µ»ñ»³É г۳ëï³ÝÇ ê³ÑÙ³- ϳñ·áõÃÇõÝÝ»ñ ϳ½Ù³Ï»ñå»Éáõ ݳ¹ñ³Ï³Ý ¹³ï³ñ³ÝÇ ÚáõÝáõ³ñ Ù¿ç§, ¹³ï³å³ñïáõ»Éáí 7 ï³ñáõ³Û 12-ÇÝ Ï³Û³óáõó³Í áñáßáõÙÁ: ³½³ï³½ñÏÙ³Ý: ÂáõñùÇáÛ ³ñï³ùÇÝ ·»ñ³- ÜÇÏáÉ ö³ßÇÝ»³ÝÇ å³ßïå³Ý ï»ëãáõû³Ý ï³ñ³Í³Í ѳÕáñ- ÈáõëÇÝ¿ ê³Ñ³Ï»³Ý ³Ûë ³éÃÇõ ¹³·ñáõû³Ý ѳٳӳÛÝ, ÛÇß»³É Áë³õ. -
Claire Chase: the Pulse of the Possible
VOLUMEXXXVIII , NO . 3 S PRING 2 0 1 3 THE lut i st QUARTERLY Claire Chase: The Pulse of the Possible Curiosity and Encouragement: Alexander Murray The Charles F. Kurth Manuscript Collection Convention 2013: On to New Orleans THEOFFICIALMAGAZINEOFTHENATIONALFLUTEASSOCIATION, INC It is only a tool. A tool forged from the metals of the earth, from silver, from gold. Fashioned by history. Crafted by the masters. It is a tool that shapes mood and culture. It enraptures, sometimes distracts, exhilarates and soothes, sings and weeps. Now take up the tool and sculpt music from the air. MURAMATSU AMERICA tel: (248) 336-2323 fax: (248) 336-2320 fl[email protected] www.muramatsu-america.com InHarmony Table of CONTENTSTHE FLUTIST QUARTERLY VOLUME XXXVIII, NO. 3 SPRING 2013 DEPARTMENTS 11 From the President 49 From the Local Arrangements Chair 13 From the Editor 55 Notes from Around the World 14 High Notes 58 New Products 32 Masterclass Listings 59 Passing Tones 60 Reviews 39 Across the Miles 74 Honor Roll of Donors 43 NFA News to the NFA 45 Confluence of Cultures & 77 NFA Office, Coordinators, Perseverence of Spirit Committee Chairs 18 48 From Your Convention Director 80 Index of Advertisers FEATURES 18 Claire Chase: The Pulse of the Possible by Paul Taub Whether brokering the creative energy of 33 musicians into the mold-breaking ICE Ensemble or (with an appreciative nod to Varèse) plotting her own history-making place in the future, emerging flutist Claire Chase herself is Exhibit A in the lineup of evidence for why she was recently awarded a MacArthur Fellowship “genius” grant. -
Program Book
Ohio Valley Filk Fest 21 October 21-23, 2005 Ohio Valley Filk Fest 21 GUEST OF HONOR FRANK HAYES HONORED LISTENER INTERFILK GUEST TERRY WOLFE-ELLIS ERIC GERDS TOASTMISTRESS SEANAN MCGUIRE Brought to you by the OVFF Committee With the help of The Friends of OVFF Mary Bertke Sally Kobee Lorene Andrews Jim Leonard Michelle Bottorff Steve Macdonald Bruce Coulson Spencer Love Lori Coulson BJ Mattson Heather Munn Roberta Slocumb Linnea Davis Erica Neely Emily Vazquez Mark Peters Coulson Larry Smith Daniel Glasser Jan Wagner Melissa Glasser Linda Winks October 21-23, 2005 Kathy Hamilton Nick Winks The Clarion Hotel in Dublin, OH CHAIRMAN’S WELCOME OVFF’s Taping Policy Individuals are welcome Welcome to OVFF 21, enter freely and of your to record tapes for their own will...! own private use as long as the recording is unobtru- Can you believe we've been doing this for more sive and the performer's than 21 years? If I may use a cliche, time flies implied permission is when you're having fun... given. Performers have the option of announcing, I hope you'll join me in welcoming Frank “Please don’t record me” Hayes, our Guest of Honor, Seanan McGuire, prior to their performance. our Toastmistress, Terry Ellis, our Honored Lis- tener, and Eric Gerds, our Interfilk Guest. If you are interested in tap- ing next year's convention for commercial I also want to say thanks to each and every reproduction, please write us for a bid package. member of the OVFF Committee for all they do for this convention. -
MUSICS of the WORLD Course Unit Code
Course Unit Title: MUSICS OF THE WORLD Course Unit Code: MUS 333 Type of Course Unit: (Compulsory/Optional) Optional Level of Course Unit: (first, second or third cycle) Bachelor (1st Cycle) Year of Study: 3 or 4 Semester when the unit is delivered: 5-8 Number of ECTS credits allocated: 6 Name of lecturer(s): TBA Learning Outcomes of the course unit: Upon successful completion of this course, students will be able to: Listen to music of the world more perceptively, and have better listening skills for non- Western musical styles. Appraise and interpret a variety of music cultures and musics. Differentiate how music elements and styles are used in different music. Examine general issues related to the field of ethnomusicology. Recognise the cultural context of music from a world region. Place musical genres in cultural and historical perspective. Explore music in its social and cultural contexts. Evaluate and explain how music interacts with culture and society. Appreciate how specific musical traditions derive from and influence the cultures of which they partake. Discover how the distinction between western and non-western music becomes obscured as various music cultures come into contact with and interact with each other. Consider world musical cultures in light of colonialism, post-colonialism and nationalism, and in terms of the valorization of tradition and modernity. Display critical thinking and improve their written expression, especially regarding the subject of musical style by presenting opinions, ideas, experiences and projects. Mode of Delivery: Face- to- face Prerequisites and co- requisites: None Recommended optional program components: None Course Contents: Objectives: This course aims to introduce students to the study of traditional, popular and classical music from around the world, through reading, analysing, transcribing and close listening to assigned recordings. -
Downbeat.Com July 2015 U.K. £4.00
JULY 2015 2015 JULY U.K. £4.00 DOWNBEAT.COM DOWNBEAT ANTONIO SANCHEZ • KIRK WHALUM • JOHN PATITUCCI • HAROLD MABERN JULY 2015 JULY 2015 VOLUME 82 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
DOCTORAL THESIS the Development of Musical
DOCTORAL THESIS The development of musical preferences in Greek Cypriot students Rousha, Yianna Award date: 2014 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 03. Oct. 2021 The development of musical preferences in Greek Cypriot students by Yianna Rousha A thesis submitted in partial fulfilment of the requirement for the degree of PhD School of Education University of Surrey 2013 To my godfather CONTENTS List of tables vii List of figures x Acknowledgements xii PART I: Review of the literature Chapter 1: Greek Cypriot folk music 1 1.1 Introduction 1 1.2 Folk music: concept and definition 3 1.3 Greek Cypriot folk music 17 1.3.1 Cyprus: a brief observation 17 1.3.2 Overview on ethnomusicological research in Cyprus 19 1.3.3 Greek Cypriot folk collectors: Kallinikos 24 1.3.4 An overview -
Folk Music 1 Folk Music
Folk music 1 Folk music Folk music Béla Bartók recording Slovak peasant singers in 1908 Traditions List of folk music traditions Musicians List of folk musicians Instruments Folk instruments Folk music is an English term encompassing both traditional folk music and contemporary folk music. The term originated in the 19th century. Traditional folk music has been defined in several ways: as music transmitted by mouth, as music of the lower classes, and as music with unknown composers. It has been contrasted with commercial and classical styles. This music is also referred to as traditional music and, in US, as "roots music". Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction.[1] This type of folk music also includes fusion genres such as folk rock, electric folk, and others. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two. Traditional folk music Definitions A consistent definition of traditional folk music is elusive. The terms folk music, folk song, and folk dance are comparatively recent expressions. They are extensions of the term folk lore, which was coined -
Medlemsmagasin Nr31
Julealbum Spesial Sol og varme i vintermørket Norske og internasjonale Un Siecle de Tango side 9-13 Side 14-15 BARTOK ALBUM - Muzsikas, RAGA DVD Marta Sebestyen, Side 34 A Musical Experience of OM 3 og 4 CD bokser India Mustica og Festival Side 35-39 Side 16-17 Katalog nr 31 Nov. - Des. 2002 Nye CD'er fra Etnisk Musikklubb: Viser på vandring - Vol. 1 Slåtter på vandring se side 8 og 28 STORE PAKKER UNDER JULETREET I ALLE PROFILER Det beste i irsk folkemusikk The Alternative Christmas Album Side 40-41 1 Valle vidaregåande skule Vinstra vidaregåande skule 2640 VINSTRA 4747 VALLE Folkemusikkline Musikk, dans og drama landsline med fordjuping i folkemusikk - gk, VKI og VKII Vinstra vgs Musikk, dans og drama Open skule på kveldstid og i helgene. landsline med fordjuping i folkemusikk - GK, VKI og VKII Studietid innlagt i timeplanen. Ein dag kvar veke til å konsentrere seg - elevar frå heile landet kan søkje - skulen har eigne tiltak for hybelbuarar berre om eitt fag. Musikkturné i USA i VK II. Ta kontakt med skulen på tlf. 61 29 23 00 eller besøk oss på www.vinstra.vgs.no Nybygd Spelestoge i bruk frå nyttår. Aktivitetstilbod i helgene. Søknadsfrist 1. mars. Send søknaden til: Elevar frå heile landet kan søkje. Skulen har to hybelbygg. Oppland fylkeskommune Opplæring og kompetanse www.valle.vgs.no Inntakskontoret 37 93 77 30 2626 LILLEHAMMER STUDERE TIL HAUSTEN? " Folkemusikk i Europa" Nytt linjetilbod på Årsstudier og 3-årige bachelorstudier i – Folkemusikk Fana Folkehøgskule! – Folkekunst, tre, metall, tekstil Halvårskurs starter 6. januar 2003 Frå haust 2003 Heilårskurs starter august 2003 Masterstudium i tradisjonskunst, folkemusikk og folkekunst. -
Turkey's Pro-Kurdish HDP Leaders Arrested
You may also choose to read ZARTONK on the net by visiting: www.zartonkdaily.com Reports and Advertisements could be sent to us by contacting: Email: [email protected] P.O.Box: 11-617 & 175-348 Beirut- Lebanon Tel/Fax: +961 1 444225 زارتــونك جريــــــدة سيــــــاســــــية أرمنــــــية ZARTONK JOURNAL POLITIQUE ARMÉNIEN November 7 - November 13, 2016 Volume #79 Number 33/ English 2 Issue (21,773) Article Diaspora News Arts & Society PG Armenia and Diaspora In PG AGBU Holds 89th General PG Narine Abgaryan Wins Quest for a New Start Assembly in New York Yasnaya Polyana Literary 03 05 08 Award News from Armenia and Artsakh Turkey’s Pro-Kurdish HDP Leaders Armenia To Allocate Arrested 47.4 Billion AMD Budget Loan To NKR In 2017 Armenia will allocate 47.4 billion AMD budget loan to the Nagorno Karabakh Republic in 2017, Minister of Finance Vardan Aramyan said during the parliamentary debates of the 2017 state budget, “Armenpress” reported. Armenia has made allocation to the NKR in 2016 as well. It was planned to allocate 47.3 billion AMD budget loan, and the Government of Armenia decided to add Two leaders and at least 13 lawmakers of Turkey’s pro-Kurdish Peoples’ Democratic Party (HDP) were detained another 3.3 billion AMD to 47.3 billion AMD budget loan. early on Friday over reluctance to give testimony for crimes linked to “terrorist propaganda.”Turkish police raided the Ankara house of co-leader Selahattin Demirtas and the house of co-leader Figen Yuksekdag in Diyarbakir, the Page 02 largest city in Turkey’s mainly Kurdish southeast, the party’s lawyers told Reuters. -
Official Middle Kingdom Songbook" Is a Publication Ol the Middle Kingdom of the Society for Creative Anachronism, Inc
Unto the Populace of the Known World come greetings from Siobhan Medhbh O'Roarke, Chronicler of the Middle in the first reign of their Majesties Eliahu and Elen. The book you now hold in your hands is, I must confess, a mystery to me. It was handed to me, wrapped in a plain brown wrapper, by a mysterious figure in purple. Opening said package, I discovered a manuscript, much travel- and tear-stained. The dedicatory page purported to have left the hands of Countess Valmai many years before, but when I contacted that noble lady, she denied any knowledge of it and vehemently refused to accept any e!a!Tle credit for such a manuscript.* Despite the mysterious origins of the book, it seemed to me to be of value. Not many days before, the Neos in my home barony had been complaining that "No-one ever sings the old songs any more. How can we learn them?" Thus, the discovery of the mysterious parcel seemed Provident, if not serendipitious. It was a book Whose Time Had Come. I set about getting it published. Master Reginald of the Horns, seeing my bewilderment, surrounded by pages of music tossed about in a random manner, graciously offered to rewrite the musical scores in a consistent and pleasing manner. I owe a great debt to him for this labor, for I am confident that the Book would not have appeared in print until Pennsic XX or even later had the task of transcribing the music been left to me. Thanks are also due to Mistress Greya Ankayrlyn, who took pity on the poor naked manuscript and created a cover for it. -
The Dick Crum Collection, Date (Inclusive): 1950-1985 Collection Number: 2007.01 Extent: 42 Boxes Repository: University of California, Los Angeles
http://oac.cdlib.org/findaid/ark:/13030/kt2r29q890 No online items Finding Aid for the The Dick Crum Collection 1950-1985 Processed by Ethnomusicology Archive Staff. Ethnomusicology Archive UCLA 1630 Schoenberg Music Building Box 951657 Los Angeles, CA 90095-1657 Phone: (310) 825-1695 Fax: (310) 206-4738 Email: [email protected] URL: http://www.ethnomusic.ucla.edu/Archive/ ©2009 The Regents of the University of California. All rights reserved. Finding Aid for the The Dick Crum 2007.01 1 Collection 1950-1985 Descriptive Summary Title: The Dick Crum Collection, Date (inclusive): 1950-1985 Collection number: 2007.01 Extent: 42 boxes Repository: University of California, Los Angeles. Library. Ethnomusicology Archive Los Angeles, California 90095-1490 Abstract: Dick Crum (1928-2005) was a teacher, dancer, and choreographer of European folk music and dance, but his expertise was in Balkan folk culture. Over the course of his lifetime, Crum amassed thousands of European folk music records. The UCLA Ethnomusicology Archive received part of Dick Crum's personal phonograph collection in 2007. This collection consists of more than 1,300 commercially-produced phonograph recordings (LPs, 78s, 45s) primarily from Eastern Europe. Many of these albums are no longer in print, or, are difficult to purchase. More information on Dick Crum can be found in the Winter 2007 edition of the EAR (Ethnomusicology Archive Report), found here: http://www.ethnomusic.ucla.edu/archive/EARvol7no2.html#deposit. Language of Material: Collection materials in English, Croatian, Bulgarian, Serbian, Greek Access Collection is open for research. Publication Rights Some materials in these collections may be protected by the U.S.