Official Middle Kingdom Songbook" Is a Publication Ol the Middle Kingdom of the Society for Creative Anachronism, Inc

Total Page:16

File Type:pdf, Size:1020Kb

Official Middle Kingdom Songbook Unto the Populace of the Known World come greetings from Siobhan Medhbh O'Roarke, Chronicler of the Middle in the first reign of their Majesties Eliahu and Elen. The book you now hold in your hands is, I must confess, a mystery to me. It was handed to me, wrapped in a plain brown wrapper, by a mysterious figure in purple. Opening said package, I discovered a manuscript, much travel- and tear-stained. The dedicatory page purported to have left the hands of Countess Valmai many years before, but when I contacted that noble lady, she denied any knowledge of it and vehemently refused to accept any e!a!Tle credit for such a manuscript.* Despite the mysterious origins of the book, it seemed to me to be of value. Not many days before, the Neos in my home barony had been complaining that "No-one ever sings the old songs any more. How can we learn them?" Thus, the discovery of the mysterious parcel seemed Provident, if not serendipitious. It was a book Whose Time Had Come. I set about getting it published. Master Reginald of the Horns, seeing my bewilderment, surrounded by pages of music tossed about in a random manner, graciously offered to rewrite the musical scores in a consistent and pleasing manner. I owe a great debt to him for this labor, for I am confident that the Book would not have appeared in print until Pennsic XX or even later had the task of transcribing the music been left to me. Thanks are also due to Mistress Greya Ankayrlyn, who took pity on the poor naked manuscript and created a cover for it. Her labors mean more to me than you might imagine. Now all that is left is for you, dear Readers, to take up this book, cherish it, and SING. Whoever the poor, weary editor of this book may be, I am sure it would gladden his/her heart to hear these songs rising from your campfires and in your revel halls. In Service, ~~bh C>Ro"l" * Soon thereafter she moved and left no forwarding address. "Tile OfficiaL MiMfe KingdOm Song6oofi" Edlmf 6y Countess Vafmai Arcafien Cover 6y: Mistress Greya AnkayrL)~l "The Official Middle Kingdom Songbook" is a publication ol the Middle Kingdom of The Society for Creative Anachronism, Inc. II is published under the authority of the office of the Chronicler of the Middle Kingdom. Original material in this book is < SCA, Inc. Other rights, as delineated in the text, belong to the authors and publishers indicated. No part of it may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopy­ ing, recording or otherwise without written permission from the copyright owners. Made in the United States Printi119 6y: CopyGraph Services, Inc. East Lansi119, MI Other graphic sen'iccs provUfed' 6y: Proft.ssiona[ Composition, Inc. East Lansil19, MI P"9e design, won{ processi"9 ana other comp11ter sen'iccs 6y: Tion Efd'uatft Bek Tarrant Shire Sliattere<f Crystaf St. Louis, MO. DEDICATION To Their Most Royal Majesties Eliahu ben Itzhak and Elen o Dynevwr this book is respectfully dedicated. In addition this songbook was compiled at the direction and under the patronage of The Curia Regis of the Middle Kingdom. It is therefore also dedicated to this sincere and hard-working group of Kingdom Officers who have always in my experience held the good of the Midrealm above personal gain. ACKNOWLEDGEMENTS This project has been nearly three years in the making. I owe many thanks to many people, and if I were to name them all, it would take pages. The biggest share of thanks goes to Tion Elduath and Bek Tarrant, who worked many long hours typing, retyping, adding, deleting, correcting, and finishing this book. Without their help, I'd still be in the beginning stages of all this. I would also like to thank all those who contributed songs and moral support, especially Yosef Alaric, Andrew Lyon of Wolvenwood, Aed of Avigdore, John ap Wynne, Azarael the Soul-Separator, The Dark Horde, The Shire of Dearnehealde, The Shire of Standing Stones, Fionn MacGiollapadraig, Crag Duggin (who gave up his songbooks to me for months and months and months), The Curia Regis (who instituted this project and nagged it to completion), and Una the Unwashed (who wouldn't leave me alone). Many thanks' also go to Siobhan Medhbh O'Roarke, who enabled this book to be printed quickly and as inexpensively as possible. I am most grateful. Any project of this type is bound to have inaccuracies and for these I sincerely apoloF,ize, especially to any unknown and/or overlooked authors. I hope these mistakes can be corrected in a second, expanded edition, which someone else will do. Every kingdom has songs. To some extent a Kingdom can be measured by the number and kind of songs its people sing. A book of this sort is necessary not merely for pleasure or to keep these songs from being forgotten over the course of time, but to serve as a record of the Midrealm, its strengths, weaknesses, history, sorrows and joys. I hope this songbook will serve as such a record and will inspire the writing of still more songs of our Kingdom and its people. In Service to the Middle Kingdom, Valmai Arcalien N'Ennessiel of Dernehelde ' TABLE OF CONTENTS DEDICATION ACKNOWLEDGEMENTS PART 1: Songs Treating of Kings and Other Notables • • • • • • • • • • • • • l \ 1 (• I) 1 Lay of the MidRealm Kings • · • '• • • • • • • • • • • • • • • 2 The King is Grand • .. .. ... • 4 Pointwork • • • • • • • • • • • . • 5 Imperium Compound • • ...... 6 Nathan············ 0 0 0 0 0 I 0 0 ° 0 0 0 0 ° O O O 0 0 0 0 0 0 O 7 Middle Kingdom Folk .... 8 Treegirtsea Province .. .. 9 A General in the King's Army .. .. • •••••• 10 Taking Care of Kingdom • .. .. 0 0 0 0 I I 11 Angus' Song .. .. • ••••• 12 Plague Rat • . 13 Prince Hugo's Song • • . • • • • • • • ••••• 14 Seven Hundred Elves ... .. 15 Ladies, Don't Let Your Fighters Grow Up to be Tanist • 0 0 0 0 I I 16 The Baron's Vanity • • .. .. .. .. ••• 17 To the Green Iguana • • • .... .. 20 A War Song For Talymar and Valmai • ... .................. 22 They Call Him Master Moonwulf • • • • 0 0 0 0 0 0 0 0 I 0 0 0 0 0 0 0 0 0 23 Takya 0 0 O 0 I 0 24 Moonwulf .. .. ... 25 Moonwulf's Still the King· ... .. ···26 Song For Corwin Dragonstar .. ... • • • . • 27 Help Me Brummbar · • .. ....... .. The Marvelous Beard 0 0 0 o o o 0 0 0 I 0 0 0 0 0 0 0 o 0 0 0 0 0 0 I 0 0 0 0 o 29 PART ll: Songs Treating of Battles Bold and Kingdom Glorious ...... 30 0 The Impossibility Song ....... 0 0 I 31 Dirge toP. W. IV • • • · • ... ····32 When the Middle Went to War· . 33 Ode to Pennsic War IV • • • • • • • • • • • · • • · · · · · • • • • • • • • • • • • • • •34 Fare Thee Well, Middle Kingdom (Lament of PW X) • • • ·35 PW Ate • • • • • • • • • • • • • • • • • • • • • • • • • • • • • ' • ' ....... ·36 Tale of Pennsic VIII ................. ·37 Six Feet of Andelcrag .................... ......... ... 38 Septentria ........ ............. .... .. 38 Men of CaJon .. .. .......... •39 Mid Realm War Song · • • · • • • · • • • • • • • • · • • • · • • • • • · ... ·40 Onward MidRealm ....... ·41 A MidRealm Hymn • • • • • • • • • • • • • ...... ·42 Up the Mid Realm · • · · · · · · · • • • • · .. ·43 PART UI: Songs Treating of Ease and Small Pleasures ·44 White Belt From the North Woods • • • • • • • ·45 A Calontir Song · · • · • · · • • • • • • • • · .. .... ·46 The Land Is Very Flat in Calontir • ·47 Lament of a Novice • • • • • • • • ·48 Hark the Herald ... ·49 MidRealm Ladies .. ..... .. ... •50 Lady Matilda's Song • • .. 51 Song of the Peoples • 52 The Viking Christmas Carol .. ·53 God Rest Ye, Frantic Autocrat .. ...... .. ·54 The Hospitaller's Song • • • • • • 56 Back in the SCA Again • • .. •57 The Chivalry • • • • • • • .. .. .. •58 My Seneschal's Fault ... •59 Descent of the Dragon .. .. ·60 Thor's Son • • · • • • .. ·61 Sixteen Knights • • • .. •62 Little Saxons • • • ·63 Little Green Snake .. ..... .. •64 Bearsark Rag • • • • • .. ..... .. •65 A Song For Maidens Green From Envy or Other Conditions • ·66 Splendour of the Crusades • • • • • • • • • • • ..... .. •67 A Viking Christmas in Wales .. •68 Sideways • • · • • • • • • • • • • • • • • •69 Don't Ask That Question Here o I I I I I I I t I I I I I I I I I I I I I I I I I I I I I 70 If You're SCA • • • • • • ." I I I I " . I I I I I I I I I I I I 72 I am a Dane • • • • • ." " . ." " I I I I I I I I 7 3 Jingle Helms • · • •.... .... I 1 I I I I I I I I I I I I I I I I I I I t I 7 3 The Kuda-Yari Man . • • .............• • ..........•••........ •74 A German Beer Song Aspiring to Become a National Anthem • • • • • 74 The Twelve Days of Ducal• • • • • • • • • • • • • • I I I t I I I I I I I I I I I I 7 5 Have Yourself a Merry Little Crusade • • 1 t I 1 I I I I t I I I I I I I 7 6 Zorabb's Song • " I I I I I I I I I I I I I I I I I I I I I I 7 6 Mongol Nights I I I I I I I I I I I I I 77 Favorite Things ". ". I I I I I I I I I I I I I I 7 8 PART IV: Authentic and/or Or-iginal Songs· ... I t I I I I I I I I 79 To Duchess Zarina • • • • • • • • • • • • • • . " I I I 80 Lions and Leopards, or Amberview I I I I I t I I t I I I I I I I I I I 81 The Dragon Song • • • • • • I I I I I I I I I I I I I I I I I t I I I I I I I 83 The Rogue " " ".
Recommended publications
  • Dzovig Markarian
    It is curious to notice that most of Mr. Dellalian’s writings for piano use aleatoric notation, next to extended techniques, to present an idea which is intended to be repeated a number of times before transitioning to the next. The 2005 compilation called “Sounds of Devotion,” where the composer’s family generously present articles, photos and other significant testimony on the composer’s creative life, remembers the two major influences in his music to be modernism and the Armenian Genocide. GUEST ARTIST SERIES ABOUT DZOVIG MARKARIAN Dzovig Markarian is a contemporary classical pianist, whose performances have been described in the press as “brilliant” (M. Swed, LA Times), and “deeply moving, technically accomplished, spiritually uplifting” (B. Adams, Dilijan Blog). An active soloist as well as a collaborative artist, Dzovig is a frequent guest with various ensembles and organizations such as the Dilijan Chamber Music Series, Jacaranda Music at the Edge, International Clarinet Conference, Festival of Microtonal Music, CalArts Chamber Orchestra, inauthentica ensemble, ensemble Green, Xtet New Music Group, USC Contemporary Music Ensemble, REDCAT Festivals of Contemporary Music, as well as with members of the LA PHIL, LACO, DZOVIG MARKARIAN Southwest Chamber Music, and others. Most recently, Dzovig has worked with and premiered works by various composers such as Sofia Gubaidulina, Chinary Ung, Iannis Xenakis, James Gardner, Victoria Bond, Tigran Mansurian, Artur Avanesov, Jeffrey Holmes, Alan Shockley, Adrian Pertout, Laura Kramer and Juan Pablo Contreras. PIANO Ms. Markarian is the founding pianist of Trio Terroir, a Los Angeles based contemporary piano trio devoted to new and complex music from around the world.
    [Show full text]
  • IRCA FOREIGN LOG 10Th Edition +Hrd Again W/Light Inst Mx at 0456 on 1/4
    IRCA FOREIGN LOG 10th Edition +Hrd again w/light Inst mx at 0456 on 1/4. Poorer than before. (PM-OR) DX World Wide – West +NRK 0244 12/29 country music occasionally coming thru clearly in domestic TRANS-ATLANTIC DX ROUNDUP slop (I've logged & QSLed this one with this early Mon morning country-music show before). First time I've had audio from this one all season. [Stewart-MO] 162 FRANCE , Allouis, 0230 3/7. Male DJ hosting a program of mainly EE pop +2/15 0503 Poor to fair signals in NN talk and oldies mx. Only TA on the MW songs. Fair signal, but much weaker than Iceland. (NP-AB) band. (VAL-DX) +0406 4/18, pop song in FF. (NP-AB*) 1467 FRANCE , Romoules TRW, 12/27 2309 Fair signals peaking w/good Choraol 189 ICELAND , Guguskalar Rikisutvarpid, 2/15 0032. Fair signals with Icelandic mx and rel mx. Het on this one was huge! New station and new Country on talk and a mix of mx some in EE. Only LW station to produce audio. MW. (SA-MB) (VAL-DX) 1512 SAUDI ARABIA , Jeddah BSKSA, 12/27 2248 poor signals w/AA mx and talk. +0227 3/7. Very good signal w/EE lang R&B pop/rock songs hosted by man in New station. (SA-MB) what I presumed was Icelandic. Ranks up there as the best signal I've hrd +12/29 seemed to sign on right at 0300 with no announcements, int signal, from them. (NP-AB) anthem, or anything, just Koranic chanting.
    [Show full text]
  • Bylaws of the East Kingdom Royal College of Performers
    Bylaws of the East Kingdom Royal College of Performers Contents Section I. Proposed Bylaws ............................................................................................................ 2 A. Purpose................................................................................................................................ 2 B. Limited Scope of Exclusivity.............................................................................................. 2 C. Governance ......................................................................................................................... 2 D. Founding and Anniversary of the College.......................................................................... 3 E. Terms of Office ................................................................................................................... 3 F. Elections .............................................................................................................................. 3 G. Administrative Officers......................................................................................................4 1. Provost............................................................................................................................ 4 2. Chatelaine....................................................................................................................... 4 3. Chancellor ...................................................................................................................... 4 H. Arts.....................................................................................................................................
    [Show full text]
  • ALH Online Review, Series XIX 1 Christopher N. Phillips, the Hymnal
    ALH Online Review, Series XIX 1 Christopher N. Phillips, The Hymnal: A Reading History (Baltimore: Johns Hopkins University Press, 2018), 252 pp. Reviewed by Paul C. Gutjahr, Indiana University For anyone familiar with the original novel, watching Michael Mann’s popular 1992 motion picture adaptation of James Fenimore Cooper’s The Last of the Mohicans starring Daniel Day-Lewis becomes an exercise in absence, for Mann deletes from his movie the sometimes comic, sometimes heroic figure of the psalm-singing David Gamut. Thinking of David Gamut in relation to Christopher Phillips’s new book, The Hymnal: A Reading History, is instructive for two reasons. It underscores Phillips’s point that the singing of psalms and hymns was ubiquitous in early American culture, and it also points to the fact that attention to the importance and ubiquity of such singing (and printing) has been as absent from scholarly discussions of the era as the figure of David Gamut is in Mann’s film. Phillips has done a great service to those interested in the areas of American poetry, book history, and lived religion in his meticulously researched, broad-reaching study. Following in the footsteps of book historians like Michael Cohen and Anthony Grafton, Phillips is interested in the “social lives” of hymnbooks. He studies them not only as carrier of texts and traditions but as an important “part of the everyday social practices of hundreds of thousands of English-speakers across two centuries” (ix). More importantly, through a systematic study of the use, first, of psalms and then the more elastically biblical poetic musical form of Scripture and scriptural truths commonly known as hymns, Phillips goes a great distance in showing just how pervasive and important hymns, and their books, were in the development of early American print culture more generally.
    [Show full text]
  • Death, Travel and Pocahontas the Imagery on Neil Young's Album
    Hugvísindasvið Death, Travel and Pocahontas The imagery on Neil Young’s album Rust Never Sleeps Ritgerð til B.A.-prófs Hans Orri Kristjánsson September 2008 Háskóli Íslands Hugvísindasvið Enskuskor Death, Travel and Pocahontas The imagery on Neil Young’s album Rust Never Sleeps Ritgerð til B.A.-prófs Hans Orri Kristjánsson Kt.: 260180-2909 Leiðbeinandi: Sveinn Yngvi Egilsson September 2008 Abstract The following essay, “Death, Travel and Pocahontas,” seeks to interpret the imagery on Neil Young’s album Rust Never Sleeps. The album was released in July 1979 and with it Young was venturing into a dialogue of folk music and rock music. On side one of the album the sound is acoustic and simple, reminiscent of the folk genre whereas on side two Young is accompanied by his band, The Crazy Horse, and the sound is electric, reminiscent of the rock genre. By doing this, Young is establishing the music and questions of genre and the interconnectivity between folk music and rock music as one of the theme’s of the album. Young explores these ideas even further in the imagery of the lyrics on the album by using popular culture icons. The title of the album alone symbolizes the idea of both death and mortality, declaring that originality is transitory. Furthermore he uses recurring images, such as death, to portray his criticism on the music business and lack of originality in contemporary musicians. Ideas of artistic freedom are portrayed through images such as nature and travel using both ships and road to symbolize the importance of re-invention.
    [Show full text]
  • + Third Sunday of Easter April 18, 2021 10:45 Blended Iii +
    + THIRD SUNDAY OF EASTER APRIL 18, 2021 10:45 BLENDED III + As We Gather How can we know God’s love for us? It’s in some ways similar to our earthly relationships, but it is from One who always loves perfectly. “See what kind of love the Father has given to us” (1 John 3:1). The Lord speaks to us in His Word, He sends us His Son, and He gives us the means of grace. His love is eternal, and it allows us to see Him with the eyes of faith. Now, we can rejoice together in the fact that Christ is risen! Welcome + WE PREPARE OUR HEARTS FOR WORSHIP + Opening Song "This is Amazing Grace" SSP 82 Who breaks the power of sin and darkness Whose love is mighty and so much stronger The King of Glory the King above all kings Who shakes the whole earth with holy thunder And leaves us breathless in awe and wonder The King of Glory the King above all kings This is amazing grace This is unfailing love That You would take my place That You would bear my cross You laid down Your life That I would be set free Oh Jesus I sing for all that You've done for me Who brings our chaos back into order Who makes the orphan a son and daughter The King of Glory the King of Glory Who rules the nations with truth and justice Shines like the sun in all of its brilliance The King of Glory the King above all kings This is amazing grace This is unfailing love That You would take my place That You would bear my cross You laid down Your life That I would be set free Oh Jesus I sing for all that You've done for me Worthy is the Lamb who was slain Worthy is the King who conquered the grave Worthy is the Lamb who was slain Worthy is the King who conquered the grave Worthy is the Lamb who was slain Worthy is the King who conquered the grave Worthy is the Lamb who was slain Worthy, worthy, worthy This is amazing grace This is unfailing love That You would take my place That You would bear my cross You laid down Your life That I would be set free Oh Jesus I sing for all that You've done for me All that You've done for me Text: © 2012 WB Music Corp.
    [Show full text]
  • Heraldic Terms
    HERALDIC TERMS The following terms, and their definitions, are used in heraldry. Some terms and practices were used in period real-world heraldry only. Some terms and practices are used in modern real-world heraldry only. Other terms and practices are used in SCA heraldry only. Most are used in both real-world and SCA heraldry. All are presented here as an aid to heraldic research and education. A LA CUISSE, A LA QUISE - at the thigh ABAISED, ABAISSÉ, ABASED - a charge or element depicted lower than its normal position ABATEMENTS - marks of disgrace placed on the shield of an offender of the law. There are extreme few records of such being employed, and then only noted in rolls. (As who would display their device if it had an abatement on it?) ABISME - a minor charge in the center of the shield drawn smaller than usual ABOUTÉ - end to end ABOVE - an ambiguous term which should be avoided in blazon. Generally, two charges one of which is above the other on the field can be blazoned better as "in pale an X and a Y" or "an A and in chief a B". See atop, ensigned. ABYSS - a minor charge in the center of the shield drawn smaller than usual ACCOLLÉ - (1) two shields side-by-side, sometimes united by their bottom tips overlapping or being connected to each other by their sides; (2) an animal with a crown, collar or other item around its neck; (3) keys, weapons or other implements placed saltirewise behind the shield in a heraldic display.
    [Show full text]
  • The Symbol of Christ in the Poetry of William Blake
    The symbol of Christ in the poetry of William Blake Item Type text; Thesis-Reproduction (electronic) Authors Nemanic, Gerald, 1941- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 18:11:13 Link to Item http://hdl.handle.net/10150/317898 THE SYMBOL OF CHRIST IN THE POETRY OF WILLIAM BLAKE Gerald Carl Neman!e A Thesis Submitted to the Faculty of the 3 DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 1965 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the. Dean of the Graduate College when in his judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. APPROVAL. BY THESIS DIRECTOR This thesis has been approved on the date shown below: TABLE OF COITENTS INTRODUCTION.
    [Show full text]
  • Contemporary Worship Sunday, March 29 Gathering Song Holy
    Contemporary Worship Sunday, March 29 Gathering Song Holy Moment This is a Holy moment Celebrate the wonder of His love This is a Holy moment This is a Holy moment For your honor and fame This is a Holy moment Fall again in this place Fill us up as we overflow with praise Come with expectation For your honor and fame Everything abandoned Fall again in this place Look and see the Glory of our God Fill us up as we overflow with praise Lift your voice to heaven Jesus is our anthem We come with expectation Celebrate the wonder of His love Everything abandoned Here to see the Glory of our God He is here with us now We lift our voice to heaven He is here with us now Jesus is our anthem He is here with us now We celebrate the wonder of your love He is here with us now This is a Holy moment Come with expectation This is a Holy moment Everything abandoned This is a Holy moment Look and see the Glory of our God This is a Holy moment Lift your voice to heaven Jesus is our anthem Welcome Pastor Laura Johnson Song of Praise and Worship Called Me Higher I could just sit could just sit and wait for all Your goodness But You have called me higher Hope to feel Your presence You have called me deeper And I could just stay And I'll go where You will lead me Lord I could just stay right where I am and hope You have called me higher to feel You You have called me deeper Hope to feel something again And I'll go where You lead me Lord Where You lead me And I could hold on I could hold on to who I am and never let You change me from the And I will be Yours, oh
    [Show full text]
  • Edward Hall, War Diary, 1944
    Edward Hall Diary Collection, Volume 117 (EHC/117) Edward Hall’s War Diary, February – March 1944 Edward Hall, c.1932 This volume of Hall’s Second World War diaries documents his return to Britain from North Africa (Algiers) on board the troopship 'Ormonde', bound for Liverpool. This volume was kindly transcribed by Dave Heathcote, Archives Volunteer. Editor’s Notes Edward Hall frequently uses a plus sign where the word 'and' occurs. This is recorded in the transcript at it appears in the original volume. All diary transcripts have been produced with the intention of faithfully reproducing the text of the original manuscript exactly as it appears. All spellings and punctuation marks have been transcribed as they appear; where clarification was thought necessary by the transcriber an explanation, current spellings or punctuation have been added in square brackets. Wigan Archives Service, Wigan Coucil, 2016 1 Transcript produced by Dave Heathcote, Archives Volunteer Page 1 WAR DIARY (4a + 4b)/ 3 Feb - 18 Mar. 1944. (Journey by rail & sea, from/ TUNIS, via ALGIERS, to LIVERPOOL,/ in Troopship s/s 'Ormonde')/ 4A (circled in middle of page) Page 2 S/Ldr E.HALL./ 50 Westfield Rd./ SURBITON. / Surrey / JOURNEY by rail +/ sea from LA MARSA/ (Tunis), via ALGIERS / and LIVERPOOL/ 13Feb - 18 Mar. 1944 Page 3 [1944] / Feb.13 Last day at LA MARSA. / Have just completed my packing, - one/ damned heavy + bulky camp kit, / two valises, + my haversack. And I / find I have not packed one pair of / shoes + my washing which Fox has / just brought back from the Laundress. / There is also a kit bag of excess / kit which I shall leave to Marley / to hand in to store, for onward/ transmission.
    [Show full text]
  • Hymnody of Eastern Pennsylvania German Mennonite Communities: Notenbüchlein (Manuscript Songbooks) from 1780 to 1835
    HYMNODY OF EASTERN PENNSYLVANIA GERMAN MENNONITE COMMUNITIES: NOTENBÜCHLEIN (MANUSCRIPT SONGBOOKS) FROM 1780 TO 1835 by Suzanne E. Gross Dissertation submitted to the Faculty of the Graduate School of The University of Maryland in partial fulfillment of the requirements for the degree of Doctor of Philosophy 1994 Advisory Committee: Professor Howard Serwer, Chairman/Advisor Professor Carol Robertson Professor Richard Wexler Professor Laura Youens Professor Hasia Diner ABSTRACT Title of Dissertation: HYMNODY OF EASTERN PENNSYLVANIA GERMAN MENNONITE COMMUNITIES: NOTENBÜCHLEIN (MANUSCRIPT SONGBOOKS) FROM 1780 TO 1835 Suzanne E. Gross, Doctor of Philosophy, 1994 Dissertation directed by: Dr. Howard Serwer, Professor of Music, Musicology Department, University of Maryland, College Park, Maryland As part of an effort to maintain their German culture, the late eighteenth-century Mennonites of Eastern Pennsylvania instituted hymn-singing instruction in the elementary community schoolhouse curriculum. Beginning in 1780 (or perhaps earlier), much of the hymn-tune repertoire, previously an oral tradition, was recorded in musical notation in manuscript songbooks (Notenbüchlein) compiled by local schoolmasters in Mennonite communities north of Philadelphia. The practice of giving manuscript songbooks to diligent singing students continued until 1835 or later. These manuscript songbooks are the only extant clue to the hymn repertoire and performance practice of these Mennonite communities at the turn of the nineteenth century. By identifying the tunes that recur most frequently, one can determine the core repertoire of the Franconia Mennonites at this time, a repertoire that, on balance, is strongly pietistic in nature. Musically, the Notenbüchlein document the shift that occured when these Mennonite communities incorporated written transmission into their oral tradition.
    [Show full text]
  • 2019 Session 1 Chapbook
    “If I’m not for myself, who will be for me? If I’m only for myself, what am I? And if not Creative Writing now, then when?” Chapbook – Pirkei Avot Session One 2019 CONTENTS Notes from the Editor “The Narrators of Life” by Benjamin B. 3 This summer, 6 Points Creative Arts Academy added a creative writing “Wongarts” by Becca N. 7 major comprised of passionate wordsmiths from both Bonim and Olim. These majors constructed narrative works, exploring dialogue, exposition, “The Death Dance” by Naomi J. 10 and scene, before crafting their final pieces all of which centered around the theme of the summer, which comes from Pirkei Avot: “If I am not for “Nine Lives” by Natanya D. 15 myself, who will be for me? If I am only for myself, what am I? And if not now, then when?” In a minor titled: Adapting Stories, campers from a “Time” by Rebecca B. 17 variety of majors came together to read, write, and create fractured fairy tales and Torah stories. Some of those stories are included in this chapbook. “The Butterfly Room” by Olivia S. 20 “Speechless” by Sunny C. 23 Creative Writing Arts Mentor: Carly Husick “Beaut-evil” by Hanna P. 24 Instructors: Allison Woitte “The Art of Trying” by Maya F. 29 Noy Israeli Tani Prell Epstein “The Ransacking” by Charlie R. 32 Abe Frankel “The Man of Iron” by Jonathon N. 34 Artistic Director: David Loewy “The Lady and the Beast” by Ciera and Sophia 36 “Grandmother” by Isabel, Hannah, and Brandon 38 “Theadora” by Ellis S.
    [Show full text]