Volume 30, Issue 8 DECEMBER 2018/ AS LIII

Minstrel’s Guild

NEWSLETTER OF THE BA RONY OF SHATTERED CRYSTAL P a g e 1 T h e S h a r d s C u r i a C a l l Their Crystalline Excellencies Seneschal Daimyō Kurro Ookami Baronessa Petrona De Manciano Lady Ástríðr Árnarðóttír [email protected] [email protected] [email protected] (618)-910-7130

Pursuivant (a.k.a. Herald) Exchequer Master Avery Austringer I N S I D E Lady Cellah niTighearnaigh [email protected] T H I S [email protected]

Chatelain ISSUE: Deputy Chatelain and Gold Key Master Avery Austringer Vacant [email protected] Acknowledge- 2 Demo Coordinator ments Knight’s Marshal Mistress Alphia Biraz-Pars Baron Gavin MacFergus (see Equestrian Marshal) [email protected] Missives 3 Deputy Knight Marshal Archery Marshal Master Avery Austringer Master Bubba Godgodson [email protected] Medieval Ear 5 Equestrian Marshal Rapier Marshal Mistress Alphia Biras-Parz Lord Bartelmeu le Wis [email protected] Scroll Roll 8 [email protected]

Thrown Weapons Marshal Youth Marshal Vacant Badge of Arms 9 Lady Brigid MacCauley [email protected]

Minister of Arts & Sciences Bardic 101 10 Chronicler Lady Muirgheal O’Seannaig Tiarna Cináed Ulric, Amhranai tan Briongloid [email protected] [email protected] Book of Bards 12 (618)-722-1339

Web Minister Minister of Youth “Dafydd ap Llewellyn” 14 Baroness Caroline de Mercier [email protected] Crystal Ball [email protected] Haematite 20 Hospice Master William Blackfox Award Crystal Scryer 21 Winner, Best Special Edition, Calendar 23 A.S. LI (51) Volume 30, Issue 8 P a g e 2 Verba Legis

This is the December 2018 issue of The Shards, a publication of the Barony of Shattered Crystal of the Society for Creative Anachronism, Inc. (SCA, Inc.). The Shards is edited by and available from Jona- than Thorn, 6120 Leo Dr. Belleville, Il. 62223. It is not a corporate publication of SCA, Inc., and does not delineate SCA, Inc. policies. Copyright © 2018 Society for Creative Anachronism, Inc. For information on reprinting photographs, articles, or artwork from this publication, please contact the Chronicler, who will assist you in contacting the original creator of the piece. Please respect the legal rights of our contribu- tors.

Acknowledgements

Cover art: Title design and a reworking of a photo by Maitre Philippe de Lyon, Coronet Logo for Their Excellencies’ missive, Event Steward Logo, Baronial Shield line divider page 3, “woodcut print” of Violinist and Lutist is a reworking of a print of Gerrit van Honthorst’s (1592-1656) “A Merry Group Behind a Balustrade…” it is in the public domain, & Scroll Roll & Haematite Hospice logos, are from Cináed Ulric. Horizontal and Vertical dividers are from the web page Goode Cookery, and their page on Medieval Woodcuts Clip Art collection from the 15-16th centuries. Their permission-use statement is: “Those who wish to reduce or alter these images for their own use are welcome to do so.” Music on page 2 is “Pleasure It Is” a 16th century song by William Cornish printed in 1530 in Wyn- kyn de Worde’s Twenty Songs (Bassus), and is in the public domain. Illumination in the Book of Bards article is “Panthera Rising” from Theological Miscellany, includ- ing the Summa de Vitiis c. 1236 (Harley 3244) and is in the public domain. Line of musicians are a relief from an engraving from St. George’s de Boscherville Abbey, 11 Cen- tury and is in the public domain. All articles are written by the folks underneath the article’s title or end. All Creative Work, Photography, and Model release forms for every article, photo, or artistic graphic are on file with the Chronicler. P a g e 3 T h e S h a r d s M i s s i v e s

gether such a welcoming set up Also, His Excellency and I for our combatants and the be- would like to proclaim that we loved ladies of our Gallery. To will hold Baronial Championships Barthoelmeu for manning our for A&S and for Bardic at Baro- steel tourneys. nial Twelfth Night in January. Baron and Much like an Army, an A&S entries are limited to Baroness event runs on its stomach. A no more than 3 items or one re- Thunderous thank you to Mis- search paper, so pick your finest. tress Berengaria Mordaunt and Bardic performances shall not Once again folks, you do her astounding kitchen crew for exceed 4 minutes in length, us proud. A heartfelt thank you a show stopping feast. Hat tip please. At least minimal docu- to the Barony for your hours of also to Lady Muirgheal O’Sean- mentation is encouraged, but service to run a great event. First naig and Matthew Elswyck for not required. Please contact me I must thank our teachers, musi- lunch, and our breakfast crew with questions or to discuss an cians, and guests. Without you too. Thank you to our intrepid exception if you require one for folks there would be no event. new folks lord Nicholas Holsey your specific art. Additionally, Tiarna Cináed Ulric, and lady Andrea Lopez for diving We look forward to being for being our event steward, in to manage dessert revel. delighted by your work. Their Excellencies Bubba/Zardric Biggest thanks to the and Alphia for taking care of the folks who show up for the not musicians and setting up the Joyfully, fun stuff: trailer loading, cleaning dance, Ranthulfur Eric Grab as parties, Friday night set up, and our Emcee, Lady Ástríðr Ár- Daimyō Kurro Ookami & Sunday clean up. You all know narðóttír for ruthless organiza- who you are. You are the folks tion, Lady Cellah niTighearnaigh Baronessa Petrona that keep this group going. That for organizing gate, Their Excel- make the magic happen. You lencies Gavin MacFergus and De Manciano humble me with your awesome. Briana Morgan for pulling to- Volume 30, Issue 8 P a g e 4

Greetings,

Last month was our event Crystal Ball and I would like to take this op- portunity to thank as many folks as I can. First to Lady Khadagan Kachugene for being my deputy. She helped find some solutions for things as well as reminded me of things that needed to be thought of and then assisted at gate. I am grateful. To our Exchequer Lady Cellah niTighearnaigh and all who assisted her at the gate including: Lady James Ainsley & Christian van den Vos, Lady Hayley Kharvaach, & Lady Orianna. Former Event To Maitre Philippe de Lyon for making the site tokens. Steward For those who planned out the dance classes and ball, Mistress Alphia Biraz-Pars and Lord Ranólfr Rosamon, and Heregyth Ketilsdottir, and Magda- lene von Osnabruck getting the musicians in beat and once again playing so well at the Ball. Eirik Thorkelsson & Carrys of Caer Rhudd who helped register and map out our merchants for the ball this year. To Baron Gavin MacFergus & Lord Bartelmeu le Wis, our marshals for planning the tournament, and they along with Avery Austringer, Daimyō Kurro Ookami, and others who marshaled, ran list, were part of the gallery, etc. to make the tournament run smoothly and fun. Food... goodness were we well fed this year. Mistress Berengaria Mordaunt, her brothers, Lady Anna Kathryn Pfredrickson, along with some other assistants provided a most excellent feast that many folks said was the best they've ever had in years or in the SCA period. Also to Lady Julia Curie who as- sisted me in making and serving Saturday Breakfast, and Lady Murigheal O’Seannaig & Lord Matthew Elswyck for preparing and bringing in the Friday night soups and Saturday lunch. To our Hospitality Steward, Lady Mwynwen "Strawberry" Ysiginidd who provided and manned the drink station throughout the day as well as stepping up to assist servers at feast in making sure folks had plenty to drink. For Lady Ástríðr Árnarðóttír who performed her Seneschal duties, but also was in charge of the feast servers, and I saw her stepping in to do scullery duty every once in a while. A job that headed and manned by Lord Fintan McAldin - and trust me folks this is the job that is "taking one for the team" - Thank him. Thanks goes out to all those who helped serve the feast as well. The youth enjoyed activities, stories, and coloring books provided by Mistress Caroline de Mercier as well as a round of marzipan making by Lady Mwynwen Ysiginidd. To our new Baronial family members lord Nicholas & lady Andrea who stepped up to head up the set up and serving of the dessert revel. Hoobah and thank you. To Lady Ástríðr Árnarðóttír, Baroness Petrona de Manciano, Lady Mwynwen Ysiginidd, and Baron Gavin MacFergus who came out and either took a load in their own personal vehicle or assisted in loading the trailer full of Baronial items from the storage locker. And to Lady Dorcas the Lost, and Lady Malina an Eich Gil & Alistair Cearbach who are the shhhhhiii.... well let's just say they did a good job helping to take care of bathrooms and trash on Satur- day. Thanks to all who were there for Friday supply drop off and set up as well as those who were there for Sunday clean up.

If I have missed anyone, please known I do not mean to exclude you. Our event is a large one and it is difficult to see all the hands that assisted in putting it on and making the Barony look like world class hosts. For all who stepped up in large to small ways to take care of this or that, it is greatly appreciated. [Cont’d page 20] P a g e 5 T h e S h a r d s Disks for a Medieval Ear Cináed Ulric

Some of us from the "Bardic Community" are truly geeks. We would dearly love to perform the pieces that are actually from Medieval to Renaissance times. Unfortunately this is hard to do as everyone in the SCA has a "modern ear." That is we're used to almost all of our music being in the key of C or F ma- jor, played with a typical standard four chord progression, and in a time signature of 4/4. Some can get into the rounds because, many of us grew up with a few like "Row, Row, Row Your Boat", "Three Blind Mice", or we may have even known the period "Rose, Rose, Rose Red" song. But there are so many differ- ent keys, modes, time signatures, and styles of music like: antiphons, catches, chansons, chants, carols, madrigals, motets,.... in Medieval & Renaissance music. Some of them are very fun and others are exqui- sitely beautiful. So from time to time I've put out a discography of sorts, albums, cassette tapes, and CDs that I've had the privilege of hearing or owning. This time I've even added a few titles from other members of the Bardic Community. If you're willing and would like to try and train your ear to actual music from the time period we recreate, then pick up some of these titles and give them a listen. Remember, these once were the liturgical and popular songs of the day, and also, just like today, you don't have to like every sin- gle style or piece.

Chant, Chant II, and Chant III. Benedictine Monks of Santo Domingo de Silos, 1994, 1995, and 1996; EMI Angel These three CDs, sold separately, contain early music from the Church with the various sacred forms of Alleluias, Antiphons, Chants, Graduals, Gregorian Chants, Introits, Kyries, Mass Ordinaries, Offer- tories, Psalms, Responsories, Sequences, and Vespers. The monks of Santo Domingo de Silos have been singing Gregorian chant since the 11th century, which before that they used Mozarabic chant, a similar Hispanic chant sung when what was modern Spain had the Catholic Visigoths and Mozarabs living under Islamic rule until the peninsula was re-conquered by Christians. These particular pieces of music were taken from earlier recordings of the monks around the 1970's.

The Dart of Love. Orlando Consort 2015 Hyperion Here the Orlando Consort sings songs all composed by 14th century (1300's) musician, Guillaume de Machaut. Of course many of them have love as the subject material.

Food, Wine, & Song - Music and Feasting in Renaissance Europe. Orlando Consort 2001; Harmonia Mundi A personal favorite of mine, gifted to me by His Excellency Maximilian von Fallingbostel, this is a compilation of several songs; madrigals, chansons, rounds, catches, that are all about feasting, good company, hunting, and eating.

Medieval English Music - Masters of the 14th & 15th Centuries. The Hilliard Ensemble, Dir., Paul Hilliard 1982; Harmonia Mundi Exquisite program of late-Medieval English polyphonic songs, from the 14th and 15th centuries with most of the compositions being from "anonymous", but also includes some lesser but known com- posers such as John Plummer and John Forest.

Volume 30, Issue 8 P a g e 6

Olde English Madrigals and Folk Songs at Ely Cathedral. Cambridge Singers - Dir., John Rutter. 1996; American Gramaphone. The well renown Cambridge Singers choir under the direction of well respect teacher and com- poser John Rutter, present quite a few popular songs from late period - and some technically just out of period - ranging from madrigals to folks songs and to catches and rounds.

The Rose, the Lily, & the Whortleberry - Medieval Gardens/Jardins Medievaux. Orlando Consort. 2006; Harmonia Mundi The Orlando Consort present a rich and varied program of music spanning more than 3 centuries (c.1250-1590) in this CD, of both sacred and secular alike. The concept is original and interesting, ac- companied by 2 lucidly written essays by Sir Roy Strong and Susan Hitch, and even a Medieval-inspired garden design by Christopher Bradley-Hole, for the horticultural enthusiastic.

Songs & Dances of Medieval and Renaissance Times (Played on the Original Instruments). Various Art- ists. 2007; Collectables Records This is a you like it or don't collection of songs, not because of the songs but because of the mas- tering and packaging of the song. 2007, but the packaging looks a little like 1970's and so are the re- cordings, poorly re-mastered in a way that the sound can get pretty harsh on some passages. But still, although not great performances they are ones of typical Renaissance fare with pieces from early music and played on some actual period or reproduction period instruments.

Songs from the Labyrinth. Sting. 2006; Deutsche Grammophon Sting explores the medieval musical form of Madrigals by playing with superb Bosnian lutist, Edin Karamazov. He does so by performing, singing, and reading music and letters from well known Renais- sance composer John Dowland of England. Songs of the Troubadours & Trouveres Folger Consort 1997; Albany Music Distribution This CD contains 15 selections of various song and dance tunes by the well known performers from the 11th to the 13th centuries (1000 - 1200).

Sumer is Icumen in - Medieval English Songs. Hilliard Ensemble, Dir. Paul Hillier. 2002; Harmonia Mundi This collection provides a variety of styles belonging to a rather narrow timeframe that include rounds such as "Sumer is icumen in", well known both as music and poetry; "Valde mane diluculo", a 14th century motet; "Stond wel moder" is a 13th century crucifix lament; "Edi be thu" is a duet from the late 13th century with heavy use of thirds - a harmony that sounds very familiar to our modern ears; and three songs of St. Godric (died 1170), given to him in dreams - not unlike the origin of many Shaker tunes. The first was said to be given to him by the Blessed Virgin Mary and Mary Magdalene, the second by two an- gels and the last he sang with St. Nicholas (aka Santa Claus).

Troubadours: Minnesanger and Other Courtly Arts. Clemencic Consort, Dir. Rene Clemnic. 2005; Harmo- nia Mundi This CD contains cantigas, chants, and motet style pieces written and performed by the Medieval performers of Troubadours, Minnesangers, trovadorismo, and trouvères. Most of these poet-musicians had lyrics that were dedicated to chivalry and the art of love.

The Toledo Summit - Early 16th Century Spanish & Flemish Songs & Motets. Orland Consort 2013; Har- monia Mundi P a g e 7 T h e S h a r d s

This recording presents a selection of late 15th- and early 16th-century music from the courts of both the Habsburgs and that of Ferdinand and Isabella in Spain. The programme is well-contrasted, fea- turing works by many of the best known composers of the period (such as Josquin, Agricola, La Rue and Penalosa) as well as numerous pieces by lesser-known composers.

From other members of the Bardic Community:

Annette Wacha suggests:

Monteverdi's Contemporaries, The Early Music Consort of London - Dir., David Munrow. 1977; His Mas- ter’s Voice. This album/CD plays pieces written at the same time as Renaissance composer, Claudio Monte- verdi, but are actually from his contemporaries: Giorgio Mainerio, Alessandro Grandi, Ercole Porta, Gio- vanni Priuli, and Ignazio Donati.

Marie la Fauconniere suggested:

Beyond Chant: Mysteries of the Renaissance. Voices of Ascension, Conductor - Dennis Keene 1994; Delos Productions An English Ladymass - Medieval Chant and Polyphony. Anonymous 4 1992; Harmonia Mundi This disc contains 13th- and 14th-century chant and polyphony in honor of the Virgin Mary Fairborne. The Ravenscroft Music Guild CD. This group performs period music at Minnesota Renaissance Festival. Guillaume Dufay: Cathedral Sounds. Clemencic Consort - Conductor, Rene Clemencic. 2002; Arte Nova Records

Tamara Stewart suggested: Cosmography of Polyphony (A Journey Trhough Renaissance Music with 12 Recorders). Royal Wind Mu- sic. 2017; Pan Classics This ensemble of twelve recorder players presents music from Johannes Ockeghem (early 1500s) through Johann Sebastian Bach (mid-1700s). Playing polyphonic vocal works on instruments was stan- dard practice in the renaissance (as was doubling vocal parts with instruments). So Maria Martinez Ayerz's arrangements are within the realm of early music performance practices. Lute Music for Witches & Alchemists. Lutz Kirchhof. 2000; Sony Classical Music for a Great Castle. The Elizabethan Consort, The Henrician Consort, and more. 2005; The Gift of Music. Music for a Medieval Banquet. The Newberry Consort - Dir., Mary Springfels. 2001; Classical Express Praetorius; Dances from Terpsichore. New London Consort, Dir. Phillip Pickett. 1986; L'Oiseau-Lyre (European)

BONUS Since this is the December issue, might as well share with you some discs/tapes/CD's that con- tain Christmas music either from period or at least played on period instruments.

Christmas in the King's Court. Ann Heymann. 1992; Although there may be some modern Christmas songs on this album, one can truly get lost in a medieval feel as one part of the album is performed on harp by Ann Heymann, and the other half is per- formed on Pan Flute by Robert Windenhill. It is a very relaxing and soothing set of Christmas music. Volume 30, Issue 8 P a g e 8

Medieval Christmas. Orlando Consort. 2006; Harmonia Mundi. This is true medieval Christmas music like Medieval Europeans would have heard or sung. It isn't lighthearted carols heard at madrigal dinners, but true period music for Christmas from the eleventh through the fifteenth centuries. It is sung accapella, and although a little foreign sounding to modern ears, has some beautiful haunting melodies.

Marie la Fauconniere's Medieval Christmas listening includes:

As it Fell on a Holie Eve - Music for an Elizabethan Christmas. Parthenia, Dir. Julianne Baird. 2011; MSR Classics Christus Natus Est: An Early English Christmas. The Sixteen, Dir. Harry Christophers. 2004; CORO Medieval Christmas. Pro Cantione Antiqua, Conductor Mark Brown. 2007; Musical Concepts. Sing Heigh, Ho! Unto the Green Holly. Folger Consort. 2009; Bard Records Thys Yool: A Medieval Christmas. Martin Best Ensemble, Dir. Martin Best. 1992; Numbus Records

Scroll Roll

At Their Excellencies' court during feast as Crystal Ball XXXV, Dai- myō Kurro Ookami and Baronessa Petrona de Manciano did call forth the following individuals and bestow the following honors upon them. Lady Ástríðr Árnarðóttír called for where upon she was presented a scroll which stated Baronessa Petrona's wishes. "Time and again... you have proven yourself to be a calm, dedicated keeper of the keys to these lands. I cannot imagine a more competent Castellan. Not only that, but you serve these lands and people nobly and through trial as well as joy. These things make me admire you. Your wit is a joy and your smile calls for the same from those around. I respect and value you. For these deeds and qualities, I do name you the first companion of the Order of the Baroness' Pride...given by my hands. ..." Also Banbharun Briana Morgan of the Valley and Baron Gavin MacFergus were called into court. Banbarun Briana was recognized for her good service and contributions as Baronial signet, Premiere De- stroyer, chef, and lending her skills to whatever job is needed. Likewise Baron Gavin was recognized for his good service and contributions in his role as Knight's Marshal, his willingness and skill in leading ar- moring workshops, fighter practices, and for representing the Barony with pride and distinction through- out the Knowne Worlde. For their outstanding service both of them were given the Award of the Crystal Shard. Next time one sees these individuals be sure to give them a hearty "Hazzah!" and thank you for all they have done. P a g e 9 T h e S h a r d s

Call to (Badge of ) Arms, Cont’d.

Continuing from August’s Heraldry issue, we’d like the Baronial members to next think on and con- template the following three awards of the Barony and their badge design:

Order of Baroness’ Pride: The Order of the Baroness’ Pride is an Baronial award that is given in the Bar- ony of Shattered Crystal at the discretion of the Baroness for any particular area/reason seen fit.

Order of the Crystal Elite: The Order of the Crystal Elite is an Baronial award that is given in the Barony of Shattered Crystal for past champions of the barony.

Oder of the Sakura: inspired by Daimyō Kurro Ookami’s Japanese persona, named after a cherry tree blossom, this honor is given for great displays of creativity, skill, & beauty of the Arts and the sharing of that knowledge and talent.

Her Excellency, Petrona, invites members of the Barony to come up with ideas for these honors so that we may get them sent in and finally approved by the SCA heralds. Send ideas to her in description or art work form, whichever suits one best. Remember designs do not have to be literal in “translation”, and as we submit names and pictures of the awards, some names may change, and thus the design will too. Keep thinking, submit, and discuss. Below are some ideas for the above listed awards.

From left to right: Avery’s thought for the Baroness’ Pride, using the other one of the Barony’s two heraldic supporters, in this case the pantheon. Cinaed’s thought for the Order of the Crystal Elite a cloak with the device shards on them. Cinaed’s idea for the Order of the Sakura, a white Tudor rose barbed and seeded red in order to look somewhat like a cherry blossom, if that blossom can’t be used. Volume 30, Issue 8 P a g e 1 0

Bardic Basics 101

For those who are new to the SCA or to the Bardic Arts here are few facts to FAQ's.

What is a bard or bardic arts?

Within the SCA bard is a term used loosely to denote anyone in the performing arts category: Acro- bats, Actors, Dancers, Instrumentalist, Magicians (as in prestidigitators not people who thought them- selves real or D&D style wizards and witches), Singers, & Storytellers. Technically a bard actually only refers to the singer-storytellers of ancient Irish Celtic society, but the correct names and different style of Medieval-Renaissance performers from various regions and cultures is a completely different set of notes or class. Bardic arts refers to the various forms of performing: Acrobatics (tumbling, gymnastics, jug- gling), Acting (play single or multiple actors, or mime), Dancing, Instrument playing, Magic, Singing, and Storytelling.

Where do we see bardic arts performed?

There are various places where one may see small blurts of performance: at court before or in be- tween announcements; at a feast before or in between courses; in certain classes; sometimes one the sidelines during an event. The places one will primarily see them however is at large gatherings of "bards" such as the Known World Bardic symposium, Bards' Tent at Pennsic War, teachers & pick up bands at Balls - like Crystal Ball, or at Bardic Circles at the close of events or at various campgrounds at the wars in the evening.

What is a bardic circle?

Pretty much exactly what it states. A circle gathered at the end of a small event or at the end of the day around the campfire at a war.

What happens at a bardic circle?

Performances of all kinds. Although dancers & acrobats can be there and performing, usually though it is primarily singing and storytelling. In many circles one may see what is called the "Pass, Pick, or Play" order of performance. In this case an object, oft times a candle, is passed around from person to person to signify it is their turn to "perform." However, we oft times have folks who support the bardic arts but are not performers themselves, thus how the Pass, Pick, or Play form came about. When a per- son receives the object they then choose to do one of the following: Pass the candle to the next person thus skipping their "turn", Pick someone else and politely ask them to sing or recite something or pick a song or poem to be performed and see who may do so, or Play or sing something of their own choosing and ability. Round and round the candle goes until the circle eventually breaks up (hopefully before break of dawn.)

What will one hear at a bardic circle?

Many various types of music including the following: Medieval-Renaissance music - actual real music of the period. One is more likely to hear P a g e 1 1 T h e S h a r d s them as a specific performance or within the Bards' tent at Pennsic War, but sometimes folks have found and studied a piece that is short or fun enough it's all right to perform at the circles. Folks Songs - There are two categories of this one will hear. The first is actual folks songs from period through the 1800's that came out of the United Kingdom and the Appalachian mountains along with some from other countries, both Western & Eastern European. The second will be songs re- corded in the 1970's by American and British rock bands or stars that once were folk songs from the pe- riod times or new one written in the style of the old songs. Poetic Songs - Songs that almost sound Medieval lyrically because their lyrics are actually taken from poems by various poets. One of the most frequently used is Rudyard Kipling. Filk Songs - These are songs that either have original tunes or are set to a current, modern, pop tune, and have lyrics specifically written about how we "live" or "recreate" in the SCA or songs about Medieval-Renaissance Items. Tiarna Cinaed has a class on the two types of filk. One will also hear poems and stories from pre-period, period, and post period times or new ones written by SCA folks about medieval subjects or SCA life.

How can I find a bardic circle?

At the smaller events, just search the rooms and one will find a group of people gathered some- where where they are all singing or listening to someone. All one has to do is join in. At the wars, we used to kind of wander the campgrounds until we could hear singing and such, but sometimes that's not always the best way to go, thus the creation of "MUG THE GATE!" What this is, is that individual groups' camping areas that will host a bardic circle/gathering and do not mind folks walking in and joining them, will hang a decorated mug out by their camp site's entrance gate. If one sees a mug, it is find to go in and inquire about their bardic activities. It is said there is one camp at Pennsic that wanted to make sure folks would know and they hung a stein that was so large it could hold half a gallon of drink. If that wasn't sight enough, they hung pink ribbons from it, too.

So there is a small little intro to the performance world of the SCA. To get more questions an- swered, talk with Mistress Caroline de Mercier, Mistress Alphia Biras-Pars, or Tiarna Cináed Ulric. Volume 30, Issue 8 P a g e 1 2

Book of Bards Cináed Ulric

Being the month of December, when winter begins and folks need to stay huddled with family, pets, or blankets, near the fire enjoying hot drinks, is it any wonder that this time became a great one for storytelling. Here now is some information on one story and carol for one to look up and enjoy.

There is a legend of how animals can speak on the stroke of midnight Christmas Day Eve. It isn't sure exactly when and where this legend started other than Medieval times and somewhere in Europe. We have a song, now a popular Christmas Hymn to thank for that.

There are variations to the story that go from the glorious to the downright grim. One story tells of a miserly woman who for the most part starved her poor cat and dog. She awoke to them speaking to each other on Christmas Day night. The dog commented, "For being so miserly, I have heard that two thieves are planning on breaking in tonight to steal our mistresses money. If she does nothing, they will take it and go, but if she puts up a fuss, they will knock her on the head and strike her dead." And the cat replied, "Much good do it her. We've needed to get rid of our mistress for a long time as she treats us too cruelly and feeds us scantily." The woman was so fraught with fear, she hastily threw on her coat and rushed to go to her neighbors house to seek protection. When she threw open her front door, the thieves were there, came in, and when she screamed, they cracked her skull.

Other variations of the legends have farm animals that foretell their owners death, animals who discover they now have the power of speech and begin to bicker among themselves over who sounds the best. They realize too late they were supposed to use the power of speech to spread the word of God and as they begin to run through the street to try and shout the good news, the sun rises and one by one they are returned to their normal animal sounds. The Ox, the last one to lose his human speech, has lain down to lament how much mankind wastes their ability to communicate. Then again we have the more pleasant and simple legend that bees come out on that magical midnight and hum Christmas carols to put children to sleep.

The origins of the story are impossible to tack down. Some believe it was a Pagan myth that evolved during the rise of Christianity. Others believe it began with the belief that the ox and donkey in the manger at the moment of Jesus' birth, bowed down to him. It is from that that we get the presented story here and the afore mentioned hymn.

The 12th century carol, The Friendly Beasts, is thought to have originated in France, and the music for it was originally, "Orientis Partibus", which has been attributed to Pierre de Corbeil, Bishop of Sens (d. 1222). It was sung during the Feast of Circumcision on Jan. 1st, but by the 13th century the melody was sung during the Fete de l’Ane (Festival of the Ass or Donkey), the focus of which was the flight into Egypt by the holy family. Originally the refrain after each stanza states “Hez, Sir Asnes, hez!” (“Hail, Sir Donkey, hail!”), and oft times, during the mass for this festival, a donkey was often led or ridden into the church.

At some point over the centuries the scene shifted from the flight into Egypt to the journey to Beth- P a g e 1 3 T h e S h a r d s lehem. Robert Davis (1881-1950) is attributed with writing the English words we now sing, more likely in the 1920s, though they were first published in 1934. Drawing upon an oral tradition found in some folk songs, the final line of each stanza repeats the first line exactly. This technique would allow all gathered to join in the song without any printed music and, as a result, enter into the story singing only the last line. Many artists have recorded the song including Peter, Paul & Mary, Burl Ives, Harry Belafonte, Johnny Cash and Garth Brooks on his 1992 platinum-selling album, Beyond the Seasons. The story and the song goes thusly (using the lyrics from Garth Brook's album, which are listed as being in the public domain as they are based off the 13th Century carol):

Jesus our brother kind and good Was humbly born in a stable of wood And the friendly beasts around him stood Jesus our brother kind and good

"I" said the donkey shaggy and brown I carried his mother up hill and down I carried him safely to Bethlehem town "I" said the donkey shaggy and brown

And "I" said the cow all white and red I gave him my manger for a bed I gave him my hay for to pillow his head "I" said the cow all white and red

"I" said the sheep with a curly horn I have him my wool for his blanket warm And he wore my coat on that Christmas morn "I" said the sheep with a curly horn

"I" said the dove from the rafters high Cooed him to sleep that he should not cry We cooed him to sleep my love and I "I" said the dove from the rafters high

And "I" said the camel all yellow and black Over the desert upon my back I brought him a gift in the wise men's pack "I" said the camel all yellow and black

Thus every beast remembering it well In the stable dark was so proud to tell Of the gifts that they gave Emmanuel The gifts that they gave Emmanuel

Volume 30, Issue 8 P a g e 1 4

Crystal Ball XXXV

On November 9th the Barony once again held their large event Crystal Ball. It was the 35th year for this event and we did not disappoint those who gathered for the festivities. Baron Gavin and Lord Bartelmeu le Wis with assistants and gallery did present a number of vari- ous tournaments, which Baron Gavin was happy to say that, "Everyone enjoyed themselves and not one fighter left the field un-tired." Mistress Caroline de Mercier and Lady Mwynwen "Strawberry" Ysiginidd provided some children activities throughout the day, while everyone was well fed with soup kitchen on Friday Night, Breakfast & Lunch on Saturday, and of course the feast as created and presented by Mistress Berengaria Mordaunt.

1st Course: Birds of the Air Small Byrdys Ystewed Caneline Saus Morbier with Small Bird Rolls Green Pesan Ryal Strawberry-Mint Ice

2nd Course: Fish of the Sea Bouillabaisse -- Soup & Seafood Platter Brie with Krakken Bread Capunti with Herbs, Oil, & Walnuts Braised Fennel Orange-Basil Ice

3rd Course: Creeping Things that Creep Upon the Face of the Earth Roast Beast with Bacon & Garlic Saus Vert Mushroom Pasties Roast Naeps and Carrots Panna Cotta with Fruit Compote

Prizes for Novice, Beast, & Bear Pit tournies; heraldic competition, and subtlety competition we awarded, and folks enjoyed the new dance class format, the ball, and of course our dessert revel. Even before folks had left site, they were posting to us via facebook and email well received comments:

"This remains one of our 'must attend' events every year. Thank you so much to all of the event staff for making it so wonderful." - Lucius Ursus.

"Back in Chicago safe and sound. Thank you everyone for another wonderful event. It was so great to see you all. This is one of my favorite events to come to, and I can't wait for it to come around next year." - Zhen Jun

"BTW, please let the Barony know what a good time I had. I think the class format worked. The variety in the classes added spice, and the tag team teaching gave the students two perspec P a g e 1 5 T h e S h a r d s

tives on what they were supposed to be doing.” - Ian

The following photographs were taken by the following people and the number corresponds to who provided which photographs. 1. Quintinius de Folo 2. Cinaed Ulric 3. Mistress Caroline de Mercier.

On the left top to bottom:

Master Avery Austringer marshalling part of the tourneys. (2)

From left to right: first person, Melisande de Westermere, then Maitre Philippe de Lyon; fourth person, Lord Ranólfr Rosamon in one of the day’s dance classes. (1) Volume 30, Issue 8 P a g e 1 6

On the right top to bottom:

Top: The musicians hard at practicing during the day. (1)

Middle: Lord Mircea de Inasi and his children watch the tourneys and play on the sidelines. (2)

Bottom: Lord Penguini the Huge and his child also set on the side lines watching the Tournament de Beasts. (2) P a g e 1 7 T h e S h a r d s

On the left top to bottom:

Top: The Beasties are ready to be tailored in the “Garb a Beastie activity for children. (3)

Middle: Some of the fine exhibits for the Craftperson’s Fair, held in the feast hall during the day. (3)

Bottom: Between Baronial achievement and per- sonal heraldry, beasts seem to abound. Shown left to right are the arms of Avery Austringer, Ber- engaria Mordaunt, and the Barony’s. Volume 30, Issue 8 P a g e 1 8

On the right top to bottom:

Top: Folks are gathering for the feast, setting up their placemats and dishes. (2)

Middle: From bottom left: Lady Julia, unknown, Lady Aethelwyn von Wotan- swald, Mistress Alphia Biraz-pars, Lord Gwommy, and Lord Quintinius de Folo hav- ing fun at the ball. (1)

Bottom: “Come on everybody, Lord doeth the conga; can not wait for dessert revel any longa!” P a g e 1 9 T h e S h a r d s

Top, left to right:

Picture of the Dessert Revel, featuring some of the subtleties. (1)

Four wild and crazy peo- ple: unknown, Lord Above several members come to- Ranólfr Rosamon, Dai- gether for a Crystal Ball photo myō Kurro Ookami, and some of whom are: Baroness Gwendolyn Lady AEthelwyn, Lady Haley, Lord Verch Morgaine of Three Quintinus, Mistress Alphia, Lord Rivers. (3) Gwommy, and Lord Ranólfr. Volume 30, Issue 8 P a g e 2 0

[Event Steward from page 4]

Before folks even left site, we were receiving many complements on our Baronial home page and the Crystal Ball 2018 page on Facebook, not to mention emails we received as well. Folk loved the tourna- ment, the new dance classes, the food, the ball, and revel. We truly allowed our guest to leave the pro- verbial "fat, tired, and happy." Thank you all once again.

Tiarna Cináed Ulric

Haematite Hospice

First remember our cousins in the Kingdoms of Caid and the West, California regions which are still struggling with wild fires that are endangering and destroying wildlife areas and homes. Keep eyes peeled at Kingdom level for news regarding any assistance that may be needed to as- sist our SCA family. At the beginning of November Her Excellency, Mis- tress Caroline de Mercier had a number of medical proce- dures performed including an operation for carpal tunnel syndrome. She was up and at ‘em by Crystal Ball, but still has a road to recovery until her hands have healed. Tiarna Cináed Ulric was in the hospital briefly after Crystal Ball to have a corrective procedure done to take care a small amount of internal bleeding. He was released within three days and things are beginning to look normal once again. Likewise, Ástríðr Árnarðóttír went in for a small procedure and was release in just a few days to go home and recuperate fully. Speaking of hospital stays, Baronial friend and merchant, Lady MacSnood, has been staying over at Barnes-Jewish Hospital while her father had been admitted for a week of observation and a couple of stents. The family is pretty much staying in the hospital room, and as long as they are there have re- quested help in providing microwaveable, but healthy, meals the family can have as they wade out the procedures. Lady Cellah niTighearnaigh was involved in a car accident. The other driver suffered from demen- tia or Alzheimer's and should not have been driving. He came up and over a median, striking Cellah’s car. She is fine with only minor bruising due to seat belt and air bag, but her car was totaled. Also, Daimyō Kurro Ookami’s mother moved on to the Golden Kingdom on November 17th. Please remember these members of the SCA and Barony, keeping them in your thoughts and po- litely ask if they need any assistance. P a g e 2 1 T h e S h a r d s Crystal Scryer (Farther ahead events to plan for)

Although the liturgical calendar begins with Advent, and our own Society calendar begins with May, we still operate off of the modern Gregorian/Western calendar and it begins anew next month. Here now are a list of events and dates we will want to remember for operating within our Barony.

JANUARY Baronial 12th Night: Saturday, January 5th at the Marine UCC church. Epiphany Dinner: January 6th, LoveJoy United Presbyterian Church Woodriver, Illinois: Sunday.

FEBRUARY Inkin’ in Lincoln: February 9th, Marine UCC, Marine, Illinois

MARCH Gulf Wars: March 9– 17th

APRIL Grigsby School Demonstration: Friday, April 5th, Granite City, Illinois (pending approval) Crystal Chamfron: Friday-Sunday, April 12th—14th, Camp Dubois Woodriver, Illinois. (Remember somewhere around April or May we may also have calls for demos at Emge-Harmony in Belleville, and Triad Grade School in Troy, Illinois.)

MAY Spring Coronation: Saturday, May 3rd—5th Middle Kingdom 50th—A&S- Crown Tourney: May 23rd-27th Danville, Indiana Camp Dubois Rendezvous: DTBA

JUNE Lilies War: 8th – 17th, Smithville Lake, Missouri

JULY Pennsic War: Friday, July 26th— Sunday, August 11th

AUGUST Bards & Cooks Symposium: Aug. 30th—Sept 2nd, Camp Dubois, Woodriver, Illinois

SEPTEMBER Fall Coronation: Sept. 28th

OCTOBER Crown Tourney: Oct. 19th

NOVEMBER Marine UCC Church’s Sausage Dinner: Sunday, November 3rd Crystal Ball: 8th—10th, Bond Christian Service Camp, Mulberry Grove, Illinois. Volume 30, Issue 8 P a g e 2 2

Guild Halls

Business Meetings Held on the 4th Tuesday of the month at 7:00 p.m. at the Schnucks in Collinsville, IL at 501 Beltline Rd, Collinsville, IL 62234

Arts & Sciences (classes, free nights, & projects) Held on the 1st, 2nd, and 3rd Tuesdays of the month starting around 6-6:30 as folks arrive. At the Marine UCC Church 111 N. Center Street, Marine, IL. 62061

Argent Scriptorium (scribal & Illumination) TBA

ARMORER’S GUILD/FIGHTER PRACTICE Held on the 1st, 2nd, and 3rd Tuesdays of the month starting around 6-6:30 as folks arrive. At the Marine UCC Church 111 N. Center Street, Marine, IL. 62061

CRYSTAL ACADEMY—FENCING/RAPIER Held on the 1st, 2nd, and 3rd Tuesdays of the month starting around 6-6:30 as folks arrive. At the Marine UCC Church 111 N. Center Street, Marine, IL. 62061

CRYSTAL COOKS TBA

CRYSTAL DANCE TROUPE Dance practices are sometimes held during the A&S Tuesday times or on their own on the 1st & 3rd Mondays of the month around 7:00 p.m. at the LoveJoy United Presbyterian Church, 2550 Rock Hill Rd, Wood River, IL 62095

SHATTERED SOUNDS Bardic/Music Study on the First A&S Tuesdays of the month alternating between Story Telling, Songs, and Instrumental.

THREAD THURSDAYS Held most Thursdays at the home of Carrys of Caer Rhudd 6 - 9 p.m. Any textile interest is welcome. Please contact her regarding directions. (314) 651-3459

Always check Baronial email, website, or Facebook page for additions and changes to the schedules. December 1Cmas Trny & Bny Invest. Bny of Flame Elizabethtn, ky 2 3 4A&S, Armored 5 6 Thread Thurs- 7 8 Yule Feast & Rapier Prac- days 6:00 Ctn Hrothgeirs.. tice 7 p.m. p.m.Fghtr Prac- Toldeo, OH tice 7 9 10 11 A&S, Ar- 12 13 Thread 14 15 Festivus mored & Rapier Thursdays 6:00 Bny Flaming Practice 6 p.m. p.m.Fghtr Prac- Gryphon tice 7 Celina, OH 16 17 18 Business Mtg 19 20 Thread 21 22 Collinsville, IL Thursdays 6:00 7:00 p.m. p.m.Fghtr Prac- tice 7 23 24 25 MTG Moved 26 27 28 29 30 31 due to CHRISTMAS! January 1 A&S, Ar- 2 3 Thread Thurs- 4 5 Baronial 12th mored & Rapier days 6:00 Night! Practice 7 p.m. p.m.Fghtr Prac- tice 7 6 LoveJoy’s 7 8A&S, Armored 9 10 Thread 11 12 12th Night & Epiphany Din- & Rapier Prac- Thursdays 6:00 Maidens ner tice 7 p.m. p.m.Fghtr Prac- Ayreton— tice 7 Oswego, IL 13 14 15 A&S, Ar- 16 17 Thread 18 19 Winter Revel mored & Rapier Thursdays 6:00 Three Walls Practice 6 p.m. p.m.Fghtr Prac- Iona, MI tice 7 20 21 22 Business Mtg 23 24 Thread 25 26 Collinsville, IL Thursdays 6:00 7:00 p.m. p.m.Fghtr Prac- tice 7 27 28 29 30 31 Thread Thursdays 6:00 p.m.Fghtr Prac- tice 7 Baronial and Kingdom events are listed before others, followed by the closest to our Barony. For events outside of this scope, please see the Midrealm Kingdom Calendar at http:// www.midrealm.org/calendar/ or check the advertisements in your latest kingdom newsletter, The Pale. For all side “guild” meetings: dance, weaving, etc. Please be sure to check email & facebook