Autumn Leaves
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ALH Online Review, Series XIX 1 Christopher N. Phillips, the Hymnal
ALH Online Review, Series XIX 1 Christopher N. Phillips, The Hymnal: A Reading History (Baltimore: Johns Hopkins University Press, 2018), 252 pp. Reviewed by Paul C. Gutjahr, Indiana University For anyone familiar with the original novel, watching Michael Mann’s popular 1992 motion picture adaptation of James Fenimore Cooper’s The Last of the Mohicans starring Daniel Day-Lewis becomes an exercise in absence, for Mann deletes from his movie the sometimes comic, sometimes heroic figure of the psalm-singing David Gamut. Thinking of David Gamut in relation to Christopher Phillips’s new book, The Hymnal: A Reading History, is instructive for two reasons. It underscores Phillips’s point that the singing of psalms and hymns was ubiquitous in early American culture, and it also points to the fact that attention to the importance and ubiquity of such singing (and printing) has been as absent from scholarly discussions of the era as the figure of David Gamut is in Mann’s film. Phillips has done a great service to those interested in the areas of American poetry, book history, and lived religion in his meticulously researched, broad-reaching study. Following in the footsteps of book historians like Michael Cohen and Anthony Grafton, Phillips is interested in the “social lives” of hymnbooks. He studies them not only as carrier of texts and traditions but as an important “part of the everyday social practices of hundreds of thousands of English-speakers across two centuries” (ix). More importantly, through a systematic study of the use, first, of psalms and then the more elastically biblical poetic musical form of Scripture and scriptural truths commonly known as hymns, Phillips goes a great distance in showing just how pervasive and important hymns, and their books, were in the development of early American print culture more generally. -
This Work Is Protected by Copyright and Other Intellectual Property Rights
This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. Vernacular Writings in the Medieva} Libraries of Great Britain I Glenise Scott, Ph.0. thesis, Keel e, 1 980. ABSTRACT The thesis comprises four volumes: an introductory discussion; two volumes containing lists of religious and other institutions with information on the works in the vernacular languages which they are known to have owned; and a volume of indices and bibliographies. The information is obtained from the surviving books of the medieval period, here taken as extending to 1540, which are known to have belonged to the religious and other houses, and from their medieval catalogues, book-lists and other documents. With the help of the indices, one may find the information relevant to a particular house, to an Anglo-Saxon, French or English work, or to a given manuscript. The introduction makes some general’observations concerning the libraries and books of medieval institutions, lists the medieval catalogues and book-lists chronologically, and considers the various kinds of vernacular writings, with particular reference to their production and ownership by the religious houses. Finally, some areas for further research are indicated. -
2017 Magdalen College Record
Magdalen College Record Magdalen College Record 2017 2017 Conference Facilities at Magdalen¢ We are delighted that many members come back to Magdalen for their wedding (exclusive to members), celebration dinner or to hold a conference. We play host to associations and organizations as well as commercial conferences, whilst also accommodating summer schools. The Grove Auditorium seats 160 and has full (HD) projection fa- cilities, and events are supported by our audio-visual technician. We also cater for a similar number in Hall for meals and special banquets. The New Room is available throughout the year for private dining for The cover photograph a minimum of 20, and maximum of 44. was taken by Marcin Sliwa Catherine Hughes or Penny Johnson would be pleased to discuss your requirements, available dates and charges. Please contact the Conference and Accommodation Office at [email protected] Further information is also available at www.magd.ox.ac.uk/conferences For general enquiries on Alumni Events, please contact the Devel- opment Office at [email protected] Magdalen College Record 2017 he Magdalen College Record is published annually, and is circu- Tlated to all members of the College, past and present. If your contact details have changed, please let us know either by writ- ing to the Development Office, Magdalen College, Oxford, OX1 4AU, or by emailing [email protected] General correspondence concerning the Record should be sent to the Editor, Magdalen College Record, Magdalen College, Ox- ford, OX1 4AU, or, preferably, by email to [email protected]. -
Dante Gabriel Rossetti and the Italian Renaissance: Envisioning Aesthetic Beauty and the Past Through Images of Women
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2010 DANTE GABRIEL ROSSETTI AND THE ITALIAN RENAISSANCE: ENVISIONING AESTHETIC BEAUTY AND THE PAST THROUGH IMAGES OF WOMEN Carolyn Porter Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Arts and Humanities Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/113 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Carolyn Elizabeth Porter 2010 All Rights Reserved “DANTE GABRIEL ROSSETTI AND THE ITALIAN RENAISSANCE: ENVISIONING AESTHETIC BEAUTY AND THE PAST THROUGH IMAGES OF WOMEN” A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. by CAROLYN ELIZABETH PORTER Master of Arts, Virginia Commonwealth University, 2007 Bachelor of Arts, Furman University, 2004 Director: ERIC GARBERSON ASSOCIATE PROFESSOR, DEPARTMENT OF ART HISTORY Virginia Commonwealth University Richmond, Virginia August 2010 Acknowledgements I owe a huge debt of gratitude to many individuals and institutions that have helped this project along for many years. Without their generous support in the form of financial assistance, sound professional advice, and unyielding personal encouragement, completing my research would not have been possible. I have been fortunate to receive funding to undertake the years of work necessary for this project. Much of my assistance has come from Virginia Commonwealth University. I am thankful for several assistantships and travel funding from the Department of Art History, a travel grant from the School of the Arts, a Doctoral Assistantship from the School of Graduate Studies, and a Dissertation Writing Assistantship from the university. -
Pre-Raphaelite Brotherhood (PRB) Had Only Seven Members but Influenced Many Other Artists
1 • Of course, their patrons, largely the middle-class themselves form different groups and each member of the PRB appealed to different types of buyers but together they created a stronger brand. In fact, they differed from a boy band as they created works that were bought independently. As well as their overall PRB brand each created an individual brand (sub-cognitive branding) that convinced the buyer they were making a wise investment. • Millais could be trusted as he was a born artist, an honest Englishman and made an ARA in 1853 and later RA (and President just before he died). • Hunt could be trusted as an investment as he was serious, had religious convictions and worked hard at everything he did. • Rossetti was a typical unreliable Romantic image of the artist so buying one of his paintings was a wise investment as you were buying the work of a ‘real artist’. 2 • The Pre-Raphaelite Brotherhood (PRB) had only seven members but influenced many other artists. • Those most closely associated with the PRB were Ford Madox Brown (who was seven years older), Elizabeth Siddal (who died in 1862) and Walter Deverell (who died in 1854). • Edward Burne-Jones and William Morris were about five years younger. They met at Oxford and were influenced by Rossetti. I will discuss them more fully when I cover the Arts & Crafts Movement. • There were many other artists influenced by the PRB including, • John Brett, who was influenced by John Ruskin, • Arthur Hughes, a successful artist best known for April Love, • Henry Wallis, an artist who is best known for The Death of Chatterton (1856) and The Stonebreaker (1858), • William Dyce, who influenced the Pre-Raphaelites and whose Pegwell Bay is untypical but the most Pre-Raphaelite in style of his works. -
16 July 2008 Dear Brothers and Sisters in Christ, Marsha and I
16 July 2008 Dear Brothers and Sisters in Christ, Marsha and I arrived in Shannon and then were driven to the Bishop’s House in the Diocese of Tuam, where we stayed with Bishop Richard Henderson, his wife Anita, and their ‘children.’ As previously posted, a great time was had by all. We then drove back to the Shannon airport with Bishop Richard for our journey to our next leg of this remarkable trip. We arrived at the airport where we were told that the radar at Dublin had ‘crashed’ several days prior, and that flights in and out were being delayed/canceled. Our flight, presently, was on time. We held our breath to see if we would get out. Our flight was, for the most part, on time, and we arrived in Dublin with plenty of time to spare. As we walked through the airport we noticed that most of the outgoing flights were delayed by several hours. Our flight to Heathrow was posted as ‘on time.’ It was only at boarding time that it was rescheduled for about an hour later. Once aboard, the pilot announced that if we didn’t all get situated in our seats immediately we would miss our ‘window of opportunity’ and would possibly not get out that evening. I have never seen so many people sit down in an airplane so quickly as I did that night. We departed about an hour late, but eventually arrived in Heathrow to pick up our luggage. (As one might imagine, two of our bags were the very last to come off the belt.) About a decade ago a young priest came to stay with us. -
Hymnody of Eastern Pennsylvania German Mennonite Communities: Notenbüchlein (Manuscript Songbooks) from 1780 to 1835
HYMNODY OF EASTERN PENNSYLVANIA GERMAN MENNONITE COMMUNITIES: NOTENBÜCHLEIN (MANUSCRIPT SONGBOOKS) FROM 1780 TO 1835 by Suzanne E. Gross Dissertation submitted to the Faculty of the Graduate School of The University of Maryland in partial fulfillment of the requirements for the degree of Doctor of Philosophy 1994 Advisory Committee: Professor Howard Serwer, Chairman/Advisor Professor Carol Robertson Professor Richard Wexler Professor Laura Youens Professor Hasia Diner ABSTRACT Title of Dissertation: HYMNODY OF EASTERN PENNSYLVANIA GERMAN MENNONITE COMMUNITIES: NOTENBÜCHLEIN (MANUSCRIPT SONGBOOKS) FROM 1780 TO 1835 Suzanne E. Gross, Doctor of Philosophy, 1994 Dissertation directed by: Dr. Howard Serwer, Professor of Music, Musicology Department, University of Maryland, College Park, Maryland As part of an effort to maintain their German culture, the late eighteenth-century Mennonites of Eastern Pennsylvania instituted hymn-singing instruction in the elementary community schoolhouse curriculum. Beginning in 1780 (or perhaps earlier), much of the hymn-tune repertoire, previously an oral tradition, was recorded in musical notation in manuscript songbooks (Notenbüchlein) compiled by local schoolmasters in Mennonite communities north of Philadelphia. The practice of giving manuscript songbooks to diligent singing students continued until 1835 or later. These manuscript songbooks are the only extant clue to the hymn repertoire and performance practice of these Mennonite communities at the turn of the nineteenth century. By identifying the tunes that recur most frequently, one can determine the core repertoire of the Franconia Mennonites at this time, a repertoire that, on balance, is strongly pietistic in nature. Musically, the Notenbüchlein document the shift that occured when these Mennonite communities incorporated written transmission into their oral tradition. -
Scribal Authorship and the Writing of History in Medieval England / Matthew Fisher
Interventions: New Studies in Medieval Culture Ethan Knapp, Series Editor Scribal Authorship and the Writing of History in SMedieval England MATTHEW FISHER The Ohio State University Press • Columbus Copyright © 2012 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Fisher, Matthew, 1975– Scribal authorship and the writing of history in medieval England / Matthew Fisher. p. cm. — (Interventions : new studies in medieval culture) Includes bibliographical references and index. ISBN-13: 978-0-8142-1198-4 (cloth : alk. paper) ISBN-10: 0-8142-1198-4 (cloth : alk. paper) ISBN-13: 978-0-8142-9299-0 (cd) 1. Authorship—History—To 1500. 2. Scribes—England—History—To 1500. 3. Historiogra- phy—England. 4. Manuscripts, Medieval—England. I. Title. II. Series: Interventions : new studies in medieval culture. PN144.F57 2012 820.9'001—dc23 2012011441 Cover design by Jerry Dorris at Authorsupport.com Typesetting by Juliet Williams Type set in Adobe Minion Pro and ITC Cerigo Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 CONTENTS List of Abbreviations vi List of Illustrations vii Acknowledgments ix INTRODUCTION 1 ONE The Medieval Scribe 14 TWO Authority, Quotation, and English Historiography 59 THREE History’s Scribes—The Harley Scribe 100 FOUR The Auchinleck Manuscript and the Writing of History 146 EPILOGUE 188 Bibliography 193 Manuscript Index 213 General Index 215 ABBrEviationS ANTS Anglo-Norman Text Society BL British Library CUL Cambridge University Library EETS Early English Text Society (OS, Original Series, ES, Extra Series, SS Supplementary Series) LALME A Linguistic Atlas of Late Medieval English, ed. -
Titles Ordered August 12 - 19, 2016
Titles ordered August 12 - 19, 2016 Audiobook New Adult Audiobook Release Date: Kingsbury, Karen. Brush of wings [sound recording] / Karen Kingsbury. http://catalog.waukeganpl.org/record=b1532910 3/29/2016 Malzieu, Mathias. The Boy With the Cuckoo-Clock Heart [sound http://catalog.waukeganpl.org/record=b1532909 3/2/2010 recording] / Mathias Malzieu [translated by Sarah Ardizzone]. Blu-Ray Non-fiction Blu-Ray Release Date: Bonamassa, Joe Live At The Greek Theatre http://catalog.waukeganpl.org/record=b1532904 9/23/2016 Book Adult Fiction Release Date: Benjamin, J. M. (Jimmie M.), author. On the run with love / by J.M. Benjamin. http://catalog.waukeganpl.org/record=b1533079 Cogman, Genevieve, author. The masked city / Genevieve Cogman. http://catalog.waukeganpl.org/record=b1532892 9/6/2016 Colgan, Jenny, author. The bookshop on the corner : a novel / Jenny Colgan. http://catalog.waukeganpl.org/record=b1532882 9/20/2016 Jefferies, Dinah, 1948- author. The tea planter's wife / Dinah Jefferies. http://catalog.waukeganpl.org/record=b1532897 9/13/2016 Malzieu, Mathias. The Boy With the Cuckoo-Clock Heart / Mathias http://catalog.waukeganpl.org/record=b1532883 11/29/2011 Malzieu [translated by Sarah Ardizzone]. Mullen, Thomas. Darktown : a novel / Thomas Mullen. http://catalog.waukeganpl.org/record=b1532884 9/13/2016 Saunders, Kate, 1960- author. The secrets of wishtide : a Laetitia Rodd mystery / http://catalog.waukeganpl.org/record=b1532895 9/13/2016 Kate Saunders. Adult Non-Fiction Release Date: Beck, Glenn, author. Liars : how progressives exploit our fears for power http://catalog.waukeganpl.org/record=b1532934 8/2/2016 and control / Glenn Beck. De Sena, Joe, 1969- author. -
Annual Report 2019
ANNUAL REPORT 2019 Christ Church 3 Senior Members’ Activities and Publications 81 The House in 2019 13 The Archives 18 News from Old Members 101 The Cathedral 19 Cathedral Music 22 Deceased Members 109 The College Chaplain 25 The College Choir 27 Final Honour Schools 111 The Development & Alumni Office 28 Graduate Degrees 115 The Library 37 The Picture Gallery 41 Award of University Prizes 117 The Steward’s Dept. 47 The Treasury 49 Information about Gaudies 118 Tutor for Admissions 52 Junior Common Room 55 Christ Church Other Information Arts Week 58 Other opportunities to stay The Christopher Tower at Christ Church 120 Poetry Prize 59 Conferences at Christ Sports Clubs 61 Church 121 Publications 122 Christ Church Chemists Cathedral Choir CDs 123 Affinity Group 62 Not Going Gently 63 Acknowledgements 123 Christ Church Pancake Races 66 Mr Edward Burn 67 Sir Michael Howard 70 Lt. Col. David Edwards 73 James (Jim) Forrest 78 William (Bill) Gray 80 1 2 CHRIST CHURCH Visitor HM THE QUEEN Dean Percy, The Very Revd Martyn William, BA Brist, MEd Sheff, PhD KCL. Canons Gorick, The Venerable Martin Charles William, MA (Cambridge), MA (Oxford) Archdeacon of Oxford Biggar, The Revd Professor Nigel John, MA PhD (Chicago), MA (Oxford), Master of Christian Studies (Regent Coll Vancouver) Regius Professor of Moral and Pastoral Theology Foot, The Revd Professor Sarah Rosamund Irvine, MA PhD (Cambridge) Regius Professor of Ecclesiastical History Ward, The Revd Graham, MA PhD (Cambridge) Regius Professor of Divinity Newey, The Revd Edmund James, MA (Cambridge), -
Hegel's Philosophy Of
L- ,o C| L> t ty- NUI MAYNOOTH Ollacali •• atiraann Wt Huad BOHM E AND HEGEL: A STUDY OF THEIR INTELLECTUAL DEVELOPMENT AND SHARED READINGS OF TWO CHRISTIAN THEOLOGOUMENA NEIL O’DONNELL SUBMITTED WITH A VIEW TO OBTAIN THE DEGREE OF M.LITT. NATIONAL UNIVERSITY OF IRELAND, MAYNOOTH DEPARTMENT OF PHILOSOPHY, FACULTY OF ARTS, CELTIC STUDIES, AND PHILOSOPHY OCTOBER 2008 ACTING HEAD OF DEPARTMENT DR MICHAEL DUNNE SUPERVISED BY DR CYRIL MCDONNELL CONTENTS Preface IV Abstract v Abbreviations and Conventions vii INTRODUCTION CHAPTER I THE DEVELOPMENT OF BÖHME AND HEGEL’S PHILOSOPHY OF RELIGION Section One Reaction Against Christian Orthodoxy 6 § 1. 1. The Development o f Böhme ’s Theological Vision in the Face o f Protestant Orthodoxy 7 § 1. 2. Hegel, Tübingen, and Protestant Orthodoxy 16 Section Two Heterodox Leanings 27 § 2. 1. Böhme ’s Period o f Silence and the Failure o f Hermeticism 28 § 2. 2. Hegel's Swabian Heritage 38 Section Three The Return to the Reformation 53 § 3. 1. Böhme ’s Return to the Reformation 54 § 3. 2. Hegel the Reformer? 68 § 3. 3. 1. Liberating Religion from Representation 76 CHAPTER II THE CONCEPT OF GOD 86 Section One The Father 91 § 1. 1. Böhme 's Conception o f the Deus Absconditus 96 § 1. 2. Hegel’s Treatment o f Böhme 's Trinitarian Dynamic 107 § 1. 3. H eg e l’s G od and its H istorical Traces 112 Section Two The Son 119 § 2. 1. The Personhood o f the Trinity 120 §2. 2. The Incarnation 130 Section Three The Holy Spirit 144 § 3. -
The Appeal of Fascism to the British Aristocracy During the Inter-War Years, 1919-1939
THE APPEAL OF FASCISM TO THE BRITISH ARISTOCRACY DURING THE INTER-WAR YEARS, 1919-1939 THESIS PRESENTED TO THE DEPARTMENT OF HUMANITIES AND SOCIAL SCIENCES IN CANDIDACY FOR THE DEGREE OF MASTER OFARTS. By Kenna Toombs NORTHWEST MISSOURI STATE UNIVERSITY MARYVILLE, MISSOURI AUGUST 2013 The Appeal of Fascism 2 Running Head: THE APPEAL OF FASCISM TO THE BRITISH ARISTOCRACY DURING THE INTER-WAR YEARS, 1919-1939 The Appeal of Fascism to the British Aristocracy During the Inter-War Years, 1919-1939 Kenna Toombs Northwest Missouri State University THESIS APPROVED Date Dean of Graduate School Date The Appeal of Fascism 3 Abstract This thesis examines the reasons the British aristocracy became interested in fascism during the years between the First and Second World Wars. As a group the aristocracy faced a set of circumstances unique to their class. These circumstances created the fear of another devastating war, loss of Empire, and the spread of Bolshevism. The conclusion was determined by researching numerous books and articles. When events required sacrifice to save king and country, the aristocracy forfeited privilege and wealth to save England. The Appeal of Fascism 4 Contents Chapter One Background for Inter-War Years 5 Chapter Two The Lost Generation 1919-1932 25 Chapter Three The Promise of Fascism 1932-1936 44 Chapter Four The Decline of Fascism in Great Britain 71 Conclusion Fascism After 1940 83 The Appeal of Fascism 5 Chapter One: Background for Inter-War Years Most discussions of fascism include Italy, which gave rise to the movement; Spain, which adopted its principles; and Germany, which forever condemned it in the eyes of the world; but few include Great Britain.