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Div Style= È. î²ðÆ ÂÆô 01 (1451) Þ²´²Â, ÚàôÜàô²ð 23, 2010 VOLUME 30, NO. 01 (1451) SATURDAY, JANUARY 23, 2010 ÂàôðøƲ ¸Ä¶àÐàôÂÆôÜ ÜÆÎàÈ ö²ÞÆܺ²Ü ¸²î²ä²ðîàôºò²ô 7 î²ðàô²Ú ²¼²î²¼ðÎØ²Ü ÎÀ Ú²Úîܾ вڲêî²ÜÆ Àܸ¸ÆØàôÂÆôÜÀ ¸²î²ð²ÜÆ ìÖÆèÀ Üβîºò вÞàôºÚ²ð¸²ð ê²Ðزܲ¸ð²Î²Ü ¸²î²ð²ÜÆ àðàÞàôØÆ ºñ»ùß³µÃÇ, ÚáõÝáõ³ñ 19-ÇÝ ¹³ï³õáñ Øݳó³Ï³Ý سñïÇñáë- زêÆÜ »³ÝÇ ³ñÓ³Ï³Í í×Çéáí ¦Ð³ÛÏ³Ï³Ý ºñÏáõß³µÃÇ, ÚáõÝáõ³ñ 19- ijٳݳϧ ûñ³Ã»ñÃÇ ·É˳õáñ ÇÝ ÂáõñùÇáÛ ²ñï³ùÇÝ ¶áñÍáó ËÙµ³·Çñ ÜÇÏáÉ ö³ßÇÝ»³Ý Ù»- ݳ˳ñ³ñáõÃÇõÝÁ ùÝݳ¹³ïáõ- Õ³õáñ Ýϳïáõ»ó³õ 2008 Ãáõ³Ï³ÝÇ Ã»³Ý »ÝóñÏ³Í ¿ ѳÛ- ݳ˳·³Ñ³Ï³Ý ÁÝïñáõÃÇõÝÝ»ñáõÝ Ãñù³Ï³Ý ³ñӳݳ·ñáõÃÇõÝÝ»- Û³çáñ¹³Í Çñ³¹³ñÓáõÃÇõÝÝ»ñáõ ñáõ ë³Ñٳݳ¹ñ³Ï³Ýáõû³Ý í»- ÁÝóóùÇÝ ¦½³Ý·áõ³Í³ÛÇÝ ³Ý- ñ³µ»ñ»³É г۳ëï³ÝÇ ê³ÑÙ³- ϳñ·áõÃÇõÝÝ»ñ ϳ½Ù³Ï»ñå»Éáõ ݳ¹ñ³Ï³Ý ¹³ï³ñ³ÝÇ ÚáõÝáõ³ñ Ù¿ç§, ¹³ï³å³ñïáõ»Éáí 7 ï³ñáõ³Û 12-ÇÝ Ï³Û³óáõó³Í áñáßáõÙÁ: ³½³ï³½ñÏÙ³Ý: ÂáõñùÇáÛ ³ñï³ùÇÝ ·»ñ³- ÜÇÏáÉ ö³ßÇÝ»³ÝÇ å³ßïå³Ý ï»ëãáõû³Ý ï³ñ³Í³Í ѳÕáñ- ÈáõëÇÝ¿ ê³Ñ³Ï»³Ý ³Ûë ³éÃÇõ ¹³·ñáõû³Ý ѳٳӳÛÝ, ÛÇß»³É Áë³õ. - ¦²ñ¹³ñ ¹³ï³í×Çé, áñáßáõÙÁ ÏÁ å³ñáõݳϿ ݳ˳- ÇѳñÏ¿, ã¿ÇÝù ³ÏÝϳÉáõÙ ¹³ï³- å³ÛÙ³ÝÝ»ñ »õ ë³Ñٳݳ÷³ÏáÕ ñ³ÝÇó, áñáíÑ»ï»õ í³Õáõó г- ¹ñáÛÃÝ»ñ, áñáÝù ¦íݳë ÏÁ ѳëó- Û³ëï³ÝáõÙ ³ñ¹³ñ ¹³ï³í×ÇéÝ»ñ Ý»Ý ³ñӳݳ·ñáõÃÇõÝÝ»ñáõ ï³- ã»Ý ÉÇÝáõÙ§: ä³ßïå³ÝÁ ѳÙá½- éÇÝ »õ á·ÇÇݧ: ÙáõÝù Û³ÛïÝ»ó, áñ ¹³ï³í×ÇéÁ ¦Ð³Û³ëï³ÝÇ ê³Ñٳݳ¹ñ³- å³ïÇÅ ¿ñ ÜÇÏáÉ ö³ßÇÝ»³ÝÇ ù³- Ï³Ý ¹³ï³ñ³ÝÇ áñáßáõÙÁ ÏÁ Õ³ù³Ï³Ý ·áñÍáõÝ¿áõû³Ý ѳ- íï³Ý·¿ ³Û¹ ³ñӳݳ·ñáõÃÇõÝ- Ù³ñ: ¦Æß˳ÝáõÃÇõÝÝ»ñÁ ³Ûë ¹³- ÜÇÏáÉ ö³ßÇÝ»³Ý ¹³ï³í×Çé¿Ý »ïù ÏÁ å³ñ½¿ Û³ÕóݳÏÇ Ýß³ÝÁ Ý»ñáõ ßáõñç ÁÝóóáÕ µ³Ý³Ïóáõ- ï³í×éáí ³å³óáõó»óÇÝ, áñ ÃáÛÉ ÃÇõÝÝ»ñáõ µáõÝ ÇÙ³ëïÁ, ÇÝãå¿ë »Ý »õ í³Ë»ÝáõÙ »Ý ö³ßÇÝ»³ÝÇÝ ï³Éáõ »Ý å³ï³ë˳ݧ, - 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Þ²´²Â, ÚàôÜàô²ð 23, 2010 زêÆê вڲêî²Üº²Ü زØàôÈ ÆÞʲÜàôÂÆôÜÀ ¸²î²ä²ðîàôºò ²ØÜ ¼¶àôÞ²òÜàôØ ¾ Üàð ºú î²ðàô²Ú ²îºÈàôº²Ü زÚܸàðüÆò ÖÇß¹ ³ÛÝå¿ë, ÇÝãå¿ë ÚáõÝ- Ëáëïáí³Ý»Ùª ݳ»õ ³Ûë ïáÕ»ñÇ º²ÐÎ ØÇÝëÏÇ ËÙµÇ Ñ³Ù³Ý³- ²ÛëÇÝùÝ, »Õ³õ سÛݹáñý, Û»ïáÛ áõ³ñÇ 10-ÇÝ ºñ»õ³ÝÇ ÃÇõ 10 Ñ»ÕÇݳÏÇ ¹³ï»Éáõ µ³ÝÁ ã¿, ×DZßï ˳·³ÑÝ»ñÇ ï³ñ³Í³ßñç³Ý ³ÛóÇó ù³ÛÉ»ñ ѳÛ-Ãñù³Ï³Ý áõÕÕáõ- ÁÝïñ³ï³ñ³ÍùÇ ÁÝïñáõÃÇõÝÝ»- ³ñ»ó ³ñ¹»ûùª Ý»ñϳ۳ݳÉáí Çñ³- ³é³ç º²ÐÎ ØÇÝëÏÇ ËÙµÇ ³Ù»- û³Ùµ, ÑÇÙ³ ÝáñÇó ¦Ù³Ûݹáñ- ñÇ ³ñ¹ÇõÝùÝ»ñÝ ¿ÇÝ Ï³Ý˳ï»ë»- õ³å³Ñ ÏáãáõáÕ Ù³ñÙÇÝÝ»ñÇÝ »õ ñÇϳóÇ Ñ³Ù³Ý³Ë³·³Ñ èáµ»ñ¹ ýǧ áõÕÕáõû³Ùµ ¿ ÷áñÓ ³ñõáõÙ, ÉÇ, ϳÝ˳ï»ë»ÉÇ ¿ñ ݳ»õ ¹³ï³- ³õ»ÉÇ ß³Ñ»Ï³Ý Ñ³Ù³ñ»Éáí ϳٳ- ´ñ³¹Ï¿Ç ³é³ÝÓÇÝ Ñ³Ý¹ÇåáõÙ- áñå¿ë½Ç ¹ñ³ÝÇó Û»ïáÛ ÏñÏÇÝ ñ³ÝÇ »ñ¿Ïáõ³Û áñáßáõÙÁ ÜÇÏáÉ õáñ ³½³ï³½ñÏáõ³ÍÇ, ù³Ý ³½³ï Ý»ñÁ г۳ëï³ÝÇ Ý³Ë³· ³ÑÇ »õ µ»ÏáõÙ ï»ÕÇ áõÝ»Ý³Û Ñ³Û-Ãñù³- ö³ßÇÝ»³ÝÇÝ ³½³ï³½ñÏ»Éáõ í»- íï³ñ³Ý¹ÇÇ »õ Ñ»ï³åݹáõáÕÇ ³ñï·áñÍݳ˳ñ³ñÇ Ñ»ï µ³õ³- Ï³Ý áõÕÕáõû³Ùµ: ²Û¹ ³Ù¿ÝÇ Ù¿ç ñ³µ»ñ»³É: ºu ϳÝ˳ï»ë»É ¿ÇÝù: ϳñ·³íÇ׳ÏÁ: ޳ѻϳÝ, Áݹ Ï³Ý Ñ»ï³ùñùñ³Ï³Ý ѳݷ³Ù³Ýù Ñ»ï³ùñùñ³Ï³ÝÝ ³ÛÝ ¿, ÿ ßÕó- ´³ó³ïñ»Éáí, Ç ¹¿å, ß³ñųéÇÃ- áñáõÙ, áã ÿ Çñ ѳٳñ, ³ÛÉ ¿: ¸³ Û³ïϳå¿ë Ñ»ï³ùñùñ³Ï³Ý ÛÇÝ ÇÝãå¿ë ¿ í»ñ³µ»ñõáõÙ Ødzó- Ý»ñÁ, áñáÝóÇó µËáõÙ ¿ÇÝ ³Û¹ µéݳå»ïáõû³Ý ¹¿Ù å³Ûù³ñÇ ¿ ³ÛÝ ³éáõÙáí, áñ ï»ÕÇ ¿ áõÝ»- »³É ܳѳݷݻñÁ, áí ÷³ëïûñ¿Ý ϳÝ˳ï»ëáõÙÝ»ñÁ.
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    It is curious to notice that most of Mr. Dellalian’s writings for piano use aleatoric notation, next to extended techniques, to present an idea which is intended to be repeated a number of times before transitioning to the next. The 2005 compilation called “Sounds of Devotion,” where the composer’s family generously present articles, photos and other significant testimony on the composer’s creative life, remembers the two major influences in his music to be modernism and the Armenian Genocide. GUEST ARTIST SERIES ABOUT DZOVIG MARKARIAN Dzovig Markarian is a contemporary classical pianist, whose performances have been described in the press as “brilliant” (M. Swed, LA Times), and “deeply moving, technically accomplished, spiritually uplifting” (B. Adams, Dilijan Blog). An active soloist as well as a collaborative artist, Dzovig is a frequent guest with various ensembles and organizations such as the Dilijan Chamber Music Series, Jacaranda Music at the Edge, International Clarinet Conference, Festival of Microtonal Music, CalArts Chamber Orchestra, inauthentica ensemble, ensemble Green, Xtet New Music Group, USC Contemporary Music Ensemble, REDCAT Festivals of Contemporary Music, as well as with members of the LA PHIL, LACO, DZOVIG MARKARIAN Southwest Chamber Music, and others. Most recently, Dzovig has worked with and premiered works by various composers such as Sofia Gubaidulina, Chinary Ung, Iannis Xenakis, James Gardner, Victoria Bond, Tigran Mansurian, Artur Avanesov, Jeffrey Holmes, Alan Shockley, Adrian Pertout, Laura Kramer and Juan Pablo Contreras. PIANO Ms. Markarian is the founding pianist of Trio Terroir, a Los Angeles based contemporary piano trio devoted to new and complex music from around the world.
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  • Claire Chase: the Pulse of the Possible
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  • Turkey's Pro-Kurdish HDP Leaders Arrested
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  • Life After Babylon
    MARCH 16, 2019 Mirror-SpeTHE ARMENIAN ctator Volume LXXXIX, NO. 34, Issue 4578 $ 2.00 NEWS The First English Language Armenian Weekly in the United States Since 1932 INBRIEF Putin, Pashinyan Appeals Court in Armenia Rejects Spokespersons Meet in Russia Sergio Nahabedian’s Suit against ADL MOSCOW (Armenpress) — Armenian Prime Minister Nikol Pashinyan’s spokesperson Vladimir YEREVAN (Azg) — On February 20, the Court of Republic of Armenia, be changed. Karapetyan in Moscow on a working visit, met with Appeals of the Republic of Armenia rejected an The same individual in February 2018 had applied President Vladimir Putin’s spokesperson Dmitry appeal by Sergio Nahabedian of Argentina against to a court of general jurisdiction of the city of Peskov, according to the embassy. Armenia’s the Democratic Liberal Party (ADL) of Armenia. Yerevan, which by its decision of December 13, 2018 Ambassador to Russia Vardan Toghanyan also took Nahabedian, representing himself as the completely rejected the plaintiff’s case. The rejection part in the meeting. “Chairman of the Democratic Liberal Party,” had of the plaintiff by the Appeals Court confirms explicit- During the meeting various issues regarding submitted a protest to the court demanding that the ly that the claims of the plaintiff and his “executive” to be cooperation between the press services of the two name, coat of arms and seal of the Democratic Liberal legal heirs of the ADL founded in Constantinople in 1921 are sides were discussed. Particularly, the sides Party, which are recorded in the bylaws of the party and baseless attempts to change the bylaws of the party which addressed the partnership between the press ser- ratified by the appropriate governmental body of the have been legally registered in Armenia.
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  • Henrik Igityan
    ZlckliXcdX^Xq`e\ }__ÎÊgÈÌ• _{¾Òo_s}_egÈ ISSN 1829-0272 1/2006 editorial THE ENGLISH TRANSLATION OF “ARMENIAN ART” MAGAZINE IS SPONSORED BY THE SWISS ARMENIAN UNION Published by The National Gallery of Armenia year 2006 has Founded by been declared 1(15)/2006 The "Momik" Cultural Center “Armenia Year” in France and • Information support by in Russia, 2005 having been e "Seven Arts" Ltd. “Russia Year” in Armenia. To be n i Editor-in-chief www.armenianart.am frank, it was not different from z previous years. If the giant Russia a Karen Matevosyan 3. The Year of Armenia g organized its year in Armenia in Executive director 4. Artsvi Bakhchinyan, The Armenian Month in Bazel a Hasmik Ginoyan 6. Aram Kalantaryan, Archeological Excavation in Armenia in 2005 this way, then it is difficult to say m how we are going to prepare, Editorial Council: 8. Daniel Erajisht, When the Song is Prayer, the Prayer a Song l Paravon Mirzoyan (president) 10. Karen Matevosyan, The Losses of Manuscripts During the although the opening of the year a r Ararat Aghasyan Genocide of Armenians u Varazdat Harutyunyan Hasmik Harutiunian, Museum Discoveries t 11. l Murad Hasratyan 14. Martin Mikaelyan, Perpetuum Mobile u Hasmik Harutyunyan 15. Grigor Gurzadyan, Paravon... c cultural magazine Martin Mickaelyan 17. Hasmik Harutiunian, History of the t Daniel Erazhisht r National Gallery of Armenia Sergey Khachikoghlyan a art Hrachia Hakobyan Samvel Khalatyan 20. TThehe YYearear ooff AARMENIARMENIA Artsvi Bakchinyan 23. Henrik Igityan, Sargis Hamalbashian Seda Ananyan, The Art of Varos Shahmuradyan in the Kremlin this January was as a way of life.
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  • KOUYOUMDJIAN Creating with Ghosts Final Reformatted
    Creating with Ghosts: Identity and Artistic Purpose in Armenian Diaspora Mary Kouyoumdjian Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts under the Executive Committee of the Graduate School of Arts & Sciences COLUMBIA UNIVERSITY 2021 © 2021 Mary Kouyoumdjian All Rights Reserved ABSTRACT Creating with Ghosts: Identity and Artistic Purpose in Armenian Diaspora Mary Kouyoumdjian The creative submission for my dissertation includes two of my documentary works: They Will Take My Island, a thirty-minute multimedia collaboration with filmmaker Atom Egoyan for amplified string octet, electronic track, and film, commissioned by the Metropolitan Museum of Art; and Paper Pianos, a ninety-minute staged collaboration with director Nigel Maister and projection artist Kevork Mourad. The written submission for my dissertation is an examination of the ways in which experiences around transgenerational trauma inform and manifest in my creative practice. I offer a summary of my own family history of survivors of the Armenian Genocide and Lebanese Civil War, as well as a survey of displacement amongst the Armenian community in the past century. Furthermore, I discuss identity processing as diaspora and the act of cultural preservation, as inspired by genocide survivor, composer, priest, writer, and musicologist, Komitas Vardapet. I later examine these ideas in the context of creating They Will Take My Island and Paper Pianos, both of which were constructively motivated by transgenerational survivor’s guilt
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  • Laura Kaminsky and the Performing Artists Are Grateful: Timothy R
    Acknowledgments This recording is supported by the American Music Center’s CAP Recording Program, made possible by endowment funds from the Mary Flagler Cary Charitable Trust and with funds from the Alice M. Ditson Fund of Columbia University. Additional support was provided by numerous gener- ous individuals, to whom Laura Kaminsky and the performing artists are grateful: Timothy R. Allan; Thom Collins; Cynthia Elliott; Eva & Leonard Kaminsky; Karen Kaminsky & Peter J. Tichansky. Vukovar Trio, Duo for ’cello and piano, Music for Artur, and Triftmusik produced, engineered, and edited by Bill Siegmund of Digital Island Studios, New York. Duo for ’cello and piano and Vukovar Trio recorded November 20, 2011 Assistant engineer: Joshua Meer Music for Artur and Triftmusik recorded December 17, 2011 Assistant engineer: Andrew Shire Cadmium Yellow, Transformations, and Wave Hill produced and engineered by Judith Sherman Engineering and editing assistant: Jeanne Velonis Cadmium Yellow recorded March 3, 2012; Transformations recorded March 10, 2012; Wave Hill recorded May 19, 2012 Cassatt Quartet Cover Art: “Palisades, October,” by Rebecca Allan Photo of Laura Kaminsky: Rebecca Allan CoLorado Quartet All works on this CD recorded in the Recital Hall of the Purchase College Conservatory of Music, SUNY Purchase, New York ensembLe Pi www.albanyrecords.com TROY1393/94 albany records u.s. 915 broadway, albany, ny 12207 tel: 518.436.8814 fax: 518.436.0643 albany records u.k. box 137, kendal, cumbria la8 0xd Laura tel: 01539 824008 © 2013 albany records
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  • New Bishop Takes Charge of Catholic Armenian Flock in US
    NOVEMBER 10, 2012 THE ARMENIAN Mirror -Spe ctaItn Ouor Mirror -Spe ctatror 80th Year Volume LXXXIII, NO. 17, Issue 4262 $ 2.00 NEWS IN BRIEF The First English Language Armenian Weekly in the United States Since 1932 School in Istanbul Returned to Armenians New Bishop Takes Charge of ISTANBUL (Armenpress) — The Armenian school in the Sisli district has been returned to Armenians 33 years after it was seized by the government. The decision to return the 200-year-old school to Catholic Armenian Flock in US Armenians was made by the 13th Court of Istanbul. The court decided to return the school to its of the Armenian Catholic Church, St. owners, St. Ghazar Armenian Church and its By Alin K. Gregorian Ann’s, was being sold. While Mouradian school fund. “Our efforts weren’t in vain. Now I believe that good things are happening in our days” Mirror-Spectator Staff said the Catholic Church offered the Armenians the chance to have access to declared the chairman of the fund, Rita Nournur. another church in the city, he and the Turkish Prime Minister Recep Tayyip Erdogan BOSTON — Bishop Mikael Mouradian, other church leaders decided that due to signed a decree agreeing to return all property the new head of the Armenian Catholic the decline in the numbers of the faithful belonging to minorities which had been seized by Eparchy of the US, is a well-traveled man. in New York and its growth on the West the government. Born and raised in Beirut, he has Coast, the church should relocate. served the Armenian Catholic Church in He said that the eparchy in New York AGBU YP Boston Holds Lebanon, Syria, Armenia and now the in the 1980s, had 800 families, the major - US.
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  • Download Booklet
    Acknowledgments Producers: Artur Avanesov (Hommage à G.K.; Sonata for Two Violins; Zemestani, Bahari, Behesthi); Varty Manouelian (Signs, Games, and Messages; Lamento) Engineers: Ruben Osipov (all works except Zemestani, Bahari, Beheshti); Hovig Nassanian (Zemestani, Bahari, Beheshti) Editing: Ruben Osipov (all works except Zemestani, Bahari, Beheshti); Sergei Gasparyan (Zemestani, Bahari, Beheshti) Photo Credits: Recorded at Komitas Chamber Photograph of cover and back Music Hall, Yerevan, Armenia, cover image: Katherine Vincent, July 8-9, 2010 (all works except Photograph with György Kurtág: Page Six Art: “The Fest of Dreams,” Zemestani, Bahari, Beheshti); Tony Arnold, Photograph of by Kapo (Karen Davtyan) (1962- Shoe Factory, Nikosia, Cyprus, Movses Pogossian: Mark Silber, 2011) (Oil on canvas, from the December 15, 2010 (Zemestani, Photograph of page six image: collection of M. Pogossian and Bahari, Beheshti) Edward Poghosyan V. Manouelian) CD Mastering: Daniel Sedgwick Cover Art: “Forest,” by Georgi Publishers Text Editing: Marjorie Gere Tovmasyan (1936-2011) (Oil on canvas, from the collection of Kurtág (Editio Musica Budapest); Translations: Vatsche Barsoumian Mansurian and Avanesov are M. Pogossian and V. Manouelian) MusicIn for Violin by KurtágNomine | Mansurian | Avanesov | Prokofiev available direct from the composer; www.albanyrecords.com Prokofiev (Boosey & Hawkes) Movses Pogossian, violin Varty Manouelian, violin | Artur Avanesov, piano troy1301 albany records u.s. 915 broadway, albany, ny 12207 tel: 518.436.8814 fax: 518.436.0643 albany records u.k. box 137, kendal, cumbria la8 0xd In Memory of Kapo and tel: 01539 824008 © 2011 albany records made in the usa DDD Georgi Tovmasyan warning: copyright subsists in all recorDings issueD unDer this label. This is a personal project, on several dimensions.
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  • Other Minds 20 March 6, 7, & 8, 2015 Sf Jazz Center San Francisco
    OTHER MINDS 20 MARCH 6, 7, & 8, 2015 SF JAZZ CENTER SAN FRANCISCO A FESTIVAL OF UNEXPECTED NEW MUSIC INSIDE: STILLS HERE A PHOTOGRAPHIC HISTORY OF OTHER MINDS AT TWENTY MARCH 6, 7, & 8, 2015 WELCOME TO OTHER John MINDS Goodman 20 is represented by Elins Eagles-Smith Gallery 49 Geary St, Suite 509 Message from the Artistic Director 14 Other Minds 20 Composer Bios 36 San Francisco, CA 94109 Exhibition & Silent Auction 16 Other Minds 20 Performer Bios 46 415 981 1080 Concert 1 21 Other Minds Staff Bios 52 [email protected] Concert 1 Program Notes 22 Giving Birth to Other Minds 54 THOUGHTS FROM COMPOSERS Concert 2 27 Other Minds: A Timeline 62 image: Concert 2 Program Notes 28 Stills Here: A Photographic History 68 Bowing Figure #2 of Other Minds . 2014, 40 by 30 inches Concert 3 33 About Other Minds 92 Oil and wax on panel Concert 3 Program Notes 34 About The Festival 94 Festival Supporters 96 The 20th Other Minds Festival is presented by Other Minds in see more at eesgallery.com association with the Djerassi Resident Artists Program. ©2015 Other MindsTM All Rights Reserved. —JOHN CAGE (JANUARY 19, 1989) FOR CHARLES AMIRKHANIAN ON HIS 44TH BIRTHDAY 5TH ANNUAL TASTING EVENT March 14th at 651 Howard Street Entertainment by Use Motown Monday DJs promo code Op uw gezondheid! DRINK Congratulations, Other Minds. $ Uitstekende nieuwe muziek. drink2015.strangertickets.com for 5 off The A PROUD SPONSOR OF THE OTHER MINDS FESTIVAL EAST BAY EXPRESS is very proud to support OTHER MINDS 20 and the creation of revolutionary new music 1625 POST STREET SAN FRANCISCO, CA 94115 415.922.3200 HOTELKABUKI.COM Art Box designed by Scott Courtenay-Smith HOTEL KABUKI IS A JOIE DE VIVRE HOTEL Cold Blue music “For more than three decades, Cold Blue Music has been highlighting the work of composers working on the outer edges of contemporary music.” —Alexandra Gardner, NewMusicBox “I don’t see the point in art that doesn’t take any risks.
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  • Modulation Necklace
    modulation necklace New Music from Armenia ARTUR AVANESOV (b. 1980) ASHOT KARTALYAN (b. 1985) 1] Quasi Harena Maris (2016)* 12:19 Suite for Saxophone and Percussion (2015)* Movses Pogossian & Ji Eun Hwang, violins 7] 1. Vivace 2:26 Morgan O’Shaughnessey, viola 8] 2. Allegro moderato 1:45 Niall Ferguson, cello 9] 3. Allegro animato 3:16 Artur Avanesov, piano 10] 4. Andante moderato 4:03 11] 5. Presto 2:31 ASHOT ZOHRABYAN (b. 1945) Katisse Buckingham, saxophone 2] Novelette (2010)* 14:49 Dustin Donahue, percussion Varty Manouelian, violin Scott St. John, viola ARTUR AVANESOV (b. 1980) Antonio Lysy, cello Selected works from cycle Feux Follets (2010-17) Artur Avanesov, piano 12] 1. Let It Be Forgotten 0:57 13] 2. Quand l’aubespine fleurit 2:36 MICHEL PETROSSIAN (b. 1973) 14] 3. Modulation Necklace 1:18 3] A Fiery Flame, a Flaming Fire (2017)* 11:17 15] 4. Exercise in Necklace Mode 1:43 Varty Manouelian, violin 16] 5. Mon cœur reste brûlé 1:49 Charles Tyler, cello 17] 6. Gespenstertanz 1:01 Artur Avanesov, piano 18] 7. Kinderstück IV (Ladybug) 1:31 Artur Avanesov, piano ARTASHES KARTALYAN (b. 1961) Tekeyan Triptych (2018)** Total Time 78:40 4] 1. Es Siretsi (I Have Loved) 5:51 5] 2. Papaq (A Wish) 3:05 * Commissioned by the Dilijan Chamber Music Series and the Lark Musical 6] 3. Hashvehardar (A Summary) 6:13 Society UCLA VEM Ensemble ** Commissioned for the UCLA VEM Ensemble by the Tekeyan Cultural Association Danielle Segen, mezzo-soprano Ji Eun Hwang & Aiko Richter, violins Morgan O’Shaughnessey, viola Jason Pegis, cello ODULATION N ECKLACE is a collage project was their first experience with Armenian music, and, of unabashedly contrasting compositions.
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  • Society of Composers, Inc. Region VI Conference! We Are Exc Ited to Host You Here at UT Arlington
    Society of Composers, Inc. WflCOMf Dear Guests, On behalf of the faculty and students at UT Arlington Music, I am pleased to welcome you to the 2017 Society of Composers Region VI Conference! It is a pleasure for us to host guests from sur­ roundin g states and to hear and perform works from composers across the country. UT Arlington has hosted this event previously, and when the possibility of having the conference on campus again was introduced, the faculty and I were deli ghted to be a part of this ce lebration of creativity. My sincere thanks go to Professor Dan Cavanagh for hosting and organizing the event. Hi s wo rk behind the scenes has made this conference a reality. Our three-day event features the work of over 50 composers in nine concerts. You wi ll hear UT Arlington faculty and students, as we ll as guest performers from throughout the region. I hope you wi ll take the opportunity to meet and greet the composers and performers; you will no doubt make connections with t hem that wi ll last for years that can serve to promote the composition of even more new music. Please don 't hesitate to comact me if I can be of assistance to you whi le you are on campus. Th ank you for coming, and enjoy Best, Rick Bogard, OMA Professor and Chair UT Arlington Music Welcome to the 2017 Society of Composers, Inc. Region VI Conference! We are exc ited to host you here at UT Arlington. Our conference office is in room Fin e Arts 102 (ask for the "copy room ") - if you have any questions or need anything, please don't hesitate to stop by.
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