DOCSLIB.ORG

2016 Summer Festival

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2016 Summer Festival METHOW VALLEY Dvorák Schoenberg Gershwin Celebrate the Muses Kevin Krentz Artistic Director July 28−August 6 2016 Signal Hill Ranch grounds open at 6:00 pm concerts at 7:30 pm Program www.methowmusicfestival.org Festival at a Glance Free events Ticketed events Thursday 7/28 6:30 pm Pre-concert presentation by the Confluence Gallery 7:30 pm Centerstage Concert hosted by Verne Windham 10:00 pm Enjoy the stars with Dave Ward and his telescope Friday 7/29 6:30 pm Fellowship Quartet at Confluence Gallery Saturday 7/30 3:00 pm Fellowship Quartet at Sun Mountain Lodge 6:30 pm Pre-concert presentation by Craig Sheppard 7:30 pm Centerstage Concert hosted by Verne Windham Tuesday 8/2 6:30 pm Pre-concert presentation by Lynette Westendorf 7:30 pm Centerstage Concert hosted by Verne Windham Wednesday 8/3 6:00 pm Fellowship Quartet at Freestone Inn Thursday 8/4 6:30 pm Pre-concert presentation 7:30 pm Centerstage Concert hosted by Dave Beck Friday 8/5 5:00 pm Fellowship Quartet at Shafer Museum 6:30 pm Fellowship Quartet at Methow Valley Ciderhouse Saturday 8/6 6:30 pm Pre-concert recital by Fellowship Quartet 7:30 pm Centerstage Concert hosted by Dave Beck All Centerstage Concert Days 9:30 am Open rehearsal 9:30 am Art exhibits open for public viewing at Signal Hill Ranch 6:00 pm Grounds open for evening activities at Signal Hill Ranch 6:30 pm Pre-concert presentation 7:30 pm Centerstage Concert 10:00 pm Meet-the-artists Afterglow party Welcome Welcome to concerts I’ve created to grab you, thrill you. You will watch artists of international stature, up close, crafting each note to perfection in an intimate setting. Each year I watch hours of videos and talk to musicians I know and trust before inviting new artists into our merry band. Beyond playing exceptionally well, Methow artists must have charisma and the desire to both give and take in a musical setting. These qualities inspire their colleagues to make music with them on a personal level. I’ve written before of my thoughts on the current fashion of thematic programs. It is certainly possible to come up with themes that can somehow tie a well-balanced program together, but more often than not, it seems that the musical selections suffer in order to satisfy the theme. Instead, I take the playwright’s approach: the experience should touch on all the primary human emo- tions and it should have an arc. That leaves me with other, perhaps more subtle ways of connecting the festival programs, at least in my own mind. On one occasion, only moments after I had been remarking on the popularity of the cello, a colleague of mine cruelly reminded me that the piano was far more popular than the photo: Marcy Stamper cello. That got me thinking about the cello’s lonely place at number three on the popularity scale, behind the piano and violin, and before you know it, I had invited twice the normal number of pianists and violinists to this year’s Festival. I’ve always loved the way piano sounds in our barn. This year’s Festival features a lot of it, played by four unique and wonderful pianists, each with a vastly different voice, in ensembles both large and small. And the violin! It appears this year in virtuosic solo format, in duos with another violin, viola, or cello, and, of course, sitting atop the traditional large mixed ensembles we all love. I’m excited to present this year’s Festival! Thank you so much for allowing me to share this incredible music with you. Your encouragement keeps me going and your support makes the music happen. Artistic Director Thursday signal hill ranch 7/28 6:30 pm Pre-concert presentation by the Confluence Gallery 7:30 pm Centerstage Concert Hosted by Verne Windham with Festival Prologue read by Ki Gottberg 10:00 pm Enjoy the stars with Dave Ward and his telescope Three Duets for Two Violins and Piano, Op. 97D Dmitri Shostakovich (1906–1975) Preludium Gavotte Waltzes Jing Wang, violin | Grace Park, violin | Zhang Zuo, piano Adagio and Rondo Concertante in F Major, Franz Schubert (1797–1828) D. 487 Adagio - Allegro Vivace Brittany Boulding, violin | Charles Noble, viola Matthew Zalkind, cello | Craig Sheppard, piano Fantaisie brillante on themes from Henryk Weiniawski (1835–1880) Gounod’s Faust, Op. 20 (arr. for violin and piano) Grace Park, violin | Craig Sheppard, piano INTERMISSION Duo for Violin and Cello, No. 1 Bohuslav Martinů (1890–1959) Preludium - andante moderato Rondo - allegro con brio Jing Wang, violin | Matthew Zalkind, cello Piano Trio No. 1 in D minor, Op. 32 Anton Arensky (1861–1906) Allegro moderato Scherzo - allegro molto Elegia - adagio Allegro non troppo Mikhail Shmidt, violin | Kevin Krentz, cello | Zhang Zuo, piano 5 Saturday Saturday signal hill ranch 7/30 6:30 pm Pre-concert presentation by Craig Sheppard 7:30 pm Centerstage Concert Hosted by Verne Windham with Festival Prologue read by Ki Gottberg Suite for Two Violins and Piano Moritz Moszkowski (1854–1925) in G Minor, Op. 71 Allegro energico Allegro moderato Lento assai Molto vivace Grace Park, violin | Mikhail Shmidt, violin | Zhang Zuo, piano Horn Quintet in E-flat, K. 407 Wolfgang Amadeus Mozart (1756–1791) Allegro Andante Rondo - allegro Jeffrey Fair, horn | Brittany Boulding, violin Mara Gearman, viola | Charles Noble, viola | Kevin Krentz, cello Introduction and Polonaise Brilliant Frédéric Chopin (1810–1849) for Cello and Piano, Op. 3 Introduction - lento Alla polacca - allegro con spirito Matthew Zalkind, cello | Craig Sheppard, piano INTERMISSION Verklärte Nacht, for String Sextet Arnold Schoenberg (1874–1951) Jing Wang, violin | Mikhail Shmidt, violin Mara Gearman, viola | Charles Noble, viola Matthew Zalkind, cello | Kevin Krentz, cello 7 Tuesday Tuesday signal hill ranch 8/2 6:30 pm Pre-concert presentation by Lynette Westendorf 7:30 pm Centerstage Concert Hosted by Verne Windham with Festival Prologue read by Carolanne Steinebach Sonata for 2 Violins and Piano George Frederick Handel (1685–1759) in G Minor, Op. 2, No.7 Andante Allegro Arioso - poco adagio Allegro Elena Urioste, violin | Yuri Namkung, violin Ryan MacEvoy McCullough, piano Barcarolle in F Major, Op. 108 Camille Saint-Saëns (1835–1921) Grace Park, violin | Caitlin Lynch, viola | Paul Wiancko, cello Ryan MacEvoy McCullough, piano Sure On This Shining Night Samuel Barber (1910–1981) Moon River Henry Mancini (1924–1994) They Can’t Take That Away From Me George Gershwin (1898–1937) Yuri Namkung, violin | Grace Park, violin | Maurycy Banaszek, viola Caitlin Lynch, viola | Kevin Krentz, cello | Paul Wiancko, cello Tom Poster, piano Two Pieces for String Octet, Op. 11 Dmitri Shostakovich (1906–1975) Prelude - adagio Scherzo - allegro molto Jing Wang, violin | Elena Urioste, violin | Yuri Namkung, violin Grace Park, violin | Maurycy Banaszek, viola Caitlin Lynch, viola | Paul Wiancko, cello | Kevin Krentz, cello INTERMISSION Piano Quintet in A Major, Op. 81 Antonin Dvořák (1841–1904) Allegro ma non tanto Dumka - andante con moto Scherzo - molto vivace Finale - allegro Mikhail Shmidt, violin | Jing Wang, violin | Maurycy Banaszek, viola Kevin Krentz, cello | Zhang Zuo, piano 9 Thursday signal hill ranch 8/4 6:30 pm Pre-concert presentation 7:30 pm Centerstage Concert Hosted by Dave Beck with Festival Prologue read by Mark Johnson Piano Quartet in E-flat Major, Op. 16 Ludwig van Beethoven (1770–1827) Grave - allegro ma non troppo Andante cantabile Rondo - allegro ma non troppo Yuri Namkung, violin | Maurycy Banaszek, viola | Paul Wiancko, cello Ryan MacEvoy McCullough, piano Porgy and Bess (arr. J. Heifetz for violin and piano) George Gershwin (1898–1937) Summertime My Man’s Gone Now Bess, You is My Woman Now It Ain’t Necessarily So Elena Urioste, violin | Tom Poster, piano INTERMISSION Lift Paul Wiancko (1982– ) Glacial Maniacal swing Lift Yuri Namkung, violin | Elena Urioste, violin | Maurycy Banaszek, viola Paul Wiancko, cello Piano Quintet in F Minor, FMV. 7 César Franck (1822–1890) Molto moderato quasi lento - allegro Lento con molto sentimento Allegro non troppo ma con fuoco Elena Urioste, violin | Jasper Wood, violin | Caitlin Lynch, viola Paul Wiancko, cello | Tom Poster, piano 11 Saturday Saturday signal hill ranch 8/6 6:30 pm Pre-concert presentation by Fellowship Quartet 7:30 pm Centerstage Concert Hosted by Dave Beck with Festival Prologue read by Carolanne Steinebach Three Madrigals, Duo No. 1 Bohuslav Martinů (1890–1959) for Violin and Viola, H. 313 Poco allegro Poco andante Allegro Yuri Namkung, violin | Caitlin Lynch, viola L’ Histoire du soldat Suite Igor Stravinsky (1882–1971) (The Soldier’s Tale Suite), Trio version Marche du soldat Le violon du soldat Petit concert Tango, valse, rag Danse du diable Laura DeLuca, clarinet | Jasper Wood, violin Ryan MacEvoy McCullough, piano Four on the Floor Judd Greenstein (1979– ) Jasper Wood, violin | Yuri Namkung, violin | Maurycy Banaszek, viola Paul Wiancko, cello INTERMISSION Quartet for Piano and Strings Gabriel Fauré (1845–1924) No.2 in G Minor, Op.45 Allegro molto moderato Allegro molto Adagio non troppo Allegro molto Elena Urioste, violin | Maurycy Banaszek, viola | Paul Wiancko, cello Tom Poster, piano 13 artists Maurycy Banaszek, viola Maurycy Banaszek was born in Warsaw, Poland. He has performed at the Marlboro, Seattle, Santa Fe, Aldeburgh, Moritzburg, Mozart, Kingston, Martha’s Vineyard, and Warsaw Autumn festivals. Maurycy regularly tours with the Musicians from Marlboro and appears at the Bargemusic in New York. As a founding member of the Elsner String Quartet, Maurycy has played in such prestigious venues as Carnegie Hall in New York, Wigmore Hall in London, and Gewandhaus in Leipzig. In August 1998, Maurycy was invited by the members of the legendary Amadeus String Quartet to perform at their 50th Anniversary Gala Concert in London.
Load more

Recommended publications
  • Gidon Kremer Oleg Maisenberg
    EDITION SCHWETZINGER FESTSPIELE Bereits erschienen | already available: SCHUMANN SCHUBERT BEETHOVEN PROKOFIEV Fritz Wunderlich Hubert Giesen BEETHOVEN � BRAHMS SCHUbeRT LIEDERABEND Claudio Arrau ���� KLAVIERAB END � PIANO R E C ITAL WebeRN FRITZ WUNDERLICH·HUbeRT GIESEN CLAUDIO ARRAU BeeTHOVEN Liederabend 1965 Piano Recital SCHUMANN · SCHUBERT · BeeTHOVEN BeeTHOVEn·BRAHMS 1 CD No.: 93.701 1 CD No.: 93.703 KREISLER Eine große Auswahl von über 800 Klassik-CDs und DVDs finden Sie bei hänsslerCLassIC unter www.haenssler-classic.de, auch mit Hörbeispielen, Download-Möglichkeiten und Gidon Kremer Künstlerinformationen. Gerne können Sie auch unseren Gesamtkatalog anfordern unter der Bestellnummer 955.410. E-Mail-Kontakt: [email protected] Oleg Maisenberg Enjoy a huge selection of more than 800 classical CDs and DVDs from hänsslerCLASSIC at www.haenssler-classic.com, including listening samples, download and artist related information. You may as well order our printed catalogue, order no.: 955.410. E-mail contact: [email protected] DUO RecITAL Die Musikwelt zu Gast 02 bei den Schwetzinger Festspielen Partnerschaft, vorhersehbare Emigration, musikalische Heimaten 03 SERGEI PROKOFIev (1891 – 1953) Als 1952 die ersten Schwetzinger Festspiele statt- Gidon Kremer und Oleg Maisenberg bei den des Brüsseler Concours Reine Elisabeth. Zwei Sonate für Violine und Klavier fanden, konnten sich selbst die Optimisten unter Schwetzinger Festspielen 1977 Jahre später gewann er in Genua den Paganini- Nr. 1 f-Moll op. 80 | Sonata for Violine den Gründern nicht vorstellen, dass damit die Wettbewerb. Dazu ist – was Kremers Repertoire- eutsch eutsch D and Piano No. 1 in 1 F Minor, Op.80 [28:18] Erfolgsgeschichte eines der bedeutendsten deut- Als der aus dem lettischen Riga stammende, Überlegungen, seine Repertoire-Überraschungen D schen Festivals der Nachkriegszeit begann.
    [Show full text]
  • Jazz Concert
    Artist Series presents Sonatas for Violin and Piano featuring Maria Sampen, violin and Oksana Ezhokina, piano Saturday, November 14, 2015 at 3 pm Lagerquist Concert Hall, Mary Baker Russell Music Center Pacific Lutheran University School of Arts and Communication / Department of Music presents: Artist Series Sonatas for Violin and Piano Maria Sampen, violin Oksana Ezhokina, piano Saturday, November 14, 2015, at 3 pm Lagerquist Concert Hall, Mary Baker Russell Music Center Welcome to Lagerquist Concert Hall. Please disable the audible signal on all watches, pagers and cellular phones for the duration of the concert. Use of cameras, recording equipment and all digital devices is not permitted in the concert hall. PROGRAM Scherzo in C Minor for Violin and Piano, WoO 2 ............................................ Johannes Brahms (1833-1897) Sonata for Violin and Piano in A Major, Op. 100 ................................................................. Johannes Brahms Allegro amabile Andante tranquillo – Vivace Allegretto grazioso INTERMISSION Sonata No. 3 for Violin and Piano in A Minor, Op. 25 .......................................... George Enescu (1881-1955) Moderato malinconico Andante sostenuto e misterioso Allegro con brio, ma non troppo mosso About the Artists Russian-born pianist Oksana Ezhokina appears frequently as guest recitalist and chamber musician on concert series across the United States and abroad. She has soloed with the Seattle Symphony, St. Petersburg Chamber Philharmonic and Tacoma Symphony, and performed in venues such as the Phillips Collection in Washington DC, Benaroya Hall in Seattle, Governor’s Mansion in Olympia, Davies Orchestra Hall in San Francisco, and Klassik Keyifler Festival in Turkey. A dedicated performer of new music, she has premiered works by Marilyn Shrude, Wayne Horvitz, Bern Herbolsheimer, and Laura Kaminsky, among others.
    [Show full text]
  • From the Violin Studio of Sergiu Schwartz
    CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor
    [Show full text]
  • Dzovig Markarian
    It is curious to notice that most of Mr. Dellalian’s writings for piano use aleatoric notation, next to extended techniques, to present an idea which is intended to be repeated a number of times before transitioning to the next. The 2005 compilation called “Sounds of Devotion,” where the composer’s family generously present articles, photos and other significant testimony on the composer’s creative life, remembers the two major influences in his music to be modernism and the Armenian Genocide. GUEST ARTIST SERIES ABOUT DZOVIG MARKARIAN Dzovig Markarian is a contemporary classical pianist, whose performances have been described in the press as “brilliant” (M. Swed, LA Times), and “deeply moving, technically accomplished, spiritually uplifting” (B. Adams, Dilijan Blog). An active soloist as well as a collaborative artist, Dzovig is a frequent guest with various ensembles and organizations such as the Dilijan Chamber Music Series, Jacaranda Music at the Edge, International Clarinet Conference, Festival of Microtonal Music, CalArts Chamber Orchestra, inauthentica ensemble, ensemble Green, Xtet New Music Group, USC Contemporary Music Ensemble, REDCAT Festivals of Contemporary Music, as well as with members of the LA PHIL, LACO, DZOVIG MARKARIAN Southwest Chamber Music, and others. Most recently, Dzovig has worked with and premiered works by various composers such as Sofia Gubaidulina, Chinary Ung, Iannis Xenakis, James Gardner, Victoria Bond, Tigran Mansurian, Artur Avanesov, Jeffrey Holmes, Alan Shockley, Adrian Pertout, Laura Kramer and Juan Pablo Contreras. PIANO Ms. Markarian is the founding pianist of Trio Terroir, a Los Angeles based contemporary piano trio devoted to new and complex music from around the world.
    [Show full text]
  • Program Notes | Yannick and Manny
    23 Season 2018-2019 Thursday, November 29, at 7:30 The Philadelphia Orchestra Friday, November 30, at 8:00 Saturday, December 1, Yannick Nézet-Séguin Conductor at 8:00 Emanuel Ax Piano Brahms Piano Concerto No. 2 in B-flat major, Op. 83 I. Allegro non troppo II. Allegro appassionato III. Andante—Più adagio—Tempo I IV. Allegretto grazioso—Un poco più presto Intermission Brown Perspectives United States premiere Dvořák Symphony No. 7 in D minor, Op. 70 I. Allegro maestoso II. Poco adagio III. Scherzo: Vivace IV. Finale: Allegro This program runs approximately 2 hours, 5 minutes. The November 29 concert is sponsored by Elia D. Buck and Caroline B. Rogers. The November 29 concert is also sponsored by the Louis N. Cassett Foundation. The November 30 concert is sponsored by Alexandra Edsall and Robert Victor. The December 1 concert is sponsored by Medcomp. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 24 Please join us following the November 30 and December 1 concerts for a free Organ Postlude featuring Peter Richard Conte. Brahms Prelude, from Prelude and Fugue in G minor Brahms Fugue in A-flat minor Dvořák/transcr. Conte Humoresque, Op. 101, No. 7 Widor Toccata, from Organ Symphony No. 5 in F minor, Op. 42, No. 1 The Organ Postludes are part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation.
    [Show full text]
  • Cds by Composer/Performer
    CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
    [Show full text]
  • 2015-10-23 Monteverdi Vespers
    welcome pacific musicworks ensemble I will never forget the first Stephen Stubbs time I participated in a full music director & lute performance of the Monteverdi Joseph Adam Vespers. It was one of a handful organ of pivotal moments in my life Maxine Eilander so far when I felt that I was harp not really in control of my own Tekla Cunningham & Linda Melsted destiny. It might sound like violins hyperbole, but my experience Laurie Wells & Romeric Pokorny is that this is a work of such violas persuasive power, architectural Photo credit Jan Gates brilliance and raw beauty, that it literally changed the course William Skeen cello of my life. Christopher Jackson was the conductor of the Studio de Musique Ancienne de Montréal on that occasion Moriah Neils and I remember the joy, fascination and pure enthusiasm he bass managed to communicate to everyone involved. I was totally Bruce Dickey & Kiri Tollaksen hooked and felt so compelled and intrigued with how this cornettos work made me feel, that 25 years later, I am still spending Greg Ingles, Erik Schmalz and Mack Ramsey my time convincing anybody who will listen, that there is no sackbuts music that will make them feel luckier to be alive. Christopher Jackson died on September 25th, 2015, after a long and extremely influential career as a master of renaissance and baroque music. His inspirational work with the SMAM and as Dean of the Faculty of Arts at Concordia brought him into regular contact with hundreds of young and vancouver chamber choir aspiring musicians over the years. I will be forever grateful to him for first introducing me and many others to this wondrous music, as well as for instilling in me a desire to perform and promote art that still has the amazing power to transform lives over 400 years later.
    [Show full text]
  • Sir Mark Elder Leads CSO in Exploration of Literature's Influence
    ChicagoPride.com News December 13, 2011 Sir Mark Elder leads CSO in exploration of literature's influence on music By GoPride.com News Staff December 13, 2011 https://chicago.gopride.com/news/article.cfm/articleid/24335776 CST actors also to perform scenes from selected plays, January 5-10, and 12-15 CHICAGO, IL -- British conductor Sir Mark Elder makes his return to Orchestra Hall for a two-week residency that explores the influence of Shakespeare and other works of literature on music and features actors from Chicago Shakespeare Theater (CST), under the direction of CST Artistic Director Barbara Gaines, bringing the Bard's words to life. Sir Mark Elder's first subscription week of concerts on January 5-10, is an all-Berlioz program, highlighted by the Queen Mab Scherzo and Romeo at the Tomb from the composer's Romeo and Juliet. Select readings from Shakespeare's Romeo and Juliet, performed by Brendan Marshall-Rashid and Susan Strunk from the Chicago Shakespeare Theater, precede these two works. British violist Lawrence Power also makes his CSO debut on these concerts and is featured in Berlioz's Harold in Italy, a work Paganini encouraged Berlioz to compose and was inspired by Lord Byron's poetry. Elder concludes his two-week winter residency January 12-15, with a further exploration into Shakespeare's influence on music through works by Delius, Elgar, Rimsky-Korsakov and Tchaikovsky. Included on the program is Elgar's rarely performed orchestral work Falstaff, which portrays Shakespeare's Sir John Falstaff from Henry IV. Actor Greg Vinkler brings to life passages from Henry IV Parts 1 and 2.
    [Show full text]
  • Mahler 5 & Music You Know
    CONCERT PROGRAM Friday, January 22, 2016, 10:30am Saturday, January 23, 2016, 8:00pm David Robertson, conductor Timothy McAllister, saxophone JOHN ADAMS Saxophone Concerto (2013) (b. 1947) Animato; Moderato; Tranquillo, suave Molto vivo (a hard driving pulse) Timothy McAllister, saxophone INTERMISSION MAHLER Symphony No. 5 in C-sharp minor (1901-02) (1860-1911) PART I Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt Stürmisch bewegt, mit größter Vehemenz PART II Scherzo. Kräftig, nicht zu schnell PART III Adagietto. Sehr langsam— Rondo-Finale. Allegro 23 ACKNOWLEDGMENTS These concerts are part of the Wells Fargo Advisors Orchestral series. These concerts are presented by St. Louis College of Pharmacy. David Robertson is the Beofor Music Director and Conductor. Timothy McAllister is the Ann and Paul Lux Guest Artist. The concert of Saturday, January 23, is underwritten in part by a generous gift from Rex and Jeanne Sinquefield. The concert of Friday, January 22, 10:30am, features coffee and doughnuts provided through the generosity of Community Coffee and Krispy Kreme, respectively. Pre-Concert Conversations are sponsored by Washington University Physicians. Large print program notes are available through the generosity of Bellefontaine Cemetery and Arboretum and are located at the Customer Service table in the foyer. 24 ON EDGE BY EDDIE SILVA Their music is made of the worlds around them, Gustav Mahler and John Adams. Mahler of that thrilling age, the shift from the 19th to the 20th century, the speed of the modern beginning to TIMELINKS change how people think and act. Also a time of anxiety, especially for a Jewish artist in an anti- Semitic Vienna.
    [Show full text]
  • The Late Summer Newsletter
    AUGUST 2020 Issue No: 17 Welcome to the late summer newsletter. AGM and the musical phrasing stand out, always with clear thought for the meaning. Furthermore, the perfect Please note that the AGM has been postponed to December velvety colouring of their basses, with no forcing of the 2020 – date/venue to follow in the next newsletter. As the Holst th lower register whatsoever, eases the tuning and Birthplace Trust annual concert scheduled for 19 September harmonic construction of the ensemble. Preece proves 2020 has been cancelled, so too must our AGM pencilled in for that Holst is more than The Planets. that afternoon. Hopefully, if concerts resume in the next three months, we could have our AGM in the afternoon of a Saturday Jerónimo Marin before Christmas with a concert in Cheltenham that evening. HOLST/ VAUGHAN WILLIAMS/ WALT WHITMAN SAVITRI Holst, Vaughan Williams and the poetry of Walt Holst’s one-act opera will be performed in the gardens of Whitman Lauderdale House, Highgate, London, with two performances each evening on August 13th, 15th, 20th and 22nd. The The poems of Walt Whitman, and in particular his production given by Hampstead Garden Opera will be staged Leaves of Grass, first published in 1855, soon inspired by Julia Mintzer and conducted by Thomas Payne (please visit new generations of English composers. These website at https://hgo.org.uk/savitri/ for further detail). included Ralph Vaughan Williams and Gustav von Holst. Vaughan Williams was introduced to Whitman’s PART SONGS BY HOLST poetry by Bertrand Russell in 1892, the year of the poet’s death.
    [Show full text]
  • "If There Were More Cynthia Phelpses Around, There Might Be More Viola Recitals…She Is a Master of Her Instrument -- Rema
    "If there were more Cynthia Phelpses around, there might be more viola recitals…she is a master of her instrument -- remarkable technique and warm, full sound." – THE WALL STREET JOURNAL "Not only does CYNTHIA PHELPS produce one of the richest, deepest viola timbres in the world, she is a superb musician" (Seattle Post-Intelligencer). Principal Violist of the New York Philharmonic, Ms. Phelps has distinguished herself both here and abroad as one of the leading instrumentalists of our time. The recipient of numerous honors and awards, including the Pro Musicis International Award and first prize at both the Lionel Tertis International Viola Competition and the Washington International String Competition, she has captivated audiences with her compelling solo and chamber music performances. She is "a performer of top rank...the sounds she drew were not only completely unproblematical --technically faultless, generously nuanced-- but sensuously breathtaking" (The Boston Globe). Ms. Phelps performs throughout the world as soloist with orchestras, including the Minnesota Orchestra, Shanghai, San Diego, Santa Barbara, Eastern Music Festival and Vermont Symphonies, Orquesta Sinfonica de Bilbao, and Rochester and Hong Kong Philharmonic among others. World-wide, her electrifying solo appearances with the New York Philharmonic garner raves; they have included Berlioz's Harold in Italy, the Bartok Viola Concerto, Strauss's Don Quixote, the Benjamin Lees Concerto for String Quartet, the premiere of a concerto written for her by Sofia Gubaidulina and most recently, the premiere of a new concerto by the young composer Julia Adolphe written for her. She has appeared as soloist with the orchestra across the globe, including Vienna’s Musikverein, London’s Royal Festival Hall, and the Concertgebouw in Amsterdam among others.
    [Show full text]
  • Solzh 19-20 Short
    IGNAT SOLZHENITSYN 2019-20 SHORT BIO {206 WORDS} IGNAT SOLZHENITSYN Recognized as one of today's most gifted artists, and enjoying an active career as both conductor and pianist, Ignat Solzhenitsyn's lyrical and poignant interpretations have won him critical acclaim throughout the world. Principal Guest Conductor of the Moscow Symphony Orchestra and Conductor Laureate of the Chamber Orchestra of Philadelphia, Ignat Solzhenitsyn has recently led the symphonies of Baltimore, Cincinnati, Dallas, Indianapolis, Milwaukee, Seattle, and Toronto, the Nordwestdeutsche Philharmonie, the Czech National Symphony, as well as the Mariinsky Orchestra and the St. Petersburg Philharmonic. He has partnered with such world-renowned soloists as Richard Goode, Gary Graffman, Gidon Kremer, Anne-Sophie Mutter, Garrick Ohlsson, Mstislav Rostropovich, and Mitsuko Uchida. His extensive touring schedule in the United States and Europe has included concerto performances with numerous major orchestras, including those of Boston, Chicago, Philadelphia, Los Angeles, Seattle, Baltimore, Montreal, Toronto, London, Paris, Israel, and Sydney, and collaborations with such distinguished conductors as Herbert Blomstedt, James Conlon, Charles Dutoit, Valery Gergiev, André Previn, Gerard Schwarz, Wolfgang Sawallisch, Yuri Temirkanov and David Zinman. A winner of the Avery Fisher Career Grant, Ignat Solzhenitsyn serves on the faculty of the Curtis Institute of Music. He has been featured on many radio and television specials, including CBS Sunday Morning and ABC’s Nightline. CURRENT AS OF: 18 NOVEMBER 2019 PLEASE DESTROY ANY PREVIOUS BIOGRAPHICAL MATERIALS. PLEASE MAKE NO CHANGES, EDITS, OR CUTS OF ANY KIND WITHOUT SPECIFIC PERMISSION..
    [Show full text]