Pablo Ferrandez-Castro, Cello

Total Page:16

File Type:pdf, Size:1020Kb

Pablo Ferrandez-Castro, Cello Pablo Ferrández-Castro, Cello Awarded the coveted ICMA 2016 “Young Artist of the Year”, and prizewinner at the XV International Tchaikovsky Competition, Pablo Ferrández is praised by his authenticity and hailed by the critics as “one of the top cellists” (Rémy Louis, Diapason Magazine). He has appeared as a soloist with the Mariinsky Orchestra, Vienna Symphony Orchestra, St. Petersburg Philharmonic, Stuttgart Philharmonic, Kremerata Baltica, Helsinki Philharmonic, Tapiola Sinfonietta, Spanish National Orchestra, RTVE Orchestra, Maggio Musicale Fiorentino, and collaborated with such artists as Zubin Mehta, Valery Gergiev, Yuri Temirkanov, Adam Fischer, Heinrich Schiff, Dennis Russell Davies, John Storgårds, Gidon Kremer, Ivry Gitlis and Anne-Sophie Mutter. Highlights of the 2016/17 season include his debut with BBC Philharmonic under Juanjo Mena, his debut at the Berliner Philharmonie with the Deutsches Symphonie-Orchester Berlin, his collaboration with Christoph Eschenbach playing Schumann’s cello concerto with the HR- Sinfonieorchester and with the Spanish National Symphony, the return to Maggio Musicale Fiorentino under Zubin Mehta, recitals at the Mariinsky Theater and Schloss-Elmau, a European tour with Kremerata Baltica, appearances at the Verbier Festival, Jerusalem International Chamber Music Festival, Intonations Festival and Trans-Siberian Arts Festival, his debuts with Orchestra Sinfonica Nazionale RAI, Barcelona Symphony Orchestra, Munich Symphony, Estonian National Symphony, Taipei Symphony Orchestra, Queensland Symphony Orchestra, and the performance of Brahms' double concerto with Anne-Sophie Mutter and the London Philharmonic Orchestra. Mr. Ferrández plays the Stradivarius “Lord Aylesford” (1696) thanks to the Nippon Music Foundation. .
Recommended publications
  • Maïté Louis & Jasmina Kulaglich
    Programmes 2021 violin • • • • • • piano Maïté Louis & Jasmina Kulaglich Maïté Louis impresses by A spiritual ascent and a virtuosity never useless. jubilant, a musical Ayrton Desimpelaere, Crescendo pilgrimage leading to a rare plenitude. “ Etienne Muller, Appoggiature Biography Maïté Louis, violin An atypical personality in the world of classical This particularity of her career, this refusal to fit into music, Maïté Louis makes a lasting impression the prefabricated mould of soloists, this attach- with his overwhelming playing and extraordinary ment to finding music at the heart of everything, stage presence. make her the unique and rich artist she is today. Winner of numerous national and internation- al competitions (1st prize at the Golden Classical When Maïté Louis makes Music Awards in New York, 1st prize at the Interna- “ tional Grand Prize Virtuoso Competition in Rome, 2nd prize at the Glazounov International Compe- her violin cry, that’s all the tition, Silver Medal at the Ivo Pogorelich Interna- hall crying with her tional Competition in Manhattan, 3rd prize at the Le Dauphin Rising Star International Competition in Berlin, Prix d’Honneur de France Musique...), often praised by Some of these concerts: Berlioz Festival, Festival her peers, she divides her time between her ca- d’Auvers sur Oise, Grand Odéon in Paris, Festival reer as a soloist on the great classical stages and des Musiques Rares, Salle Cortot in Paris, Festival teaching at the Geneva Conservatory. Multirythmes, Bonlieu Scène Nationale d’Annecy, “Festival d’Evian, Festival Interceltique de Lorient, Her extreme virtuosity, combined with her ex- Festival Jeunes Talents, Palais des Congrès de traordinary expressiveness and musical sensitivity, Megève, Académie de Villecroze, Archipel Scène wonderfully serves the entire range of the great Nationale de Guadeloupe,..
    [Show full text]
  • Gidon Kremer Oleg Maisenberg
    EDITION SCHWETZINGER FESTSPIELE Bereits erschienen | already available: SCHUMANN SCHUBERT BEETHOVEN PROKOFIEV Fritz Wunderlich Hubert Giesen BEETHOVEN � BRAHMS SCHUbeRT LIEDERABEND Claudio Arrau ���� KLAVIERAB END � PIANO R E C ITAL WebeRN FRITZ WUNDERLICH·HUbeRT GIESEN CLAUDIO ARRAU BeeTHOVEN Liederabend 1965 Piano Recital SCHUMANN · SCHUBERT · BeeTHOVEN BeeTHOVEn·BRAHMS 1 CD No.: 93.701 1 CD No.: 93.703 KREISLER Eine große Auswahl von über 800 Klassik-CDs und DVDs finden Sie bei hänsslerCLassIC unter www.haenssler-classic.de, auch mit Hörbeispielen, Download-Möglichkeiten und Gidon Kremer Künstlerinformationen. Gerne können Sie auch unseren Gesamtkatalog anfordern unter der Bestellnummer 955.410. E-Mail-Kontakt: [email protected] Oleg Maisenberg Enjoy a huge selection of more than 800 classical CDs and DVDs from hänsslerCLASSIC at www.haenssler-classic.com, including listening samples, download and artist related information. You may as well order our printed catalogue, order no.: 955.410. E-mail contact: [email protected] DUO RecITAL Die Musikwelt zu Gast 02 bei den Schwetzinger Festspielen Partnerschaft, vorhersehbare Emigration, musikalische Heimaten 03 SERGEI PROKOFIev (1891 – 1953) Als 1952 die ersten Schwetzinger Festspiele statt- Gidon Kremer und Oleg Maisenberg bei den des Brüsseler Concours Reine Elisabeth. Zwei Sonate für Violine und Klavier fanden, konnten sich selbst die Optimisten unter Schwetzinger Festspielen 1977 Jahre später gewann er in Genua den Paganini- Nr. 1 f-Moll op. 80 | Sonata for Violine den Gründern nicht vorstellen, dass damit die Wettbewerb. Dazu ist – was Kremers Repertoire- eutsch eutsch D and Piano No. 1 in 1 F Minor, Op.80 [28:18] Erfolgsgeschichte eines der bedeutendsten deut- Als der aus dem lettischen Riga stammende, Überlegungen, seine Repertoire-Überraschungen D schen Festivals der Nachkriegszeit begann.
    [Show full text]
  • Solzh 19-20 Short
    IGNAT SOLZHENITSYN 2019-20 SHORT BIO {206 WORDS} IGNAT SOLZHENITSYN Recognized as one of today's most gifted artists, and enjoying an active career as both conductor and pianist, Ignat Solzhenitsyn's lyrical and poignant interpretations have won him critical acclaim throughout the world. Principal Guest Conductor of the Moscow Symphony Orchestra and Conductor Laureate of the Chamber Orchestra of Philadelphia, Ignat Solzhenitsyn has recently led the symphonies of Baltimore, Cincinnati, Dallas, Indianapolis, Milwaukee, Seattle, and Toronto, the Nordwestdeutsche Philharmonie, the Czech National Symphony, as well as the Mariinsky Orchestra and the St. Petersburg Philharmonic. He has partnered with such world-renowned soloists as Richard Goode, Gary Graffman, Gidon Kremer, Anne-Sophie Mutter, Garrick Ohlsson, Mstislav Rostropovich, and Mitsuko Uchida. His extensive touring schedule in the United States and Europe has included concerto performances with numerous major orchestras, including those of Boston, Chicago, Philadelphia, Los Angeles, Seattle, Baltimore, Montreal, Toronto, London, Paris, Israel, and Sydney, and collaborations with such distinguished conductors as Herbert Blomstedt, James Conlon, Charles Dutoit, Valery Gergiev, André Previn, Gerard Schwarz, Wolfgang Sawallisch, Yuri Temirkanov and David Zinman. A winner of the Avery Fisher Career Grant, Ignat Solzhenitsyn serves on the faculty of the Curtis Institute of Music. He has been featured on many radio and television specials, including CBS Sunday Morning and ABC’s Nightline. CURRENT AS OF: 18 NOVEMBER 2019 PLEASE DESTROY ANY PREVIOUS BIOGRAPHICAL MATERIALS. PLEASE MAKE NO CHANGES, EDITS, OR CUTS OF ANY KIND WITHOUT SPECIFIC PERMISSION..
    [Show full text]
  • TRIO GASPARD Jonian Ilias Kadesha Violin Vashti Hunter Cello Nicholas Rimmer Piano
    TRIO GASPARD Jonian Ilias Kadesha Violin Vashti Hunter Cello Nicholas Rimmer Piano "A truly refreshing performance! Richly coloured, honest, full of joy and with good agogics! This trio belongs to another league!" Ensemble Magazine Founded in 2010, Trio Gaspard are one of the most sought- after piano trios of their generation, praised for their unique and fresh approach to the score. Trio Gaspard are regularly invited to perform at major international concert halls, such as Wigmore Hall, Berlin Philharmonie, Essen Philharmonie, Grafenegg Castle Austria, Salle Molière Lyon, NDR Rolf- Liebermann Hall, Hamburg and Shanghai Symphony Hall as well as making appearances at festivals such as Heidelberger Frühling, Mantua Chamber Music Festival, Boswiler Sommer and PODIUM Festival Esslingen. Important engagements over the past year include recitals in Belfast, Trieste, Naples, Bern, Heidelberg, Grafenegg Festspiele as well as at Berlin’s ‘Pierre Boulez’ Saal. A highlight of 2018 was performing Beethoven triple concerto twice in Switzerland under the baton of eminent musician and conductor, Gabor Takács-Nagy. Trio Gaspard are winners of three major international competitions since their inception. They won first prizes and special prizes at the International Joseph Joachim Chamber Music Competition in Weimar, the 5th International Haydn Chamber Music Competition in Vienna and the 17th International Chamber Music Competition in Illzach, France. In 2012 they were awarded the “Wiener Klassik” Preis der Stadt Baden in Austria. As well as exploring and championing the traditional piano trio repertoire, Trio Gaspard works regularly with contemporary composers and is keen to discover seldom-played masterpieces. In 2017, they performed a commission from Irish composer Gareth Williams at the Belfast Music Society, broadcasted live by the BBC.
    [Show full text]
  • The Time Is Now Thethe Timetime Isis Nownow Music Has the Power to Inspire, to Change Lives, to Illuminate Perspective, 20/21 SEASON and to Shift Our Vantage Point
    20/21 SEASON The Time Is Now TheThe TimeTime IsIs NowNow Music has the power to inspire, to change lives, to illuminate perspective, 20/21 SEASON and to shift our vantage point. featuring FESTIVAL Your seats are waiting. Voices of Hope: Artists in Times of Oppression An exploration of humankind’s capacity for hope, courage, and resistance in the face of the unimaginable PERSPECTIVES Rhiannon Giddens “… an electrifying artist …” —Smithsonian PERSPECTIVES Yannick Nézet-Séguin “… the greatest generator of energy on the international podium …” —Financial Times PERSPECTIVES Jordi Savall “… a performer of genius but also a conductor, a scholar, a teacher, a concert impresario …” —The New Yorker DEBS COMPOSER’S CHAIR Andrew Norman “… the leading American composer of his generation ...” —Los Angeles Times Left: Youssou NDOUR On the cover: Mirga Gražinytė-Tyla carnegiehall.org/subscribe | 212-247-7800 Photos: NDOUR by Jack Vartoogian, Gražinytė-Tyla by Benjamin Ealovega. Box Office at 57th and Seventh Rafael Pulido Some of the most truly inspiring music CONTENTS you’ll hear this season—or any other season—at Carnegie Hall was written in response to oppressive forces that have 3 ORCHESTRAS ORCHESTRAS darkened the human experience throughout history. Perspectives: Voices of Hope: Artists in Times of Oppression takes audiences Yannick Nézet-Séguin on a journey unique among our festivals for the breadth of music 12 these courageous artists employed—from symphonies to jazz to Debs Composer’s popular songs and more. This music raises the question of why, 13 Chair: Andrew Norman no matter how horrific the circumstances, artists are nonetheless compelled to create art; and how, despite those circumstances, 28 Zankel Hall Center Stage the art they create can be so elevating.
    [Show full text]
  • Phd April 2019 Pp
    The University of Adelaide Elder Conservatorium of Music Faculty of Arts Revisiting George Enescu’s 1921 Bucharest Recital Series: a performance-based investigation with recordings and exegesis. by Elizabeth Layton submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) Adelaide, April 2019 Table of Contents Abstract 5 Declaration 6 Acknowledgements 7 List of Musical Examples 8 List of Tables 11 Introduction 12 PART A: Sound recordings 22 A.1 CD 1 Tracks 1-4 Pierre de Bréville, Sonata no. 1 in C # minor 39:17 Tracks 5-8 Gabriel Fauré, Sonata no. 1 in A major, Op. 13 26:14 A.2 CD 2 Tracks 1-4 André Gédalge, Sonata no. 1 in G major, Op. 12 23:39 Tracks 5-7 Claude Debussy, Sonata in G minor (performance 1) 13:44 Tracks 8-10 Claude Debussy, Sonata in G minor (performance 2) 13:36 A.3 CD 3 Tracks 1-3 Ferruccio Busoni, Sonata no. 2 in E minor, Op. 36a 34:25 Tracks 4-7 Zygmunt Stojowski, Sonata no. 2 in E minor, Op. 37 29:30 A.4 CD 4 Tracks 1-4 Louis Vierne, Sonata in G minor, Op. 23 32:44 Tracks 5-7 Stan Golestan, Sonata in E flat major 26:56 Tracks 8-10 George Enescu, Sonata in F minor, Op. 6 22:34 PART B: Exegesis Chapter 1 George Enescu: Musician, and his path to the 1921 Bucharest Recital Series 27 1.1 Understanding the context and motivation behind the series 35 2 Chapter 2 The 1921 Bucharest Recital Series 38 2.1 Recital 1: Haydn, d’Indy, Bertelin 38 2.2 Recital 2: Mozart, Busoni, Vierne 39 2.3 Recital 3: Sjögren, Schubert, Lauweryns 41 2.4 Recital 4: Weingartner, Stojowski, Beethoven 42 2.5 Recital 5: Bargiel, Haydn, Golestan 42 2.6 Recital 6: Le Boucher, Mozart, Saint-Saëns 43 2.7 Recital 7: Gédalge, Dvorák, Debussy, Schumann 44 2.8 Recital 8: Huré, Bach, Lekeu 45 2.9 Recital 9: Beethoven, Fauré, Franck 46 2.10 Recital 10: Gallon, de Bréville, Beethoven 48 2.11 Recital 11: Magnard, Le Flem, Brahms 49 2.12 Recital 12: Franck, Enescu, Beethoven 49 Chapter 3 Performance notes on nine sonatas selected from the 1921 Bucharest Recital Series 3.1 Pierre de Bréville, Sonata no.
    [Show full text]
  • Monthly Letter NGP N
    To Non-Governmental Organizations, Official partners of UNESCO Ref. : ERI/MSP/INO/2016/143 30 November 2016 Dear Partners, First of all, I wish to express great satisfaction for the successful organization of the Sixth International Forum of NGOs in official partnership with UNESCO held in Querétaro (Mexico) on 3 and 4 November last. I noted an excellent participation of our NGO official partners who strongly mobilized their local and regional branches. It was the first Forum to be held in Latin America and the largest Forum so far in terms of audience – it brought together around 800 participants. I am particularly pleased that, for the very first time, hundreds of young people from local high schools and universities joined this Forum and took part in the debate. The two-day discussions were held on the theme “From promoting to building Peace with NGOs”, a topic which lies at the heart of UNESCO’s mandate and of Sustainable Development Goal 16, which includes promoting peaceful and inclusive societies. The Forum emphasized the need for action, and the fact that peace cannot be a mere matter of policy making, but a process where the civil society is a full-fledged actor. I also wish to recall that we are fast approaching an important highlight in the cooperation between NGOs and UNESCO - the 2016 International Conference of Non-Governmental Organizations, which will be held at UNESCO Headquarters from 12 to 14 December on the theme “The challenge of the digital revolution for NGOs”. Your participation is essential, and I really hope that many of you will be present at this important event.
    [Show full text]
  • Sirba-Tantz-Ang-Eng-2017-Site.Pdf
    S I R B A O C T E T Tantz ! Sirba Octet www.sirbaoctet.com © © Bernard Martine “Tantz! has its roots in the Eastern IT IS A PORTRAIT OF LIFE ITSELF! Europe of my grandparents before they emigrated nearly 100 years “It is a portrait of life itself – a lifetime T A N ago. I wanted to rediscover this of love that no longer exists to which intrinsic element of my cultural song is the only possible testimony we orientation by revisiting this music as the classical musician I am can have in the end. It encapsulates a TZ today.” whole era which used to exist and isn’t there any more but which will live on in Inspired by the migration both of the souls of those who value it and we people and of their music, the must all value it because it comes ! show forms a kind of bridge directly from the heart. between Romania, Moldova, Russia and Hungary and their That is what it is. rich, interwoven treasuries of traditional folk music. Each We must thank these wonderful carefully selected piece retains the musicians who have come together to identity and authenticity which we share and sustain this symbol of love, must protect and pass on, like Ariadne’s thread, thereby continuing the musical heritage reanimating a forgotten time that is that is an ode to life – moving, joyful and tinged with humour. ever present. Richard Schmoucler, artistic Thank you!” director (translated from original French) Ivry Gitlis, Paris, September 30th 2014 (translated from the original French) AN ENERGETIC AND HEARTFELT MUSICAL JOURNEY Tantz! means dance in Yiddish and this title eludes to the emotion, elegance and vigour of the show itself.
    [Show full text]
  • AM Jascha Heiftez Film Interviewees FINAL
    Press Contact: Natasha Padilla, WNET, 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , http://youtube.com/AmericanMastersPBS , http://instagram.com/pbsamericanmasters , #AmericanMasters American Masters Jascha Heifetz: God’s Fiddler Premieres nationwide Thursday, April 16 at 8 p.m. and Friday, April 17 at 9 p.m. on PBS (check local listings) Film Interviewees (in order of appearance) Ivry Gitlis , Israeli violinist, UNESCO Goodwill Ambassador Itzhak Perlman , child prodigy violinist Arthur Vered , Heifetz biographer John Anthony Maltese , Heifetz biographer, Albert Berry Saye Professor and head of the department of political science, University of Georgia Ayke Agus , child prodigy violinist and pianist, Heifetz’ student, accompanist and longtime companion Saulius Sondeckis , Lithuanian violinist Galina Kopytova , Author, Jascha Heifetz: Early Years in Russia Sergei Stadler , Russian violinist Nathaniel Rosen , American cellist, former faculty member at the USC Thornton School of Music and the Manhattan School of Music Ida Haendel , Polish child prodigy violinist Seymour Lipkin , concert pianist, piano and chamber music faculty member of The Curtis Institute of Music and The Juilliard School, Artistic Director of The Kneisel Hall Chamber Music Festival and School in Blue Hill, Maine Marvin Gross , Heifetz’s lawyer for the 40+ years Heifetz lived
    [Show full text]
  • Leon Levy BAM Digital Archive
    Brooklyn Academy of Music 1997 Next Wave Festival .-.•- • - • Julio Galan, Rado, 1996, oil on canvas, 39 W' x 31 '/2" Tan~o PHILIP MORRIS BAM 1997 Next Wave Festival is sponsored by COM PAN IE SIN c. Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Harvey Lichtenstein President & Executive Producer presents Running time: approximately ninety minutes. II There will be no intermission. BAM Majestic Theater Saturday, October 4, 1997 at 7:30pm Sunday, October 5 at 3pm Violin-Gidon Kremer Piano-Vadim Sakharov Bass-Alois Posch Bandoneon-Per Arne Glorvigen Tante aile Primi Hora Cero Milonga in RE Va rdarito L'Histoire de tango Soledad Etude(s) for Solo Violin Le Grand Tango Decarissimo Michelangelo Program is subject to change. Please refer to insert for updated information. Opening night is sponsored by Nonesuch Records. Gidon Kremer on The first time I heard Astor's playing it was striking. There were these very Astor Piazzolla strong vibes of energy. This energy had an incredible power. It's something you never forget, once being in the feel of this energy-it amplifies your own energy, it gives you sheer pleasure of being, encourages you to try more than you already have tried. Astor Piazzolla is not ashamed occasionally to be direct, occasionally to be straightforward. He's not ashamed of being sentimental, and some sophisticated, snobby people would object to it, but I feel like I'm going for the right thing-for the thing that touches you. Falling in love with Piazzolla is something special to me. Falling in love is always special, but falling in love with music is something even more special.
    [Show full text]
  • Tulane • 91.5 FM • New Orleans AUGUST-SEPTEMBER 1991
    Tulane • 91.5 FM • NEw ORLEANs AUGUST-SEPTEMBER 1991 First Week Features Voices During the first week of our schedule, vocal works will be featured. The Twenti­ eth-Century Show starts on Sunday, August 11, from 7 to 11 p.m., with Ferenc Farkas's Aspirationes Principis, the Rak6czi Cantata (Hungaroton SLPX 12704). Named for a Hungarian patriot who led a war for independence, this heartfelt work for tenor, baritone, and orchestra was written in the 1970's, toward the end of an era of great trouble in Eastern Europe. Morning Classics, from 6 to 8 a.m., will start Monday, August 12, with Mary Watkins, who has selected the early Baroque Altri Canti di Marte of Claudio Monteverdi (Erato ECD 88108). On Tuesday, the 13th, Anitha Tummala will feature a work that has been an inspiration to gen­ erations of freedom lovers, Ludwig van Beethoven's "Chorus of Prisoners" from the opera Fidelio (EMI CDC 7 49828 2). Lenny Bertrand's Wednesday, August 14, show will include I Hear an Army (CRI SD 294), for the unusual combination of soprano and string quartet. The composer is neo-romantic David Del Tredici. From early in his career (1964), the music is not so mellow as the later works that have established the composer's popularity. For Thursday, the 15th, Jessica An­ derson will feature "Enchanting Land" from L'Africaine by Giocomo Meyer beer. Although no longer much in fashion, the demanding bel canto aria is done to a turn by tenor Placido Domingo (EMI CDC 7 49811 2). Mezzo Frederica von Stade brings equal accomplishment to Claude Debussy's Chansons de Bilitis, which Gina Forsyth will feature Friday (CBS MK 39023).
    [Show full text]
  • Artist Index
    SEASON Artist Index Following is an alphabetical list of artists and ensembles performing in Stern Auditorium / Perelman Stage (SA/PS), Zankel Hall (ZH), and Weill Recital Hall (WRH) during Carnegie Hall’s 2014–2015 season. Corresponding concert date(s) and concert titles are also included. For full program information, please refer to the 2014–2015 chronological listing of events. Abduraimov, Behzod 1/27/2015 Mariinsky Orchestra (SA/PS) 2/18/2015 Abduraimov, Behzod (WRH) Academy of Ancient Music 11/7/2014 Academy of Ancient Music (ZH) Aimard, Pierre-Laurent 11/13/2014 Pierre-Laurent Aimard (SA/PS) 3/16/2015 Pierre-Laurent Aimard / Tamara Stefanovich (SA/PS) Ainslie, Ross 3/28/2015 Zakir Hussain / Celtic Connections (SA/PS) American Composers Orchestra 11/21/2014 American Composers Orchestra (ZH) 2/27/2015 American Composers Orchestra (ZH) Anderszewski, Piotr 3/19/2015 Piotr Anderszewski (SA/PS) Andsnes, Leif Ove 2/23/2015 Mahler Chamber Orchestra / Leif Ove Andsnes (SA/PS) 2/25/2015 Mahler Chamber Orchestra / Leif Ove Andsnes (SA/PS) Andueza, Raquel 4/7/2015 L’Arpeggiata (ZH) Apollon Musagète Quartet 11/7/2014 Apollon Musagète Quartet (WRH) Armbrust, Kyle 2/22/2015 Richard Goode and Friends (ZH) 3/26/2015 Richard Goode and Friends (ZH) Artemis Quartet 4/15/2015 Artemis Quartet (ZH) Atxalandabaso, Mikeldi 12/7/2014 Teatro Regio Torino (SA/PS) Australian Chamber Orchestra 4/26/2015 Australian Chamber Orchestra (ZH) Avital, Avi 3/11/2015 Venice Baroque Orchestra (ZH) Ax, Emanuel 5/14/2015 The Philadelphia Orchestra (SA/PS) Baráti, Kristóf
    [Show full text]